This work present a music dataset named MusicTM-Dataset, which is utilized in improving the representation learning ability of different types of cross-modal retrieval (CMR). Little large music dataset including three modalities is available for learning representations for CMR. To collect a music dataset, we expand the original musical notation to synthesize audio and generated sheet-music image, and build musical notation based sheet-music image, audio clip and syllable-denotation text as fine-grained alignment, such that the MusicTM-Dataset can be exploited to receive shared representation for multimodal data points. The MusicTM-Dataset presents 3 kinds of modalities, which consists of the image of sheet-music, the text of lyrics and synthesized audio, their representations are extracted by some advanced models. In this paper, we introduce the background of music dataset and express the process of our data collection. Based on our dataset, we achieve some basic methods for CMR tasks. The MusicTM-Dataset are accessible in https: //github.com/dddzeng/MusicTM-Dataset.
University of Vienna（维也纳大学）；University of Bamberg（班贝格大学）
We look into the connection between the musical and lyrical content of metal music by combining automated extraction of high-level audio features and quantitative text analysis on a corpus of 124.288 song lyrics from this genre. Based on this text corpus, a topic model was first constructed using Latent Dirichlet Allocation (LDA). For a subsample of 503 songs, scores for predicting perceived musical hardness/heaviness and darkness/gloominess were extracted using audio feature models. By combining both audio feature and text analysis, we (1) offer a comprehensive overview of the lyrical topics …
Organize songs, albums, and artists in groups with shared similarity could be done with the help of genre labels. In this paper, we present a novel approach for automatic classifying musical genre in Brazilian music using only the song lyrics. This kind of classification remains a challenge in the field of Natural Language Processing. We construct a dataset of 138,368 Brazilian song lyrics distributed in 14 genres. We apply SVM, Random Forest and a Bidirectional Long Short-Term Memory (BLSTM) network combined with different word embeddings techniques to address this classification task. Our ex…
Commonly music has an obvious hierarchical structure, especially for the singing parts which usually act as the main melody in pop songs. However, most of the current singing annotation datasets only record symbolic information of music notes, ignoring the structure of music. In this paper, we propose a hierarchical singing annotation dataset that consists of 68 pop songs from Youtube. This dataset records the onset/offset time, pitch, duration, and lyric of each musical note in an enhanced LyRiCs format to present the hierarchical structure of music. We annotate each song in a two-stage proce…
KTH Royal Institute of Technology（皇家理工学院）；Nanyang Technological University（南洋理工大学）；National Institute of Informatics（情报学研究所）；University of Copenhagen（哥本哈根大学）
Indiana University（印第安纳大学）；Santa Fe Institute（圣塔菲研究所）
We investigate the association between musical chords and lyrics by analyzing a large dataset of user-contributed guitar tablatures. Motivated by the idea that the emotional content of chords is reflected in the words used in corresponding lyrics, we analyze associations between lyrics and chord categories. We also examine the usage patterns of chords and lyrics in different musical genres, historical eras, and geographical regions. Our overall results confirms a previously known association between Major chords and positive valence. We also report a wide variation in this association across r…
Version identification (VI) has seen substantial progress over the past few years. On the one hand, the introduction of the metric learning paradigm has favored the emergence of scalable yet accurate VI systems. On the other hand, using features focusing on specific aspects of musical pieces, such as melody, harmony, or lyrics, yielded interpretable and promising performances. In this work, we build upon these recent advances and propose a metric learning-based system systematically leveraging four dimensions commonly admitted to convey musical similarity between versions: melodic line, harmon…
STMS UMR9912, Ircam/CNRS/SU（STMS UMR9912，Ircam/CNRS/SU）；LTCI, Institut Polytechnique de Paris（巴黎理工学院 LTCI）
Informed source separation has recently gained renewed interest with the introduction of neural networks and the availability of large multitrack datasets containing both the mixture and the separated sources. These approaches use prior information about the target source to improve separation. Historically, Music Information Retrieval researchers have focused primarily on score-informed source separation, but more recent approaches explore lyrics-informed source separation. However, because of the lack of multitrack datasets with time-aligned lyrics, models use weak conditioning with non-alig…
AutoMV: An Automatic Multi-Agent System for Music Video Generation
Beijing University of Posts and Telecommunications（北京邮电大学）；Nanjing University（南京大学）；Queen Mary University of London（伦敦大学女王学院）；Hong Kong University of Science and Technology（香港科技大学）；University of Manchester（曼彻斯特大学）
Electronic music artists and sound designers have unique workflow practices that necessitate specialized approaches for developing music information retrieval and creativity support tools. Furthermore, electronic music instruments, such as modular synthesizers, have near-infinite possibilities for sound creation and can be combined to create unique and complex audio paths. The process of discovering interesting sounds is often serendipitous and impossible to replicate. For this reason, many musicians in electronic genres record audio output at all times while they work in the studio. Subsequen…
CMI-RewardBench: Evaluating Music Reward Models with Compositional Multimodal Instruction
National University of Singapore（新加坡国立大学）；University of Science and Technology of China（中国科学技术大学）；University of Cambridge（剑桥大学）；University of Toronto（多伦多大学）
National Institute of Informatics（国立信息学研究所）；SOKENDAI（综合研究大学院大学）
Sheet music, audio, and lyrics are three main modalities during writing a song. In this paper, we propose an unsupervised generative adversarial alignment representation (UGAAR) model to learn deep discriminative representations shared across three major musical modalities: sheet music, lyrics, and audio, where a deep neural network based architecture on three branches is jointly trained. In particular, the proposed model can transfer the strong relationship between audio and sheet music to audio-lyrics and sheet-lyrics pairs by learning the correlation in the latent shared subspace. We apply …
Sorbonne Université（索邦大学）；Grenoble-INP - Institut Polytechnique de Grenoble（格勒诺布尔理工学院）；Télécom Paris - Institut Polytechnique de Paris（巴黎电信学院 - 巴黎理工学院）；Spotify；Inria（法国国家信息与自动化研究所）；CNRS（法国国家科学研究中心）；I3S（I3S实验室）；ISIR（智能系统与机器人研究所）；Universitat Pompeu Fabra（庞培法布拉大学）；MTG（音乐技术组）；Centre Inria Nancy - Grand Est（法国国家信息与自动化研究院南锡-大东部研究中心）
This dissertation proposes the study of multimodal learning in the context of musical signals. Throughout, we focus on the interaction between audio signals and text information. Among the many text sources related to music that can be used (e.g. reviews, metadata, or social network feedback), we concentrate on lyrics. The singing voice directly connects the audio signal and the text information in a unique way, combining melody and lyrics where a linguistic dimension complements the abstraction of musical instruments. Our study focuses on the audio and lyrics interaction for targeting source …
MSVAE: Rethinking Musical Semantics in Continuous Latent Spaces
Geely Automobile Research Institute (Ningbo) Company Ltd（吉利汽车研究院（宁波）有限公司）；Faculty of Electronic and Information Engineering, Xi’an Jiaotong University（西安交通大学电子与信息工程学院）；WeNet Open Source Community（WeNet开源社区）
We describe a real-time system that receives a live audio stream from a jam session and generates lyric lines that are congruent with the live music being played. Two novel approaches are proposed to align the learned latent spaces of audio and text representations that allow the system to generate novel lyric lines matching live instrumental music. One approach is based on adversarial alignment of latent representations of audio and lyrics, while the other approach learns to transfer the topology from the music latent space to the lyric latent space. A user study with music artists using the …
Interpretation of retrieved results is an important issue in music recommender systems, particularly from a user perspective. In this study, we investigate the methods for providing interpretability of content features using self-attention. We extract lyric features with the self-attentive genre classification model trained on 140,000 tracks of lyrics. Likewise, we extract acoustic features using the acoustic model with self-attention trained on 120,000 tracks of acoustic signals. The experimental results show that the proposed methods provide the characteristics that are interpretable in term…
Institute of Computational Perception, Johannes Kepler University Linz（约翰内斯·开普勒大学林茨计算感知研究所）；LIT AI Lab, Linz Institute of Technology（林茨理工学院LIT人工智能实验室）
Fully automatic opera tracking is challenging because of the acoustic complexity of the genre, combining musical and linguistic information (singing, speech) in complex ways. In this paper, we propose a new pipeline for complete opera tracking. The pipeline is based on two trackers. A music tracker that has proven to be effective at tracking orchestral parts, will lead the tracking process. In addition, a lyrics tracker, that has recently been shown to reliably track the lyrics of opera songs, will correct the music tracker when tracking parts that have a text dominance over the music. We will…
In recent years, the accuracy of automatic lyrics alignment methods has increased considerably. Yet, many current approaches employ frameworks designed for automatic speech recognition (ASR) and do not exploit properties specific to music. Pitch is one important musical attribute of singing voice but it is often ignored by current systems as the lyrics content is considered independent of the pitch. In practice, however, there is a temporal correlation between the two as note starts often correlate with phoneme starts. At the same time the pitch is usually annotated with high temporal accuracy…
Automatic lyric transcription (ALT) is a nascent field of study attracting increasing interest from both the speech and music information retrieval communities, given its significant application potential. However, ALT with audio data alone is a notoriously difficult task due to instrumental accompaniment and musical constraints resulting in degradation of both the phonetic cues and the intelligibility of sung lyrics. To tackle this challenge, we propose the MultiModal Automatic Lyric Transcription system (MM-ALT), together with a new dataset, N20EM, which consists of audio recordings, videos …
Automatic lyrics to polyphonic audio alignment is a challenging task not only because the vocals are corrupted by background music, but also there is a lack of annotated polyphonic corpus for effective acoustic modeling. In this work, we propose (1) using additional speech and music-informed features and (2) adapting the acoustic models trained on a large amount of solo singing vocals towards polyphonic music using a small amount of in-domain data. Incorporating additional information such as voicing and auditory features together with conventional acoustic features aims to bring robustness ag…
Music genre classification is a widely researched topic in music information retrieval (MIR). Being able to automatically tag genres will benefit music streaming service providers such as JOOX, Apple Music, and Spotify for their content-based recommendation. However, most studies on music classification have been done on western songs which differ from Thai songs. Lukthung, a distinctive and long-established type of Thai music, is one of the most popular music genres in Thailand and has a specific group of listeners. In this paper, we develop neural networks to classify such Lukthung genre fro…
We introduce Jukebox, a model that generates music with singing in the raw audio domain. We tackle the long context of raw audio using a multi-scale VQ-VAE to compress it to discrete codes, and modeling those using autoregressive Transformers. We show that the combined model at scale can generate high-fidelity and diverse songs with coherence up to multiple minutes. We can condition on artist and genre to steer the musical and vocal style, and on unaligned lyrics to make the singing more controllable. We are releasing thousands of non cherry-picked samples at https://jukebox.openai.com, along …
Generative Adversarial Networks (GAN) have motivated a rapid growth of the domain of computer image synthesis. As almost all the existing image synthesis algorithms consider an image as a pixel matrix, the high-resolution image synthesis is complicated.A good alternative can be vector images. However, they belong to the highly sophisticated parametric space, which is a restriction for solving the task of synthesizing vector graphics by GANs. In this paper, we consider a specific application domain that softens this restriction dramatically allowing the usage of vector image synthesis. Music co…
