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arXiv 2406.06375cs.SDcs.AIeess.AS
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MOSA:面向跨模态音乐处理的带语义标注的音乐动作数据集

MOSA: Music Motion with Semantic Annotation Dataset for Cross-Modal Music Processing

Reid School of Music, University of Edinburgh(爱丁堡大学里德音乐学院);Institute for Sport, Physical Education and Health Sciences (ISPEHS), University of Edinburgh(爱丁堡大学体育教育与健康科学研究所);National Yang Ming Chiao Tung University(国立阳明交通大学);Institute of Information Science, Academia Sinica(中央研究院资讯科学研究所);Graduate School of Informatics, Kyoto University(京都大学情报学研究科)
Yu-Fen Huang, Nikki Moran, Simon Coleman, Jon Kelly, Shun-Hwa Wei, Po-Yin Chen, Yun-Hsin Huang, Tsung-Ping Chen, Yu-Chia Kuo, Yu-Chi Wei, Chih-Hsuan Li, Da-Yu H… 展开作者

Yu-Fen Huang, Nikki Moran, Simon Coleman, Jon Kelly, Shun-Hwa Wei, Po-Yin Chen, Yun-Hsin Huang, Tsung-Ping Chen, Yu-Chia Kuo, Yu-Chi Wei, Chih-Hsuan Li, Da-Yu Huang, Hsuan-Kai Kao, Ting-Wei Lin, Li Su

AI总结:

本文提出 MOSA 数据集,包含 23 位专业音乐家 742 场表演的超 30 小时 3D 动作捕捉、音频及逐音符语义标注,并展示了节拍检测、表现性内容识别和音乐驱动动作生成等跨模态任务。

摘要:

在跨模态音乐处理中,视觉、听觉和语义内容之间的转换既带来了新的可能性,也带来了挑战。构建这样一种变革性方案依赖于一个具有全面数据基础设施的基准语料库。特别是,大规模跨模态数据集的构建面临重大挑战。在本文中,我们提出了 MOSA(Music mOtion with Semantic Annotation,带语义标注的音乐动作)数据集,该数据集包含高质量的 3D 动作捕捉数据、对齐的音频录音,以及逐音符的语义标注,涵盖音高、节拍、乐句、力度、演奏法和和声,涉及 23 位专业音乐家的 742 场专业音乐表演,总计超过 30 小时和 570 K 个音符的数据。据我们所知,这是迄今为止最大的具有音符级标注的跨模态音乐数据集。为了展示 MOSA 数据集的用途,我们提出了若干创新的跨模态音乐信息检索(MIR)和音乐内容生成任务,包括从音频、视频和动作数据中检测节拍、强拍、乐句和表现性内容,以及从给定的音乐音频生成音乐家的身体动作。数据集和代码随本论文一并提供(https://github.com/yufenhuang/MOSA-Music-mOtion-and-Semantic-Annotation-dataset)。

英文摘要:

In cross-modal music processing, translation between visual, auditory, and semantic content opens up new possibilities as well as challenges. The construction of such a transformative scheme depends upon a benchmark corpus with a comprehensive data infrastructure. In particular, the assembly of a large-scale cross-modal dataset presents major challenges. In this paper, we present the MOSA (Music mOtion with Semantic Annotation) dataset, which contains high quality 3-D motion capture data, aligned audio recordings, and note-by-note semantic annotations of pitch, beat, phrase, dynamic, articulation, and harmony for 742 professional music performances by 23 professional musicians, comprising more than 30 hours and 570 K notes of data. To our knowledge, this is the largest cross-modal music dataset with note-level annotations to date. To demonstrate the usage of the MOSA dataset, we present several innovative cross-modal music information retrieval (MIR) and musical content generation tasks, including the detection of beats, downbeats, phrase, and expressive contents from audio, video and motion data, and the generation of musicians' body motion from given music audio. The dataset and codes are available alongside this publication (https://github.com/yufenhuang/MOSA-Music-mOtion-and-Semantic-Annotation-dataset).

机构、总结、中文摘要均由AI分析而来,可能存在错误,请以论文正文为准。

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