Robust face clustering is a vital step in enabling computational understanding of visual character portrayal in media. Face clustering for long-form content is challenging because of variations in appearance and lack of supporting large-scale labeled data. Our work in this paper focuses on two key aspects of this problem: the lack of domain-specific training or benchmark datasets, and adapting face embeddings learned on web images to long-form content, specifically movies. First, we present a dataset of over 169,000 face tracks curated from 240 Hollywood movies with weak labels on whether a pair of face tracks belong to the same or a different character. We propose an offline algorithm based on nearest-neighbor search in the embedding space to mine hard-examples from these tracks. We then investigate triplet-loss and multiview correlation-based methods for adapting face embeddings to hard-examples. Our experimental results highlight the usefulness of weakly labeled data for domain-specific feature adaptation. Overall, we find that multiview correlation-based adaptation yields more discriminative and robust face embeddings. Its performance on downstream face verification and clustering tasks is comparable to that of the state-of-the-art results in this domain. We also present the SAIL-Movie Character Benchmark corpus developed to augment existing benchmarks. It consists of racially diverse actors and provides face-quality labels for subsequent error analysis. We hope that the large-scale datasets developed in this work can further advance automatic character labeling in videos. All resources are available freely at https://sail.usc.edu/~ccmi/multiface.
The Chinese University of Hong Kong（香港中文大学）；University of California, Berkeley（加州大学伯克利分校）
Inspired by the remarkable advances in video analytics, research teams are stepping towards a greater ambition -- movie understanding. However, compared to those activity videos in conventional datasets, movies are significantly different. Generally, movies are much longer and consist of much richer temporal structures. More importantly, the interactions among characters play a central role in expressing the underlying story. To facilitate the efforts along this direction, we construct a dataset called Movie Synopses Associations (MSA) over 327 movies, which provides a synopsis for each movie,…
Our objective in this work is long range understanding of the narrative structure of movies. Instead of considering the entire movie, we propose to learn from the `key scenes' of the movie, providing a condensed look at the full storyline. To this end, we make the following three contributions: (i) We create the Condensed Movies Dataset (CMD) consisting of the key scenes from over 3K movies: each key scene is accompanied by a high level semantic description of the scene, character face-tracks, and metadata about the movie. The dataset is scalable, obtained automatically from YouTube, and is fr…
CUHK-SenseTime Joint Lab, The Chinese University of Hong Kong（香港中文大学-商汤科技联合实验室）
Recent years have seen remarkable advances in visual understanding. However, how to understand a story-based long video with artistic styles, e.g. movie, remains challenging. In this paper, we introduce MovieNet -- a holistic dataset for movie understanding. MovieNet contains 1,100 movies with a large amount of multi-modal data, e.g. trailers, photos, plot descriptions, etc. Besides, different aspects of manual annotations are provided in MovieNet, including 1.1M characters with bounding boxes and identities, 42K scene boundaries, 2.5K aligned description sentences, 65K tags of place and actio…
King Abdullah University of Science and Technology（阿卜杜拉国王科技大学）；Adobe Research（Adobe研究院）；Meta Reality Labs（Meta现实实验室）
Understanding movies and their structural patterns is a crucial task in decoding the craft of video editing. While previous works have developed tools for general analysis, such as detecting characters or recognizing cinematography properties at the shot level, less effort has been devoted to understanding the most basic video edit, the Cut. This paper introduces the Cut type recognition task, which requires modeling multi-modal information. To ignite research in this new task, we construct a large-scale dataset called MovieCuts, which contains 173,967 video clips labeled with ten cut types de…
Max Planck Institute for Informatics（马克斯·普朗克信息学研究所）；UC Berkeley（加州大学伯克利分校）；ICSI（国际计算机科学研究所）
Descriptive video service (DVS) provides linguistic descriptions of movies and allows visually impaired people to follow a movie along with their peers. Such descriptions are by design mainly visual and thus naturally form an interesting data source for computer vision and computational linguistics. In this work we propose a novel dataset which contains transcribed DVS, which is temporally aligned to full length HD movies. In addition we also collected the aligned movie scripts which have been used in prior work and compare the two different sources of descriptions. In total the Movie Descript…
An essential goal of computational media intelligence is to support understanding how media stories -- be it news, commercial or entertainment media -- represent and reflect society and these portrayals are perceived. People are a central element of media stories. This paper focuses on understanding the representation and depiction of background characters in media depictions, primarily movies and TV shows. We define the background characters as those who do not participate vocally in any scene throughout the movie and address the problem of localizing background characters in videos. We use a…
Max Planck Institute for Informatics（马克斯·普朗克信息学研究所）；ICSI（国际计算机科学研究所）；UC Berkeley（加州大学伯克利分校）；Disney Research（迪士尼研究中心）；École Polytechnique de Montréal（蒙特利尔理工学院）；Université de Sherbrooke（舍布鲁克大学）；Twitter（推特）；Université de Montréal（蒙特利尔大学）
Audio Description (AD) provides linguistic descriptions of movies and allows visually impaired people to follow a movie along with their peers. Such descriptions are by design mainly visual and thus naturally form an interesting data source for computer vision and computational linguistics. In this work we propose a novel dataset which contains transcribed ADs, which are temporally aligned to full length movies. In addition we also collected and aligned movie scripts used in prior work and compare the two sources of descriptions. In total the Large Scale Movie Description Challenge (LSMDC) con…
In this work, we aim at automatically labeling actors in a TV series. Rather than relying on transcripts and subtitles, as has been demonstrated in the past, we show how to achieve this goal starting from a set of example images of each of the main actors involved, collected from the Internet Movie Database (IMDB). The problem then becomes one of domain adaptation: actors' IMDB photos are typically taken at awards ceremonies and are quite different from their appearances in TV series. In each series as well, there is considerable change in actor appearance due to makeup, lighting, ageing, etc.…
University of Southern California（南加州大学）；University of Pennsylvania（宾夕法尼亚大学）；Allen Institute for AI（艾伦人工智能研究所）
We propose a new framework for understanding and representing related salient events in a video using visual semantic role labeling. We represent videos as a set of related events, wherein each event consists of a verb and multiple entities that fulfill various roles relevant to that event. To study the challenging task of semantic role labeling in videos or VidSRL, we introduce the VidSitu benchmark, a large-scale video understanding data source with $29K$ $10$-second movie clips richly annotated with a verb and semantic-roles every $2$ seconds. Entities are co-referenced across events within…
Nanjing University of Aeronautics and Astronautics（南京航空航天大学）；Shanghai Jiao Tong University（上海交通大学）；Nanjing University of Posts and Telecommunications（南京邮电大学）
Person search aims to jointly localize and identify a query person from natural, uncropped images, which has been actively studied over the past few years. In this paper, we delve into the rich context information globally and locally surrounding the target person, which we refer to as scene and group context, respectively. Unlike previous works that treat the two types of context individually, we exploit them in a unified global-local context network (GLCNet) with the intuitive aim of feature enhancement. Specifically, re-ID embeddings and context features are simultaneously learned in a mult…
The abundance and ease of utilizing sound, along with the fact that auditory clues reveal so much about what happens in the scene, make the audio-visual space a perfectly intuitive choice for self-supervised representation learning. However, the current literature suggests that training on \textit{uncurated} data yields considerably poorer representations compared to the \textit{curated} alternatives collected in supervised manner, and the gap only narrows when the volume of data significantly increases. Furthermore, the quality of learned representations is known to be heavily influenced by t…
CML-Bench: A Framework for Evaluating and Enhancing LLM-Powered Movie Scripts Generation
The Hong Kong University of Science and Technology（香港科学与技术大学）；Lehigh University（莱斯大学）；Fudan University（复旦大学）；Emory University（埃默里大学）；University of Central Florida（中央佛罗里达大学）
Understanding scenes in movies is crucial for a variety of applications such as video moderation, search, and recommendation. However, labeling individual scenes is a time-consuming process. In contrast, movie level metadata (e.g., genre, synopsis, etc.) regularly gets produced as part of the film production process, and is therefore significantly more commonly available. In this work, we propose a novel contrastive learning approach that uses movie metadata to learn a general-purpose scene representation. Specifically, we use movie metadata to define a measure of movie similarity, and use it …
Automatically labeling intracranial arteries (ICA) with their anatomical names is beneficial for feature extraction and detailed analysis of intracranial vascular structures. There are significant variations in the ICA due to natural and pathological causes, making it challenging for automated labeling. However, the existing public dataset for evaluation of anatomical labeling is limited. We construct a comprehensive dataset with 729 Magnetic Resonance Angiography scans and propose a Graph Neural Network (GNN) method to label arteries by classifying types of nodes and edges in an attributed re…
Carnegie Mellon University（卡内基梅隆大学）；University of Warwick（华威大学）
An effective approach to automated movie content analysis involves building a network (graph) of its characters. Existing work usually builds a static character graph to summarize the content using metadata, scripts or manual annotations. We propose an unsupervised approach to building a dynamic character graph that captures the temporal evolution of character interaction. We refer to this as the character interaction graph(CIG). Our approach has two components:(i) an online face clustering algorithm that discovers the characters in the video stream as they appear, and (ii) simultaneous creati…
Character-Centric Understanding of Animated Movies
Visual Geometry Group Dept.\ of Engineering Science University of Oxford, UK；School of Artifitial Intelligence\ Jiao Tong University Shanghai China；School of Artifitial Intelligence\ Jiao Tong University
Inria Paris（巴黎法国国立信息学研究院）；Max-Planck-Institute for Informatics（马克斯·普朗克信息学研究所）
Interactions between people are often governed by their relationships. On the flip side, social relationships are built upon several interactions. Two strangers are more likely to greet and introduce themselves while becoming friends over time. We are fascinated by this interplay between interactions and relationships, and believe that it is an important aspect of understanding social situations. In this work, we propose neural models to learn and jointly predict interactions, relationships, and the pair of characters that are involved. We note that interactions are informed by a mixture of vi…
We are given a set of video clips, each one annotated with an {\em ordered} list of actions, such as "walk" then "sit" then "answer phone" extracted from, for example, the associated text script. We seek to temporally localize the individual actions in each clip as well as to learn a discriminative classifier for each action. We formulate the problem as a weakly supervised temporal assignment with ordering constraints. Each video clip is divided into small time intervals and each time interval of each video clip is assigned one action label, while respecting the order in which the action label…
MovieTeller: Tool-augmented Movie Synopsis with ID Consistent Progressive Abstraction
Central Universities（中央高校）；National Natural Science Foundation of China（中国国家自然科学基金委员会）；Research Fund for International Scientists of National Natural Science Foundation of China（中国国家自然科学基金委员会国际科学家研究基金）
University of Oxford（牛津大学）；École des Ponts（巴黎桥路学院）；Univ Gustave Eiffel（古斯塔夫·埃菲尔大学）；CNRS（法国国家科学研究中心）；Shanghai Jiao Tong University（上海交通大学）
The objective of this paper is an automatic Audio Description (AD) model that ingests movies and outputs AD in text form. Generating high-quality movie AD is challenging due to the dependency of the descriptions on context, and the limited amount of training data available. In this work, we leverage the power of pretrained foundation models, such as GPT and CLIP, and only train a mapping network that bridges the two models for visually-conditioned text generation. In order to obtain high-quality AD, we make the following four contributions: (i) we incorporate context from the movie clip, AD fr…
The abundance and ease of utilizing sound, along with the fact that auditory clues reveal a plethora of information about what happens in a scene, make the audio-visual space an intuitive choice for representation learning. In this paper, we explore the efficacy of audio-visual self-supervised learning from uncurated long-form content i.e movies. Studying its differences with conventional short-form content, we identify a non-i.i.d distribution of data, driven by the nature of movies. Specifically, we find long-form content to naturally contain a diverse set of semantic concepts (semantic dive…
Is it possible to guess human action from dialogue alone? In this work we investigate the link between spoken words and actions in movies. We note that movie screenplays describe actions, as well as contain the speech of characters and hence can be used to learn this correlation with no additional supervision. We train a BERT-based Speech2Action classifier on over a thousand movie screenplays, to predict action labels from transcribed speech segments. We then apply this model to the speech segments of a large unlabelled movie corpus (188M speech segments from 288K movies). Using the prediction…
Item features play an important role in movie recommender systems, where recommendations can be generated by using explicit or implicit preferences of users on traditional features (attributes) such as tag, genre, and cast. Typically, movie features are human-generated, either editorially (e.g., genre and cast) or by leveraging the wisdom of the crowd (e.g., tag), and as such, they are prone to noise and are expensive to collect. Moreover, these features are often rare or absent for new items, making it difficult or even impossible to provide good quality recommendations. In this paper, we sho…
Wilkes University（威尔克斯大学）；Colorado State University（科罗拉多州立大学）；Macalester College（马卡莱斯特学院）
The existence of characteristic structure, or shape, in complex data sets has been recognized as increasingly important for mathematical data analysis. This realization has motivated the development of new tools such as persistent homology for exploring topological invariants, or features, in large data sets. In this paper we apply persistent homology to the characterization of gas plumes in time dependent sequences of hyperspectral cubes, i.e. the analysis of 4-way arrays. We investigate hyperspectral movies of Long-Wavelength Infrared data monitoring an experimental release of chemical simul…
This analysis explores the temporal sequencing of objects in a movie trailer. Temporal sequencing of objects in a movie trailer (e.g., a long shot of an object vs intermittent short shots) can convey information about the type of movie, plot of the movie, role of the main characters, and the filmmakers cinematographic choices. When combined with historical customer data, sequencing analysis can be used to improve predictions of customer behavior. E.g., a customer buys tickets to a new movie and maybe the customer has seen movies in the past that contained similar sequences. To explore object s…
Max Planck Institute for Informatics（马克斯·普朗克信息学研究所）；UC Berkeley（加州大学伯克利分校）；Max Planck Institute for Intelligent Systems（马克斯·普朗克智能系统研究所）
Learning how to generate descriptions of images or videos received major interest both in the Computer Vision and Natural Language Processing communities. While a few works have proposed to learn a grounding during the generation process in an unsupervised way (via an attention mechanism), it remains unclear how good the quality of the grounding is and whether it benefits the description quality. In this work we propose a movie description model which learns to generate description and jointly ground (localize) the mentioned characters as well as do visual co-reference resolution between pairs…
Cartoons and animation domain videos have very different characteristics compared to real-life images and videos. In addition, this domain carries a large variability in styles. Current computer vision and deep-learning solutions often fail on animated content because they were trained on natural images. In this paper we present a method to refine a semantic representation suitable for specific animated content. We first train a neural network on a large-scale set of animation videos and use the mapping to deep features as an embedding space. Next, we use self-supervision to refine the represe…
University of Modena and Reggio Emilia（摩德纳-雷焦艾米利亚大学）
Current movie captioning architectures are not capable of mentioning characters with their proper name, replacing them with a generic "someone" tag. The lack of movie description datasets with characters' visual annotations surely plays a relevant role in this shortage. Recently, we proposed to extend the M-VAD dataset by introducing such information. In this paper, we present an improved version of the dataset, namely M-VAD Names, and its semi-automatic annotation procedure. The resulting dataset contains 63k visual tracks and 34k textual mentions, all associated with character identities. To…
How Well Do Vision-Language Models Understand Movies?
Instituto Superior Técnico, Universidade de Lisboa（里斯本大学高等理工学院）；Instituto de Telecomunicações（电信研究所）；University of Amsterdam（阿姆斯特丹大学）；Institut de Robòtica i Informàtica Industrial, CSIC-UPC（加泰罗尼亚理工大学-西班牙国家研究委员会工业机器人与计算机研究所）；UNC Chapel Hill（北卡罗来纳大学教堂山分校）；University of Copenhagen（哥本哈根大学）；Pioneer Center for AI（人工智能先锋中心）；Heriot-Watt University（赫瑞瓦特大学）；Free University of Bozen-Bolzano（博尔扎诺自由大学）；Unbabel（Unbabel公司）；ELLIS Unit Amsterdam（阿姆斯特丹ELLIS单元）；ELLIS Unit Lisbon（里斯本ELLIS单元）；ELLIS Unit Trento（特伦托ELLIS单元）；ELLIS Unit Barcelona（巴塞罗那ELLIS单元）
Stories can have tremendous power -- not only useful for entertainment, they can activate our interests and mobilize our actions. The degree to which a story resonates with its audience may be in part reflected in the emotional journey it takes the audience upon. In this paper, we use machine learning methods to construct emotional arcs in movies, calculate families of arcs, and demonstrate the ability for certain arcs to predict audience engagement. The system is applied to Hollywood films and high quality shorts found on the web. We begin by using deep convolutional neural networks for audio…
Raisa Energy LLC；Faculty of Engineering, Cairo University（开罗大学工程学院）；Faculty of Computers and Information, Cairo University（开罗大学计算机与信息学院）
Automation of objects labeling in aerial imagery is a computer vision task with numerous practical applications. Fields like energy exploration require an automated method to process a continuous stream of imagery on a daily basis. In this paper we propose a pipeline to tackle this problem using a stack of convolutional neural networks (U-Net architecture) arranged end-to-end. Each network works as post-processor to the previous one. Our model outperforms current state-of-the-art on two different datasets: Inria Aerial Image Labeling dataset and Massachusetts Buildings dataset each with differ…
We present Affect2MM, a learning method for time-series emotion prediction for multimedia content. Our goal is to automatically capture the varying emotions depicted by characters in real-life human-centric situations and behaviors. We use the ideas from emotion causation theories to computationally model and determine the emotional state evoked in clips of movies. Affect2MM explicitly models the temporal causality using attention-based methods and Granger causality. We use a variety of components like facial features of actors involved, scene understanding, visual aesthetics, action/situation…
PAI-Actor: Cinematic Multi-Character Replacement in Dynamic Scenes
Utopai Studios（Utopai工作室）；University of California, Irvine（加州大学尔湾分校）；Nanyang Technological University（南洋理工大学）；Show Lab, National University of Singapore（新加坡国立大学Show Lab）；National University of Singapore（新加坡国立大学）
Purdue University（普渡大学）；University of Toronto（多伦多大学）；University of South Carolina（南卡罗来纳大学）
We present an approach to labeling short video clips with English verbs as event descriptions. A key distinguishing aspect of this work is that it labels videos with verbs that describe the spatiotemporal interaction between event participants, humans and objects interacting with each other, abstracting away all object-class information and fine-grained image characteristics, and relying solely on the coarse-grained motion of the event participants. We apply our approach to a large set of 22 distinct verb classes and a corpus of 2,584 videos, yielding two surprising outcomes. First, a classifi…
Institute of Information Engineering, Chinese Academy of Sciences（中国科学院信息工程研究所）；Department of ECE, National University of Singapore（新加坡国立大学电子与计算机工程系）
Human parsing has been extensively studied recently due to its wide applications in many important scenarios. Mainstream fashion parsing models focus on parsing the high-resolution and clean images. However, directly applying the parsers trained on benchmarks to a particular application scenario in the wild, e.g., a canteen, airport or workplace, often gives non-satisfactory performance due to domain shift. In this paper, we explore a new and challenging cross-domain human parsing problem: taking the benchmark dataset with extensive pixel-wise labeling as the source domain, how to obtain a sat…
