Annotating musical beats is a very long and tedious process. In order to combat this problem, we present a new self-supervised learning pretext task for beat tracking and downbeat estimation. This task makes use of Spleeter, an audio source separation model, to separate a song's drums from the rest of its signal. The first set of signals are used as positives, and by extension negatives, for contrastive learning pre-training. The drum-less signals, on the other hand, are used as anchors. When pre-training a fully-convolutional and recurrent model using this pretext task, an onset function is learned. In some cases, this function is found to be mapped to periodic elements in a song. We find that pre-trained models outperform randomly initialized models when a beat tracking training set is extremely small (less than 10 examples). When this is not the case, pre-training leads to a learning speed-up that causes the model to overfit to the training set. More generally, this work defines new perspectives in the realm of musical self-supervised learning. It is notably one of the first works to use audio source separation as a fundamental component of self-supervision.
We propose an application of sequence generative adversarial networks (SeqGAN), which are generative adversarial networks for discrete sequence generation, for creating polyphonic musical sequences. Instead of a monophonic melody generation suggested in the original work, we present an efficient representation of a polyphony MIDI file that simultaneously captures chords and melodies with dynamic timings. The proposed method condenses duration, octaves, and keys of both melodies and chords into a single word vector representation, and recurrent neural networks learn to predict distributions of …
A key aspect of machine learning models lies in their ability to learn efficient intermediate features. However, the input representation plays a crucial role in this process, and polyphonic musical scores remain a particularly complex type of information. In this paper, we introduce a novel representation of symbolic music data, which transforms a polyphonic score into a continuous signal. We evaluate the ability to learn meaningful features from this representation from a musical point of view. Hence, we introduce an evaluation method relying on principled generation of synthetic data. Final…
We investigate the problem of modeling symbolic sequences of polyphonic music in a completely general piano-roll representation. We introduce a probabilistic model based on distribution estimators conditioned on a recurrent neural network that is able to discover temporal dependencies in high-dimensional sequences. Our approach outperforms many traditional models of polyphonic music on a variety of realistic datasets. We show how our musical language model can serve as a symbolic prior to improve the accuracy of polyphonic transcription.
NYU Shanghai（纽约大学上海分校）；New York University（纽约大学）；Zhejiang University（浙江大学）
The dominant approach for music representation learning involves the deep unsupervised model family variational autoencoder (VAE). However, most, if not all, viable attempts on this problem have largely been limited to monophonic music. Normally composed of richer modality and more complex musical structures, the polyphonic counterpart has yet to be addressed in the context of music representation learning. In this work, we propose the PianoTree VAE, a novel tree-structure extension upon VAE aiming to fit the polyphonic music learning. The experiments prove the validity of the PianoTree VAE vi…
Austrian Research Institute for Artificial Intelligence（奥地利人工智能研究所）；Johannes Kepler University（约翰内斯·开普勒大学）
We introduce a method for imposing higher-level structure on generated, polyphonic music. A Convolutional Restricted Boltzmann Machine (C-RBM) as a generative model is combined with gradient descent constraint optimisation to provide further control over the generation process. Among other things, this allows for the use of a "template" piece, from which some structural properties can be extracted, and transferred as constraints to the newly generated material. The sampling process is guided with Simulated Annealing to avoid local optima, and to find solutions that both satisfy the constraints…
Radboud University（拉德堡德大学）；University of Michigan（密歇根大学）
Generating synthesised singing voice with models trained on speech data has many advantages due to the models' flexibility and controllability. However, since the information about the temporal relationship between segments and beats are lacking in speech training data, the synthesised singing may sound off-beat at times. Therefore, the availability of the information on the temporal relationship between speech segments and music beats is crucial. The current study investigated the segment-beat synchronisation in singing data, with hypotheses formed based on the linguistics theories of P-centr…
While deep generative models have become the leading methods for algorithmic composition, it remains a challenging problem to control the generation process because the latent variables of most deep-learning models lack good interpretability. Inspired by the content-style disentanglement idea, we design a novel architecture, under the VAE framework, that effectively learns two interpretable latent factors of polyphonic music: chord and texture. The current model focuses on learning 8-beat long piano composition segments. We show that such chord-texture disentanglement provides a controllable g…
Traditional methods to tackle many music information retrieval tasks typically follow a two-step architecture: feature engineering followed by a simple learning algorithm. In these "shallow" architectures, feature engineering and learning are typically disjoint and unrelated. Additionally, feature engineering is difficult, and typically depends on extensive domain expertise. In this paper, we present an application of convolutional neural networks for the task of automatic musical instrument identification. In this model, feature extraction and learning algorithms are trained together in an en…
Automatic Music Transcription (AMT) has been recognized as a key enabling technology with a wide range of applications. Given the task's complexity, best results have typically been reported for systems focusing on specific settings, e.g. instrument-specific systems tend to yield improved results over instrument-agnostic methods. Similarly, higher accuracy can be obtained when only estimating frame-wise $f_0$ values and neglecting the harder note event detection. Despite their high accuracy, such specialized systems often cannot be deployed in the real-world. Storage and network constraints pr…
Universitat Pompeu Fabra（庞培法布拉大学）；KTH Royal Institute of Technology（瑞典皇家理工学院）
The goal of this study is the automatic detection of onsets of the singing voice in polyphonic audio recordings. Starting with a hypothesis that the knowledge of the current position in a metrical cycle (i.e. metrical accent) can improve the accuracy of vocal note onset detection, we propose a novel probabilistic model to jointly track beats and vocal note onsets. The proposed model extends a state of the art model for beat and meter tracking, in which a-priori probability of a note at a specific metrical accent interacts with the probability of observing a vocal note onset. We carry out an ev…
Seoul National University（首尔大学）；Advanced Institutes of Convergence Technology（融合技术先进研究院）
Identifying musical instruments in polyphonic music recordings is a challenging but important problem in the field of music information retrieval. It enables music search by instrument, helps recognize musical genres, or can make music transcription easier and more accurate. In this paper, we present a convolutional neural network framework for predominant instrument recognition in real-world polyphonic music. We train our network from fixed-length music excerpts with a single-labeled predominant instrument and estimate an arbitrary number of predominant instruments from an audio signal with a…
U.I. for Computing Research（计算研究所）；University of Alicante（阿利坎特大学）
We present a framework based on neural networks to extract music scores directly from polyphonic audio in an end-to-end fashion. Most previous Automatic Music Transcription (AMT) methods seek a piano-roll representation of the pitches, that can be further transformed into a score by incorporating tempo estimation, beat tracking, key estimation or rhythm quantization. Unlike these methods, our approach generates music notation directly from the input audio in a single stage. For this, we use a Convolutional Recurrent Neural Network (CRNN) with Connectionist Temporal Classification (CTC) loss fu…
University of Birmingham（伯明翰大学）；University of Sheffield（谢菲尔德大学）
This paper presents a geometric approach to pitch estimation (PE)-an important problem in Music Information Retrieval (MIR), and a precursor to a variety of other problems in the field. Though there exist a number of highly-accurate methods, both mono-pitch estimation and multi-pitch estimation (particularly with unspecified polyphonic timbre) prove computationally and conceptually challenging. A number of current techniques, whilst incredibly effective, are not targeted towards eliciting the underlying mathematical structures that underpin the complex musical patterns exhibited by acoustic mu…
Georgia Institute of Technology（佐治亚理工学院）；Nanyang Technological University（南洋理工大学）
In the field of music information retrieval, the task of simultaneously identifying the presence or absence of multiple musical instruments in a polyphonic recording remains a hard problem. Previous works have seen some success in improving instrument classification by applying temporal attention in a multi-instance multi-label setting, while another series of work has also suggested the role of pitch and timbre in improving instrument recognition performance. In this project, we further explore the use of attention mechanism in a timbral-temporal sense, à la visual attention, to improve the p…
National Institute of Science and Technology for Complex Systems（国家复杂系统科学技术研究所）
Online music databases have increased signicantly as a consequence of the rapid growth of the Internet and digital audio, requiring the development of faster and more efficient tools for music content analysis. Musical genres are widely used to organize music collections. In this paper, the problem of automatic music genre classification is addressed by exploring rhythm-based features obtained from a respective complex network representation. A Markov model is build in order to analyse the temporal sequence of rhythmic notation events. Feature analysis is performed by using two multivariate st…
In the task of generating music, the art factor plays a big role and is a great challenge for AI. Previous work involving adversarial training to produce new music pieces and modeling the compatibility of variety in music (beats, tempo, musical stems) demonstrated great examples of learning this task. Though this was limited to generating mashups or learning features from tempo and key distributions to produce similar patterns. Compound Word Transformer was able to represent music generation task as a sequence generation challenge involving musical events defined by compound words. These music…
JOHANNES KEPLER UNIVERSITY LINZ（约翰内斯·开普勒大学林茨分校）；Institute of Computational Perception（计算感知研究所）
In recent years, artificial neural networks (ANNs) have become a universal tool for tackling real-world problems. ANNs have also shown great success in music-related tasks including music summarization and classification, similarity estimation, computer-aided or autonomous composition, and automatic music analysis. As structure is a fundamental characteristic of Western music, it plays a role in all these tasks. Some structural aspects are particularly challenging to learn with current ANN architectures. This is especially true for mid- and high-level self-similarity, tonal and rhythmic relati…
BEAT: Tokenizing and Generating Symbolic Music by Uniform Temporal Steps
South China University of Technology（南方科技大学）；National University of Singapore（新加坡国立大学）；Mohamed bin Zayed University of Artificial Intelligence（莫扎德·本·扎耶德人工智能大学）；New York University（纽约大学）
We propose Beat Transformer, a novel Transformer encoder architecture for joint beat and downbeat tracking. Different from previous models that track beats solely based on the spectrogram of an audio mixture, our model deals with demixed spectrograms with multiple instrument channels. This is inspired by the fact that humans perceive metrical structures from richer musical contexts, such as chord progression and instrumentation. To this end, we develop a Transformer model with both time-wise attention and instrument-wise attention to capture deep-buried metrical cues. Moreover, our model adopt…
Sheffield Hallam University（谢菲尔德哈勒姆大学）；University of Moratuwa（莫拉图瓦大学）；KTH Royal Institute of Technology（瑞典皇家理工学院）
Musical onset detection is a key component in any beat tracking system. Existing onset detection methods are based on temporal/spectral analysis, or methods that integrate temporal and spectral information together with statistical estimation and machine learning models. In this paper, we propose a method to localize onset components in music by using the S-transform, and thus, the method is purely based on temporal/spectral data. Unlike the other methods based on temporal/spectral data, which usually rely short time Fourier transform (STFT), our method enables effective isolation of crucial f…
University of Science and Technology of China（中国科学技术大学）
Most existing neural network models for music generation explore how to generate music bars, then directly splice the music bars into a song. However, these methods do not explore the relationship between the bars, and the connected song as a whole has no musical form structure and sense of musical direction. To address this issue, we propose a Multi-model Multi-task Hierarchical Conditional VAE-GAN (Variational Autoencoder-Generative adversarial networks) networks, named MIDI-Sandwich, which combines musical knowledge, such as musical form, tonic, and melodic motion. The MIDI-Sandwich has two…
We present a single deep learning architecture that can both separate an audio recording of a musical mixture into constituent single-instrument recordings and transcribe these instruments into a human-readable format at the same time, learning a shared musical representation for both tasks. This novel architecture, which we call Cerberus, builds on the Chimera network for source separation by adding a third "head" for transcription. By training each head with different losses, we are able to jointly learn how to separate and transcribe up to 5 instruments in our experiments with a single netw…
Traditionally, music was treated as an analogue signal and was generated manually. In recent years, music is conspicuous to technology which can generate a suite of music automatically without any human intervention. To accomplish this task, we need to overcome some technical challenges which are discussed descriptively in this paper. A brief introduction about music and its components is provided in the paper along with the citation and analysis of related work accomplished by different authors in this domain. Main objective of this paper is to propose an algorithm which can be used to genera…
A model of music needs to have the ability to recall past details and have a clear, coherent understanding of musical structure. Detailed in the paper is a neural network architecture that predicts and generates polyphonic music aligned with musical rules. The probabilistic model presented is a Bi-axial LSTM trained with a kernel reminiscent of a convolutional kernel. When analyzed quantitatively and qualitatively, this approach performs well in composing polyphonic music. Link to the code is provided.
HingeNet: A Harmonic-Aware Fine-Tuning Approach for Beat Tracking
School of Computer Science, Fudan University, Shanghai, China（复旦大学计算机科学学院）；Naval Medical Center, PLA, China（中国人民解放军海军医疗中心）；Graduate School of Informatics, Kyoto University, Kyoto, Japan（京都大学信息科学研究生院）；Graduate School of Advanced Science and Engineering, Hiroshima University, Hiroshima, Japan（广岛大学先进科学与工程研究生院）；Shanghai Key Laboratory of Intelligent Information Processing, Fudan University, Shanghai, China（上海智能信息处理重点实验室）
A model of music needs to have the ability to recall past details and have a clear, coherent understanding of musical structure. Detailed in the paper is a deep reinforcement learning architecture that predicts and generates polyphonic music aligned with musical rules. The probabilistic model presented is a Bi-axial LSTM trained with a pseudo-kernel reminiscent of a convolutional kernel. To encourage exploration and impose greater global coherence on the generated music, a deep reinforcement learning approach DQN is adopted. When analyzed quantitatively and qualitatively, this approach perform…
National Cheng Kung University（国立成功大学）；Academia Sinica（中央研究院）；Yating Music Team（雅婷音乐团队）；Taiwan AI Labs（台湾人工智能实验室）
This paper presents a novel system architecture that integrates blind source separation with joint beat and downbeat tracking in musical audio signals. The source separation module segregates the percussive and non-percussive components of the input signal, over which beat and downbeat tracking are performed separately and then the results are aggregated with a learnable fusion mechanism. This way, the system can adaptively determine how much the tracking result for an input signal should depend on the input's percussive or non-percussive components. Evaluation on four testing sets that featur…
BeatFM: Improving Beat Tracking with Pre-trained Music Foundation Model
School of Computer Science, Fudan University, Shanghai, China（复旦大学计算机科学学院）；Naval Medical Center, PLA, China（中国人民解放军海军医疗中心）；Graduate School of Informatics, Kyoto University, Kyoto, Japan（京都大学信息科学研究生院）；Graduate School of Advanced Science and Engineering, Hiroshima University, Hiroshima, Japan（广岛大学先进科学与工程研究生院）；Shanghai Key Laboratory of Intelligent Information Processing, Fudan University, Shanghai, China（上海智能信息处理重点实验室）
Center for Industrial Mathematics, University of Bremen（不来梅大学工业数学中心）；Mathematics Department, Colorado State University（科罗拉多州立大学数学系）
We propose a method for the blind separation of sounds of musical instruments in audio signals. We describe the individual tones via a parametric model, training a dictionary to capture the relative amplitudes of the harmonics. The model parameters are predicted via a U-Net, which is a type of deep neural network. The network is trained without ground truth information, based on the difference between the model prediction and the individual time frames of the short-time Fourier transform. Since some of the model parameters do not yield a useful backpropagation gradient, we model them stochasti…
Research Center for Information Technology Innovation, Academia Sinica（中央研究院资讯科技创新研究中心）
Music creation is typically composed of two parts: composing the musical score, and then performing the score with instruments to make sounds. While recent work has made much progress in automatic music generation in the symbolic domain, few attempts have been made to build an AI model that can render realistic music audio from musical scores. Directly synthesizing audio with sound sample libraries often leads to mechanical and deadpan results, since musical scores do not contain performance-level information, such as subtle changes in timing and dynamics. Moreover, while the task may sound li…
University of Miami（迈阿密大学）；Institute for High Performance Computing, A*STAR（新加坡科技研究局高性能计算研究院）；Singapore University of Technology and Design（新加坡科技设计大学）
We explore the potential of a popular distributional semantics vector space model, word2vec, for capturing meaningful relationships in ecological (complex polyphonic) music. More precisely, the skip-gram version of word2vec is used to model slices of music from a large corpus spanning eight musical genres. In this newly learned vector space, a metric based on cosine distance is able to distinguish between functional chord relationships, as well as harmonic associations in the music. Evidence, based on cosine distance between chord-pair vectors, suggests that an implicit circle-of-fifths exists…
National Taiwan University（国立台湾大学）；Academia Sinica（中央研究院）
Melody extraction in polyphonic musical audio is important for music signal processing. In this paper, we propose a novel streamlined encoder/decoder network that is designed for the task. We make two technical contributions. First, drawing inspiration from a state-of-the-art model for semantic pixel-wise segmentation, we pass through the pooling indices between pooling and un-pooling layers to localize the melody in frequency. We can achieve result close to the state-of-the-art with much fewer convolutional layers and simpler convolution modules. Second, we propose a way to use the bottleneck…
Johannes Kepler University Linz（林茨约翰内斯·开普勒大学）；Linz Institute of Technology（林茨技术研究所）
Cadences are complex structures that have been driving music from the beginning of contrapuntal polyphony until today. Detecting such structures is vital for numerous MIR tasks such as musicological analysis, key detection, or music segmentation. However, automatic cadence detection remains challenging mainly because it involves a combination of high-level musical elements like harmony, voice leading, and rhythm. In this work, we present a graph representation of symbolic scores as an intermediate means to solve the cadence detection task. We approach cadence detection as an imbalanced node cl…
Given the large number of new musical tracks released each year, automated approaches to plagiarism detection are essential to help us track potential violations of copyright. Most current approaches to plagiarism detection are based on musical similarity measures, which typically ignore the issue of polyphony in music. We present a novel feature space for audio derived from compositional modelling techniques, commonly used in signal separation, that provides a mechanism to account for polyphony without incurring an inordinate amount of computational overhead. We employ this feature representa…
National Technical University of Athens（雅典国立技术大学）；Athena Research Center（雅典娜研究中心）
Sound Event Detection and Audio Classification tasks are traditionally addressed through time-frequency representations of audio signals such as spectrograms. However, the emergence of deep neural networks as efficient feature extractors has enabled the direct use of audio signals for classification purposes. In this paper, we attempt to recognize musical instruments in polyphonic audio by only feeding their raw waveforms into deep learning models. Various recurrent and convolutional architectures incorporating residual connections are examined and parameterized in order to build end-to-end cl…
MusicLDM: Enhancing Novelty in Text-to-Music Generation Using Beat-Synchronous Mixup Strategies
LAION；University of California San Diego（加州大学圣迭戈分校）；Mila, Quebec Artificial Intelligence Institute（Mila魁北克人工智能研究所）；Université de Montréal（蒙特利尔大学）；University of Surrey（萨里大学）
Real music signals are highly variable, yet they have strong statistical structure. Prior information about the underlying physical mechanisms by which sounds are generated and rules by which complex sound structure is constructed (notes, chords, a complete musical score), can be naturally unified using Bayesian modelling techniques. Typically algorithms for Automatic Music Transcription independently carry out individual tasks such as multiple-F0 detection and beat tracking. The challenge remains to perform joint estimation of all parameters. We present a Bayesian approach for modelling music…
Ss Cyril and Methodius University in Skopje（斯科普里圣西里尔与美多德大学）；Faculty of Electrical Engineering and Information Technologies（电气工程与信息技术学院）
Music transcription is the process of transcribing music audio into music notation. It is a field in which the machines still cannot beat human performance. The main motivation for automatic music transcription is to make it possible for anyone playing a musical instrument, to be able to generate the music notes for a piece of music quickly and accurately. It does not matter if the person is a beginner and simply struggles to find the music score by searching, or an expert who heard a live jazz improvisation and would like to reproduce it without losing time doing manual transcription. We prop…
In this chapter a quantum music generation application called QuiKo will be discussed. It combines existing quantum algorithms with data encoding methods from quantum machine learning to build drum and audio sample patterns from a database of audio tracks. QuiKo leverages the physical properties and characteristics of quantum computers to generate what can be referred to as Soft Rules proposed by Alexis Kirke. These rules take advantage of the noise produced by quantum devices to develop flexible rules and grammars for quantum music generation. These properties include qubit decoherence and ph…
