While diffusion model for audio-driven avatar video generation have achieved notable process in synthesizing long sequences with natural audio-visual synchronization and identity consistency, the generation of music-performance videos with camera motions remains largely unexplored. We present YingVideo-MV, the first cascaded framework for music-driven long-video generation. Our approach integrates audio semantic analysis, an interpretable shot planning module (MV-Director), temporal-aware diffusion Transformer architectures, and long-sequence consistency modeling to enable automatic synthesis of high-quality music performance videos from audio signals. We construct a large-scale Music-in-the-Wild Dataset by collecting web data to support the achievement of diverse, high-quality results. Observing that existing long-video generation methods lack explicit camera motion control, we introduce a camera adapter module that embeds camera poses into latent noise. To enhance continulity between clips during long-sequence inference, we further propose a time-aware dynamic window range strategy that adaptively adjust denoising ranges based on audio embedding. Comprehensive benchmark tests demonstrate that YingVideo-MV achieves outstanding performance in generating coherent and expressive music videos, and enables precise music-motion-camera synchronization. More videos are available in our project page: https://giantailab.github.io/YingVideo-MV/ .
Diff-BGM: A Diffusion Model for Video Background Music Generation
Wangxuan Institute of Computer Technology, Peking University（北京大学王选计算机研究所）；Beijing Electronic Science and Technology Institute（北京电子科技学院）；Beijing Institute for General Artificial Intelligence（北京通用人工智能研究院）
Close your eyes and listen to music, one can easily imagine an actor dancing rhythmically along with the music. These dance movements are usually made up of dance movements you have seen before. In this paper, we propose to reproduce such an inherent capability of the human-being within a computer vision system. The proposed system consists of three modules. To explore the relationship between music and dance movements, we propose a cross-modal alignment module that focuses on dancing video clips, accompanied on pre-designed music, to learn a system that can judge the consistency between the v…
Anhui University（安徽大学）；University of Chinese Academy of Sciences（中国科学院大学）；Center for Excellence in Brain Science and Intelligence Technology, CAS（中国科学院脑科学与智能技术卓越创新中心）
We propose a new task named Audio-driven Per-formance Video Generation (APVG), which aims to synthesizethe video of a person playing a certain instrument guided bya given music audio clip. It is a challenging task to gener-ate the high-dimensional temporal consistent videos from low-dimensional audio modality. In this paper, we propose a multi-staged framework to achieve this new task to generate realisticand synchronized performance video from given music. Firstly,we provide both global appearance and local spatial informationby generating the coarse videos and keypoints of body and handsfrom…
Spatial-Temporal Graph Mamba for Music-Guided Dance Video Synthesis
State Key Laboratory of Multimedia Information Processing, School of Computer Science, Peking University（多媒体信息处理国家重点实验室，计算机科学学院，北京大学）；UCAS-Terminus AI Lab, University of Chinese Academy of Sciences（中国科学院大学Terminus AI实验室，中国科学院大学）；School of Intelligent Science and Technology, Nanjing University（智能科学与技术学院，南京大学）；Department of Information Technology and Electrical Engineering, ETH Zurich（信息科技与电气工程系，苏黎世联邦理工学院）；Department of Electrical Engineering, KU Leuven（电气工程系，鲁汶大学）；INSAIT, Sofia Un.（INSAIT，索菲亚大学）；Department of Information Engineering and Computer Science (DISI), University of Trento（信息工程与计算机科学系（DISI），特伦托大学）
In this demo, we present VirtualConductor, a system that can generate conducting video from any given music and a single user's image. First, a large-scale conductor motion dataset is collected and constructed. Then, we propose Audio Motion Correspondence Network (AMCNet) and adversarial-perceptual learning to learn the cross-modal relationship and generate diverse, plausible, music-synchronized motion. Finally, we combine 3D animation rendering and a pose transfer model to synthesize conducting video from a single given user's image. Therefore, any user can become a virtual conductor through …
We present a learning-based approach with pose perceptual loss for automatic music video generation. Our method can produce a realistic dance video that conforms to the beats and rhymes of almost any given music. To achieve this, we firstly generate a human skeleton sequence from music and then apply the learned pose-to-appearance mapping to generate the final video. In the stage of generating skeleton sequences, we utilize two discriminators to capture different aspects of the sequence and propose a novel pose perceptual loss to produce natural dances. Besides, we also provide a new cross-mod…
Illinois Institute of Technology（伊利诺伊理工学院）；Snap Inc.（Snap公司）；Princeton University（普林斯顿大学）
We present Dance2Music-GAN (D2M-GAN), a novel adversarial multi-modal framework that generates complex musical samples conditioned on dance videos. Our proposed framework takes dance video frames and human body motions as input, and learns to generate music samples that plausibly accompany the corresponding input. Unlike most existing conditional music generation works that generate specific types of mono-instrumental sounds using symbolic audio representations (e.g., MIDI), and that usually rely on pre-defined musical synthesizers, in this work we generate dance music in complex styles (e.g.,…
We present a novel system that gets as an input video frames of a musician playing the piano and generates the music for that video. Generation of music from visual cues is a challenging problem and it is not clear whether it is an attainable goal at all. Our main aim in this work is to explore the plausibility of such a transformation and to identify cues and components able to carry the association of sounds with visual events. To achieve the transformation we built a full pipeline named `\textit{Audeo}' containing three components. We first translate the video frames of the keyboard and the…
Kyushu University（九州大学）；National Institute of Advanced Industrial Science and Technology (AIST)（日本产业技术综合研究所（AIST））
We attempt to recognize and track lyric words in lyric videos. Lyric video is a music video showing the lyric words of a song. The main characteristic of lyric videos is that the lyric words are shown at frames synchronously with the music. The difficulty of recognizing and tracking the lyric words is that (1) the words are often decorated and geometrically distorted and (2) the words move arbitrarily and drastically in the video frame. The purpose of this paper is to analyze the motion of the lyric words in lyric videos, as the first step of automatic lyric video generation. In order to analy…
AutoMV: An Automatic Multi-Agent System for Music Video Generation
Beijing University of Posts and Telecommunications（北京邮电大学）；Nanjing University（南京大学）；Queen Mary University of London（伦敦大学女王学院）；Hong Kong University of Science and Technology（香港科技大学）；University of Manchester（曼彻斯特大学）
Piano fingering -- knowing which finger to use to play each note in a musical piece, is a hard and important skill to master when learning to play the piano. While some sheet music is available with expert-annotated fingering information, most pieces lack this information, and people often resort to learning the fingering from demonstrations in online videos. We consider the AI task of automating the extraction of fingering information from videos. This is a non-trivial task as fingers are often occluded by other fingers, and it is often not clear from the video which of the keys were pressed,…
National Tsing Hua University（国立清华大学）；University of Toronto（多伦多大学）
We propose a content-based system for matching video and background music. The system aims to address the challenges in music recommendation for new users or new music give short-form videos. To this end, we propose a cross-modal framework VMCML that finds a shared embedding space between video and music representations. To ensure the embedding space can be effectively shared by both representations, we leverage CosFace loss based on margin-based cosine similarity loss. Furthermore, we establish a large-scale dataset called MSVD, in which we provide 390 individual music and the corresponding m…
The Chinese University of Hong Kong（香港中文大学）；The University of Hong Kong（香港大学）
Multi-modality perception is essential to develop interactive intelligence. In this work, we consider a new task of visual information-infused audio inpainting, \ie synthesizing missing audio segments that correspond to their accompanying videos. We identify two key aspects for a successful inpainter: (1) It is desirable to operate on spectrograms instead of raw audios. Recent advances in deep semantic image inpainting could be leveraged to go beyond the limitations of traditional audio inpainting. (2) To synthesize visually indicated audio, a visual-audio joint feature space needs to be learn…
Language-Guided Music Recommendation for Video via Prompt Analogies
University of Illinois at Urbana-Champaign（伊利诺伊大学厄巴纳-香槟分校）；Adobe Research（奥多比研究中心）；Czech Institute of Informatics, Robotics and Cybernetics（捷克信息学、机器人学与控制论研究所）；Czech Technical University（捷克技术大学）
Up to now, only limited research has been conducted on cross-modal retrieval of suitable music for a specified video or vice versa. Moreover, much of the existing research relies on metadata such as keywords, tags, or associated description that must be individually produced and attached posterior. This paper introduces a new content-based, cross-modal retrieval method for video and music that is implemented through deep neural networks. We train the network via inter-modal ranking loss such that videos and music with similar semantics end up close together in the embedding space. However, if …
MIT-IBM Watson AI Lab（麻省理工学院-IBM沃森人工智能实验室）；Massachusetts Institute of Technology（麻省理工学院）
In this paper, we introduce Foley Music, a system that can synthesize plausible music for a silent video clip about people playing musical instruments. We first identify two key intermediate representations for a successful video to music generator: body keypoints from videos and MIDI events from audio recordings. We then formulate music generation from videos as a motion-to-MIDI translation problem. We present a Graph$-$Transformer framework that can accurately predict MIDI event sequences in accordance with the body movements. The MIDI event can then be converted to realistic music using an …
Many social media users prefer consuming content in the form of videos rather than text. However, in order for content creators to produce videos with a high click-through rate, much editing is needed to match the footage to the music. This posts additional challenges for more amateur video makers. Therefore, we propose a novel attention-based model VMT (Video-Music Transformer) that automatically generates piano scores from video frames. Using music generated from models also prevent potential copyright infringements that often come with using existing music. To the best of our knowledge, the…
We describe the implementation of and early results from a system that automatically composes picture-synched musical soundtracks for videos and movies. We use the phrase "picture-synched" to mean that the structure of the automatically composed music is determined by visual events in the input movie, i.e. the final music is synchronised to visual events and features such as cut transitions or within-shot key-frame events. Our system combines automated video analysis and computer-generated music-composition techniques to create unique soundtracks in response to the video input, and can be thou…
Columbia University（哥伦比亚大学）；Adobe Research（奥多比研究院）
We present an approach for recommending a music track for a given video, and vice versa, based on both their temporal alignment and their correspondence at an artistic level. We propose a self-supervised approach that learns this correspondence directly from data, without any need of human annotations. In order to capture the high-level concepts that are required to solve the task, we propose modeling the long-term temporal context of both the video and the music signals, using Transformer networks for each modality. Experiments show that this approach strongly outperforms alternatives that do…
Doctoral Program in Electrical and Computer Engineering（电子与计算机工程博士项目）；Faculty of Engineering, University of Porto（葡萄牙波尔图大学工程学院）；Faculty of Science and Technology, University of Coimbra（科英布拉大学科学与技术学院）；Frost School of Music, University of Miami（迈阿密大学弗罗斯特音乐学院）；Faculty of Science and Technology, NOVA University Lisbon（里斯本NOVA大学科学与技术学院）；ISEP, Polytechnic of Porto（波尔图理工学院ISEP）
Luleå University of Technology（吕勒奥理工大学）；Télécom SudParis（南巴黎电信学院）；Institut Polytechnique de Paris（巴黎理工学院）
This paper presents a framework to automate the labelling process for gestures in musical performance videos with a 3D Convolutional Neural Network (CNN). While this idea was proposed in a previous study, this paper introduces several novelties: (i) Presents a novel method to overcome the class imbalance challenge and make learning possible for co-existent gestures by batch balancing approach and spatial-temporal representations of gestures. (ii) Performs a detailed study on 7 and 18 categories of gestures generated during the performance (guitar play) of musical pieces that have been video-re…
