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arXiv 2407.15641eess.AScs.LGcs.SD

使用神经音频编解码器语言模型生成基于样本的乐器

Generating Sample-Based Musical Instruments Using Neural Audio Codec Language Models

Native Instruments

Shahan Nercessian, Johannes Imort, Ninon Devis, Frederik Blang

AI总结:

本文提出用神经音频编解码器语言模型,基于文本或音频提示自动生成乐器,引入三种条件化方案与新的音色一致性指标,经客观与主观测试验证其有效性。

摘要:

在本文中,我们提出并研究了使用神经音频编解码器语言模型,基于文本或参考音频提示自动生成基于样本的乐器。我们的方法扩展了一个生成式音频框架,使其能够以跨越88键音域的基频、力度以及文本/音频组合嵌入为条件。我们将生成乐器内部保持音色一致性视为一个主要挑战。为解决这一问题,我们引入了三种不同的条件化方案。我们通过客观指标和人类听力测试来分析我们的方法,证明我们的方法能够生成令人信服的乐器。具体而言,我们引入了一个新的客观指标来评估生成乐器的音色一致性,并针对文本到乐器场景调整了平均对比式语言-音频预训练(CLAP)分数,同时指出其朴素应用并不适合评估此任务。我们的研究结果揭示了音色一致性、生成样本质量及其与输入提示的对应性之间复杂的相互作用。

英文摘要:

In this paper, we propose and investigate the use of neural audio codec language models for the automatic generation of sample-based musical instruments based on text or reference audio prompts. Our approach extends a generative audio framework to condition on pitch across an 88-key spectrum, velocity, and a combined text/audio embedding. We identify maintaining timbral consistency within the generated instruments as a major challenge. To tackle this issue, we introduce three distinct conditioning schemes. We analyze our methods through objective metrics and human listening tests, demonstrating that our approach can produce compelling musical instruments. Specifically, we introduce a new objective metric to evaluate the timbral consistency of the generated instruments and adapt the average Contrastive Language-Audio Pretraining (CLAP) score for the text-to-instrument case, noting that its naive application is unsuitable for assessing this task. Our findings reveal a complex interplay between timbral consistency, the quality of generated samples, and their correspondence to the input prompt.

机构、总结、中文摘要均由AI分析而来,可能存在错误,请以论文正文为准。

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