Music is often experienced as a progression of concurrent streams of notes, or voices. The degree to which this happens depends on the position along a voice-leading continuum, ranging from monophonic, to homophonic, to polyphonic, which complicates the design of automatic voice separation models. We address this continuum by defining voice separation as the task of decomposing music into streams that exhibit both a high degree of external perceptual separation from the other streams and a high degree of internal perceptual consistency. The proposed voice separation task allows for a voice to diverge to multiple voices and also for multiple voices to converge to the same voice. Equipped with this flexible task definition, we manually annotated a corpus of popular music and used it to train neural networks that assign notes to voices either separately for each note in a chord (note-level), or jointly to all notes in a chord (chord-level). The trained neural models greedily assign notes to voices in a left to right traversal of the input chord sequence, using a diverse set of perceptually informed input features. When evaluated on the extraction of consecutive within voice note pairs, both models surpass a strong baseline based on an iterative application of an envelope extraction function, with the chord-level model consistently edging out the note-level model. The two models are also shown to outperform previous approaches on separating the voices in Bach music.
Structure perception is a fundamental aspect of music cognition in humans. Historically, the hierarchical organization of music into structures served as a narrative device for conveying meaning, creating expectancy, and evoking emotions in the listener. Thereby, musical structures play an essential role in music composition, as they shape the musical discourse through which the composer organises his ideas. In this paper, we present a novel music segmentation method, pitchclass2vec, based on symbolic chord annotations, which are embedded into continuous vector representations using both natur…
We present a new approach to harmonic analysis that is trained to segment music into a sequence of chord spans tagged with chord labels. Formulated as a semi-Markov Conditional Random Field (semi-CRF), this joint segmentation and labeling approach enables the use of a rich set of segment-level features, such as segment purity and chord coverage, that capture the extent to which the events in an entire segment of music are compatible with a candidate chord label. The new chord recognition model is evaluated extensively on three corpora of classical music and a newly created corpus of rock music…
Chord recognition is an important task since chords are highly abstract and descriptive features of music. For effective chord recognition, it is essential to utilize relevant context in audio sequence. While various machine learning models such as convolutional neural networks (CNNs) and recurrent neural networks (RNNs) have been employed for the task, most of them have limitations in capturing long-term dependency or require training of an additional model. In this work, we utilize a self-attention mechanism for chord recognition to focus on certain regions of chords. Training of the propose…
Chord recognition systems depend on robust feature extraction pipelines. While these pipelines are traditionally hand-crafted, recent advances in end-to-end machine learning have begun to inspire researchers to explore data-driven methods for such tasks. In this paper, we present a chord recognition system that uses a fully convolutional deep auditory model for feature extraction. The extracted features are processed by a Conditional Random Field that decodes the final chord sequence. Both processing stages are trained automatically and do not require expert knowledge for optimising parameters…
Automatic Chord Estimation (ACE) is a fundamental task in Music Information Retrieval (MIR) and has applications in both music performance and MIR research. The task consists of segmenting a music recording or score and assigning a chord label to each segment. Although it has been a task in the annual benchmarking evaluation MIREX for over 10 years, ACE is not yet a solved problem, since performance has stagnated and modern systems have started to tune themselves to subjective training data. We propose DECIBEL, a new ACE system that exploits widely available MIDI and tab representations to imp…
The Chinese University of Hong Kong, Shenzhen（香港中文大学（深圳））；Tencent Inc（腾讯公司）；Communication University of China（中国传媒大学）
Pop music generation has always been an attractive topic for both musicians and scientists for a long time. However, automatically composing pop music with a satisfactory structure is still a challenging issue. In this paper, we propose to leverage harmony-aware learning for structure-enhanced pop music generation. On the one hand, one of the participants of harmony, chord, represents the harmonic set of multiple notes, which is integrated closely with the spatial structure of music, the texture. On the other hand, the other participant of harmony, chord progression, usually accompanies the de…
Music Information Retrieval (MIR) is a collaborative scientific study that help to build innovative information research themes, novel frameworks, and developing connected delivery mechanisms in addition to making the world's massive collection of music open for everyone. Modern rock music proved to be difficult to estimate tempo and chord recognition did not work. All of the findings indicate that modern rock and metal music can be analysed, despite its complexity, but that further research is needed in this area to make it useful. Using a neural network has been one of the simplest ways of d…
Sony Computer Science Laboratories, Paris（索尼计算机科学实验室（巴黎））；LIP6, Université Pierre et Marie Curie（皮埃尔和玛丽·居里大学LIP6实验室）
Modeling polyphonic music is a particularly challenging task because of the intricate interplay between melody and harmony. A good model should satisfy three requirements: statistical accuracy (capturing faithfully the statistics of correlations at various ranges, horizontally and vertically), flexibility (coping with arbitrary user constraints), and generalization capacity (inventing new material, while staying in the style of the training corpus). Models proposed so far fail on at least one of these requirements. We propose a statistical model of polyphonic music, based on the maximum entrop…
Music information retrieval is currently an active research area that addresses the extraction of musically important information from audio signals, and the applications of such information. The extracted information can be used for search and retrieval of music in recommendation systems, or to aid musicological studies or even in music learning. Sophisticated signal processing techniques are applied to convert low-level acoustic signal properties to musical attributes which are further embedded in a rule-based or statistical classification framework to link with high-level descriptions such …
Fudan University（复旦大学）；Ping An Technology (Shenzhen) Co., Ltd.（平安科技（深圳）有限公司）；National Institute of Informatics（国立信息学研究所）
Singing voice detection (SVD), to recognize vocal parts in the song, is an essential task in music information retrieval (MIR). The task remains challenging since singing voice varies and intertwines with the accompaniment music, especially for some complicated polyphonic music such as choral music recordings. To address this problem, we investigate singing voice detection while discarding the interference from the accompaniment. The proposed SVD has two steps: i. The singing voice separation (SVS) technique is first utilized to filter out the singing voice's potential part coarsely. ii. Upon …
This paper presents a generative AI model for automated music composition with LSTM networks that takes a novel approach at encoding musical information which is based on movement in music rather than absolute pitch. Melodies are encoded as a series of intervals rather than a series of pitches, and chords are encoded as the set of intervals that each chord note makes with the melody at each timestep. Experimental results show promise as they sound musical and tonal. There are also weaknesses to this method, mainly excessive modulations in the compositions, but that is expected from the nature …
Sun* Inc（太阳星公司）；Le Quy Don Technical University（黎贵敦技术大学）
Singer voice classification is a meaningful task in the digital era. With a huge number of songs today, identifying a singer is very helpful for music information retrieval, music properties indexing, and so on. In this paper, we propose a new method to identify the singer's name based on analysis of Vietnamese popular music. We employ the use of vocal segment detection and singing voice separation as the pre-processing steps. The purpose of these steps is to extract the singer's voice from the mixture sound. In order to build a singer classifier, we propose a neural network architecture worki…
Tel-Aviv University（特拉维夫大学）；Facebook AI Research（Facebook人工智能研究院）
We present a method for the generation of Midi files of piano music. The method models the right and left hands using two networks, where the left hand is conditioned on the right hand. This way, the melody is generated before the harmony. The Midi is represented in a way that is invariant to the musical scale, and the melody is represented, for the purpose of conditioning the harmony, by the content of each bar, viewed as a chord. Finally, notes are added randomly, based on this chord representation, in order to enrich the generated audio. Our experiments show a significant improvement over t…
Graduate School of Information Science and Technology, The University of Tokyo（东京大学信息科学与技术研究生院）
Thanks to developments in machine learning techniques, it has become possible to synthesize high-quality singing voices of a single singer. An open multispeaker singing-voice corpus would further accelerate the research in singing-voice synthesis. However, conventional singing-voice corpora only consist of the singing voices of a single singer. We designed a Japanese multispeaker singing-voice corpus called "JVS-MuSiC" with the aim to analyze and synthesize a variety of voices. The corpus consists of 100 singers' recordings of the same song, Katatsumuri, which is a Japanese children's song. It…
Recent advances in deep learning have expanded possibilities to generate music, but generating a customizable full piece of music with consistent long-term structure remains a challenge. This paper introduces MusicFrameworks, a hierarchical music structure representation and a multi-step generative process to create a full-length melody guided by long-term repetitive structure, chord, melodic contour, and rhythm constraints. We first organize the full melody with section and phrase-level structure. To generate melody in each phrase, we generate rhythm and basic melody using two separate transf…
This paper proposes a novel sequence-to-sequence (seq2seq) model with a musical note position-aware attention mechanism for singing voice synthesis (SVS). A seq2seq modeling approach that can simultaneously perform acoustic and temporal modeling is attractive. However, due to the difficulty of the temporal modeling of singing voices, many recent SVS systems with an encoder-decoder-based model still rely on explicitly on duration information generated by additional modules. Although some studies perform simultaneous modeling using seq2seq models with an attention mechanism, they have insufficie…
Institute of Computational Perception, Johannes Kepler University（约翰内斯·开普勒大学计算感知研究所）
Chord recognition systems typically comprise an acoustic model that predicts chords for each audio frame, and a temporal model that casts these predictions into labelled chord segments. However, temporal models have been shown to only smooth predictions, without being able to incorporate musical information about chord progressions. Recent research discovered that it might be the low hierarchical level such models have been applied to (directly on audio frames) which prevents learning musical relationships, even for expressive models such as recurrent neural networks (RNNs). However, if applie…
A commonly-cited reason for the poor performance of automatic chord estimation (ACE) systems within music information retrieval (MIR) is that non-chord tones (i.e., notes outside the supporting harmony) contribute to error during the labeling process. Despite the prevalence of machine learning approaches in MIR, there are cases where alternative approaches provide a simpler alternative while allowing for insights into musicological practices. In this project, we present a statistical model for predicting chord tones based on music theory rules. Our model is currently focused on predicting chor…
Ohio State University（俄亥俄州立大学）；Amazon Music, Bangalore（亚马逊音乐（班加罗尔））；Amazon Lab126, CA（亚马逊Lab126（加利福尼亚））
Music source separation has been a popular topic in signal processing for decades, not only because of its technical difficulty, but also due to its importance to many commercial applications, such as automatic karoake and remixing. In this work, we propose a novel self-attention network to separate voice and accompaniment in music. First, a convolutional neural network (CNN) with densely-connected CNN blocks is built as our base network. We then insert self-attention subnets at different levels of the base CNN to make use of the long-term intra-dependency of music, i.e., repetition. Within se…
Universitat Pompeu Fabra（庞培法布拉大学）；Joint Research Centre, European Commission（欧盟委员会联合研究中心）
We present a deep learning based methodology for extracting the singing voice signal from a musical mixture based on the underlying linguistic content. Our model follows an encoder decoder architecture and takes as input the magnitude component of the spectrogram of a musical mixture with vocals. The encoder part of the model is trained via knowledge distillation using a teacher network to learn a content embedding, which is decoded to generate the corresponding vocoder features. Using this methodology, we are able to extract the unprocessed raw vocal signal from the mixture even for a process…
Detecting singing-voice in polyphonic instrumental music is critical to music information retrieval. To train a robust vocal detector, a large dataset marked with vocal or non-vocal label at frame-level is essential. However, frame-level labeling is time-consuming and labor expensive, resulting there is little well-labeled dataset available for singing-voice detection (S-VD). Hence, we propose a data augmentation method for S-VD by transfer learning. In this study, clean speech clips with voice activity endpoints and separate instrumental music clips are artificially added together to simulate…
Symbolic Music Generation relies on the contextual representation capabilities of the generative model, where the most prevalent approach is the Transformer-based model. The learning of musical context is also related to the structural elements in music, i.e. intro, verse, and chorus, which are currently overlooked by the research community. In this paper, we propose a hierarchical Transformer model to learn multi-scale contexts in music. In the encoding phase, we first designed a Fragment Scope Localization layer to syncopate the music into chords and sections. Then, we use a multi-scale atte…
This research paper presents a novel deep learning-based neural network architecture, named Y-Net, for achieving music source separation. The proposed architecture performs end-to-end hybrid source separation by extracting features from both spectrogram and waveform domains. Inspired by the U-Net architecture, Y-Net predicts a spectrogram mask to separate vocal sources from a mixture signal. Our results demonstrate the effectiveness of the proposed architecture for music source separation with fewer parameters. Overall, our work presents a promising approach for improving the accuracy and effi…
Fudan University（复旦大学）；University of Illinois Urbana-Champaign（伊利诺伊大学厄巴纳-香槟分校）；University of California San Diego（加利福尼亚大学圣地亚哥分校）；NYU Shanghai（上海纽约大学）
With recent breakthroughs in artificial neural networks, deep generative models have become one of the leading techniques for computational creativity. Despite very promising progress on image and short sequence generation, symbolic music generation remains a challenging problem since the structure of compositions are usually complicated. In this study, we attempt to solve the melody generation problem constrained by the given chord progression. This music meta-creation problem can also be incorporated into a plan recognition system with user inputs and predictive structural outputs. In partic…
Tel Aviv University（特拉维夫大学）；Facebook AI Research（Facebook人工智能研究院）
We study the problem of semi-supervised singing voice separation, in which the training data contains a set of samples of mixed music (singing and instrumental) and an unmatched set of instrumental music. Our solution employs a single mapping function g, which, applied to a mixed sample, recovers the underlying instrumental music, and, applied to an instrumental sample, returns the same sample. The network g is trained using purely instrumental samples, as well as on synthetic mixed samples that are created by mixing reconstructed singing voices with random instrumental samples. Our results in…
Previous approaches in singer identification have used one of monophonic vocal tracks or mixed tracks containing multiple instruments, leaving a semantic gap between these two domains of audio. In this paper, we present a system to learn a joint embedding space of monophonic and mixed tracks for singing voice. We use a metric learning method, which ensures that tracks from both domains of the same singer are mapped closer to each other than those of different singers. We train the system on a large synthetic dataset generated by music mashup to reflect real-world music recordings. Our approach…
While deep generative models have become the leading methods for algorithmic composition, it remains a challenging problem to control the generation process because the latent variables of most deep-learning models lack good interpretability. Inspired by the content-style disentanglement idea, we design a novel architecture, under the VAE framework, that effectively learns two interpretable latent factors of polyphonic music: chord and texture. The current model focuses on learning 8-beat long piano composition segments. We show that such chord-texture disentanglement provides a controllable g…
In this paper, we present a machine-learning approach to pitch correction for voice in a karaoke setting, where the vocals and accompaniment are on separate tracks and time-aligned. The network takes as input the time-frequency representation of the two tracks and predicts the amount of pitch-shifting in cents required to make the voice sound in-tune with the accompaniment. It is trained on examples of semi-professional singing. The proposed approach differs from existing real-time pitch correction methods by replacing pitch tracking and mapping to a discrete set of notes---for example, the tw…
Music that is generated by recurrent neural networks often lacks a sense of direction and coherence. We therefore propose a two-stage LSTM-based model for lead sheet generation, in which the harmonic and rhythmic templates of the song are produced first, after which, in a second stage, a sequence of melody notes is generated conditioned on these templates. A subjective listening test shows that our approach outperforms the baselines and increases perceived musical coherence.
Common temporal models for automatic chord recognition model chord changes on a frame-wise basis. Due to this fact, they are unable to capture musical knowledge about chord progressions. In this paper, we propose a temporal model that enables explicit modelling of chord changes and durations. We then apply N-gram models and a neural-network-based acoustic model within this framework, and evaluate the effect of model overconfidence. Our results show that model overconfidence plays only a minor role (but target smoothing still improves the acoustic model), and that stronger chord language models…
New York University（纽约大学）；University of Florida（佛罗里达大学）；Carnegie Mellon University（卡内基梅隆大学）
Music arrangement generation is a subtask of automatic music generation, which involves reconstructing and re-conceptualizing a piece with new compositional techniques. Such a generation process inevitably requires reference from the original melody, chord progression, or other structural information. Despite some promising models for arrangement, they lack more refined data to achieve better evaluations and more practical results. In this paper, we propose POP909, a dataset which contains multiple versions of the piano arrangements of 909 popular songs created by professional musicians. The m…
We propose an application of sequence generative adversarial networks (SeqGAN), which are generative adversarial networks for discrete sequence generation, for creating polyphonic musical sequences. Instead of a monophonic melody generation suggested in the original work, we present an efficient representation of a polyphony MIDI file that simultaneously captures chords and melodies with dynamic timings. The proposed method condenses duration, octaves, and keys of both melodies and chords into a single word vector representation, and recurrent neural networks learn to predict distributions of …
Techno-Speech, Inc.（Techno-Speech公司）；Nagoya Institute of Technology（名古屋工业大学）
The present paper describes a singing voice synthesis based on convolutional neural networks (CNNs). Singing voice synthesis systems based on deep neural networks (DNNs) are currently being proposed and are improving the naturalness of synthesized singing voices. In these systems, the relationship between musical score feature sequences and acoustic feature sequences extracted from singing voices is modeled by DNNs. Then, an acoustic feature sequence of an arbitrary musical score is output in units of frames by the trained DNNs, and a natural trajectory of a singing voice is obtained by using …
Amazon Web Services（亚马逊云科技）；Stanford University（斯坦福大学）；University of Illinois at Urbana-Champaign（伊利诺伊大学厄巴纳-香槟分校）
Singing voice separation aims to separate music into vocals and accompaniment components. One of the major constraints for the task is the limited amount of training data with separated vocals. Data augmentation techniques such as random source mixing have been shown to make better use of existing data and mildly improve model performance. We propose a novel data augmentation technique, chromagram-based pitch-aware remixing, where music segments with high pitch alignment are mixed. By performing controlled experiments in both supervised and semi-supervised settings, we demonstrate that trainin…
