Acoustic environment characterization opens doors for sound reproduction innovations, smart EQing, speech enhancement, hearing aids, and forensics. Reverberation time, clarity, and direct-to-reverberant ratio are acoustic parameters that have been defined to describe reverberant environments. They are closely related to speech intelligibility and sound quality. As explained in the ISO3382 standard, they can be derived from a room measurement called the Room Impulse Response (RIR). However, measuring RIRs requires specific equipment and intrusive sound to be played. The recent audio combined with machine learning suggests that one could estimate those parameters blindly using speech or music signals. We follow these advances and propose a robust end-to-end method to achieve blind joint acoustic parameter estimation using speech and/or music signals. Our results indicate that convolutional recurrent neural networks perform best for this task, and including music in training also helps improve inference from speech.
We propose the Fréchet Audio Distance (FAD), a novel, reference-free evaluation metric for music enhancement algorithms. We demonstrate how typical evaluation metrics for speech enhancement and blind source separation can fail to accurately measure the perceived effect of a wide variety of distortions. As an alternative, we propose adapting the Fréchet Inception Distance (FID) metric used to evaluate generative image models to the audio domain. FAD is validated using a wide variety of artificial distortions and is compared to the signal based metrics signal to distortion ratio (SDR), cosine di…
Automatic generation of sequences has been a highly explored field in the last years. In particular, natural language processing and automatic music composition have gained importance due to the recent advances in machine learning and Neural Networks with intrinsic memory mechanisms such as Recurrent Neural Networks. This paper evaluates different types of memory mechanisms (memory cells) and analyses their performance in the field of music composition. The proposed approach considers music theory concepts such as transposition, and uses data transformations (embeddings) to introduce semantic …
This paper introduces a novel recurrent model for music composition that is tailored to the structure of polyphonic music. We propose an efficient new conditional probabilistic factorization of musical scores, viewing a score as a collection of concurrent, coupled sequences: i.e. voices. To model the conditional distributions, we borrow ideas from both convolutional and recurrent neural models; we argue that these ideas are natural for capturing music's pitch invariances, temporal structure, and polyphony. We train models for single-voice and multi-voice composition on 2,300 scores from the Ke…
We present a model for capturing musical features and creating novel sequences of music, called the Convolutional Variational Recurrent Neural Network. To generate sequential data, the model uses an encoder-decoder architecture with latent probabilistic connections to capture the hidden structure of music. Using the sequence-to-sequence model, our generative model can exploit samples from a prior distribution and generate a longer sequence of music. We compare the performance of our proposed model with other types of Neural Networks using the criteria of Information Rate that is implemented by…
Center for Industrial Mathematics, University of Bremen（不来梅大学工业数学中心）；Mathematics Department, Colorado State University（科罗拉多州立大学数学系）
We propose a method for the blind separation of sounds of musical instruments in audio signals. We describe the individual tones via a parametric model, training a dictionary to capture the relative amplitudes of the harmonics. The model parameters are predicted via a U-Net, which is a type of deep neural network. The network is trained without ground truth information, based on the difference between the model prediction and the individual time frames of the short-time Fourier transform. Since some of the model parameters do not yield a useful backpropagation gradient, we model them stochasti…
Tampere University of Technology（坦佩雷理工大学）；University of Zilina（日利纳大学）
This paper studies the emotion recognition from musical tracks in the 2-dimensional valence-arousal (V-A) emotional space. We propose a method based on convolutional (CNN) and recurrent neural networks (RNN), having significantly fewer parameters compared with the state-of-the-art method for the same task. We utilize one CNN layer followed by two branches of RNNs trained separately for arousal and valence. The method was evaluated using the 'MediaEval2015 emotion in music' dataset. We achieved an RMSE of 0.202 for arousal and 0.268 for valence, which is the best result reported on this dataset…
Key Laboratory of Noise and Vibration Research, Institute of Acoustics, Chinese Academy of Sciences（中国科学院声学研究所噪声与振动研究重点实验室）；University of Chinese Academy of Sciences（中国科学院大学）；State Key Laboratory of Media Convergence and Communication, Communication University of China（中国传媒大学媒体融合与传播国家重点实验室）；School of Electronics and Communication Engineering, Guangzhou University（广州大学电子与通信工程学院）；National Environmental Protection Engineering and Technology Center for Road Traffic Noise Control（国家环境保护道路交通噪声控制工程技术中心）
With the development of deep neural networks, automatic music composition has made great progress. Although emotional music can evoke listeners' different emotions and it is important for artistic expression, only few researches have focused on generating emotional music. This paper presents EmotionBox -an music-element-driven emotional music generator that is capable of composing music given a specific emotion, where this model does not require a music dataset labeled with emotions. Instead, pitch histogram and note density are extracted as features that represent mode and tempo respectively …
A recurrent Neural Network (RNN) is trained to predict sound samples based on audio input augmented by control parameter information for pitch, volume, and instrument identification. During the generative phase following training, audio input is taken from the output of the previous time step, and the parameters are externally controlled allowing the network to be played as a musical instrument. Building on an architecture developed in previous work, we focus on the learning and synthesis of transients - the temporal response of the network during the short time (tens of milliseconds) followin…
University of Bremen（不来梅大学）；Colorado State University（科罗拉多州立大学）
We propose an algorithm for the blind separation of single-channel audio signals. It is based on a parametric model that describes the spectral properties of the sounds of musical instruments independently of pitch. We develop a novel sparse pursuit algorithm that can match the discrete frequency spectra from the recorded signal with the continuous spectra delivered by the model. We first use this algorithm to convert an STFT spectrogram from the recording into a novel form of log-frequency spectrogram whose resolution exceeds that of the mel spectrogram. We then make use of the pitch-invarian…
Queen Mary University of London（伦敦玛丽女王大学）；New York University（纽约大学）
We introduce a convolutional recurrent neural network (CRNN) for music tagging. CRNNs take advantage of convolutional neural networks (CNNs) for local feature extraction and recurrent neural networks for temporal summarisation of the extracted features. We compare CRNN with three CNN structures that have been used for music tagging while controlling the number of parameters with respect to their performance and training time per sample. Overall, we found that CRNNs show a strong performance with respect to the number of parameter and training time, indicating the effectiveness of its hybrid st…
Deep learning has been demonstrated its effectiveness and efficiency in music genre classification. However, the existing achievements still have several shortcomings which impair the performance of this classification task. In this paper, we propose a hybrid architecture which consists of the paralleling CNN and Bi-RNN blocks. They focus on spatial features and temporal frame orders extraction respectively. Then the two outputs are fused into one powerful representation of musical signals and fed into softmax function for classification. The paralleling network guarantees the extracting featu…
Research Center for IT Innovation Academia Sinica Taipei, Taiwan
Convolutional neural networks with skip connections have shown good performance in music source separation. In this work, we propose a denoising Auto-encoder with Recurrent skip Connections (ARC). We use 1D convolution along the temporal axis of the time-frequency feature map in all layers of the fully-convolutional network. The use of 1D convolution makes it possible to apply recurrent layers to the intermediate outputs of the convolution layers. In addition, we also propose an enhancement network and a residual regression method to further improve the separation result. The recurrent skip co…
Max Planck Institute for Mathematics in the Sciences（马克斯·普朗克数学科学研究所）；Yandex（扬德克斯）
A new architecture of an artificial neural network that helps to generate longer melodic patterns is introduced alongside with methods for post-generation filtering. The proposed approach called variational autoencoder supported by history is based on a recurrent highway gated network combined with a variational autoencoder. Combination of this architecture with filtering heuristics allows generating pseudo-live acoustically pleasing and melodically diverse music.
Memorial University of Newfoundland（纽芬兰纪念大学）；University of Waterloo（滑铁卢大学）
In this paper we present a method for algorithmic melody generation using a generative adversarial network without recurrent components. Music generation has been successfully done using recurrent neural networks, where the model learns sequence information that can help create authentic sounding melodies. Here, we use DC-GAN architecture with dilated convolutions and towers to capture sequential information as spatial image information, and learn long-range dependencies in fixed-length melody forms such as Irish traditional reel.
Clova AI Research（Clova人工智能研究院）；NAVER Corp.（NAVER公司）；Hong Kong University of Science and Technology（香港科技大学）
Music highlights are valuable contents for music services. Most methods focused on low-level signal features. We propose a method for extracting highlights using high-level features from convolutional recurrent attention networks (CRAN). CRAN utilizes convolution and recurrent layers for sequential learning with an attention mechanism. The attention allows CRAN to capture significant snippets for distinguishing between genres, thus being used as a high-level feature. CRAN was evaluated on over 32,000 popular tracks in Korea for two months. Experimental results show our method outperforms three…
Previous attempts at music artist classification use frame level audio features which summarize frequency content within short intervals of time. Comparatively, more recent music information retrieval tasks take advantage of temporal structure in audio spectrograms using deep convolutional and recurrent models. This paper revisits artist classification with this new framework and empirically explores the impacts of incorporating temporal structure in the feature representation. To this end, an established classification architecture, a Convolutional Recurrent Neural Network (CRNN), is applied …
National Cheng Kung University（国立成功大学）；Academia Sinica（中央研究院）；Taiwan AI Labs（台湾人工智能实验室）
Blind music source separation has been a popular and active subject of research in both the music information retrieval and signal processing communities. To counter the lack of available multi-track data for supervised model training, a data augmentation method that creates artificial mixtures by combining tracks from different songs has been shown useful in recent works. Following this light, we examine further in this paper extended data augmentation methods that consider more sophisticated mixing settings employed in the modern music production routine, the relationship between the tracks …
Algorithmic music composition is a way of composing musical pieces with minimal to no human intervention. While recurrent neural networks are traditionally applied to many sequence-to-sequence prediction tasks, including successful implementations of music composition, their standard supervised learning approach based on input-to-output mapping leads to a lack of note variety. These models can therefore be seen as potentially unsuitable for tasks such as music generation. Generative adversarial networks learn the generative distribution of data and lead to varied samples. This work implements …
This study investigates the use of non-linear unsupervised dimensionality reduction techniques to compress a music dataset into a low-dimensional representation which can be used in turn for the synthesis of new sounds. We systematically compare (shallow) autoencoders (AEs), deep autoencoders (DAEs), recurrent autoencoders (with Long Short-Term Memory cells -- LSTM-AEs) and variational autoencoders (VAEs) with principal component analysis (PCA) for representing the high-resolution short-term magnitude spectrum of a large and dense dataset of music notes into a lower-dimensional vector (and the…
This paper describes a neural drum transcription method that detects from music signals the onset times of drums at the $\textit{tatum}$ level, where tatum times are assumed to be estimated in advance. In conventional studies on drum transcription, deep neural networks (DNNs) have often been used to take a music spectrogram as input and estimate the onset times of drums at the $\textit{frame}$ level. The major problem with such frame-to-frame DNNs, however, is that the estimated onset times do not often conform with the typical tatum-level patterns appearing in symbolic drum scores because the…
Our goal is to be able to build a generative model from a deep neural network architecture to try to create music that has both harmony and melody and is passable as music composed by humans. Previous work in music generation has mainly been focused on creating a single melody. More recent work on polyphonic music modeling, centered around time series probability density estimation, has met some partial success. In particular, there has been a lot of work based off of Recurrent Neural Networks combined with Restricted Boltzmann Machines (RNN-RBM) and other similar recurrent energy based models…
This paper is about creating digital musical instruments where a predictive neural network model is integrated into the interactive system. Rather than predicting symbolic music (e.g., MIDI notes), we suggest that predicting future control data from the user and precise temporal information can lead to new and interesting interactive possibilities. We propose that a mixture density recurrent neural network (MDRNN) is an appropriate model for this task. The predictions can be used to fill-in control data when the user stops performing, or as a kind of filter on the user's own input. We present …
Singapore University of Technology and Design（新加坡科技设计大学）
The rise of deep learning technologies has quickly advanced many fields, including that of generative music systems. There exist a number of systems that allow for the generation of good sounding short snippets, yet, these generated snippets often lack an overarching, longer-term structure. In this work, we propose CM-HRNN: a conditional melody generation model based on a hierarchical recurrent neural network. This model allows us to generate melodies with long-term structures based on given chord accompaniments. We also propose a novel, concise event-based representation to encode musical lea…
The Variational Autoencoder (VAE) has proven to be an effective model for producing semantically meaningful latent representations for natural data. However, it has thus far seen limited application to sequential data, and, as we demonstrate, existing recurrent VAE models have difficulty modeling sequences with long-term structure. To address this issue, we propose the use of a hierarchical decoder, which first outputs embeddings for subsequences of the input and then uses these embeddings to generate each subsequence independently. This structure encourages the model to utilize its latent cod…
Waseda University（早稻田大学）；Johns Hopkins University（约翰斯·霍普金斯大学）；Honda Research Institute Japan（日本本田研究所）
Synthesizing human's movements such as dancing is a flourishing research field which has several applications in computer graphics. Recent studies have demonstrated the advantages of deep neural networks (DNNs) for achieving remarkable performance in motion and music tasks with little effort for feature pre-processing. However, applying DNNs for generating dance to a piece of music is nevertheless challenging, because of 1) DNNs need to generate large sequences while mapping the music input, 2) the DNN needs to constraint the motion beat to the music, and 3) DNNs require a considerable amount …
Institute of Computational Perception, JKU Linz（林茨约翰·开普勒大学计算感知研究所）；Sony Computer Science Laboratories (CSL)（索尼计算机科学实验室）
Connectionist sequence models (e.g., RNNs) applied to musical sequences suffer from two known problems: First, they have strictly "absolute pitch perception". Therefore, they fail to generalize over musical concepts which are commonly perceived in terms of relative distances between pitches (e.g., melodies, scale types, modes, cadences, or chord types). Second, they fall short of capturing the concepts of repetition and musical form. In this paper we introduce the recurrent gated autoencoder (RGAE), a recurrent neural network which learns and operates on interval representations of musical seq…
The popularity of applying machine learning techniques in musical domains has created an inherent availability of freely accessible pre-trained neural network (NN) models ready for use in creative applications. This work outlines the implementation of one such application in the form of an assistance tool designed for live improvisational performances by laptop ensembles. The primary intention was to leverage off-the-shelf pre-trained NN models as a basis for assisting individual performers either as musical novices looking to engage with more experienced performers or as a tool to expand musi…
National Institute of Technology, Kagawa College（国立高等专门学校机构，香川高等专门学校）；The University of Tokyo（东京大学）；Yamaha Corporation（雅马哈株式会社）
When we place microphones close to a sound source near other sources in audio recording, the obtained audio signal includes undesired sound from the other sources, which is often called cross-talk or bleeding sound. For many audio applications including onstage sound reinforcement and sound editing after a live performance, it is important to reduce the bleeding sound in each recorded signal. However, since microphones are spatially apart from each other in this situation, typical phase-aware blind source separation (BSS) methods cannot be used. We propose a phase-insensitive method for blind …
Recent directions in automatic speech recognition (ASR) research have shown that applying deep learning models from image recognition challenges in computer vision is beneficial. As automatic music transcription (AMT) is superficially similar to ASR, in the sense that methods often rely on transforming spectrograms to symbolic sequences of events (e.g. words or notes), deep learning should benefit AMT as well. In this work, we outline an online polyphonic pitch detection system that streams audio to MIDI by ConvLSTMs. Our system achieves state-of-the-art results on the 2007 MIREX multi-F0 deve…
Music that is generated by recurrent neural networks often lacks a sense of direction and coherence. We therefore propose a two-stage LSTM-based model for lead sheet generation, in which the harmonic and rhythmic templates of the song are produced first, after which, in a second stage, a sequence of melody notes is generated conditioned on these templates. A subjective listening test shows that our approach outperforms the baselines and increases perceived musical coherence.
Tampere University（坦佩雷大学）；Fraunhofer-IDMT（弗劳恩霍夫数字媒体技术研究所）
Recent approaches for music source separation are almost exclusively based on deep neural networks, mostly employing recurrent neural networks (RNNs). Although RNNs are in many cases superior than other types of deep neural networks for sequence processing, they are known to have specific difficulties in training and parallelization, especially for the typically long sequences encountered in music source separation. In this paper we present a use-case of replacing RNNs with depth-wise separable (DWS) convolutions, which are a lightweight and faster variant of the typical convolutions. We focus…
Adaptive Background Music for a Fighting Game: A Multi-Instrument Volume Modulation Approach
Graduate School of Information Science and Engineering Ritsumeikan University（立命馆大学信息科学与工程研究生院）；College of Information Science and Engineering Ritsumeikan University（立命馆大学信息科学与工程学院）
National Cheng Kung University（国立成功大学）；Academia Sinica（中央研究院）；Yating Music Team（雅婷音乐团队）；Taiwan AI Labs（台湾人工智能实验室）
This paper presents a novel system architecture that integrates blind source separation with joint beat and downbeat tracking in musical audio signals. The source separation module segregates the percussive and non-percussive components of the input signal, over which beat and downbeat tracking are performed separately and then the results are aggregated with a learnable fusion mechanism. This way, the system can adaptively determine how much the tracking result for an input signal should depend on the input's percussive or non-percussive components. Evaluation on four testing sets that featur…
Performance RNN is a machine-learning system designed primarily for the generation of solo piano performances using an event-based (rather than audio) representation. More specifically, Performance RNN is a long short-term memory (LSTM) based recurrent neural network that models polyphonic music with expressive timing and dynamics (Oore et al., 2018). The neural network uses a simple language model based on the Musical Instrument Digital Interface (MIDI) file format. Performance RNN is trained on the e-Piano Junior Competition Dataset (International Piano e-Competition, 2018), a collection of …
Indian Institute of Technology, Madras（印度理工学院马德拉斯分校）
In the domain of algorithmic music composition, machine learning-driven systems eliminate the need for carefully hand-crafting rules for composition. In particular, the capability of recurrent neural networks to learn complex temporal patterns lends itself well to the musical domain. Promising results have been observed across a number of recent attempts at music composition using deep RNNs. These approaches generally aim at first training neural networks to reproduce subsequences drawn from existing songs. Subsequently, they are used to compose music either at the audio sample-level or at the…
We present a novel framework for generating pop music. Our model is a hierarchical Recurrent Neural Network, where the layers and the structure of the hierarchy encode our prior knowledge about how pop music is composed. In particular, the bottom layers generate the melody, while the higher levels produce the drums and chords. We conduct several human studies that show strong preference of our generated music over that produced by the recent method by Google. We additionally show two applications of our framework: neural dancing and karaoke, as well as neural story singing.
IMT Atlantique（大西洋国立高等工业技术与矿业学校）；Dalhousie University（达尔豪斯大学）；Polish Academy of Sciences（波兰科学院）
In this paper, we adapt Recurrent Neural Networks with Stochastic Layers, which are the state-of-the-art for generating text, music and speech, to the problem of acoustic novelty detection. By integrating uncertainty into the hidden states, this type of network is able to learn the distribution of complex sequences. Because the learned distribution can be calculated explicitly in terms of probability, we can evaluate how likely an observation is then detect low-probability events as novel. The model is robust, highly unsupervised, end-to-end and requires minimum preprocessing, feature engineer…
RoboJam is a machine-learning system for generating music that assists users of a touchscreen music app by performing responses to their short improvisations. This system uses a recurrent artificial neural network to generate sequences of touchscreen interactions and absolute timings, rather than high-level musical notes. To accomplish this, RoboJam's network uses a mixture density layer to predict appropriate touch interaction locations in space and time. In this paper, we describe the design and implementation of RoboJam's network and how it has been integrated into a touchscreen music app. …
University of Plymouth（普利茅斯大学）；University of Glasgow（格拉斯哥大学）；Anglia Ruskin University（安格利亚鲁斯金大学）；Brighton and Sussex Medical School（布莱顿与苏塞克斯医学院）
Segmenting audio into homogeneous sections such as music and speech helps us understand the content of audio. It is useful as a pre-processing step to index, store, and modify audio recordings, radio broadcasts and TV programmes. Deep learning models for segmentation are generally trained on copyrighted material, which cannot be shared. Annotating these datasets is time-consuming and expensive and therefore, it significantly slows down research progress. In this study, we present a novel procedure that artificially synthesises data that resembles radio signals. We replicate the workflow of a r…
The recent success of raw audio waveform synthesis models like WaveNet motivates a new approach for music synthesis, in which the entire process --- creating audio samples from a score and instrument information --- is modeled using generative neural networks. This paper describes a neural music synthesis model with flexible timbre controls, which consists of a recurrent neural network conditioned on a learned instrument embedding followed by a WaveNet vocoder. The learned embedding space successfully captures the diverse variations in timbres within a large dataset and enables timbre control …
Chord recognition is an important task since chords are highly abstract and descriptive features of music. For effective chord recognition, it is essential to utilize relevant context in audio sequence. While various machine learning models such as convolutional neural networks (CNNs) and recurrent neural networks (RNNs) have been employed for the task, most of them have limitations in capturing long-term dependency or require training of an additional model. In this work, we utilize a self-attention mechanism for chord recognition to focus on certain regions of chords. Training of the propose…
We propose an application of sequence generative adversarial networks (SeqGAN), which are generative adversarial networks for discrete sequence generation, for creating polyphonic musical sequences. Instead of a monophonic melody generation suggested in the original work, we present an efficient representation of a polyphony MIDI file that simultaneously captures chords and melodies with dynamic timings. The proposed method condenses duration, octaves, and keys of both melodies and chords into a single word vector representation, and recurrent neural networks learn to predict distributions of …
U.I. for Computing Research（计算研究所）；University of Alicante（阿利坎特大学）
We present a framework based on neural networks to extract music scores directly from polyphonic audio in an end-to-end fashion. Most previous Automatic Music Transcription (AMT) methods seek a piano-roll representation of the pitches, that can be further transformed into a score by incorporating tempo estimation, beat tracking, key estimation or rhythm quantization. Unlike these methods, our approach generates music notation directly from the input audio in a single stage. For this, we use a Convolutional Recurrent Neural Network (CRNN) with Connectionist Temporal Classification (CTC) loss fu…
Univ. Rennes 1（雷恩第一大学）；Inria（法国国家信息与自动化研究所）；CNRS（法国国家科学研究中心）；IRISA（法国雷恩信息系统与随机过程研究所）；Center for Artificial Intelligence Technology (CAIT), Skoltech（斯科尔科沃科学技术研究院人工智能技术中心）；Univ Lyon（里昂大学）；INSA-Lyon（里昂国立应用科学学院）；UCBL（里昂第一大学）；UJM-Saint Etienne（圣艾蒂安让·莫内大学）；Inserm（法国国家健康与医学研究院）；CREATIS UMR 5220（法国国家科学研究中心5220联合研究单元（影像与脑科学实验室））
Nonnegative Tucker decomposition (NTD), a tensor decomposition model, has received increased interest in the recent years because of its ability to blindly extract meaningful patterns, in particular in Music Information Retrieval. Nevertheless, existing algorithms to compute NTD are mostly designed for the Euclidean loss. This work proposes a multiplicative updates algorithm to compute NTD with the beta-divergence loss, often considered a better loss for audio processing. We notably show how to implement efficiently the multiplicative rules using tensor algebra. Finally, we show on a music str…
Snap Inc.（Snap公司）；University of California, Berkeley（加州大学伯克利分校）；University of California, Los Angeles（加州大学洛杉矶分校）
In this paper, we propose a recurrent neural network (RNN)-based MIDI music composition machine that is able to learn musical knowledge from existing Beatles' songs and generate music in the style of the Beatles with little human intervention. In the learning stage, a sequence of stylistically uniform, multiple-channel music samples was modeled by a RNN. In the composition stage, a short clip of randomly-generated music was used as a seed for the RNN to start music score prediction. To form structured music, segments of generated music from different seeds were concatenated together. To improv…
Universidade Federal do Estado do Rio de Janeiro（里约热内卢联邦大学）；Sorbonne Université（索邦大学）
This paper presents a comparative analysis on two artificial neural networks (with different architectures) for the task of tempo estimation. For this purpose, it also proposes the modeling, training and evaluation of a B-RNN (Bidirectional Recurrent Neural Network) model capable of estimating tempo in bpm (beats per minutes) of musical pieces, without using external auxiliary modules. An extensive database (12,550 pieces in total) was curated to conduct a quantitative and qualitative analysis over the experiment. Percussion-only tracks were also included in the dataset. The performance of the…
Fraunhofer IDMT（弗劳恩霍夫数字媒体技术研究所）；Tampere University of Technology（坦佩雷理工大学）；Technical University of Ilmenau（伊尔梅瑙工业大学）
The objective of deep learning methods based on encoder-decoder architectures for music source separation is to approximate either ideal time-frequency masks or spectral representations of the target music source(s). The spectral representations are then used to derive time-frequency masks. In this work we introduce a method to directly learn time-frequency masks from an observed mixture magnitude spectrum. We employ recurrent neural networks and train them using prior knowledge only for the magnitude spectrum of the target source. To assess the performance of the proposed method, we focus on …
Music classification and genre detection are topics in music information retrieval (MIR) that many articles have been published regarding their utilities in the modern world. However, this contribution is insufficient in non-western music, such as Iranian modal music. In this work, we have implemented several deep neural networks to recognize Iranian modal music in seven highly correlated categories. The best model, BiLGNet, which achieved 92 percent overall accuracy, uses an architecture inspired by autoencoders, including bidirectional LSTM and GRU layers. We trained the models using the Nav…
