Derived from diffusion models, MangaNinjia specializes in the task of reference-guided line art colorization. We incorporate two thoughtful designs to ensure precise character detail transcription, including a patch shuffling module to facilitate correspondence learning between the reference color image and the target line art, and a point-driven control scheme to enable fine-grained color matching. Experiments on a self-collected benchmark demonstrate the superiority of our model over current solutions in terms of precise colorization. We further showcase the potential of the proposed interactive point control in handling challenging cases, cross-character colorization, multi-reference harmonization, beyond the reach of existing algorithms.
University of Electronic Science and Technology of China（电子科技大学）；Peking University（北京大学）；JD Explore Academy（京东探索研究院）
Reference-based line-art colorization is a challenging task in computer vision. The color, texture, and shading are rendered based on an abstract sketch, which heavily relies on the precise long-range dependency modeling between the sketch and reference. Popular techniques to bridge the cross-modal information and model the long-range dependency employ the attention mechanism. However, in the context of reference-based line-art colorization, several techniques would intensify the existing training difficulty of attention, for instance, self-supervised training protocol and GAN-based losses. To…
The Hong Kong Polytechnic University（香港理工大学）；Caritas Institute of Higher Education（明爱专上学院）；National Cheng Kung University（国立成功大学）
It is a time-consuming and tedious work for manually colorizing anime line drawing images, which is an essential stage in cartoon animation creation pipeline. Reference-based line drawing colorization is a challenging task that relies on the precise cross-domain long-range dependency modelling between the line drawing and reference image. Existing learning methods still utilize generative adversarial networks (GANs) as one key module of their model architecture. In this paper, we propose a novel method called AnimeDiffusion using diffusion models that performs anime face line drawing colorizat…
Applied Research Center (ARC), Tencent PCG（腾讯平台与内容事业群应用研究中心）
Colorization has attracted increasing interest in recent years. Classic reference-based methods usually rely on external color images for plausible results. A large image database or online search engine is inevitably required for retrieving such exemplars. Recent deep-learning-based methods could automatically colorize images at a low cost. However, unsatisfactory artifacts and incoherent colors are always accompanied. In this work, we propose GCP-Colorization that leverages the rich and diverse color priors encapsulated in a pretrained Generative Adversarial Networks (GAN) for automatic colo…
Royal Institute of Technology（瑞典皇家理工学院）；University of Tokyo（东京大学）
The Japanese comic format known as Manga is popular all over the world. It is traditionally produced in black and white, and colorization is time consuming and costly. Automatic colorization methods generally rely on greyscale values, which are not present in manga. Furthermore, due to copyright protection, colorized manga available for training is scarce. We propose a manga colorization method based on conditional Generative Adversarial Networks (cGAN). Unlike previous cGAN approaches that use many hundreds or thousands of training images, our method requires only a single colorized reference…
Automatic animation line art colorization is a challenging computer vision problem, since the information of the line art is highly sparse and abstracted and there exists a strict requirement for the color and style consistency between frames. Recently, a lot of Generative Adversarial Network (GAN) based image-to-image translation methods for single line art colorization have emerged. They can generate perceptually appealing results conditioned on line art images. However, these methods can not be adopted for the purpose of animation colorization because there is a lack of consideration of the…
Near infrared (NIR) imaging has been widely applied in low-light imaging scenarios; however, it is difficult for human and algorithms to perceive the real scene in the colorless NIR domain. While Generative Adversarial Network (GAN) has been widely employed in various image colorization tasks, it is challenging for a direct mapping mechanism, such as a conventional GAN, to transform an image from the NIR to the RGB domain with correct semantic reasoning, well-preserved textures, and vivid color combinations concurrently. In this work, we propose a novel Attention-based NIR image colorization f…
This paper tackles the automatic colorization task of a sketch image given an already-colored reference image. Colorizing a sketch image is in high demand in comics, animation, and other content creation applications, but it suffers from information scarcity of a sketch image. To address this, a reference image can render the colorization process in a reliable and user-driven manner. However, it is difficult to prepare for a training data set that has a sufficient amount of semantically meaningful pairs of images as well as the ground truth for a colored image reflecting a given reference (e.g…
Hong Kong UST（香港科技大学）；University of Science and Technology of China（中国科学技术大学）；Microsoft Research（微软研究院）；Microsoft Research Asia（微软亚洲研究院）
We propose the first deep learning approach for exemplar-based local colorization. Given a reference color image, our convolutional neural network directly maps a grayscale image to an output colorized image. Rather than using hand-crafted rules as in traditional exemplar-based methods, our end-to-end colorization network learns how to select, propagate, and predict colors from the large-scale data. The approach performs robustly and generalizes well even when using reference images that are unrelated to the input grayscale image. More importantly, as opposed to other learning-based colorizati…
We propose a novel reference-based video colorization framework with spatiotemporal correspondence. Reference-based methods colorize grayscale frames referencing a user input color frame. Existing methods suffer from the color leakage between objects and the emergence of average colors, derived from non-local semantic correspondence in space. To address this issue, we warp colors only from the regions on the reference frame restricted by correspondence in time. We propagate masks as temporal correspondences, using two complementary tracking approaches: off-the-shelf instance tracking for high …
Nanjing University of Science and Technology（南京理工大学）；Communication University of China（中国传媒大学）
How to effectively explore the colors of reference exemplars and propagate them to colorize each frame is vital for exemplar-based video colorization. In this paper, we present an effective BiSTNet to explore colors of reference exemplars and utilize them to help video colorization by a bidirectional temporal feature fusion with the guidance of semantic image prior. We first establish the semantic correspondence between each frame and the reference exemplars in deep feature space to explore color information from reference exemplars. Then, to better propagate the colors of reference exemplars …
Shanghai Jiao Tong University（上海交通大学）；City University of Hong Kong（香港城市大学）
This paper investigates into the colorization problem which converts a grayscale image to a colorful version. This is a very difficult problem and normally requires manual adjustment to achieve artifact-free quality. For instance, it normally requires human-labelled color scribbles on the grayscale target image or a careful selection of colorful reference images (e.g., capturing the same scene in the grayscale target image). Unlike the previous methods, this paper aims at a high-quality fully-automatic colorization method. With the assumption of a perfect patch matching technique, the use of a…
We developed "Comicolorization", a semi-automatic colorization system for manga images. Given a monochrome manga and reference images as inputs, our system generates a plausible color version of the manga. This is the first work to address the colorization of an entire manga title (a set of manga pages). Our method colorizes a whole page (not a single panel) semi-automatically, with the same color for the same character across multiple panels. To colorize the target character by the color from the reference image, we extract a color feature from the reference and feed it to the colorization ne…
Tsinghua Shenzhen International Graduate School（清华大学深圳国际研究生院）；Shenzhen Institutes of Advanced Technology, Chinese Academy of Sciences（中国科学院深圳先进技术研究院）；Shanghai AI Laboratory（上海人工智能实验室）；Peng Cheng National Laboratory（鹏城国家实验室）
Exemplar-based colorization approaches rely on reference image to provide plausible colors for target gray-scale image. The key and difficulty of exemplar-based colorization is to establish an accurate correspondence between these two images. Previous approaches have attempted to construct such a correspondence but are faced with two obstacles. First, using luminance channels for the calculation of correspondence is inaccurate. Second, the dense correspondence they built introduces wrong matching results and increases the computation burden. To address these two problems, we propose Semantic-S…
North China Electric Power University（华北电力大学）；Institute of Computing Technology, Chinese Academy of Sciences（中国科学院计算技术研究所）；University of Chinese Academy of Sciences（中国科学院大学）；Cardiff University（卡迪夫大学）；Victoria University of Wellington（惠灵顿维多利亚大学）
Coloring line art images based on the colors of reference images is an important stage in animation production, which is time-consuming and tedious. In this paper, we propose a deep architecture to automatically color line art videos with the same color style as the given reference images. Our framework consists of a color transform network and a temporal constraint network. The color transform network takes the target line art images as well as the line art and color images of one or more reference images as input, and generates corresponding target color images. To cope with larger differenc…
Automatic colorization of anime line drawing has attracted much attention in recent years since it can substantially benefit the animation industry. User-hint based methods are the mainstream approach for line drawing colorization, while reference-based methods offer a more intuitive approach. Nevertheless, although reference-based methods can improve feature aggregation of the reference image and the line drawing, the colorization results are not compelling in terms of color consistency or semantic correspondence. In this paper, we introduce an attention-based model for anime line drawing col…
Baidu Inc.（百度公司）；University of Chinese Academy of Sciences（中国科学院大学）
In this paper, we present a fast exemplar-based image colorization approach using color embeddings named Color2Embed. Generally, due to the difficulty of obtaining input and ground truth image pairs, it is hard to train a exemplar-based colorization model with unsupervised and unpaired training manner. Current algorithms usually strive to achieve two procedures: i) retrieving a large number of reference images with high similarity for preparing training dataset, which is inevitably time-consuming and tedious; ii) designing complicated modules to transfer the colors of the reference image to th…
This paper proposes an iterative generative model for solving the automatic colorization problem. Although previous researches have shown the capability to generate plausible color, the edge color overflow and the requirement of the reference images still exist. The starting point of the unsupervised learning in this study is the observation that the gradient map possesses latent information of the image. Therefore, the inference process of the generative modeling is conducted in joint intensity-gradient domain. Specifically, a set of intensity-gradient formed high-dimensional tensors, as the …
We present the DeepHist - a novel Deep Learning framework for augmenting a network by histogram layers and demonstrate its strength by addressing image-to-image translation problems. Specifically, given an input image and a reference color distribution we aim to generate an output image with the structural appearance (content) of the input (source) yet with the colors of the reference. The key idea is a new technique for a differentiable construction of joint and color histograms of the output images. We further define a color distribution loss based on the Earth Mover's Distance between the o…
Zhejiang University（浙江大学）；Huzhou Institute of Zhejiang University（浙江大学湖州研究院）
Image learning and colorization are hot spots in multimedia domain. Inspired by the learning capability of humans, in this paper, we propose an automatic colorization method with a learning framework. This method can be viewed as a hybrid of exemplar-based and learning-based method, and it decouples the colorization process and learning process so as to generate various color styles for the same gray image. The matching process in the exemplar-based colorization method can be regarded as a parameterized function, and we employ a large amount of color images as the training samples to fit the p…
Hong Kong University of Science and Technology（香港科技大学）；USC Institute for Creative Technologies（南加州大学创意技术研究所）；City University of Hong Kong（香港城市大学）；Microsoft Research Asia（微软亚洲研究院）；Microsoft AI Perception and Mixed Reality（微软人工智能感知与混合现实部门）；Hamad Bin Khalifa University（哈马德·本·哈利法大学）
This paper presents the first end-to-end network for exemplar-based video colorization. The main challenge is to achieve temporal consistency while remaining faithful to the reference style. To address this issue, we introduce a recurrent framework that unifies the semantic correspondence and color propagation steps. Both steps allow a provided reference image to guide the colorization of every frame, thus reducing accumulated propagation errors. Video frames are colorized in sequence based on the colorization history, and its coherency is further enforced by the temporal consistency loss. All…
University of Illinois at Urbana-Champaign（伊利诺伊大学厄巴纳-香槟分校）；Institute for Infocomm Research（资讯通信研究院）；National University of Singapore（新加坡国立大学）
Image colorization adds color to grayscale images. It not only increases the visual appeal of grayscale images, but also enriches the information contained in scientific images that lack color information. Most existing methods of colorization require laborious user interaction for scribbles or image segmentation. To eliminate the need for human labor, we develop an automatic image colorization method using epitome. Built upon a generative graphical model, epitome is a condensed image appearance and shape model which also proves to be an effective summary of color information for the colorizat…
Scribble colors based line art colorization is a challenging computer vision problem since neither greyscale values nor semantic information is presented in line arts, and the lack of authentic illustration-line art training pairs also increases difficulty of model generalization. Recently, several Generative Adversarial Nets (GANs) based methods have achieved great success. They can generate colorized illustrations conditioned on given line art and color hints. However, these methods fail to capture the authentic illustration distributions and are hence perceptually unsatisfying in the sense …
Color3D: Controllable and Consistent 3D Colorization with Personalized Colorizer
Faculty of Computing, Harbin Institute of Technology（哈尔滨工业大学计算机学院）；Harbin Institute of Technology Zhengzhou Research Institute（哈尔滨工业大学郑州研究所）；Artificial Intelligence Research Institute, Shenzhen University of Advanced Technology（深圳先进技术大学人工智能研究所）
Nanyang Technological University（南洋理工大学）；Institute for Infocomm Research（信息通信研究院）
In this paper, we present a color transfer algorithm to colorize a broad range of gray images without any user intervention. The algorithm uses a machine learning-based approach to automatically colorize grayscale images. The algorithm uses the superpixel representation of the reference color images to learn the relationship between different image features and their corresponding color values. We use this learned information to predict the color value of each grayscale image superpixel. As compared to processing individual image pixels, our use of superpixels helps us to achieve a much higher…
Refaçade: Editing Object with Given Reference Texture
University of Electronic Science and Technology of China（电子科技大学）；The Hong Kong Polytechnic University（香港理工大学）；The Chinese University of Hong Kong（香港中文大学）；IntelliFusion Inc.（云天励飞公司）；Astribot Inc.（Astribot公司）
