后数字人文：艺术与人文学科中的计算与文化批判
Post-Digital Humanities: Computation and Cultural Critique in the Arts and Humanities
AI总结：
本文提出“后数字人文”概念，指出在计算丰裕和智能情境计算普及的背景下，数字与非数字的界限已日益模糊，传统“数字”话语已难以描述当代人文学科所处的技术文化现实。
摘要：
今天我们生活在计算丰裕的时代，日常生活和周围环境都充斥着数字技术。这是一个充满预期技术和情境计算的世界，利用智能的分布式计算处理，构建出一张嵌入物质世界的精细计算资源网络。因此，数字与非数字之间的历史区分变得越来越模糊，以至于谈论数字预设了一种体验上的断裂，而这种断裂越来越没有意义。事实上，正如由于我们永远在线的智能手机、平板电脑以及广泛普及的无线网络技术，在线或上网等概念已经变得不合时宜一样，数字一词或许也预设了一个属于过去的世界。
英文摘要：
Today we live in computational abundance whereby our everyday lives and the environment that surrounds us are suffused with digital technologies. This is a world of anticipatory technology and contextual computing that uses smart diffused computational processing to create a fine web of computational resources that are embedded into the material world. Thus, the historical distinction between the digital and the non-digital becomes increasingly blurred, to the extent that to talk about the digital presupposes an experiential disjuncture that makes less and less sense. Indeed, just as the ideas of online or being online have become anachronistic as a result of our always-on smartphones and tablets and widespread wireless networking technologies, so too the term digital perhaps assumes a world of the past.
机构、总结、中文摘要均由AI分析而来，可能存在错误，请以论文正文为准。
