The face reenactment is a popular facial animation method where the person's identity is taken from the source image and the facial motion from the driving image. Recent works have demonstrated high quality results by combining the facial landmark based motion representations with the generative adversarial networks. These models perform best if the source and driving images depict the same person or if the facial structures are otherwise very similar. However, if the identity differs, the driving facial structures leak to the output distorting the reenactment result. We propose a novel Facial Attribute Controllable rEenactment GAN (FACEGAN), which transfers the facial motion from the driving face via the Action Unit (AU) representation. Unlike facial landmarks, the AUs are independent of the facial structure preventing the identity leak. Moreover, AUs provide a human interpretable way to control the reenactment. FACEGAN processes background and face regions separately for optimized output quality. The extensive quantitative and qualitative comparisons show a clear improvement over the state-of-the-art in a single source reenactment task. The results are best illustrated in the reenactment video provided in the supplementary material. The source code will be made available upon publication of the paper.
Sharif University of Technology（谢里夫理工大学）；imec（imec研究所）；Ghent University（根特大学）
We present a novel approach to generating photo-realistic images of a face with accurate lip sync, given an audio input. By using a recurrent neural network, we achieved mouth landmarks based on audio features. We exploited the power of conditional generative adversarial networks to produce highly-realistic face conditioned on a set of landmarks. These two networks together are capable of producing a sequence of natural faces in sync with an input audio track.
University of Southern California（南加州大学）；USC Institute for Creative Technologies（南加州大学创意技术研究所）；Pinscreen
We present a deep learning-based framework for portrait reenactment from a single picture of a target (one-shot) and a video of a driving subject. Existing facial reenactment methods suffer from identity mismatch and produce inconsistent identities when a target and a driving subject are different (cross-subject), especially in one-shot settings. In this work, we aim to address identity preservation in cross-subject portrait reenactment from a single picture. We introduce a novel technique that can disentangle identity from expressions and poses, allowing identity preserving portrait reenactme…
Animating a static face image with target facial expressions and movements is important in the area of image editing and movie production. This face reenactment process is challenging due to the complex geometry and movement of human faces. Previous work usually requires a large set of images from the same person to model the appearance. In this paper, we present a one-shot face reenactment model, FaR-GAN, that takes only one face image of any given source identity and a target expression as input, and then produces a face image of the same source identity but with the target expression. The p…
Navigating Large-Pose Challenge for High-Fidelity Face Reenactment with Video Diffusion Model
National Key Laboratory of Fundamental Science on Synthetic Vision, Sichuan University, Chengdu, 610065, China（合成视觉基础科学国家重点实验室，四川大学，成都，610065，中国）；School of Cyber Science and Engineering, Sichuan University, Chengdu, 610065, China（网络科学与工程学院，四川大学，成都，610065，中国）；College of Computer Science, Sichuan University, Chengdu, 610065, China（计算机科学学院，四川大学，成都，610065，中国）
Technical University of Munich（慕尼黑工业大学）；Max Planck Institute for Informatics（马克斯·普朗克信息学研究所）；Saarland Informatics Campus（萨尔兰信息学园区）
We present Neural Voice Puppetry, a novel approach for audio-driven facial video synthesis. Given an audio sequence of a source person or digital assistant, we generate a photo-realistic output video of a target person that is in sync with the audio of the source input. This audio-driven facial reenactment is driven by a deep neural network that employs a latent 3D face model space. Through the underlying 3D representation, the model inherently learns temporal stability while we leverage neural rendering to generate photo-realistic output frames. Our approach generalizes across different peopl…
SelfieAvatar: Real-time Head Avatar reenactment from a Selfie Video
Department of Control Science and Engineering, University of Shanghai for Science and Technology（上海理工大学控制科学与工程系）；School of Psychology and Neuroscience, University of Glasgow（格拉斯哥大学心理学与神经科学学院）
Kingston University（金斯顿大学）；Queen Mary University of London（伦敦玛丽女王大学）
This paper is on face/head reenactment where the goal is to transfer the facial pose (3D head orientation and expression) of a target face to a source face. Previous methods focus on learning embedding networks for identity and pose disentanglement which proves to be a rather hard task, degrading the quality of the generated images. We take a different approach, bypassing the training of such networks, by using (fine-tuned) pre-trained GANs which have been shown capable of producing high-quality facial images. Because GANs are characterized by weak controllability, the core of our approach is …
Facial expression transfer and reenactment has been an important research problem given its applications in face editing, image manipulation, and fabricated videos generation. We present a novel method for image-based facial expression transfer, leveraging the recent style-based GAN shown to be very effective for creating realistic looking images. Given two face images, our method can create plausible results that combine the appearance of one image and the expression of the other. To achieve this, we first propose an optimization procedure based on StyleGAN to infer hierarchical style vector …
This paper introduces ActGAN - a novel end-to-end generative adversarial network (GAN) for one-shot face reenactment. Given two images, the goal is to transfer the facial expression of the source actor onto a target person in a photo-realistic fashion. While existing methods require target identity to be predefined, we address this problem by introducing a "many-to-many" approach, which allows arbitrary persons both for source and target without additional retraining. To this end, we employ the Feature Pyramid Network (FPN) as a core generator building block - the first application of FPN in f…
Peking University（北京大学）；Xverse；JD Explore Academy（京东探索研究院）；Tencent AI Lab（腾讯AI实验室）；University of Rochester（罗切斯特大学）
Recent research has witnessed advances in facial image editing tasks including face swapping and face reenactment. However, these methods are confined to dealing with one specific task at a time. In addition, for video facial editing, previous methods either simply apply transformations frame by frame or utilize multiple frames in a concatenated or iterative fashion, which leads to noticeable visual flickers. In this paper, we propose a unified temporally consistent facial video editing framework termed UniFaceGAN. Based on a 3D reconstruction model and a simple yet efficient dynamic training …
Recent works have shown how realistic talking face images can be obtained under the supervision of geometry guidance, e.g., facial landmark or boundary. To alleviate the demand for manual annotations, in this paper, we propose a novel self-supervised hybrid model (DAE-GAN) that learns how to reenact face naturally given large amounts of unlabeled videos. Our approach combines two deforming autoencoders with the latest advances in the conditional generation. On the one hand, we adopt the deforming autoencoder to disentangle identity and pose representations. A strong prior in talking face video…
NetEase Fuxi AI Lab（网易伏羲AI实验室）；Zhejiang University（浙江大学）；Beijing Institute of Technology（北京理工大学）
The paper proposes a novel generative adversarial network for one-shot face reenactment, which can animate a single face image to a different pose-and-expression (provided by a driving image) while keeping its original appearance. The core of our network is a novel mechanism called appearance adaptive normalization, which can effectively integrate the appearance information from the input image into our face generator by modulating the feature maps of the generator using the learned adaptive parameters. Furthermore, we specially design a local net to reenact the local facial components (i.e., …
University of Exeter（埃克塞特大学）；Imperial College London（帝国理工学院）；Foundation for Research and Technology - Hellas (FORTH)（希腊基础研究与技术基金会（FORTH））
Video-to-video synthesis is a challenging problem aiming at learning a translation function between a sequence of semantic maps and a photo-realistic video depicting the characteristics of a driving video. We propose a head-to-head system of our own implementation capable of fully transferring the human head 3D pose, facial expressions and eye gaze from a source to a target actor, while preserving the identity of the target actor. Our system produces high-fidelity, temporally-smooth and photo-realistic synthetic videos faithfully transferring the human time-varying head attributes from the sou…
Technical University of Munich（慕尼黑工业大学）；Stanford University（斯坦福大学）
We present IMU2Face, a gesture-driven facial reenactment system. To this end, we combine recent advances in facial motion capture and inertial measurement units (IMUs) to control the facial expressions of a person in a target video based on intuitive hand gestures. IMUs are omnipresent, since modern smart-phones, smart-watches and drones integrate such sensors, e.g., for changing the orientation of the screen content, counting steps, or for flight stabilization. Face tracking and reenactment is based on the state-of-the-art real-time Face2Face facial reenactment system. Instead of transferring…
Imperial College London（帝国理工学院）；University of Exeter（埃克塞特大学）；Foundation for Research and Technology - Hellas (FORTH)（希腊研究与技术基金会）
Facial video re-targeting is a challenging problem aiming to modify the facial attributes of a target subject in a seamless manner by a driving monocular sequence. We leverage the 3D geometry of faces and Generative Adversarial Networks (GANs) to design a novel deep learning architecture for the task of facial and head reenactment. Our method is different to purely 3D model-based approaches, or recent image-based methods that use Deep Convolutional Neural Networks (DCNNs) to generate individual frames. We manage to capture the complex non-rigid facial motion from the driving monocular performa…
FSRT: Facial Scene Representation Transformer for Face Reenactment from Factorized Appearance, Head-pose, and Facial Expression Features
Autonomous Intelligent Systems - Computer Science Institute VI and Center for Robotics, University of Bonn（波恩大学自主智能系统 - 计算机科学第六研究所与机器人中心）；Lamarr Institute for Machine Learning and Artificial Intelligence（拉马尔机器学习和人工智能研究所）
Technical University Munich（慕尼黑工业大学）；Stanford University（斯坦福大学）；University of Erlangen-Nuremberg（埃尔朗根-纽伦堡大学）；Max-Planck-Institute for Informatics（马克斯·普朗克信息学研究所）
We propose FaceVR, a novel image-based method that enables video teleconferencing in VR based on self-reenactment. State-of-the-art face tracking methods in the VR context are focused on the animation of rigged 3d avatars. While they achieve good tracking performance the results look cartoonish and not real. In contrast to these model-based approaches, FaceVR enables VR teleconferencing using an image-based technique that results in nearly photo-realistic outputs. The key component of FaceVR is a robust algorithm to perform real-time facial motion capture of an actor who is wearing a head-moun…
TALK-Act: Enhance Textural-Awareness for 2D Speaking Avatar Reenactment with Diffusion Model
Tsinghua University（清华大学）；University of Science and Technology of China（中国科学技术大学）；Baidu Inc.（百度公司）；Zhongguancun Laboratory（中关村实验室）；Nanyang Technological University（南洋理工大学）
Imperial College London（帝国理工学院）；Huawei Technologies（华为技术有限公司）
We present Dynamic Neural Portraits, a novel approach to the problem of full-head reenactment. Our method generates photo-realistic video portraits by explicitly controlling head pose, facial expressions and eye gaze. Our proposed architecture is different from existing methods that rely on GAN-based image-to-image translation networks for transforming renderings of 3D faces into photo-realistic images. Instead, we build our system upon a 2D coordinate-based MLP with controllable dynamics. Our intuition to adopt a 2D-based representation, as opposed to recent 3D NeRF-like systems, stems from t…
Indian Institute of Science Bangalore（班加罗尔印度科学研究所）；Indian Institute of Technology Jodhpur（焦特布尔印度理工学院）；IIIT-Delhi（德里印度信息技术学院）
Visual content has become the primary source of information, as evident in the billions of images and videos, shared and uploaded on the Internet every single day. This has led to an increase in alterations in images and videos to make them more informative and eye-catching for the viewers worldwide. Some of these alterations are simple, like copy-move, and are easily detectable, while other sophisticated alterations like reenactment based DeepFakes are hard to detect. Reenactment alterations allow the source to change the target expressions and create photo-realistic images and videos. While …
Imperial College London（帝国理工学院）；University of Exeter（埃克塞特大学）
Over the past years, a substantial amount of work has been done on the problem of facial reenactment, with the solutions coming mainly from the graphics community. Head reenactment is an even more challenging task, which aims at transferring not only the facial expression, but also the entire head pose from a source person to a target. Current approaches either train person-specific systems, or use facial landmarks to model human heads, a representation that might transfer unwanted identity attributes from the source to the target. We propose head2headFS, a novel easily adaptable pipeline for …
University of Erlangen-Nuremberg（埃尔朗根-纽伦堡大学）；Max-Planck-Institute for Informatics（马克斯·普朗克信息学研究所）；Stanford University（斯坦福大学）
We present Face2Face, a novel approach for real-time facial reenactment of a monocular target video sequence (e.g., Youtube video). The source sequence is also a monocular video stream, captured live with a commodity webcam. Our goal is to animate the facial expressions of the target video by a source actor and re-render the manipulated output video in a photo-realistic fashion. To this end, we first address the under-constrained problem of facial identity recovery from monocular video by non-rigid model-based bundling. At run time, we track facial expressions of both source and target video u…
School of Cyber Security, University of Chinese Academy of Sciences（中国科学院大学网络空间安全学院）；National Computer Network Emergency Response Technical Team Coordination Center of China（国家计算机网络应急技术处理协调中心）
Detecting manipulated facial images and videos on social networks has been an urgent problem to be solved. The compression of videos on social media has destroyed some pixel details that could be used to detect forgeries. Hence, it is crucial to detect manipulated faces in videos of different quality. We propose a new multi-stream network architecture named GGViT, which utilizes global information to improve the generalization of the model. The embedding of the whole face extracted by ViT will guide each stream network. Through a large number of experiments, we have proved that our proposed mo…
Zhejiang University（浙江大学）；Fuxi AI Lab, NetEase（网易伏羲人工智能实验室）
This paper presents a novel multi-identity face reenactment framework, named FReeNet, to transfer facial expressions from an arbitrary source face to a target face with a shared model. The proposed FReeNet consists of two parts: Unified Landmark Converter (ULC) and Geometry-aware Generator (GAG). The ULC adopts an encode-decoder architecture to efficiently convert expression in a latent landmark space, which significantly narrows the gap of the face contour between source and target identities. The GAG leverages the converted landmark to reenact the photorealistic image with a reference image …
Kingston University London（伦敦金斯顿大学）；Queen Mary University of London（伦敦玛丽女王大学）
In this paper we address the problem of neural face reenactment, where, given a pair of a source and a target facial image, we need to transfer the target's pose (defined as the head pose and its facial expressions) to the source image, by preserving at the same time the source's identity characteristics (e.g., facial shape, hair style, etc), even in the challenging case where the source and the target faces belong to different identities. In doing so, we address some of the limitations of the state-of-the-art works, namely, a) that they depend on paired training data (i.e., source and target …
University of Science and Technology in China（中国科学技术大学）
Benefiting from the development of generative adversarial networks (GAN), facial manipulation has achieved significant progress in both academia and industry recently. It inspires an increasing number of entertainment applications but also incurs severe threats to individual privacy and even political security meanwhile. To mitigate such risks, many countermeasures have been proposed. However, the great majority methods are designed in a passive manner, which is to detect whether the facial images or videos are tampered after their wide propagation. These detection-based methods have a fatal l…
Photo-realistic video portrait reenactment benefits virtual production and numerous VR/AR experiences. The task remains challenging as the reenacted expression should match the source while the lighting should be adjustable to new environments. We present a neural relighting and expression transfer technique to transfer the facial expressions from a source performer to a portrait video of a target performer while enabling dynamic relighting. Our approach employs 4D reflectance field learning, model-based facial performance capture and target-aware neural rendering. Specifically, given a short …
Computer Vision Lab ETH Zürich（苏黎世联邦理工学院计算机视觉实验室）；KU Leuven（鲁汶大学）
Attribute image manipulation has been a very active topic since the introduction of Generative Adversarial Networks (GANs). Exploring the disentangled attribute space within a transformation is a very challenging task due to the multiple and mutually-inclusive nature of the facial images, where different labels (eyeglasses, hats, hair, identity, etc.) can co-exist at the same time. Several works address this issue either by exploiting the modality of each domain/attribute using a conditional random vector noise, or extracting the modality from an exemplary image. However, existing methods cann…
Image reenactment is a task where the target object in the source image imitates the motion represented in the driving image. One of the most common reenactment tasks is face image animation. The major challenge in the current face reenactment approaches is to distinguish between facial motion and identity. For this reason, the previous models struggle to produce high-quality animations if the driving and source identities are different (cross-person reenactment). We propose a new (face) reenactment model that learns shape-independent motion features in a self-supervised setup. The motion is r…
Research on the detection of AI-generated videos has focused almost exclusively on face videos, usually referred to as deepfakes. Manipulations like face swapping, face reenactment and expression manipulation have been the subject of an intense research with the development of a number of efficient tools to distinguish artificial videos from genuine ones. Much less attention has been paid to the detection of artificial non-facial videos. Yet, new tools for the generation of such kind of videos are being developed at a fast pace and will soon reach the quality level of deepfake videos. The goal…
MPI for Informatics（马克斯·普朗克信息学研究所）；Philipps-Universität Marburg（马尔堡菲利普大学）；Technicolor（特艺集团）
We propose an image-based, facial reenactment system that replaces the face of an actor in an existing target video with the face of a user from a source video, while preserving the original target performance. Our system is fully automatic and does not require a database of source expressions. Instead, it is able to produce convincing reenactment results from a short source video captured with an off-the-shelf camera, such as a webcam, where the user performs arbitrary facial gestures. Our reenactment pipeline is conceived as part image retrieval and part face transfer: The image retrieval is…
Deepfake Generation and Detection: A Benchmark and Survey
East China Normal University（华东师范大学）；Zhejiang University（浙江大学）；Nanjing University（南京大学）；Youtu Lab, Tencent（腾讯优图实验室）；Shanghai Jiao Tong University（上海交通大学）；Nanyang Technological University（南洋理工大学）
When there is a mismatch between the target identity and the driver identity, face reenactment suffers severe degradation in the quality of the result, especially in a few-shot setting. The identity preservation problem, where the model loses the detailed information of the target leading to a defective output, is the most common failure mode. The problem has several potential sources such as the identity of the driver leaking due to the identity mismatch, or dealing with unseen large poses. To overcome such problems, we introduce components that address the mentioned problem: image attention …
Audio-guided face reenactment aims to generate a photorealistic face that has matched facial expression with the input audio. However, current methods can only reenact a special person once the model is trained or need extra operations such as 3D rendering and image post-fusion on the premise of generating vivid faces. To solve the above challenge, we propose a novel \emph{R}eal-time \emph{A}udio-guided \emph{M}ulti-face reenactment approach named \emph{APB2FaceV2}, which can reenact different target faces among multiple persons with corresponding reference face and drive audio signal as input…
Max Planck Institute for Informatics（马克斯·普朗克信息学研究所）
Face performance capture and reenactment techniques use multiple cameras and sensors, positioned at a distance from the face or mounted on heavy wearable devices. This limits their applications in mobile and outdoor environments. We present EgoFace, a radically new lightweight setup for face performance capture and front-view videorealistic reenactment using a single egocentric RGB camera. Our lightweight setup allows operations in uncontrolled environments, and lends itself to telepresence applications such as video-conferencing from dynamic environments. The input image is projected into a l…
University Federico II of Naples（那不勒斯费德里科二世大学）；Technical University of Munich（慕尼黑工业大学）；Max Planck Institute for Intelligent Systems, Tübingen（马克斯·普朗克智能系统研究所）
A major challenge in DeepFake forgery detection is that state-of-the-art algorithms are mostly trained to detect a specific fake method. As a result, these approaches show poor generalization across different types of facial manipulations, e.g., from face swapping to facial reenactment. To this end, we introduce ID-Reveal, a new approach that learns temporal facial features, specific of how a person moves while talking, by means of metric learning coupled with an adversarial training strategy. The advantage is that we do not need any training data of fakes, but only train on real videos. Moreo…
University of Chinese Academy of Sciences（中国科学院大学）；University at Buffalo, State University of New York（纽约州立大学布法罗分校）
Face synthesis is an important problem in computer vision with many applications. In this work, we describe a new method, namely LandmarkGAN, to synthesize faces based on facial landmarks as input. Facial landmarks are a natural, intuitive, and effective representation for facial expressions and orientations, which are independent from the target's texture or color and background scene. Our method is able to transform a set of facial landmarks into new faces of different subjects, while retains the same facial expression and orientation. Experimental results on face synthesis and reenactments …
Peking University（北京大学）；Advanced Institute of Information Technology, Peking University（北京大学信息技术高等研究院）；Tencent America（腾讯美国）
Generating portrait images by controlling the motions of existing faces is an important task of great consequence to social media industries. For easy use and intuitive control, semantically meaningful and fully disentangled parameters should be used as modifications. However, many existing techniques do not provide such fine-grained controls or use indirect editing methods i.e. mimic motions of other individuals. In this paper, a Portrait Image Neural Renderer (PIRenderer) is proposed to control the face motions with the parameters of three-dimensional morphable face models (3DMMs). The propo…
In recent advances of deep generative models, face reenactment -manipulating and controlling human face, including their head movement-has drawn much attention for its wide range of applicability. Despite its strong expressiveness, it is inevitable that the models fail to reconstruct or accurately generate unseen side of the face of a given single reference image. Most of existing methods alleviate this problem by learning appearances of human faces from large amount of data and generate realistic texture at inference time. Rather than completely relying on what generative models learn, we sho…
