Musical onset detection can be formulated as a time-to-event (TTE) or time-since-event (TSE) prediction task by defining music as a sequence of onset events. Here we propose a novel method to model the probability of onsets by introducing a sequential density prediction model. The proposed model estimates TTE & TSE distributions from mel-spectrograms using convolutional neural networks (CNNs) as a density predictor. We evaluate our model on the Bock dataset show-ing comparable results to previous deep-learning models.
Sheffield Hallam University（谢菲尔德哈勒姆大学）；University of Moratuwa（莫拉图瓦大学）；KTH Royal Institute of Technology（瑞典皇家理工学院）
Musical onset detection is a key component in any beat tracking system. Existing onset detection methods are based on temporal/spectral analysis, or methods that integrate temporal and spectral information together with statistical estimation and machine learning models. In this paper, we propose a method to localize onset components in music by using the S-transform, and thus, the method is purely based on temporal/spectral data. Unlike the other methods based on temporal/spectral data, which usually rely short time Fourier transform (STFT), our method enables effective isolation of crucial f…
In this paper, we propose an efficient and reproducible deep learning model for musical onset detection (MOD). We first review the state-of-the-art deep learning models for MOD, and identify their shortcomings and challenges: (i) the lack of hyper-parameter tuning details, (ii) the non-availability of code for training models on other datasets, and (iii) ignoring the network capability when comparing different architectures. Taking the above issues into account, we experiment with seven deep learning architectures. The most efficient one achieves equivalent performance to our implementation of…
A recurrent Neural Network (RNN) is trained to predict sound samples based on audio input augmented by control parameter information for pitch, volume, and instrument identification. During the generative phase following training, audio input is taken from the output of the previous time step, and the parameters are externally controlled allowing the network to be played as a musical instrument. Building on an architecture developed in previous work, we focus on the learning and synthesis of transients - the temporal response of the network during the short time (tens of milliseconds) followin…
This paper describes a neural drum transcription method that detects from music signals the onset times of drums at the $\textit{tatum}$ level, where tatum times are assumed to be estimated in advance. In conventional studies on drum transcription, deep neural networks (DNNs) have often been used to take a music spectrogram as input and estimate the onset times of drums at the $\textit{frame}$ level. The major problem with such frame-to-frame DNNs, however, is that the estimated onset times do not often conform with the typical tatum-level patterns appearing in symbolic drum scores because the…
We advance the state of the art in polyphonic piano music transcription by using a deep convolutional and recurrent neural network which is trained to jointly predict onsets and frames. Our model predicts pitch onset events and then uses those predictions to condition framewise pitch predictions. During inference, we restrict the predictions from the framewise detector by not allowing a new note to start unless the onset detector also agrees that an onset for that pitch is present in the frame. We focus on improving onsets and offsets together instead of either in isolation as we believe this …
The goal of this thesis was to implement a tool that, given a digital audio input, can extract and represent rhythm and musical time. The purpose of the tool is to help develop better models of rhythm for real-time computer based performance and composition. This analysis tool, Riddim, uses Independent Subspace Analysis (ISA) and a robust onset detection scheme to separate and detect salient rhythmic and timing information from different sonic sources within the input. This information is then represented in a format that can be used by a variety of algorithms that interpret timing information…
Music Technology Group, Universitat Pompeu Fabra（庞培法布拉大学音乐技术组）
This paper introduces a new score-informed method for the segmentation of jingju a cappella singing phrase into syllables. The proposed method estimates the most likely sequence of syllable boundaries given the estimated syllable onset detection function (ODF) and its score. Throughout the paper, we first examine the jingju syllables structure and propose a definition of the term "syllable onset". Then, we identify which are the challenges that jingju a cappella singing poses. Further, we investigate how to improve the syllable ODF estimation with convolutional neural networks (CNNs). We propo…
BEAT: Tokenizing and Generating Symbolic Music by Uniform Temporal Steps
South China University of Technology（南方科技大学）；National University of Singapore（新加坡国立大学）；Mohamed bin Zayed University of Artificial Intelligence（莫扎德·本·扎耶德人工智能大学）；New York University（纽约大学）
Gesture2Music: A Low-Latency Real-Time Framework for Continuous Gesture-Driven Music Generation
Stanford University（斯坦福大学）；Saveetha Institute of Medical and Technical Sciences（Saveetha医学与技术科学学院）；LSU Health Sciences Center New Orleans（路易斯安那州立大学健康科学中心新奥尔良分校）
Google（谷歌）；Delft University of Technology（代尔夫特理工大学）
Acoustic events often have a visual counterpart. Knowledge of visual information can aid the understanding of complex auditory scenes, even when only a stereo mixdown is available in the audio domain, \eg identifying which musicians are playing in large musical ensembles. In this paper, we consider a vision-based approach to note onset detection. As a case study we focus on challenging, real-world clarinetist videos and carry out preliminary experiments on a 3D convolutional neural network based on multiple streams and purposely avoiding temporal pooling. We release an audiovisual dataset with…
Kyoto University（京都大学）；Queen Mary University of London（伦敦玛丽女王大学）；RIKEN（日本理化学研究所）
This paper presents a statistical method for use in music transcription that can estimate score times of note onsets and offsets from polyphonic MIDI performance signals. Because performed note durations can deviate largely from score-indicated values, previous methods had the problem of not being able to accurately estimate offset score times (or note values) and thus could only output incomplete musical scores. Based on observations that the pitch context and onset score times are influential on the configuration of note values, we construct a context-tree model that provides prior distribut…
Sound event detection (SED) aims to detect when and recognize what sound events happen in an audio clip. Many supervised SED algorithms rely on strongly labelled data which contains the onset and offset annotations of sound events. However, many audio tagging datasets are weakly labelled, that is, only the presence of the sound events is known, without knowing their onset and offset annotations. In this paper, we propose a time-frequency (T-F) segmentation framework trained on weakly labelled data to tackle the sound event detection and separation problem. In training, a segmentation mapping i…
