With the recent growth of remote work, online meetings often encounter challenging audio contexts such as background noise, music, and echo. Accurate real-time detection of music events can help to improve the user experience. In this paper, we present MusicNet, a compact neural model for detecting background music in the real-time communications pipeline. In video meetings, music frequently co-occurs with speech and background noises, making the accurate classification quite challenging. We propose a compact convolutional neural network core preceded by an in-model featurization layer. MusicNet takes 9 seconds of raw audio as input and does not require any model-specific featurization in the product stack. We train our model on the balanced subset of the Audio Set~\cite{gemmeke2017audio} data and validate it on 1000 crowd-sourced real test clips. Finally, we compare MusicNet performance with 20 state-of-the-art models. MusicNet has a true positive rate (TPR) of 81.3% at a 0.1% false positive rate (FPR), which is significantly better than state-of-the-art models included in our study. MusicNet is also 10x smaller and has 4x faster inference than the best performing models we benchmarked.
Institute of High Performance Computing (IHPC), Agency for Science, Technology and Research (A*STAR)（科学、技术与研究署（A*STAR）高性能计算研究所（IHPC））；Singapore University of Technology and Design（新加坡科技设计大学）
Most of the current supervised automatic music transcription (AMT) models lack the ability to generalize. This means that they have trouble transcribing real-world music recordings from diverse musical genres that are not presented in the labelled training data. In this paper, we propose a semi-supervised framework, ReconVAT, which solves this issue by leveraging the huge amount of available unlabelled music recordings. The proposed ReconVAT uses reconstruction loss and virtual adversarial training. When combined with existing U-net models for AMT, ReconVAT achieves competitive results on comm…
This paper explores a variety of models for frame-based music transcription, with an emphasis on the methods needed to reach state-of-the-art on human recordings. The translation-invariant network discussed in this paper, which combines a traditional filterbank with a convolutional neural network, was the top-performing model in the 2017 MIREX Multiple Fundamental Frequency Estimation evaluation. This class of models shares parameters in the log-frequency domain, which exploits the frequency invariance of music to reduce the number of model parameters and avoid overfitting to the training data…
Research Center for IT Innovation, Academia Sinica（中央研究院资讯科技创新研究中心）
We present in this paper PerformacnceNet, a neural network model we proposed recently to achieve score-to-audio music generation. The model learns to convert a music piece from the symbolic domain to the audio domain, assigning performance-level attributes such as changes in velocity automatically to the music and then synthesizing the audio. The model is therefore not just a neural audio synthesizer, but an AI performer that learns to interpret a musical score in its own way. The code and sample outputs of the model can be found online at https://github.com/bwang514/PerformanceNet.
Rage Music Classification and Analysis using K-Nearest Neighbour, Random Forest, Support Vector Machine, Convolutional Neural Networks, and Gradient Boosting
Pronounced as "musician", the musicnn library contains a set of pre-trained musically motivated convolutional neural networks for music audio tagging: https://github.com/jordipons/musicnn. This repository also includes some pre-trained vgg-like baselines. These models can be used as out-of-the-box music audio taggers, as music feature extractors, or as pre-trained models for transfer learning. We also provide the code to train the aforementioned models: https://github.com/jordipons/musicnn-training. This framework also allows implementing novel models. For example, a musically motivated convol…
Musicologists use various labels to classify similar music styles under a shared title. But, non-specialists may categorize music differently. That could be through finding patterns in harmony, instruments, and form of the music. People usually identify a music genre solely by listening, but now computers and Artificial Intelligence (AI) can automate this process. The work on applying AI in the classification of types of music has been growing recently, but there is no evidence of such research on the Kurdish music genres. In this research, we developed a dataset that contains 880 samples from…
University of Seville（塞维利亚大学）；University of Piraeus（比雷埃夫斯大学）
We present computational tools that we developed for the analysis of a large corpus of flamenco music recordings, along with the related exploratory findings. The proposed computational backend is based on a set of Convolutional Neural Networks that provide the structural annotation of each music recording with respect to the presence of vocals, guitar and hand-clapping ("palmas"). The resulting, automatically extracted annotations, allowed for the visualization of music recordings in structurally meaningful ways, the extraction of global statistics related to the instrumentation of flamenco m…
Deep learning has been demonstrated its effectiveness and efficiency in music genre classification. However, the existing achievements still have several shortcomings which impair the performance of this classification task. In this paper, we propose a hybrid architecture which consists of the paralleling CNN and Bi-RNN blocks. They focus on spatial features and temporal frame orders extraction respectively. Then the two outputs are fused into one powerful representation of musical signals and fed into softmax function for classification. The paralleling network guarantees the extracting featu…
In this article we explore how the different semantics of spectrograms' time and frequency axes can be exploited for musical tempo and key estimation using Convolutional Neural Networks (CNN). By addressing both tasks with the same network architectures ranging from shallow, domain-specific approaches to deep variants with directional filters, we show that axis-aligned architectures perform similarly well as common VGG-style networks developed for computer vision, while being less vulnerable to confounding factors and requiring fewer model parameters.
We present Music Tagging Transformer that is trained with a semi-supervised approach. The proposed model captures local acoustic characteristics in shallow convolutional layers, then temporally summarizes the sequence of the extracted features using stacked self-attention layers. Through a careful model assessment, we first show that the proposed architecture outperforms the previous state-of-the-art music tagging models that are based on convolutional neural networks under a supervised scheme. The Music Tagging Transformer is further improved by noisy student training, a semi-supervised appro…
Acoustic environment characterization opens doors for sound reproduction innovations, smart EQing, speech enhancement, hearing aids, and forensics. Reverberation time, clarity, and direct-to-reverberant ratio are acoustic parameters that have been defined to describe reverberant environments. They are closely related to speech intelligibility and sound quality. As explained in the ISO3382 standard, they can be derived from a room measurement called the Room Impulse Response (RIR). However, measuring RIRs requires specific equipment and intrusive sound to be played. The recent audio combined wi…
Indian Institute of Technology Kharagpur（印度理工学院卡拉格普尔分校）
Music genre classification is one of the trending topics in regards to the current Music Information Retrieval (MIR) Research. Since, the dependency of genre is not only limited to the audio profile, we also make use of textual content provided as lyrics of the corresponding song. We implemented a CNN based feature extractor for spectrograms in order to incorporate the acoustic features and a Hierarchical Attention Network based feature extractor for lyrics. We then go on to classify the music track based upon the resulting fused feature vector.
We have built a music similarity search engine that lets video producers search by listenable music excerpts, as a complement to traditional full-text search. Our system suggests similar sounding track segments in a large music catalog by training a self-supervised convolutional neural network with triplet loss terms and musical transformations. Semi-structured user interviews demonstrate that we can successfully impress professional video producers with the quality of the search experience, and perceived similarities to query tracks averaged 7.8/10 in user testing. We believe this search tool…
École de Technologie Supérieure, Université du Québec（魁北克大学高等技术学院）
This paper proposes a 1D residual convolutional neural network (CNN) architecture for music genre classification and compares it with other recent 1D CNN architectures. The 1D CNNs learn a representation and a discriminant directly from the raw audio signal. Several convolutional layers capture the time-frequency characteristics of the audio signal and learn various filters relevant to the music genre recognition task. The proposed approach splits the audio signal into overlapped segments using a sliding window to comply with the fixed-length input constraint of the 1D CNNs. As a result, music…
In this work, we aim to improve the expressive capacity of waveform-based discriminative music networks by modeling both sequential (temporal) and hierarchical information in an efficient end-to-end architecture. We present MuSLCAT, or Multi-scale and Multi-level Convolutional Attention Transformer, a novel architecture for learning robust representations of complex music tags directly from raw waveform recordings. We also introduce a lightweight variant of MuSLCAT called MuSLCAN, short for Multi-scale and Multi-level Convolutional Attention Network. Both MuSLCAT and MuSLCAN model features fro…
Research Center for Information Technology Innovation, Academia Sinica（中央研究院资讯科技创新研究中心）
Music creation is typically composed of two parts: composing the musical score, and then performing the score with instruments to make sounds. While recent work has made much progress in automatic music generation in the symbolic domain, few attempts have been made to build an AI model that can render realistic music audio from musical scores. Directly synthesizing audio with sound sample libraries often leads to mechanical and deadpan results, since musical scores do not contain performance-level information, such as subtle changes in timing and dynamics. Moreover, while the task may sound li…
Queen Mary University of London（伦敦玛丽女王大学）；Doremir Music Research AB（Doremir音乐研究公司）
This paper proposes a deep convolutional neural network for performing note-level instrument assignment. Given a polyphonic multi-instrumental music signal along with its ground truth or predicted notes, the objective is to assign an instrumental source for each note. This problem is addressed as a pitch-informed classification task where each note is analysed individually. We also propose to utilise several kernel shapes in the convolutional layers in order to facilitate learning of efficient timbre-discriminative feature maps. Experiments on the MusicNet dataset using 7 instrument classes sh…
Ohio State University（俄亥俄州立大学）；Amazon Music, Bangalore（亚马逊音乐（班加罗尔））；Amazon Lab126, CA（亚马逊Lab126（加利福尼亚））
Music source separation has been a popular topic in signal processing for decades, not only because of its technical difficulty, but also due to its importance to many commercial applications, such as automatic karoake and remixing. In this work, we propose a novel self-attention network to separate voice and accompaniment in music. First, a convolutional neural network (CNN) with densely-connected CNN blocks is built as our base network. We then insert self-attention subnets at different levels of the base CNN to make use of the long-term intra-dependency of music, i.e., repetition. Within se…
This paper presents a novel supervised approach to detecting the chorus segments in popular music. Traditional approaches to this task are mostly unsupervised, with pipelines designed to target some quality that is assumed to define "chorusness," which usually means seeking the loudest or most frequently repeated sections. We propose to use a convolutional neural network with a multi-task learning objective, which simultaneously fits two temporal activation curves: one indicating "chorusness" as a function of time, and the other the location of the boundaries. We also propose a post-processing…
Reverb plays a critical role in music production, where it provides listeners with spatial realization, timbre, and texture of the music. Yet, it is challenging to reproduce the musical reverb of a reference music track even by skilled engineers. In response, we propose an end-to-end system capable of switching the musical reverb factor of two different mixed vocal tracks. This method enables us to apply the reverb of the reference track to the source track to which the effect is desired. Further, our model can perform de-reverberation when the reference track is used as a dry vocal source. Th…
Research Center for IT Innovation Academia Sinica Taipei, Taiwan
Convolutional neural networks with skip connections have shown good performance in music source separation. In this work, we propose a denoising Auto-encoder with Recurrent skip Connections (ARC). We use 1D convolution along the temporal axis of the time-frequency feature map in all layers of the fully-convolutional network. The use of 1D convolution makes it possible to apply recurrent layers to the intermediate outputs of the convolution layers. In addition, we also propose an enhancement network and a residual regression method to further improve the separation result. The recurrent skip co…
The analysis of the structure of musical pieces is a task that remains a challenge for Artificial Intelligence, especially in the field of Deep Learning. It requires prior identification of structural boundaries of the music pieces. This structural boundary analysis has recently been studied with unsupervised methods and \textit{end-to-end} techniques such as Convolutional Neural Networks (CNN) using Mel-Scaled Log-magnitude Spectograms features (MLS), Self-Similarity Matrices (SSM) or Self-Similarity Lag Matrices (SSLM) as inputs and trained with human annotations. Several studies have been p…
We present a deep convolutional GAN which leverages techniques from MP3/Vorbis audio compression to produce long, high-quality audio samples with long-range coherence. The model uses a Modified Discrete Cosine Transform (MDCT) data representation, which includes all phase information. Phase generation is hence integral part of the model. We leverage the auditory masking and psychoacoustic perception limit of the human ear to widen the true distribution and stabilize the training process. The model architecture is a deep 2D convolutional network, where each subsequent generator model block incr…
Graduate School of Convergence Science and Technology, Seoul National University（首尔国立大学融合科学技术研究生院）
In this paper, we propose a simple yet effective method for multiple music source separation using convolutional neural networks. Stacked hourglass network, which was originally designed for human pose estimation in natural images, is applied to a music source separation task. The network learns features from a spectrogram image across multiple scales and generates masks for each music source. The estimated mask is refined as it passes over stacked hourglass modules. The proposed framework is able to separate multiple music sources using a single network. Experimental results on MIR-1K and DSD…
Understanding the features learned by deep models is important from a model trust perspective, especially as deep systems are deployed in the real world. Most recent approaches for deep feature understanding or model explanation focus on highlighting input data features that are relevant for classification decisions. In this work, we instead take the perspective of relating deep features to well-studied, hand-crafted features that are meaningful for the application of interest. We propose a methodology and set of systematic experiments for exploring deep features in this setting, where input f…
Universitat Pompeu Fabra（庞培法布拉大学）；Pandora Media Inc.（潘多拉媒体公司）
The lack of data tends to limit the outcomes of deep learning research, particularly when dealing with end-to-end learning stacks processing raw data such as waveforms. In this study, 1.2M tracks annotated with musical labels are available to train our end-to-end models. This large amount of data allows us to unrestrictedly explore two different design paradigms for music auto-tagging: assumption-free models - using waveforms as input with very small convolutional filters; and models that rely on domain knowledge - log-mel spectrograms with a convolutional neural network designed to learn timb…
The computer vision literature shows that randomly weighted neural networks perform reasonably as feature extractors. Following this idea, we study how non-trained (randomly weighted) convolutional neural networks perform as feature extractors for (music) audio classification tasks. We use features extracted from the embeddings of deep architectures as input to a classifier - with the goal to compare classification accuracies when using different randomly weighted architectures. By following this methodology, we run a comprehensive evaluation of the current deep architectures for audio classif…
Previous attempts at music artist classification use frame level audio features which summarize frequency content within short intervals of time. Comparatively, more recent music information retrieval tasks take advantage of temporal structure in audio spectrograms using deep convolutional and recurrent models. This paper revisits artist classification with this new framework and empirically explores the impacts of incorporating temporal structure in the feature representation. To this end, an established classification architecture, a Convolutional Recurrent Neural Network (CRNN), is applied …
A model of music needs to have the ability to recall past details and have a clear, coherent understanding of musical structure. Detailed in the paper is a neural network architecture that predicts and generates polyphonic music aligned with musical rules. The probabilistic model presented is a Bi-axial LSTM trained with a kernel reminiscent of a convolutional kernel. When analyzed quantitatively and qualitatively, this approach performs well in composing polyphonic music. Link to the code is provided.
Queen Mary University of London（伦敦玛丽女王大学）；Institute for Research and Coordination in Acoustics/Music（声学/音乐研究与协调研究所）
The identification of structural differences between a music performance and the score is a challenging yet integral step of audio-to-score alignment, an important subtask of music information retrieval. We present a novel method to detect such differences between the score and performance for a given piece of music using progressively dilated convolutional neural networks. Our method incorporates varying dilation rates at different layers to capture both short-term and long-term context, and can be employed successfully in the presence of limited annotated data. We conduct experiments on audi…
Bangladesh University of Engineering and Technology（孟加拉国工程技术大学）
Speech, Music and Noise classification/segmentation is an important preprocessing step for audio processing/indexing. To this end, we propose a novel 1D Convolutional Neural Network (CNN) - SwishNet. It is a fast and lightweight architecture that operates on MFCC features which is suitable to be added to the front-end of an audio processing pipeline. We showed that the performance of our network can be improved by distilling knowledge from a 2D CNN, pretrained on ImageNet. We investigated the performance of our network on the MUSAN corpus - an openly available comprehensive collection of noise…
This paper introduces the jazznet Dataset, a dataset of fundamental jazz piano music patterns for developing machine learning (ML) algorithms in music information retrieval (MIR). The dataset contains 162520 labeled piano patterns, including chords, arpeggios, scales, and chord progressions with their inversions, resulting in more than 26k hours of audio and a total size of 95GB. The paper explains the dataset's composition, creation, and generation, and presents an open-source Pattern Generator using a method called Distance-Based Pattern Structures (DBPS), which allows researchers to easily …
Ping An Technology (Shenzhen) Co., Ltd（平安科技（深圳）有限公司）
In recent years, deep learning technique has received intense attention owing to its great success in image recognition. A tendency of adaption of deep learning in various information processing fields has formed, including music information retrieval (MIR). In this paper, we conduct a comprehensive study on music audio classification with improved convolutional neural networks (CNNs). To the best of our knowledge, this the first work to apply Densely Connected Convolutional Networks (DenseNet) to music audio tagging, which has been demonstrated to perform better than Residual neural network (…
Cover song identification represents a challenging task in the field of Music Information Retrieval (MIR) due to complex musical variations between query tracks and cover versions. Previous works typically utilize hand-crafted features and alignment algorithms for the task. More recently, further breakthroughs are achieved employing neural network approaches. In this paper, we propose a novel Convolutional Neural Network (CNN) architecture based on the characteristics of the cover song task. We first train the network through classification strategies; the network is then used to extract music…
Research Center for IT innovation, Academia Sinica（中央研究院资讯科技创新研究中心）
It has been shown recently that deep convolutional generative adversarial networks (GANs) can learn to generate music in the form of piano-rolls, which represent music by binary-valued time-pitch matrices. However, existing models can only generate real-valued piano-rolls and require further post-processing, such as hard thresholding (HT) or Bernoulli sampling (BS), to obtain the final binary-valued results. In this paper, we study whether we can have a convolutional GAN model that directly creates binary-valued piano-rolls by using binary neurons. Specifically, we propose to append to the gen…
Fudan University（复旦大学）；Ping An Technology (Shenzhen) Co., Ltd.（平安科技（深圳）有限公司）；National Institute of Informatics（国立信息学研究所）
Singing voice detection (SVD), to recognize vocal parts in the song, is an essential task in music information retrieval (MIR). The task remains challenging since singing voice varies and intertwines with the accompaniment music, especially for some complicated polyphonic music such as choral music recordings. To address this problem, we investigate singing voice detection while discarding the interference from the accompaniment. The proposed SVD has two steps: i. The singing voice separation (SVS) technique is first utilized to filter out the singing voice's potential part coarsely. ii. Upon …
Research Center for IT Innovation, Academia Sinica（中央研究院资讯科技创新研究中心）；KKBOX Inc.（KKBOX公司）
Timbre and pitch are the two main perceptual properties of musical sounds. Depending on the target applications, we sometimes prefer to focus on one of them, while reducing the effect of the other. Researchers have managed to hand-craft such timbre-invariant or pitch-invariant features using domain knowledge and signal processing techniques, but it remains difficult to disentangle them in the resulting feature representations. Drawing upon state-of-the-art techniques in representation learning, we propose in this paper two deep convolutional neural network models for learning disentangled repr…
This paper describes a neural drum transcription method that detects from music signals the onset times of drums at the $\textit{tatum}$ level, where tatum times are assumed to be estimated in advance. In conventional studies on drum transcription, deep neural networks (DNNs) have often been used to take a music spectrogram as input and estimate the onset times of drums at the $\textit{frame}$ level. The major problem with such frame-to-frame DNNs, however, is that the estimated onset times do not often conform with the typical tatum-level patterns appearing in symbolic drum scores because the…
National Yang Ming Chiao Tung University（国立阳明交通大学）；Chung Hua University（中华大学）
In this study, we proposed a new end-to-end convolutional neural network, called MS-SincResNet, for music genre classification. MS-SincResNet appends 1D multi-scale SincNet (MS-SincNet) to 2D ResNet as the first convolutional layer in an attempt to jointly learn 1D kernels and 2D kernels during the training stage. First, an input music signal is divided into a number of fixed-duration (3 seconds in this study) music clips, and the raw waveform of each music clip is fed into 1D MS-SincNet filter learning module to obtain three-channel 2D representations. The learned representations carry rich t…
Musical onset detection can be formulated as a time-to-event (TTE) or time-since-event (TSE) prediction task by defining music as a sequence of onset events. Here we propose a novel method to model the probability of onsets by introducing a sequential density prediction model. The proposed model estimates TTE & TSE distributions from mel-spectrograms using convolutional neural networks (CNNs) as a density predictor. We evaluate our model on the Bock dataset show-ing comparable results to previous deep-learning models.
Synthesizing human motion through learning techniques is becoming an increasingly popular approach to alleviating the requirement of new data capture to produce animations. Learning to move naturally from music, i.e., to dance, is one of the more complex motions humans often perform effortlessly. Each dance movement is unique, yet such movements maintain the core characteristics of the dance style. Most approaches addressing this problem with classical convolutional and recursive neural models undergo training and variability issues due to the non-Euclidean geometry of the motion manifold stru…
University of Milano（米兰大学）；Austrian Research Institute for Artificial Intelligence（奥地利人工智能研究所）；Johannes Kepler University Linz（林茨约翰·开普勒大学）
In many musical traditions, the melody line is of primary significance in a piece. Human listeners can readily distinguish melodies from accompaniment; however, making this distinction given only the written score -- i.e. without listening to the music performed -- can be a difficult task. Solving this task is of great importance for both Music Information Retrieval and musicological applications. In this paper, we propose an automated approach to identifying the most salient melody line in a symbolic score. The backbone of the method consists of a convolutional neural network (CNN) estimating…
Institute of Computational Perception, Johannes Kepler University（约翰内斯·开普勒大学计算感知研究所）
We propose modifications to the model structure and training procedure to a recently introduced Convolutional Neural Network for musical key classification. These modifications enable the network to learn a genre-independent model that performs better than models trained for specific music styles, which has not been the case in existing work. We analyse this generalisation capability on three datasets comprising distinct genres. We then evaluate the model on a number of unseen data sets, and show its superior performance compared to the state of the art. Finally, we investigate the model's per…
The work of a single musician, group or composer can vary widely in terms of musical style. Indeed, different stylistic elements, from performance medium and rhythm to harmony and texture, are typically exploited and developed across an artist's lifetime. Yet, there is often a discernable character to the work of, for instance, individual composers at the perceptual level - an experienced listener can often pick up on subtle clues in the music to identify the composer or performer. Here we suggest that a convolutional network may learn these subtle clues or features given an appropriate repres…
Convolutional neural networks (CNN) recently gained notable attraction in a variety of machine learning tasks: including music classification and style tagging. In this work, we propose implementing intermediate connections to the CNN architecture to facilitate the transfer of multi-scale/level knowledge between different layers. Our novel model for music tagging shows significant improvement in comparison to the proposed approaches in the literature, due to its ability to carry low-level timbral features to the last layer.
We present ConchShell, a multi-modal generative adversarial framework that takes pictures as input to the network and generates piano music samples that match the picture context. Inspired by I3D, we introduce a novel image feature representation method: time-convolutional neural network (TCNN), which is used to forge features for images in the temporal dimension. Although our image data consists of only six categories, our proposed framework will be innovative and commercially meaningful. The project will provide technical ideas for work such as 3D game voice overs, short-video soundtracks, a…
Recent directions in automatic speech recognition (ASR) research have shown that applying deep learning models from image recognition challenges in computer vision is beneficial. As automatic music transcription (AMT) is superficially similar to ASR, in the sense that methods often rely on transforming spectrograms to symbolic sequences of events (e.g. words or notes), deep learning should benefit AMT as well. In this work, we outline an online polyphonic pitch detection system that streams audio to MIDI by ConvLSTMs. Our system achieves state-of-the-art results on the 2007 MIREX multi-F0 deve…
We present a model for capturing musical features and creating novel sequences of music, called the Convolutional Variational Recurrent Neural Network. To generate sequential data, the model uses an encoder-decoder architecture with latent probabilistic connections to capture the hidden structure of music. Using the sequence-to-sequence model, our generative model can exploit samples from a prior distribution and generate a longer sequence of music. We compare the performance of our proposed model with other types of Neural Networks using the criteria of Information Rate that is implemented by…
Given recent advances in deep music source separation, we propose a feature representation method that combines source separation with a state-of-the-art representation learning technique that is suitably repurposed for computer audition (i.e. machine listening). We train a depthwise separable convolutional neural network on a challenging electronic dance music (EDM) data set and compare its performance to convolutional neural networks operating on both source separated and standard spectrograms. It is shown that source separation improves classification performance in a limited-data setting c…
Center for Music Technology, Georgia Institute of Technology（佐治亚理工学院音乐技术中心）
The assessment of music performances in most cases takes into account the underlying musical score being performed. While there have been several automatic approaches for objective music performance assessment (MPA) based on extracted features from both the performance audio and the score, deep neural network-based methods incorporating score information into MPA models have not yet been investigated. In this paper, we introduce three different models capable of score-informed performance assessment. These are (i) a convolutional neural network that utilizes a simple time-series input comprisi…
