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arXiv 1604.02522cs.CYcs.SI
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通过在线社交媒体了解音乐多样性

Understanding Musical Diversity via Online Social Media

Minsu Park, Ingmar Weber, Mor Naaman, Sarah Vieweg

摘要:

音乐学家和社会学家长期以来一直对音乐消费模式及其与社会经济地位的关系感兴趣。特别是,杂食者论文研究了这些变量与一个人消费的音乐多样性之间的关系。使用来自Last.fm和Twitter的社交媒体用户的数据,我们设计并评估了一种合理地捕捉音乐品味多样性的措施。我们使用该指标来探索音乐多样性与捕获社会经济地位,人口统计学和个人特征(如开放性和对音乐的兴趣程度(into-ness))的变量之间的关联。我们的音乐多样性测度可以为音乐偏好和消费的研究提供一个有用的手段。此外,我们的杂食性论文的研究提供了扩展以前的调查和访谈为基础的研究的见解。

英文摘要:

Musicologists and sociologists have long been interested in patterns of music consumption and their relation to socioeconomic status. In particular, the Omnivore Thesis examines the relationship between these variables and the diversity of music a person consumes. Using data from social media users of Last.fm and Twitter, we design and evaluate a measure that reasonably captures diversity of musical tastes. We use that measure to explore associations between musical diversity and variables that capture socioeconomic status, demographics, and personal traits such as openness and degree of interest in music (into-ness). Our musical diversity measure can provide a useful means for studies of musical preferences and consumption. Also, our study of the Omnivore Thesis provides insights that extend previous survey and interview-based studies.

机构、总结、中文摘要均由AI分析而来,可能存在错误,请以论文正文为准。

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