Few-shot font generation aims to create new fonts with a limited number of glyph references. It can be used to significantly reduce the labor cost of manual font design. However, due to the variety and complexity of font styles, the results generated by existing methods often suffer from visible defects, such as stroke errors, artifacts and blurriness. To address these issues, we propose DA-Font, a novel framework which integrates a Dual-Attention Hybrid Module (DAHM). Specifically, we introduce two synergistic attention blocks: the component attention block that leverages component information from content images to guide the style transfer process, and the relation attention block that further refines spatial relationships through interacting the content feature with both original and stylized component-wise representations. These two blocks collaborate to preserve accurate character shapes and stylistic textures. Moreover, we also design a corner consistency loss and an elastic mesh feature loss to better improve geometric alignment. Extensive experiments show that our DA-Font outperforms the state-of-the-art methods across diverse font styles and characters, demonstrating its effectiveness in enhancing structural integrity and local fidelity. The source code can be found at \href{https://github.com/wrchen2001/DA-Font}{\textit{https://github.com/wrchen2001/DA-Font}}.
Diff-Font: Diffusion Model for Robust One-Shot Font Generation
Wuhan University（武汉大学）；Shanghai AI Laboratory（上海人工智能实验室）；JD Explore Academy, JD.com（京东探索研究院）；The University of Sydney（悉尼大学）；Shenzhen Institute of Advanced Technology, Chinese Academy of Sciences（中国科学院深圳先进技术研究院）
Wangxuan Institute of Computer Technology, Peking University（北京大学王选计算机研究所）；Peking University（北京大学）
Automatic generation of high-quality Chinese fonts from a few online training samples is a challenging task, especially when the amount of samples is very small. Existing few-shot font generation methods can only synthesize low-resolution glyph images that often possess incorrect topological structures or/and incomplete strokes. To address the problem, this paper proposes FontTransformer, a novel few-shot learning model, for high-resolution Chinese glyph image synthesis by using stacked Transformers. The key idea is to apply the parallel Transformer to avoid the accumulation of prediction erro…
HFH-Font: Few-shot Chinese Font Synthesis with Higher Quality, Faster Speed, and Higher Resolution
Wangxuan Institute of Computer Technology, Peking University（北京大学王选计算机研究所）；State Key Laboratory of General Artificial Intelligence, Peking University（北京大学通用人工智能国家重点实验室）
South China University of Technology（华南理工大学）；Huawei Cloud AI（华为云人工智能部门）；Peng Cheng Laboratory（鹏城实验室）
Automatic font generation remains a challenging research issue due to the large amounts of characters with complicated structures. Typically, only a few samples can serve as the style/content reference (termed few-shot learning), which further increases the difficulty to preserve local style patterns or detailed glyph structures. We investigate the drawbacks of previous studies and find that a coarse-grained discriminator is insufficient for supervising a font generator. To this end, we propose a novel Component-Aware Module (CAM), which supervises the generator to decouple content and style a…
In this work, we focus on the challenge of taking partial observations of highly-stylized text and generalizing the observations to generate unobserved glyphs in the ornamented typeface. To generate a set of multi-content images following a consistent style from very few examples, we propose an end-to-end stacked conditional GAN model considering content along channels and style along network layers. Our proposed network transfers the style of given glyphs to the contents of unseen ones, capturing highly stylized fonts found in the real-world such as those on movie posters or infographics. We …
NetEase Fuxi AI Lab（网易伏羲人工智能实验室）；Beijing Institute of Technology（北京理工大学）
Chinese character style transfer is a very challenging problem because of the complexity of the glyph shapes or underlying structures and large numbers of existed characters, when comparing with English letters. Moreover, the handwriting of calligraphy masters has a more irregular stroke and is difficult to obtain in real-world scenarios. Recently, several GAN-based methods have been proposed for font synthesis, but some of them require numerous reference data and the other part of them have cumbersome preprocessing steps to divide the character into different parts to be learned and transferr…
Generating new fonts is a time-consuming and labor-intensive task, especially in a language with a huge amount of characters like Chinese. Various deep learning models have demonstrated the ability to efficiently generate new fonts with a few reference characters of that style, but few models support cross-lingual font generation. This paper presents GAS-NeXt, a novel few-shot cross-lingual font generator based on AGIS-Net and Font Translator GAN, and improve the performance metrics such as Fréchet Inception Distance (FID), Structural Similarity Index Measure(SSIM), and Pixel-level Accuracy (p…
Jiangxi Normal University（江西师范大学）；Hong Kong University of Science and Technology（香港科技大学）
The generation of Chinese fonts has a wide range of applications. The currently predominated methods are mainly based on deep generative models, especially the generative adversarial networks (GANs). However, existing GAN-based models usually suffer from the well-known mode collapse problem. When mode collapse happens, the kind of GAN-based models will be failure to yield the correct fonts. To address this issue, we introduce a one-bit stroke encoding and a few-shot semi-supervised scheme (i.e., using a few paired data as semi-supervised information) to explore the local and global structure i…
Structure-Level Disentangled Diffusion for Few-Shot Chinese Font Generation
State Key Laboratory for Novel Software Technology, Nanjing University, China（新型软件技术国家重点实验室）；School of Artificial Intelligence, Nanjing University, China（人工智能学院）；Department of Computer Science and Technology, Nanjing University, China（计算机科学与技术系）；School of Electronic Science and Engineering, Nanjing University, China（电子科学与工程学院）
VecFontSDF: Learning to Reconstruct and Synthesize High-quality Vector Fonts via Signed Distance Functions
Peking University（北京大学）；Center For Chinese Font Design and Research（中文字体设计与研究中心）；Key Laboratory of Science, Technology and Standard in Press Industry（印刷工业科学、技术与标准重点实验室）；Wangxuan Institute of Computer Technology（王轩计算机技术研究所）
In this paper, we present a novel implicit glyph shape representation, which models glyphs as shape primitives enclosed by quadratic curves, and naturally enables generating glyph images at arbitrary high resolutions. Experiments on font reconstruction and interpolation tasks verified that this structured implicit representation is suitable for describing both structure and style features of glyphs. Furthermore, based on the proposed representation, we design a simple yet effective disentangled network for the challenging one-shot font style transfer problem, and achieve the best results compa…
Generating a new font library is a very labor-intensive and time-consuming job for glyph-rich scripts. Few-shot font generation is thus required, as it requires only a few glyph references without fine-tuning during test. Existing methods follow the style-content disentanglement paradigm and expect novel fonts to be produced by combining the style codes of the reference glyphs and the content representations of the source. However, these few-shot font generation methods either fail to capture content-independent style representations, or employ localized component-wise style representations, w…
Designing fonts for languages with a large number of characters, such as Japanese and Chinese, is an extremely labor-intensive and time-consuming task. In this study, we addressed the problem of automatically generating Japanese typographic fonts from only a few font samples, where the synthesized glyphs are expected to have coherent characteristics, such as skeletons, contours, and serifs. Existing methods often fail to generate fine glyph images when the number of style reference glyphs is extremely limited. Herein, we proposed a simple but powerful framework for extracting better style feat…
School of Integrated Technology, Yonsei University（延世大学整合技术学院）；NAVER AI LAB（NAVER AI实验室）；NAVER CLOVA
Automatic few-shot font generation is a practical and widely studied problem because manual designs are expensive and sensitive to the expertise of designers. Existing few-shot font generation methods aim to learn to disentangle the style and content element from a few reference glyphs, and mainly focus on a universal style representation for each font style. However, such approach limits the model in representing diverse local styles, and thus makes it unsuitable to the most complicated letter system, e.g., Chinese, whose characters consist of a varying number of components (often called "rad…
Xidian University（西安电子科技大学）；Chongqing University of Posts and Telecommunications（重庆邮电大学）；Shenzhen AiMall Tech（深圳爱猫科技）
Few-shot font generation (FFG) aims to preserve the underlying global structure of the original character while generating target fonts by referring to a few samples. It has been applied to font library creation, a personalized signature, and other scenarios. Existing FFG methods explicitly disentangle content and style of reference glyphs universally or component-wisely. However, they ignore the difference between glyphs in different styles and the similarity of glyphs in the same style, which results in artifacts such as local distortions and style inconsistency. To address this issue, we pr…
Yonsei University（延世大学）；NAVER AI Lab（NAVER AI实验室）；NAVER CLOVA
A few-shot font generation (FFG) method has to satisfy two objectives: the generated images should preserve the underlying global structure of the target character and present the diverse local reference style. Existing FFG methods aim to disentangle content and style either by extracting a universal representation style or extracting multiple component-wise style representations. However, previous methods either fail to capture diverse local styles or cannot be generalized to a character with unseen components, e.g., unseen language systems. To mitigate the issues, we propose a novel FFG meth…
School of Integrated Technology, Yonsei University（延世大学综合技术学院）；NAVER AI Lab（NAVER人工智能实验室）；NAVER CLOVA
Automatic few-shot font generation aims to solve a well-defined, real-world problem because manual font designs are expensive and sensitive to the expertise of designers. Existing methods learn to disentangle style and content elements by developing a universal style representation for each font style. However, this approach limits the model in representing diverse local styles, because it is unsuitable for complicated letter systems, for example, Chinese, whose characters consist of a varying number of components (often called "radical") -- with a highly complex structure. In this paper, we p…
Wangxuan Institute of Computer Technology, Peking University（北京大学王选计算机研究所）
Automatic generation of artistic glyph images is a challenging task that attracts many research interests. Previous methods either are specifically designed for shape synthesis or focus on texture transfer. In this paper, we propose a novel model, AGIS-Net, to transfer both shape and texture styles in one-stage with only a few stylized samples. To achieve this goal, we first disentangle the representations for content and style by using two encoders, ensuring the multi-content and multi-style generation. Then we utilize two collaboratively working decoders to generate the glyph shape image and…
FONT: Flow-guided One-shot Talking Head Generation with Natural Head Motions
Institute of Information Engineering, Chinese Academy of Sciences（中国科学院信息工程研究所）；School of Cyber Security, University of Chinese Academy of Sciences（中国科学院大学网络空间安全学院）
Beyond Patches: Global-aware Autoregressive Model for Multimodal Few-Shot Font Generation
Wangxuan Institute of Computer Technology, Peking University（北京大学王学轩计算机技术研究所）；School of Electronics Engineering and Computer Science, Peking University（北京大学电子工程与计算机科学学院）
Generating a new font library is a very labor-intensive and time-consuming job for glyph-rich scripts. Despite the remarkable success of existing font generation methods, they have significant drawbacks; they require a large number of reference images to generate a new font set, or they fail to capture detailed styles with only a few samples. In this paper, we focus on compositional scripts, a widely used letter system in the world, where each glyph can be decomposed by several components. By utilizing the compositionality of compositional scripts, we propose a novel font generation framework,…
Font synthesis has been a very active topic in recent years because manual font design requires domain expertise and is a labor-intensive and time-consuming job. While remarkably successful, existing methods for font synthesis have major shortcomings; they require finetuning for unobserved font style with large reference images, the recent few-shot font synthesis methods are either designed for specific language systems or they operate on low-resolution images which limits their use. In this paper, we tackle this font synthesis problem by learning the font style in the embedding space. To this…
Baidu Inc.（百度公司）；University of California, Berkeley（加州大学伯克利分校）；University of Melbourne（墨尔本大学）
Few-shot font generation (FFG), which aims to generate a new font with a few examples, is gaining increasing attention due to the significant reduction in labor cost. A typical FFG pipeline considers characters in a standard font library as content glyphs and transfers them to a new target font by extracting style information from the reference glyphs. Most existing solutions explicitly disentangle content and style of reference glyphs globally or component-wisely. However, the style of glyphs mainly lies in the local details, i.e. the styles of radicals, components, and strokes together depic…
The Chinese University of Hong Kong（香港中文大学）；SenseTime Research（商汤科技研究院）；CUHK-SenseTime Joint Lab（香港中文大学-商汤科技联合实验室）
Zero-shot artistic style transfer is an important image synthesis problem aiming at transferring arbitrary style into content images. However, the trade-off between the generalization and efficiency in existing methods impedes a high quality zero-shot style transfer in real-time. In this paper, we resolve this dilemma and propose an efficient yet effective Avatar-Net that enables visually plausible multi-scale transfer for arbitrary style. The key ingredient of our method is a style decorator that makes up the content features by semantically aligned style features from an arbitrary style imag…
Npix2Cpix: A GAN-Based Image-to-Image Translation Network With Retrieval- Classification Integration for Watermark Retrieval From Historical Document Images
BRAC University（BRAC大学）；The University of Texas at Dallas（德克萨斯大学达拉斯分校）
College of Computer Science and Technology, Zhejiang University（浙江大学计算机科学与技术学院）
The authenticity of calligraphy is significant but difficult task in the realm of art, where the key problem is the few-shot classification of calligraphy. We propose a novel method, ShufaNet ("Shufa" is the pinyin of Chinese calligraphy), to classify Chinese calligraphers' styles based on metric learning in the case of few-shot, whose classification accuracy exceeds the level of students majoring in calligraphy. We present a new network architecture, including the unique expression of the style of handwriting fonts called ShufaLoss and the calligraphy category information as prior knowledge. …
In this paper, we propose a deep invertible hybrid model which integrates discriminative and generative learning at a latent space level for semi-supervised few-shot classification. Various tasks for classifying new species from image data can be modeled as a semi-supervised few-shot classification, which assumes a labeled and unlabeled training examples and a small support set of the target classes. Predicting target classes with a few support examples per class makes the learning task difficult for existing semi-supervised classification methods, including selftraining, which iteratively est…
