Lyrics alignment in long music recordings can be memory exhaustive when performed in a single pass. In this study, we present a novel method that performs audio-to-lyrics alignment with a low memory consumption footprint regardless of the duration of the music recording. The proposed system first spots the anchoring words within the audio signal. With respect to these anchors, the recording is then segmented and a second-pass alignment is performed to obtain the word timings. We show that our audio-to-lyrics alignment system performs competitively with the state-of-the-art, while requiring much less computational resources. In addition, we utilise our lyrics alignment system to segment the music recordings into sentence-level chunks. Notably on the segmented recordings, we report the lyrics transcription scores on a number of benchmark test sets. Finally, our experiments highlight the importance of the source separation step for good performance on the transcription and alignment tasks. For reproducibility, we publicly share our code with the research community.
Department of Electrical and Computer Engineering, National University of Singapore（新加坡国立大学电气与计算机工程系）
Background music affects lyrics intelligibility of singing vocals in a music piece. Automatic lyrics alignment and transcription in polyphonic music are challenging tasks because the singing vocals are corrupted by the background music. In this work, we propose to learn music genre-specific characteristics to train polyphonic acoustic models. We first compare several automatic speech recognition pipelines for the application of lyrics transcription. We then present the lyrics alignment and transcription performance of music-informed acoustic models for the best-performing pipeline, and systema…
National University of Singapore（新加坡国立大学）；The Chinese University of Hong Kong, Shenzhen（香港中文大学（深圳））
Lyrics transcription of polyphonic music is challenging not only because the singing vocals are corrupted by the background music, but also because the background music and the singing style vary across music genres, such as pop, metal, and hip hop, which affects lyrics intelligibility of the song in different ways. In this work, we propose to transcribe the lyrics of polyphonic music using a novel genre-conditioned network. The proposed network adopts pre-trained model parameters, and incorporates the genre adapters between layers to capture different genre peculiarities for lyrics-genre pair…
Automatic lyrics to polyphonic audio alignment is a challenging task not only because the vocals are corrupted by background music, but also there is a lack of annotated polyphonic corpus for effective acoustic modeling. In this work, we propose (1) using additional speech and music-informed features and (2) adapting the acoustic models trained on a large amount of solo singing vocals towards polyphonic music using a small amount of in-domain data. Incorporating additional information such as voicing and auditory features together with conventional acoustic features aims to bring robustness ag…
Queen Mary University of London（伦敦玛丽女王大学）；Spotify（声田）
Time-aligned lyrics can enrich the music listening experience by enabling karaoke, text-based song retrieval and intra-song navigation, and other applications. Compared to text-to-speech alignment, lyrics alignment remains highly challenging, despite many attempts to combine numerous sub-modules including vocal separation and detection in an effort to break down the problem. Furthermore, training required fine-grained annotations to be available in some form. Here, we present a novel system based on a modified Wave-U-Net architecture, which predicts character probabilities directly from raw au…
Detecting singing-voice in polyphonic instrumental music is critical to music information retrieval. To train a robust vocal detector, a large dataset marked with vocal or non-vocal label at frame-level is essential. However, frame-level labeling is time-consuming and labor expensive, resulting there is little well-labeled dataset available for singing-voice detection (S-VD). Hence, we propose a data augmentation method for S-VD by transfer learning. In this study, clean speech clips with voice activity endpoints and separate instrumental music clips are artificially added together to simulate…
The polyphonic nature of music makes the application of deep learning to music modelling a challenging task. On the other hand, the Transformer architecture seems to be a good fit for this kind of data. In this work, we present Calliope, a novel autoencoder model based on Transformers for the efficient modelling of multi-track sequences of polyphonic music. The experiments show that our model is able to improve the state of the art on musical sequence reconstruction and generation, with remarkably good results especially on long sequences.
Institute of Computational Perception, Johannes Kepler University Linz（约翰内斯·开普勒大学林茨计算感知研究所）；LIT AI Lab, Linz Institute of Technology（林茨理工学院LIT人工智能实验室）
Fully automatic opera tracking is challenging because of the acoustic complexity of the genre, combining musical and linguistic information (singing, speech) in complex ways. In this paper, we propose a new pipeline for complete opera tracking. The pipeline is based on two trackers. A music tracker that has proven to be effective at tracking orchestral parts, will lead the tracking process. In addition, a lyrics tracker, that has recently been shown to reliably track the lyrics of opera songs, will correct the music tracker when tracking parts that have a text dominance over the music. We will…
We propose an application of sequence generative adversarial networks (SeqGAN), which are generative adversarial networks for discrete sequence generation, for creating polyphonic musical sequences. Instead of a monophonic melody generation suggested in the original work, we present an efficient representation of a polyphony MIDI file that simultaneously captures chords and melodies with dynamic timings. The proposed method condenses duration, octaves, and keys of both melodies and chords into a single word vector representation, and recurrent neural networks learn to predict distributions of …
National Institute of Informatics（国立信息学研究所）；SOKENDAI（综合研究大学院大学）
Generating melody from lyrics is an interesting yet challenging task in the area of artificial intelligence and music. However, the difficulty of keeping the consistency between input lyrics and generated melody limits the generation quality of previous works. In our proposal, we demonstrate our proposed interpretable lyrics-to-melody generation system which can interact with users to understand the generation process and recreate the desired songs. To improve the reliability of melody generation that matches lyrics, mutual information is exploited to strengthen the consistency between lyrics …
Radboud University Nijmegen（奈梅亨拉德堡德大学）；Delft University of Technology（代尔夫特理工大学）
Background music in social interaction settings can hinder conversation. Yet, little is known of how specific properties of music impact speech processing. This paper addresses this knowledge gap by investigating 1) whether the masking effect of background music with lyrics is larger than that of music without lyrics, and 2) whether the masking effect is larger for more complex music. To answer these questions, a word identification experiment was run in which Dutch participants listened to Dutch CVC words embedded in stretches of background music in two conditions, with and without lyrics, an…
Fudan University（复旦大学）；Ping An Technology (Shenzhen) Co., Ltd.（平安科技（深圳）有限公司）；National Institute of Informatics（国立信息学研究所）
Singing voice detection (SVD), to recognize vocal parts in the song, is an essential task in music information retrieval (MIR). The task remains challenging since singing voice varies and intertwines with the accompaniment music, especially for some complicated polyphonic music such as choral music recordings. To address this problem, we investigate singing voice detection while discarding the interference from the accompaniment. The proposed SVD has two steps: i. The singing voice separation (SVS) technique is first utilized to filter out the singing voice's potential part coarsely. ii. Upon …
Johns Hopkins University（约翰斯·霍普金斯大学）；University of Western Australia（西澳大利亚大学）
Lyrics recognition is an important task in music processing. Despite traditional algorithms such as the hybrid HMM- TDNN model achieving good performance, studies on applying end-to-end models and self-supervised learning (SSL) are limited. In this paper, we first establish an end-to-end baseline for lyrics recognition and then explore the performance of SSL models on lyrics recognition task. We evaluate a variety of upstream SSL models with different training methods (masked reconstruction, masked prediction, autoregressive reconstruction, and contrastive learning). Our end-to-end self-superv…
NYU Shanghai（纽约大学上海分校）；New York University（纽约大学）；Zhejiang University（浙江大学）
The dominant approach for music representation learning involves the deep unsupervised model family variational autoencoder (VAE). However, most, if not all, viable attempts on this problem have largely been limited to monophonic music. Normally composed of richer modality and more complex musical structures, the polyphonic counterpart has yet to be addressed in the context of music representation learning. In this work, we propose the PianoTree VAE, a novel tree-structure extension upon VAE aiming to fit the polyphonic music learning. The experiments prove the validity of the PianoTree VAE vi…
High-quality datasets for learning-based modelling of polyphonic symbolic music remain less readily-accessible at scale than in other domains, such as language modelling or image classification. Deep learning algorithms show great potential for enabling the widespread use of interactive music generation technology in consumer applications, but the lack of large-scale datasets remains a bottleneck for the development of algorithms that can consistently generate high-quality outputs. We propose that models with narrow expertise can serve as a source of high-quality scalable synthetic data, and o…
Taiwan AI Labs（台湾人工智能实验室）；Academia Sinica（台湾“中央研究院”）；National Taiwan University（台湾大学）
In this paper, we propose a new dataset named EGDB, that con-tains transcriptions of the electric guitar performance of 240 tab-latures rendered with different tones. Moreover, we benchmark theperformance of two well-known transcription models proposed orig-inally for the piano on this dataset, along with a multi-loss Trans-former model that we newly propose. Our evaluation on this datasetand a separate set of real-world recordings demonstrate the influenceof timbre on the accuracy of guitar sheet transcription, the potentialof using multiple losses for Transformers, as well as the room forfur…
In the present study, we address the relationship between the emotions perceived in pop and rock music (mainly in Euro-American styles with English lyrics) and the language spoken by the listener. Our goal is to understand the influence of lyrics comprehension on the perception of emotions and use this information to improve Music Emotion Recognition (MER) models. Two main research questions are addressed: 1. Are there differences and similarities between the emotions perceived in pop/rock music by listeners raised with different mother tongues? 2. Do personal characteristics have an influence…
We describe a real-time system that receives a live audio stream from a jam session and generates lyric lines that are congruent with the live music being played. Two novel approaches are proposed to align the learned latent spaces of audio and text representations that allow the system to generate novel lyric lines matching live instrumental music. One approach is based on adversarial alignment of latent representations of audio and lyrics, while the other approach learns to transfer the topology from the music latent space to the lyric latent space. A user study with music artists using the …
Previous work has shown that neural architectures are able to perform optical music recognition (OMR) on monophonic and homophonic music with high accuracy. However, piano and orchestral scores frequently exhibit polyphonic passages, which add a second dimension to the task. Monophonic and homophonic music can be described as homorhythmic, or having a single musical rhythm. Polyphonic music, on the other hand, can be seen as having multiple rhythmic sequences, or voices, concurrently. We first introduce a workflow for creating large-scale polyphonic datasets suitable for end-to-end recognition…
Data-driven approaches to automatic drum transcription (ADT) are often limited to a predefined, small vocabulary of percussion instrument classes. Such models cannot recognize out-of-vocabulary classes nor are they able to adapt to finer-grained vocabularies. In this work, we address open vocabulary ADT by introducing few-shot learning to the task. We train a Prototypical Network on a synthetic dataset and evaluate the model on multiple real-world ADT datasets with polyphonic accompaniment. We show that, given just a handful of selected examples at inference time, we can match and in some case…
Lack of large-scale note-level labeled data is the major obstacle to singing transcription from polyphonic music. We address the issue by using pseudo labels from vocal pitch estimation models given unlabeled data. The proposed method first converts the frame-level pseudo labels to note-level through pitch and rhythm quantization steps. Then, it further improves the label quality through self-training in a teacher-student framework. To validate the method, we conduct various experiment settings by investigating two vocal pitch estimation models as pseudo-label generators, two setups of teacher…
This paper introduces a novel recurrent model for music composition that is tailored to the structure of polyphonic music. We propose an efficient new conditional probabilistic factorization of musical scores, viewing a score as a collection of concurrent, coupled sequences: i.e. voices. To model the conditional distributions, we borrow ideas from both convolutional and recurrent neural models; we argue that these ideas are natural for capturing music's pitch invariances, temporal structure, and polyphony. We train models for single-voice and multi-voice composition on 2,300 scores from the Ke…
National Institute of Informatics（国立信息学研究所）；SOKENDAI（综合研究大学院大学）
Sheet music, audio, and lyrics are three main modalities during writing a song. In this paper, we propose an unsupervised generative adversarial alignment representation (UGAAR) model to learn deep discriminative representations shared across three major musical modalities: sheet music, lyrics, and audio, where a deep neural network based architecture on three branches is jointly trained. In particular, the proposed model can transfer the strong relationship between audio and sheet music to audio-lyrics and sheet-lyrics pairs by learning the correlation in the latent shared subspace. We apply …
National Institute of Informatics（国立信息学研究所）；The University of Electro-Communications（电气通信大学）；Instituto Superior Técnico, Universidade de Lisboa（里斯本大学高等技术学院）；Hong Kong University of Science and Technology（香港科技大学）
Little research focuses on cross-modal correlation learning where temporal structures of different data modalities such as audio and lyrics are taken into account. Stemming from the characteristic of temporal structures of music in nature, we are motivated to learn the deep sequential correlation between audio and lyrics. In this work, we propose a deep cross-modal correlation learning architecture involving two-branch deep neural networks for audio modality and text modality (lyrics). Different modality data are converted to the same canonical space where inter modal canonical correlation ana…
This paper aims to test whether a multi-modal approach for music emotion recognition (MER) performs better than a uni-modal one on high-level song features and lyrics. We use 11 song features retrieved from the Spotify API, combined lyrics features including sentiment, TF-IDF, and Anew to predict valence and arousal (Russell, 1980) scores on the Deezer Mood Detection Dataset (DMDD) (Delbouys et al., 2018) with 4 different regression models. We find that out of the 11 high-level song features, mainly 5 contribute to the performance, multi-modal features do better than audio alone when predictin…
University of Vienna（维也纳大学）；University of Bamberg（班贝格大学）
We look into the connection between the musical and lyrical content of metal music by combining automated extraction of high-level audio features and quantitative text analysis on a corpus of 124.288 song lyrics from this genre. Based on this text corpus, a topic model was first constructed using Latent Dirichlet Allocation (LDA). For a subsample of 503 songs, scores for predicting perceived musical hardness/heaviness and darkness/gloominess were extracted using audio feature models. By combining both audio feature and text analysis, we (1) offer a comprehensive overview of the lyrical topics …
We investigate the problem of modeling symbolic sequences of polyphonic music in a completely general piano-roll representation. We introduce a probabilistic model based on distribution estimators conditioned on a recurrent neural network that is able to discover temporal dependencies in high-dimensional sequences. Our approach outperforms many traditional models of polyphonic music on a variety of realistic datasets. We show how our musical language model can serve as a symbolic prior to improve the accuracy of polyphonic transcription.
Indian Institute of Technology Kharagpur（印度理工学院克勒格布尔分校）
Melody extraction is a vital music information retrieval task among music researchers for its potential applications in education pedagogy and the music industry. Melody extraction is a notoriously challenging task due to the presence of background instruments. Also, often melodic source exhibits similar characteristics to that of the other instruments. The interfering background accompaniment with the vocals makes extracting the melody from the mixture signal much more challenging. Until recently, classical signal processing-based melody extraction methods were quite popular among melody extr…
Queen Mary University of London（伦敦玛丽女王大学）；NYU Shanghai（上海纽约大学）；MBZUAI（穆罕默德·本·扎耶德人工智能大学）
Lyric interpretations can help people understand songs and their lyrics quickly, and can also make it easier to manage, retrieve and discover songs efficiently from the growing mass of music archives. In this paper we propose BART-fusion, a novel model for generating lyric interpretations from lyrics and music audio that combines a large-scale pre-trained language model with an audio encoder. We employ a cross-modal attention module to incorporate the audio representation into the lyrics representation to help the pre-trained language model understand the song from an audio perspective, while …
Department of Information Technology and Electrical Engineering（信息技术与电气工程系）；ETH Zürich（苏黎世联邦理工学院）
We propose a novel approach for the generation of polyphonic music based on LSTMs. We generate music in two steps. First, a chord LSTM predicts a chord progression based on a chord embedding. A second LSTM then generates polyphonic music from the predicted chord progression. The generated music sounds pleasing and harmonic, with only few dissonant notes. It has clear long-term structure that is similar to what a musician would play during a jam session. We show that our approach is sensible from a music theory perspective by evaluating the learned chord embeddings. Surprisingly, our simple mod…
A Manual Bar-by-Bar Tempo Measurement Protocol for Polyphonic Chamber Music Recordings: Design, Validation, and Application to Beethoven's Piano and Cello Sonatas
Indian Institute of Technology, Madras（印度理工学院马德拉斯分校）
In the domain of algorithmic music composition, machine learning-driven systems eliminate the need for carefully hand-crafting rules for composition. In particular, the capability of recurrent neural networks to learn complex temporal patterns lends itself well to the musical domain. Promising results have been observed across a number of recent attempts at music composition using deep RNNs. These approaches generally aim at first training neural networks to reproduce subsequences drawn from existing songs. Subsequently, they are used to compose music either at the audio sample-level or at the…
While deep generative models have become the leading methods for algorithmic composition, it remains a challenging problem to control the generation process because the latent variables of most deep-learning models lack good interpretability. Inspired by the content-style disentanglement idea, we design a novel architecture, under the VAE framework, that effectively learns two interpretable latent factors of polyphonic music: chord and texture. The current model focuses on learning 8-beat long piano composition segments. We show that such chord-texture disentanglement provides a controllable g…
Zhejiang University（浙江大学）；Microsoft Research Asia（微软亚洲研究院）；Alibaba-Zhejiang University Joint Institute of Frontier Technologies（阿里巴巴-浙江大学前沿技术联合研究院）
Lyric-to-melody generation, which generates melody according to given lyrics, is one of the most important automatic music composition tasks. With the rapid development of deep learning, previous works address this task with end-to-end neural network models. However, deep learning models cannot well capture the strict but subtle relationships between lyrics and melodies, which compromises the harmony between lyrics and generated melodies. In this paper, we propose ReLyMe, a method that incorporates Relationships between Lyrics and Melodies from music theory to ensure the harmony between lyrics…
Kyungpook National University（庆北国立大学）；Electronics and Telecommunications Research Institute（韩国电子通信研究院）
Deep generative models for audio synthesis have recently been significantly improved. However, the task of modeling raw-waveforms remains a difficult problem, especially for audio waveforms and music signals. Recently, the realtime audio variational autoencoder (RAVE) method was developed for high-quality audio waveform synthesis. The RAVE method is based on the variational autoencoder and utilizes the two-stage training strategy. Unfortunately, the RAVE model is limited in reproducing wide-pitch polyphonic music sound. Therefore, to enhance the reconstruction performance, we adopt the pitch a…
MSVAE: Rethinking Musical Semantics in Continuous Latent Spaces
Geely Automobile Research Institute (Ningbo) Company Ltd（吉利汽车研究院（宁波）有限公司）；Faculty of Electronic and Information Engineering, Xi’an Jiaotong University（西安交通大学电子与信息工程学院）；WeNet Open Source Community（WeNet开源社区）
Instrument classification is one of the fields in Music Information Retrieval (MIR) that has attracted a lot of research interest. However, the majority of that is dealing with monophonic music, while efforts on polyphonic material mainly focus on predominant instrument recognition. In this paper, we propose an approach for instrument classification in polyphonic music from purely monophonic data, that involves performing data augmentation by mixing different audio segments. A variety of data augmentation techniques focusing on different sonic aspects, such as overlaying audio segments of the …
Interpretation of retrieved results is an important issue in music recommender systems, particularly from a user perspective. In this study, we investigate the methods for providing interpretability of content features using self-attention. We extract lyric features with the self-attentive genre classification model trained on 140,000 tracks of lyrics. Likewise, we extract acoustic features using the acoustic model with self-attention trained on 120,000 tracks of acoustic signals. The experimental results show that the proposed methods provide the characteristics that are interpretable in term…
National Institute of Informatics（国立信息学研究所）；SOKENDAI（综合研究大学院大学）
This work present a music dataset named MusicTM-Dataset, which is utilized in improving the representation learning ability of different types of cross-modal retrieval (CMR). Little large music dataset including three modalities is available for learning representations for CMR. To collect a music dataset, we expand the original musical notation to synthesize audio and generated sheet-music image, and build musical notation based sheet-music image, audio clip and syllable-denotation text as fine-grained alignment, such that the MusicTM-Dataset can be exploited to receive shared representation …
National Institute of Informatics（国立情报学研究所）；Indraprastha Institute of Information Technology Delhi（德里印度信息技术学院）；École Polytechnique Fédérale de Lausanne（洛桑联邦理工学院）
Melody generation from lyrics has been a challenging research issue in the field of artificial intelligence and music, which enables to learn and discover latent relationship between interesting lyrics and accompanying melody. Unfortunately, the limited availability of paired lyrics-melody dataset with alignment information has hindered the research progress. To address this problem, we create a large dataset consisting of 12,197 MIDI songs each with paired lyrics and melody alignment through leveraging different music sources where alignment relationship between syllables and music attributes…
A model of music needs to have the ability to recall past details and have a clear, coherent understanding of musical structure. Detailed in the paper is a neural network architecture that predicts and generates polyphonic music aligned with musical rules. The probabilistic model presented is a Bi-axial LSTM trained with a kernel reminiscent of a convolutional kernel. When analyzed quantitatively and qualitatively, this approach performs well in composing polyphonic music. Link to the code is provided.
KTH Royal Institute of Technology（皇家理工学院）；Nanyang Technological University（南洋理工大学）；National Institute of Informatics（情报学研究所）；University of Copenhagen（哥本哈根大学）
