Recent directions in automatic speech recognition (ASR) research have shown that applying deep learning models from image recognition challenges in computer vision is beneficial. As automatic music transcription (AMT) is superficially similar to ASR, in the sense that methods often rely on transforming spectrograms to symbolic sequences of events (e.g. words or notes), deep learning should benefit AMT as well. In this work, we outline an online polyphonic pitch detection system that streams audio to MIDI by ConvLSTMs. Our system achieves state-of-the-art results on the 2007 MIREX multi-F0 development set, with an F-measure of 83\% on the bassoon, clarinet, flute, horn and oboe ensemble recording without requiring any musical language modelling or assumptions of instrument timbre.
This paper presents a polyphonic pitch tracking system able to extract both framewise and note-based estimates from audio. The system uses several artificial neural networks in a deep layered learning setup. First, cascading networks are applied to a spectrogram for framewise fundamental frequency (f0) estimation. A sparse receptive field is learned by the first network and then used as a filter kernel for parameter sharing throughout the system. The f0 activations are connected across time to extract pitch contours. These contours define a framework within which subsequent networks perform on…
This paper introduces a novel recurrent model for music composition that is tailored to the structure of polyphonic music. We propose an efficient new conditional probabilistic factorization of musical scores, viewing a score as a collection of concurrent, coupled sequences: i.e. voices. To model the conditional distributions, we borrow ideas from both convolutional and recurrent neural models; we argue that these ideas are natural for capturing music's pitch invariances, temporal structure, and polyphony. We train models for single-voice and multi-voice composition on 2,300 scores from the Ke…
Centre for Digital Music（数字音乐中心）；Queen Mary University of London（伦敦玛丽女王大学）
Automatic music transcription (AMT) aims to infer a latent symbolic representation of a piece of music (piano-roll), given a corresponding observed audio recording. Transcribing polyphonic music (when multiple notes are played simultaneously) is a challenging problem, due to highly structured overlapping between harmonics. We study whether the introduction of physically inspired Gaussian process (GP) priors into audio content analysis models improves the extraction of patterns required for AMT. Audio signals are described as a linear combination of sources. Each source is decomposed into the p…
National Technical University of Athens（雅典国立技术大学）；Athena Research Center（雅典娜研究中心）
Sound Event Detection and Audio Classification tasks are traditionally addressed through time-frequency representations of audio signals such as spectrograms. However, the emergence of deep neural networks as efficient feature extractors has enabled the direct use of audio signals for classification purposes. In this paper, we attempt to recognize musical instruments in polyphonic audio by only feeding their raw waveforms into deep learning models. Various recurrent and convolutional architectures incorporating residual connections are examined and parameterized in order to build end-to-end cl…
Sound events often occur in unstructured environments where they exhibit wide variations in their frequency content and temporal structure. Convolutional neural networks (CNN) are able to extract higher level features that are invariant to local spectral and temporal variations. Recurrent neural networks (RNNs) are powerful in learning the longer term temporal context in the audio signals. CNNs and RNNs as classifiers have recently shown improved performances over established methods in various sound recognition tasks. We combine these two approaches in a Convolutional Recurrent Neural Network…
Kyungpook National University（庆北国立大学）；Electronics and Telecommunications Research Institute（韩国电子通信研究院）
Deep generative models for audio synthesis have recently been significantly improved. However, the task of modeling raw-waveforms remains a difficult problem, especially for audio waveforms and music signals. Recently, the realtime audio variational autoencoder (RAVE) method was developed for high-quality audio waveform synthesis. The RAVE method is based on the variational autoencoder and utilizes the two-stage training strategy. Unfortunately, the RAVE model is limited in reproducing wide-pitch polyphonic music sound. Therefore, to enhance the reconstruction performance, we adopt the pitch a…
Lack of large-scale note-level labeled data is the major obstacle to singing transcription from polyphonic music. We address the issue by using pseudo labels from vocal pitch estimation models given unlabeled data. The proposed method first converts the frame-level pseudo labels to note-level through pitch and rhythm quantization steps. Then, it further improves the label quality through self-training in a teacher-student framework. To validate the method, we conduct various experiment settings by investigating two vocal pitch estimation models as pseudo-label generators, two setups of teacher…
Automatic note-level transcription is considered one of the most challenging tasks in music information retrieval. The specific case of flamenco singing transcription poses a particular challenge due to its complex melodic progressions, intonation inaccuracies, the use of a high degree of ornamentation and the presence of guitar accompaniment. In this study, we explore the limitations of existing state of the art transcription systems for the case of flamenco singing and propose a specific solution for this genre: We first extract the predominant melody and apply a novel contour filtering proc…
In this paper we present an approach to polyphonic sound event detection in real life recordings based on bi-directional long short term memory (BLSTM) recurrent neural networks (RNNs). A single multilabel BLSTM RNN is trained to map acoustic features of a mixture signal consisting of sounds from multiple classes, to binary activity indicators of each event class. Our method is tested on a large database of real-life recordings, with 61 classes (e.g. music, car, speech) from 10 different everyday contexts. The proposed method outperforms previous approaches by a large margin, and the results a…
This paper presents a new approach in understanding how deep neural networks (DNNs) work by applying homomorphic signal processing techniques. Focusing on the task of multi-pitch estimation (MPE), this paper demonstrates the equivalence relation between a generalized cepstrum and a DNN in terms of their structures and functionality. Such an equivalence relation, together with pitch perception theories and the recently established rectified-correlations-on-a-sphere (RECOS) filter analysis, provide an alternative way in explaining the role of the nonlinear activation function and the multi-layer…
This report proposes a polyphonic sound event detection (SED) method for the DCASE 2020 Challenge Task 4. The proposed SED method is based on semi-supervised learning to deal with the different combination of training datasets such as weakly labeled dataset, unlabeled dataset, and strongly labeled synthetic dataset. Especially, the target label of each audio clip from weakly labeled or unlabeled dataset is first predicted by using the mean teacher model that is the DCASE 2020 baseline. The data with predicted labels are used for training the proposed SED model, which consists of CNNs with skip…
University of Bremen（不来梅大学）；Colorado State University（科罗拉多州立大学）
We propose an algorithm for the blind separation of single-channel audio signals. It is based on a parametric model that describes the spectral properties of the sounds of musical instruments independently of pitch. We develop a novel sparse pursuit algorithm that can match the discrete frequency spectra from the recorded signal with the continuous spectra delivered by the model. We first use this algorithm to convert an STFT spectrogram from the recording into a novel form of log-frequency spectrogram whose resolution exceeds that of the mel spectrogram. We then make use of the pitch-invarian…
Sound event detection systems typically consist of two stages: extracting hand-crafted features from the raw audio waveform, and learning a mapping between these features and the target sound events using a classifier. Recently, the focus of sound event detection research has been mostly shifted to the latter stage using standard features such as mel spectrogram as the input for classifiers such as deep neural networks. In this work, we utilize end-to-end approach and propose to combine these two stages in a single deep neural network classifier. The feature extraction over the raw waveform is…
We present a supervised neural network model for polyphonic piano music transcription. The architecture of the proposed model is analogous to speech recognition systems and comprises an acoustic model and a music language model. The acoustic model is a neural network used for estimating the probabilities of pitches in a frame of audio. The language model is a recurrent neural network that models the correlations between pitch combinations over time. The proposed model is general and can be used to transcribe polyphonic music without imposing any constraints on the polyphony. The acoustic and l…
Extensive works have tackled Language Identification (LID) in the speech domain, however their application to the singing voice trails and performances on Singing Language Identification (SLID) can be improved leveraging recent progresses made in other singing related tasks. This work presents a modernized phonotactic system for SLID on polyphonic music: phoneme recognition is performed with a Connectionist Temporal Classification (CTC)-based acoustic model trained with multilingual data, before language classification with a recurrent model based on the phonemes estimation. The full pipeline …
U.I. for Computing Research（计算研究所）；University of Alicante（阿利坎特大学）
We present a framework based on neural networks to extract music scores directly from polyphonic audio in an end-to-end fashion. Most previous Automatic Music Transcription (AMT) methods seek a piano-roll representation of the pitches, that can be further transformed into a score by incorporating tempo estimation, beat tracking, key estimation or rhythm quantization. Unlike these methods, our approach generates music notation directly from the input audio in a single stage. For this, we use a Convolutional Recurrent Neural Network (CRNN) with Connectionist Temporal Classification (CTC) loss fu…
University of California San Diego（加州大学圣地亚哥分校）；Fudan University（复旦大学）；Smule Inc.（Smule公司）
Singing melody extraction is an important problem in the field of music information retrieval. Existing methods typically rely on frequency-domain representations to estimate the sung frequencies. However, this design does not lead to human-level performance in the perception of melody information for both tone (pitch-class) and octave. In this paper, we propose TONet, a plug-and-play model that improves both tone and octave perceptions by leveraging a novel input representation and a novel network architecture. First, we present an improved input representation, the Tone-CFP, that explicitly …
Indian Institute of Technology, Kanpur（印度理工学院坎普尔分校）
Melody estimation or melody extraction refers to the extraction of the primary or fundamental dominant frequency in a melody. This sequence of frequencies obtained represents the pitch of the dominant melodic line from recorded music audio signals. The music signal may be monophonic or polyphonic. The melody extraction problem from audio signals gets complicated when we start dealing with polyphonic audio data. This is because in generalized audio signals,the sounds are highly correlated over both frequency and time domains. This complex overlap of many sounds, makes identification of predomin…
We propose an application of sequence generative adversarial networks (SeqGAN), which are generative adversarial networks for discrete sequence generation, for creating polyphonic musical sequences. Instead of a monophonic melody generation suggested in the original work, we present an efficient representation of a polyphony MIDI file that simultaneously captures chords and melodies with dynamic timings. The proposed method condenses duration, octaves, and keys of both melodies and chords into a single word vector representation, and recurrent neural networks learn to predict distributions of …
Indian Institute of Technology, Madras（印度理工学院马德拉斯分校）
In the domain of algorithmic music composition, machine learning-driven systems eliminate the need for carefully hand-crafting rules for composition. In particular, the capability of recurrent neural networks to learn complex temporal patterns lends itself well to the musical domain. Promising results have been observed across a number of recent attempts at music composition using deep RNNs. These approaches generally aim at first training neural networks to reproduce subsequences drawn from existing songs. Subsequently, they are used to compose music either at the audio sample-level or at the…
National Engineering Laboratory for Speech and Language Information Processing（语音及语言信息处理国家工程实验室）；University of Science and Technology of China（中国科学技术大学）
Polyphonic sound event detection (polyphonic SED) is an interesting but challenging task due to the concurrence of multiple sound events. Recently, SED methods based on convolutional neural networks (CNN) and recurrent neural networks (RNN) have shown promising performance. Generally, CNN are designed for local feature extraction while RNN are used to model the temporal dependency among these local features. Despite their success, it is still insufficient for existing deep learning techniques to separate individual sound event from their mixture, largely due to the overlapping characteristic o…
Fudan University（复旦大学）；Ping An Technology (Shenzhen) Co., Ltd.（平安科技（深圳）有限公司）；National Institute of Informatics（国立信息学研究所）
Singing voice detection (SVD), to recognize vocal parts in the song, is an essential task in music information retrieval (MIR). The task remains challenging since singing voice varies and intertwines with the accompaniment music, especially for some complicated polyphonic music such as choral music recordings. To address this problem, we investigate singing voice detection while discarding the interference from the accompaniment. The proposed SVD has two steps: i. The singing voice separation (SVS) technique is first utilized to filter out the singing voice's potential part coarsely. ii. Upon …
Queen Mary University of London（伦敦玛丽女王大学）；Doremir Music Research AB（Doremir音乐研究公司）
This paper proposes a deep convolutional neural network for performing note-level instrument assignment. Given a polyphonic multi-instrumental music signal along with its ground truth or predicted notes, the objective is to assign an instrumental source for each note. This problem is addressed as a pitch-informed classification task where each note is analysed individually. We also propose to utilise several kernel shapes in the convolutional layers in order to facilitate learning of efficient timbre-discriminative feature maps. Experiments on the MusicNet dataset using 7 instrument classes sh…
LTCI（电信通信实验室）；Télécom Paris（巴黎电信学院）；Institut Polytechnique de Paris（巴黎理工学院）
Extracting pitch information from music recordings is a challenging but important problem in music signal processing. Frame-wise transcription or multi-pitch estimation aims for detecting the simultaneous activity of pitches in polyphonic music recordings and has recently seen major improvements thanks to deep-learning techniques, with a variety of proposed network architectures. In this paper, we realize different architectures based on CNNs, the U-net structure, and self-attention components. We propose several modifications to these architectures including self-attention modules for skip co…
One hour before sunrise, one can experience the dawn chorus where birds from different species sing together. In this scenario, high levels of polyphony, as in the number of overlapping sound sources, are prone to happen resulting in a complex acoustic outcome. Sound Event Detection (SED) tasks analyze acoustic scenarios in order to identify the occurring events and their respective temporal information. However, highly dense scenarios can be hard to process and have not been studied in depth. Here we show, using a Convolutional Recurrent Neural Network (CRNN), how birdsong polyphonic scenario…
Research Center for IT innovation, Academia Sinica（中央研究院资讯科技创新研究中心）
It has been shown recently that deep convolutional generative adversarial networks (GANs) can learn to generate music in the form of piano-rolls, which represent music by binary-valued time-pitch matrices. However, existing models can only generate real-valued piano-rolls and require further post-processing, such as hard thresholding (HT) or Bernoulli sampling (BS), to obtain the final binary-valued results. In this paper, we study whether we can have a convolutional GAN model that directly creates binary-valued piano-rolls by using binary neurons. Specifically, we propose to append to the gen…
This paper presents ByteSing, a Chinese singing voice synthesis (SVS) system based on duration allocated Tacotron-like acoustic models and WaveRNN neural vocoders. Different from the conventional SVS models, the proposed ByteSing employs Tacotron-like encoder-decoder structures as the acoustic models, in which the CBHG models and recurrent neural networks (RNNs) are explored as encoders and decoders respectively. Meanwhile an auxiliary phoneme duration prediction model is utilized to expand the input sequence, which can enhance the model controllable capacity, model stability and tempo predict…
Institute of Information Science, Academia Sinica（中央研究院信息科学研究所）
A patch-based convolutional neural network (CNN) model presented in this paper for vocal melody extraction in polyphonic music is inspired from object detection in image processing. The input of the model is a novel time-frequency representation which enhances the pitch contours and suppresses the harmonic components of a signal. This succinct data representation and the patch-based CNN model enable an efficient training process with limited labeled data. Experiments on various datasets show excellent speed and competitive accuracy comparing to other deep learning approaches.
Universitat Pompeu Fabra（庞培法布拉大学）；New York University（纽约大学）；European Commission, Joint Research Centre（欧盟委员会联合研究中心）
This paper addresses the extraction of multiple F0 values from polyphonic and a cappella vocal performances using convolutional neural networks (CNNs). We address the major challenges of ensemble singing, i.e., all melodic sources are vocals and singers sing in harmony. We build upon an existing architecture to produce a pitch salience function of the input signal, where the harmonic constant-Q transform (HCQT) and its associated phase differentials are used as an input representation. The pitch salience function is subsequently thresholded to obtain a multiple F0 estimation output. For traini…
Our goal is to be able to build a generative model from a deep neural network architecture to try to create music that has both harmony and melody and is passable as music composed by humans. Previous work in music generation has mainly been focused on creating a single melody. More recent work on polyphonic music modeling, centered around time series probability density estimation, has met some partial success. In particular, there has been a lot of work based off of Recurrent Neural Networks combined with Restricted Boltzmann Machines (RNN-RBM) and other similar recurrent energy based models…
Fudan University（复旦大学）；National Institute of Informatics (NII)（国立信息学研究所）
While neural network models are making significant progress in piano transcription, they are becoming more resource-consuming due to requiring larger model size and more computing power. In this paper, we attempt to apply more prior about piano to reduce model size and improve the transcription performance. The sound of a piano note contains various overtones, and the pitch of a key does not change over time. To make full use of such latent information, we propose HPPNet that using the Harmonic Dilated Convolution to capture the harmonic structures and the Frequency Grouped Recurrent Neural Ne…
Research Center for IT Innovation, Academia Sinica（中央研究院资讯科技创新研究中心）；KKBOX Inc.（KKBOX公司）
For many music analysis problems, we need to know the presence of instruments for each time frame in a multi-instrument musical piece. However, such a frame-level instrument recognition task remains difficult, mainly due to the lack of labeled datasets. To address this issue, we present in this paper a large-scale dataset that contains synthetic polyphonic music with frame-level pitch and instrument labels. Moreover, we propose a simple yet novel network architecture to jointly predict the pitch and instrument for each frame. With this multitask learning method, the pitch information can be le…
Institute of Computational Perception, JKU Linz（林茨约翰·开普勒大学计算感知研究所）；Sony Computer Science Laboratories (CSL)（索尼计算机科学实验室）
Connectionist sequence models (e.g., RNNs) applied to musical sequences suffer from two known problems: First, they have strictly "absolute pitch perception". Therefore, they fail to generalize over musical concepts which are commonly perceived in terms of relative distances between pitches (e.g., melodies, scale types, modes, cadences, or chord types). Second, they fall short of capturing the concepts of repetition and musical form. In this paper we introduce the recurrent gated autoencoder (RGAE), a recurrent neural network which learns and operates on interval representations of musical seq…
The fundamental frequency (F0) represents pitch in speech that determines prosodic characteristics of speech and is needed in various tasks for speech analysis and synthesis. Despite decades of research on this topic, F0 estimation at low signal-to-noise ratios (SNRs) in unexpected noise conditions remains difficult. This work proposes a new approach to noise robust F0 estimation using a recurrent neural network (RNN) trained in a supervised manner. Recent studies employ deep neural networks (DNNs) for F0 tracking as a frame-by-frame classification task into quantised frequency states but we p…
Indiana University（印第安纳大学）；University of Victoria（维多利亚大学）；Smule, Inc（Smule公司）
We introduce a data-driven approach to automatic pitch correction of solo singing performances. The proposed approach predicts note-wise pitch shifts from the relationship between the respective spectrograms of the singing and accompaniment. This approach differs from commercial systems, where vocal track notes are usually shifted to be centered around pitches in a user-defined score, or mapped to the closest pitch among the twelve equal-tempered scale degrees. The proposed system treats pitch as a continuous value rather than relying on a set of discretized notes found in musical scores, thus…
We describe a machine-learning approach to pitch correcting a solo singing performance in a karaoke setting, where the solo voice and accompaniment are on separate tracks. The proposed approach addresses the situation where no musical score of the vocals nor the accompaniment exists: It predicts the amount of correction from the relationship between the spectral contents of the vocal and accompaniment tracks. Hence, the pitch shift in cents suggested by the model can be used to make the voice sound in tune with the accompaniment. This approach differs from commercially used automatic pitch cor…
In this paper, we present a machine-learning approach to pitch correction for voice in a karaoke setting, where the vocals and accompaniment are on separate tracks and time-aligned. The network takes as input the time-frequency representation of the two tracks and predicts the amount of pitch-shifting in cents required to make the voice sound in-tune with the accompaniment. It is trained on examples of semi-professional singing. The proposed approach differs from existing real-time pitch correction methods by replacing pitch tracking and mapping to a discrete set of notes---for example, the tw…
Dolby Laboratories（杜比实验室）；University of California San Diego（加利福尼亚大学圣地亚哥分校）
Music performance synthesis aims to synthesize a musical score into a natural performance. In this paper, we borrow recent advances in text-to-speech synthesis and present the Deep Performer -- a novel system for score-to-audio music performance synthesis. Unlike speech, music often contains polyphony and long notes. Hence, we propose two new techniques for handling polyphonic inputs and providing a fine-grained conditioning in a transformer encoder-decoder model. To train our proposed system, we present a new violin dataset consisting of paired recordings and scores along with estimated align…
A recurrent Neural Network (RNN) is trained to predict sound samples based on audio input augmented by control parameter information for pitch, volume, and instrument identification. During the generative phase following training, audio input is taken from the output of the previous time step, and the parameters are externally controlled allowing the network to be played as a musical instrument. Building on an architecture developed in previous work, we focus on the learning and synthesis of transients - the temporal response of the network during the short time (tens of milliseconds) followin…
The fundamental frequency (F0) contour of speech is a key aspect to represent speech prosody that finds use in speech and spoken language analysis such as voice conversion and speech synthesis as well as speaker and language identification. This work proposes new methods to estimate the F0 contour of speech using deep neural networks (DNNs) and recurrent neural networks (RNNs). They are trained using supervised learning with the ground truth of F0 contours. The latest prior research addresses this problem first as a frame-by-frame-classification problem followed by sequence tracking using deep…
Performance RNN is a machine-learning system designed primarily for the generation of solo piano performances using an event-based (rather than audio) representation. More specifically, Performance RNN is a long short-term memory (LSTM) based recurrent neural network that models polyphonic music with expressive timing and dynamics (Oore et al., 2018). The neural network uses a simple language model based on the Musical Instrument Digital Interface (MIDI) file format. Performance RNN is trained on the e-Piano Junior Competition Dataset (International Piano e-Competition, 2018), a collection of …
Instrument playing technique (IPT) is a key element of musical presentation. However, most of the existing works for IPT detection only concern monophonic music signals, yet little has been done to detect IPTs in polyphonic instrumental solo pieces with overlapping IPTs or mixed IPTs. In this paper, we formulate it as a frame-level multi-label classification problem and apply it to Guzheng, a Chinese plucked string instrument. We create a new dataset, Guzheng\_Tech99, containing Guzheng recordings and onset, offset, pitch, IPT annotations of each note. Because different IPTs vary a lot in thei…
Singapore University of Technology and Design（新加坡科技设计大学）
The rise of deep learning technologies has quickly advanced many fields, including that of generative music systems. There exist a number of systems that allow for the generation of good sounding short snippets, yet, these generated snippets often lack an overarching, longer-term structure. In this work, we propose CM-HRNN: a conditional melody generation model based on a hierarchical recurrent neural network. This model allows us to generate melodies with long-term structures based on given chord accompaniments. We also propose a novel, concise event-based representation to encode musical lea…
Key Laboratory of Noise and Vibration Research, Institute of Acoustics, Chinese Academy of Sciences（中国科学院声学研究所噪声与振动研究重点实验室）；University of Chinese Academy of Sciences（中国科学院大学）；State Key Laboratory of Media Convergence and Communication, Communication University of China（中国传媒大学媒体融合与传播国家重点实验室）；School of Electronics and Communication Engineering, Guangzhou University（广州大学电子与通信工程学院）；National Environmental Protection Engineering and Technology Center for Road Traffic Noise Control（国家环境保护道路交通噪声控制工程技术中心）
With the development of deep neural networks, automatic music composition has made great progress. Although emotional music can evoke listeners' different emotions and it is important for artistic expression, only few researches have focused on generating emotional music. This paper presents EmotionBox -an music-element-driven emotional music generator that is capable of composing music given a specific emotion, where this model does not require a music dataset labeled with emotions. Instead, pitch histogram and note density are extracted as features that represent mode and tempo respectively …
This study investigates the use of non-linear unsupervised dimensionality reduction techniques to compress a music dataset into a low-dimensional representation which can be used in turn for the synthesis of new sounds. We systematically compare (shallow) autoencoders (AEs), deep autoencoders (DAEs), recurrent autoencoders (with Long Short-Term Memory cells -- LSTM-AEs) and variational autoencoders (VAEs) with principal component analysis (PCA) for representing the high-resolution short-term magnitude spectrum of a large and dense dataset of music notes into a lower-dimensional vector (and the…
We investigate methods for the automatic labeling of the taan section, a prominent structural component of the Hindustani Khayal vocal concert. The taan contains improvised raga-based melody rendered in the highly distinctive style of rapid pitch and energy modulations of the voice. We propose computational features that capture these specific high-level characteristics of the singing voice in the polyphonic context. The extracted local features are used to achieve classification at the frame level via a trained multilayer perceptron (MLP) network, followed by grouping and segmentation based o…
The Ohio State University（俄亥俄州立大学）；Carnegie Mellon University（卡内基梅隆大学）；Massachussetts Institute of Technology（麻省理工学院）
We explore the use of a neural network inspired by predictive coding for modeling human music perception. This network was developed based on the computational neuroscience theory of recurrent interactions in the hierarchical visual cortex. When trained with video data using self-supervised learning, the model manifests behaviors consistent with human visual illusions. Here, we adapt this network to model the hierarchical auditory system and investigate whether it will make similar choices to humans regarding the musicality of a set of random pitch sequences. When the model is trained with a l…
Binghamton University（宾汉姆顿大学）；Sony Interactive Entertainment Inc（索尼互动娱乐公司）
In this paper, we present a reverberation removal approach for speaker verification, utilizing dual-label deep neural networks (DNNs). The networks perform feature mapping between the spectral features of reverberant and clean speech. Long short term memory recurrent neural networks (LSTMs) are trained to map corrupted Mel filterbank (MFB) features to two sets of labels: i) the clean MFB features, and ii) either estimated pitch tracks or the fast Fourier transform (FFT) spectrogram of clean speech. The performance of reverberation removal is evaluated by equal error rates (EERs) of speaker ver…
JOHANNES KEPLER UNIVERSITY LINZ（约翰内斯·开普勒大学林茨分校）；Institute of Computational Perception（计算感知研究所）
In recent years, artificial neural networks (ANNs) have become a universal tool for tackling real-world problems. ANNs have also shown great success in music-related tasks including music summarization and classification, similarity estimation, computer-aided or autonomous composition, and automatic music analysis. As structure is a fundamental characteristic of Western music, it plays a role in all these tasks. Some structural aspects are particularly challenging to learn with current ANN architectures. This is especially true for mid- and high-level self-similarity, tonal and rhythmic relati…
Brno University of Technology（布尔诺理工大学）；University of Las Palmas de Gran Canaria（大加那利岛拉斯帕尔马斯大学）
This paper describes a preliminary investigation of Voice Pathology Detection using Deep Neural Networks (DNN). We used voice recordings of sustained vowel /a/ produced at normal pitch from German corpus Saarbruecken Voice Database (SVD). This corpus contains voice recordings and electroglottograph signals of more than 2 000 speakers. The idea behind this experiment is the use of convolutional layers in combination with recurrent Long-Short-Term-Memory (LSTM) layers on raw audio signal. Each recording was split into 64 ms Hamming windowed segments with 30 ms overlap. Our trained model achieved…
Sun Yat-sen University（中山大学）；China University of Political Science and Law（中国政法大学）；Institute of High Performance Computing（高性能计算研究所）
Creating aesthetically pleasing pieces of art, including music, has been a long-term goal for artificial intelligence research. Despite recent successes of long-short term memory (LSTM) recurrent neural networks (RNNs) in sequential learning, LSTM neural networks have not, by themselves, been able to generate natural-sounding music conforming to music theory. To transcend this inadequacy, we put forward a novel method for music composition that combines the LSTM with Grammars motivated by music theory. The main tenets of music theory are encoded as grammar argumented (GA) filters on the traini…
