Music source separation has been a popular topic in signal processing for decades, not only because of its technical difficulty, but also due to its importance to many commercial applications, such as automatic karoake and remixing. In this work, we propose a novel self-attention network to separate voice and accompaniment in music. First, a convolutional neural network (CNN) with densely-connected CNN blocks is built as our base network. We then insert self-attention subnets at different levels of the base CNN to make use of the long-term intra-dependency of music, i.e., repetition. Within self-attention subnets, repetitions of the same musical patterns inform reconstruction of other repetitions, for better source separation performance. Results show the proposed method leads to 19.5% relative improvement in vocals separation in terms of SDR. We compare our methods with state-of-the-art systems i.e. MMDenseNet and MMDenseLSTM.
We describe a machine-learning approach to pitch correcting a solo singing performance in a karaoke setting, where the solo voice and accompaniment are on separate tracks. The proposed approach addresses the situation where no musical score of the vocals nor the accompaniment exists: It predicts the amount of correction from the relationship between the spectral contents of the vocal and accompaniment tracks. Hence, the pitch shift in cents suggested by the model can be used to make the voice sound in tune with the accompaniment. This approach differs from commercially used automatic pitch cor…
We present SingSong, a system that generates instrumental music to accompany input vocals, potentially offering musicians and non-musicians alike an intuitive new way to create music featuring their own voice. To accomplish this, we build on recent developments in musical source separation and audio generation. Specifically, we apply a state-of-the-art source separation algorithm to a large corpus of music audio to produce aligned pairs of vocals and instrumental sources. Then, we adapt AudioLM (Borsos et al., 2022) -- a state-of-the-art approach for unconditional audio generation -- to be sui…
Research Center for Information Technology Innovation, Academia Sinica（中央研究院信息技术创新研究中心）；Department of Computer Science, National Tsing Hua University（国立清华大学计算机科学系）
Generating music has a few notable differences from generating images and videos. First, music is an art of time, necessitating a temporal model. Second, music is usually composed of multiple instruments/tracks with their own temporal dynamics, but collectively they unfold over time interdependently. Lastly, musical notes are often grouped into chords, arpeggios or melodies in polyphonic music, and thereby introducing a chronological ordering of notes is not naturally suitable. In this paper, we propose three models for symbolic multi-track music generation under the framework of generative ad…
New York University Shanghai（上海纽约大学）；Fudan University（复旦大学）
We contribute a pop-song automation framework for lead melody generation and accompaniment arrangement. The framework reflects the major procedures of human music composition, generating both lead melody and piano accompaniment by a unified strategy. Specifically, we take chord progression as an input and propose three models to generate a structured melody with piano accompaniment textures. First, the harmony alternation model transforms a raw input chord progression to an altered one to better fit the specified music style. Second, the melody generation model generates the lead melody and ot…
Accompaniment arrangement is a difficult music generation task involving intertwined constraints of melody, harmony, texture, and music structure. Existing models are not yet able to capture all these constraints effectively, especially for long-term music generation. To address this problem, we propose AccoMontage, an accompaniment arrangement system for whole pieces of music through unifying phrase selection and neural style transfer. We focus on generating piano accompaniments for folk/pop songs based on a lead sheet (i.e., melody with chord progression). Specifically, AccoMontage first ret…
Indian Institute of Technology Bombay（印度理工学院孟买分校）；Stanford University（斯坦福大学）
Creating a complex work of art like music necessitates profound creativity. With recent advancements in deep learning and powerful models such as transformers, there has been huge progress in automatic music generation. In an accompaniment generation context, creating a coherent drum pattern with apposite fills and improvisations at proper locations in a song is a challenging task even for an experienced drummer. Drum beats tend to follow a repetitive pattern through stanzas with fills or improvisation at section boundaries. In this work, we tackle the task of drum pattern generation condition…
Mila, Quebec Artificial Intelligence Institute, Université de Montréal（魁北克人工智能研究所，蒙特利尔大学）；MIT - Massachusetts Institute of Technology（麻省理工学院）；Canada CIFAR AI Chair（加拿大 CIFAR 人工智能 chair）
Music source separation is important for applications such as karaoke and remixing. Much of previous research focuses on estimating short-time Fourier transform (STFT) magnitude and discarding phase information. We observe that, for singing voice separation, phase can make considerable improvement in separation quality. This paper proposes a complex ratio masking method for voice and accompaniment separation. The proposed method employs DenseUNet with self attention to estimate the real and imaginary components of STFT for each sound source. A simple ensemble technique is introduced to further…
Télécom Paris（巴黎电信学院）；Institut Polytechnique de Paris（巴黎综合理工学院）
Research on style transfer and domain translation has clearly demonstrated the ability of deep learning-based algorithms to manipulate images in terms of artistic style. More recently, several attempts have been made to extend such approaches to music (both symbolic and audio) in order to enable transforming musical style in a similar manner. In this study, we focus on symbolic music with the goal of altering the 'style' of a piece while keeping its original 'content'. As opposed to the current methods, which are inherently restricted to be unsupervised due to the lack of 'aligned' data (i.e. …
In this paper, we present a machine-learning approach to pitch correction for voice in a karaoke setting, where the vocals and accompaniment are on separate tracks and time-aligned. The network takes as input the time-frequency representation of the two tracks and predicts the amount of pitch-shifting in cents required to make the voice sound in-tune with the accompaniment. It is trained on examples of semi-professional singing. The proposed approach differs from existing real-time pitch correction methods by replacing pitch tracking and mapping to a discrete set of notes---for example, the tw…
Fudan University（复旦大学）；Ping An Technology (Shenzhen) Co., Ltd.（平安科技（深圳）有限公司）；National Institute of Informatics（国立信息学研究所）
Singing voice detection (SVD), to recognize vocal parts in the song, is an essential task in music information retrieval (MIR). The task remains challenging since singing voice varies and intertwines with the accompaniment music, especially for some complicated polyphonic music such as choral music recordings. To address this problem, we investigate singing voice detection while discarding the interference from the accompaniment. The proposed SVD has two steps: i. The singing voice separation (SVS) technique is first utilized to filter out the singing voice's potential part coarsely. ii. Upon …
University of Rochester（罗切斯特大学）；ByteDance Inc.（字节跳动公司）
Separating a song into vocal and accompaniment components is an active research topic, and recent years witnessed an increased performance from supervised training using deep learning techniques. We propose to apply the visual information corresponding to the singers' vocal activities to further improve the quality of the separated vocal signals. The video frontend model takes the input of mouth movement and fuses it into the feature embeddings of an audio-based separation framework. To facilitate the network to learn audiovisual correlation of singing activities, we add extra vocal signals ir…
Structured Multi-Track Accompaniment Arrangement via Style Prior Modelling
Institute of Data Science, NUS（新加坡国立大学数据科学研究院）；Integrative Sciences and Engineering Programme, NUS Graduate School（新加坡国立大学研究生院整合科学与工程项目）；Machine Learning Department, MBZUAI（穆罕默德·本·扎耶德人工智能大学机器学习系）；Computer Science Department, NYU Shanghai（上海纽约大学计算机科学系）；School of Computing, NUS（新加坡国立大学计算机学院）
Detecting singing-voice in polyphonic instrumental music is critical to music information retrieval. To train a robust vocal detector, a large dataset marked with vocal or non-vocal label at frame-level is essential. However, frame-level labeling is time-consuming and labor expensive, resulting there is little well-labeled dataset available for singing-voice detection (S-VD). Hence, we propose a data augmentation method for S-VD by transfer learning. In this study, clean speech clips with voice activity endpoints and separate instrumental music clips are artificially added together to simulate…
Music is often experienced as a progression of concurrent streams of notes, or voices. The degree to which this happens depends on the position along a voice-leading continuum, ranging from monophonic, to homophonic, to polyphonic, which complicates the design of automatic voice separation models. We address this continuum by defining voice separation as the task of decomposing music into streams that exhibit both a high degree of external perceptual separation from the other streams and a high degree of internal perceptual consistency. The proposed voice separation task allows for a voice to …
Tel Aviv University（特拉维夫大学）；Facebook AI Research（Facebook人工智能研究院）
We study the problem of semi-supervised singing voice separation, in which the training data contains a set of samples of mixed music (singing and instrumental) and an unmatched set of instrumental music. Our solution employs a single mapping function g, which, applied to a mixed sample, recovers the underlying instrumental music, and, applied to an instrumental sample, returns the same sample. The network g is trained using purely instrumental samples, as well as on synthetic mixed samples that are created by mixing reconstructed singing voices with random instrumental samples. Our results in…
Music information retrieval is currently an active research area that addresses the extraction of musically important information from audio signals, and the applications of such information. The extracted information can be used for search and retrieval of music in recommendation systems, or to aid musicological studies or even in music learning. Sophisticated signal processing techniques are applied to convert low-level acoustic signal properties to musical attributes which are further embedded in a rule-based or statistical classification framework to link with high-level descriptions such …
Separating an audio scene such as a cocktail party into constituent, meaningful components is a core task in computer audition. Deep networks are the state-of-the-art approach. They are trained on synthetic mixtures of audio made from isolated sound source recordings so that ground truth for the separation is known. However, the vast majority of available audio is not isolated. The brain uses primitive cues that are independent of the characteristics of any particular sound source to perform an initial segmentation of the audio scene. We present a method for bootstrapping a deep model for musi…
Sun* Inc（太阳星公司）；Le Quy Don Technical University（黎贵敦技术大学）
Singer voice classification is a meaningful task in the digital era. With a huge number of songs today, identifying a singer is very helpful for music information retrieval, music properties indexing, and so on. In this paper, we propose a new method to identify the singer's name based on analysis of Vietnamese popular music. We employ the use of vocal segment detection and singing voice separation as the pre-processing steps. The purpose of these steps is to extract the singer's voice from the mixture sound. In order to build a singer classifier, we propose a neural network architecture worki…
Graduate School of Information Science and Technology, The University of Tokyo（东京大学信息科学与技术研究生院）
Thanks to developments in machine learning techniques, it has become possible to synthesize high-quality singing voices of a single singer. An open multispeaker singing-voice corpus would further accelerate the research in singing-voice synthesis. However, conventional singing-voice corpora only consist of the singing voices of a single singer. We designed a Japanese multispeaker singing-voice corpus called "JVS-MuSiC" with the aim to analyze and synthesize a variety of voices. The corpus consists of 100 singers' recordings of the same song, Katatsumuri, which is a Japanese children's song. It…
This paper proposes a novel sequence-to-sequence (seq2seq) model with a musical note position-aware attention mechanism for singing voice synthesis (SVS). A seq2seq modeling approach that can simultaneously perform acoustic and temporal modeling is attractive. However, due to the difficulty of the temporal modeling of singing voices, many recent SVS systems with an encoder-decoder-based model still rely on explicitly on duration information generated by additional modules. Although some studies perform simultaneous modeling using seq2seq models with an attention mechanism, they have insufficie…
Universitat Pompeu Fabra（庞培法布拉大学）；Joint Research Centre, European Commission（欧盟委员会联合研究中心）
We present a deep learning based methodology for extracting the singing voice signal from a musical mixture based on the underlying linguistic content. Our model follows an encoder decoder architecture and takes as input the magnitude component of the spectrogram of a musical mixture with vocals. The encoder part of the model is trained via knowledge distillation using a teacher network to learn a content embedding, which is decoded to generate the corresponding vocoder features. Using this methodology, we are able to extract the unprocessed raw vocal signal from the mixture even for a process…
Amazon Web Services（亚马逊云科技）；Stanford University（斯坦福大学）；University of Illinois at Urbana-Champaign（伊利诺伊大学厄巴纳-香槟分校）
Singing voice separation aims to separate music into vocals and accompaniment components. One of the major constraints for the task is the limited amount of training data with separated vocals. Data augmentation techniques such as random source mixing have been shown to make better use of existing data and mildly improve model performance. We propose a novel data augmentation technique, chromagram-based pitch-aware remixing, where music segments with high pitch alignment are mixed. By performing controlled experiments in both supervised and semi-supervised settings, we demonstrate that trainin…
This research paper presents a novel deep learning-based neural network architecture, named Y-Net, for achieving music source separation. The proposed architecture performs end-to-end hybrid source separation by extracting features from both spectrogram and waveform domains. Inspired by the U-Net architecture, Y-Net predicts a spectrogram mask to separate vocal sources from a mixture signal. Our results demonstrate the effectiveness of the proposed architecture for music source separation with fewer parameters. Overall, our work presents a promising approach for improving the accuracy and effi…
Automatic note-level transcription is considered one of the most challenging tasks in music information retrieval. The specific case of flamenco singing transcription poses a particular challenge due to its complex melodic progressions, intonation inaccuracies, the use of a high degree of ornamentation and the presence of guitar accompaniment. In this study, we explore the limitations of existing state of the art transcription systems for the case of flamenco singing and propose a specific solution for this genre: We first extract the predominant melody and apply a novel contour filtering proc…
While deep generative models have become the leading methods for algorithmic composition, it remains a challenging problem to control the generation process because the latent variables of most deep-learning models lack good interpretability. Inspired by the content-style disentanglement idea, we design a novel architecture, under the VAE framework, that effectively learns two interpretable latent factors of polyphonic music: chord and texture. The current model focuses on learning 8-beat long piano composition segments. We show that such chord-texture disentanglement provides a controllable g…
Previous approaches in singer identification have used one of monophonic vocal tracks or mixed tracks containing multiple instruments, leaving a semantic gap between these two domains of audio. In this paper, we present a system to learn a joint embedding space of monophonic and mixed tracks for singing voice. We use a metric learning method, which ensures that tracks from both domains of the same singer are mapped closer to each other than those of different singers. We train the system on a large synthetic dataset generated by music mashup to reflect real-world music recordings. Our approach…
Facebook AI Research（Facebook AI研究院）；INRIA（法国国家信息与自动化研究所）；École Normale Supérieure（巴黎高等师范学院）；PSL Research University（巴黎文理研究大学）
Source separation for music is the task of isolating contributions, or stems, from different instruments recorded individually and arranged together to form a song. Such components include voice, bass, drums and any other accompaniments.Contrarily to many audio synthesis tasks where the best performances are achieved by models that directly generate the waveform, the state-of-the-art in source separation for music is to compute masks on the magnitude spectrum. In this paper, we compare two waveform domain architectures. We first adapt Conv-Tasnet, initially developed for speech source separati…
Research Center for Information Technology Innovation, Academia Sinica（中央研究院信息技术创新研究中心）
Singing voice separation attempts to separate the vocal and instrumental parts of a music recording, which is a fundamental problem in music information retrieval. Recent work on singing voice separation has shown that the low-rank representation and informed separation approaches are both able to improve separation quality. However, low-rank optimizations are computationally inefficient due to the use of singular value decompositions. Therefore, in this paper, we propose a new linear-time algorithm called informed group-sparse representation, and use it to separate the vocals from music using…
New York University（纽约大学）；University of Florida（佛罗里达大学）；Carnegie Mellon University（卡内基梅隆大学）
Music arrangement generation is a subtask of automatic music generation, which involves reconstructing and re-conceptualizing a piece with new compositional techniques. Such a generation process inevitably requires reference from the original melody, chord progression, or other structural information. Despite some promising models for arrangement, they lack more refined data to achieve better evaluations and more practical results. In this paper, we propose POP909, a dataset which contains multiple versions of the piano arrangements of 909 popular songs created by professional musicians. The m…
Techno-Speech, Inc.（Techno-Speech公司）；Nagoya Institute of Technology（名古屋工业大学）
The present paper describes a singing voice synthesis based on convolutional neural networks (CNNs). Singing voice synthesis systems based on deep neural networks (DNNs) are currently being proposed and are improving the naturalness of synthesized singing voices. In these systems, the relationship between musical score feature sequences and acoustic feature sequences extracted from singing voices is modeled by DNNs. Then, an acoustic feature sequence of an arbitrary musical score is output in units of frames by the trained DNNs, and a natural trajectory of a singing voice is obtained by using …
Research Center for IT Innovation, Academia Sinica（中央研究院资讯科技创新研究中心）
Stacked dilated convolutions used in Wavenet have been shown effective for generating high-quality audios. By replacing pooling/striding with dilation in convolution layers, they can preserve high-resolution information and still reach distant locations. Producing high-resolution predictions is also crucial in music source separation, whose goal is to separate different sound sources while maintaining the quality of the separated sounds. Therefore, this paper investigates using stacked dilated convolutions as the backbone for music source separation. However, while stacked dilated convolutions…
SAMUeL: Efficient Vocal-Conditioned Music Generation via Soft Alignment Attention and Latent Diffusion
Division of Engineering Science University of Toronto（工程科学系 马尼托瓦大学）；Innovative Cognitive Computing Center King Mongkut's University of Technology Thonburi（创新认知计算中心 王后大学技术吞武里）
