MIDI-sheet music alignment is the task of finding correspondences between a MIDI representation of a piece and its corresponding sheet music images. Rather than using optical music recognition to bridge the gap between sheet music and MIDI, we explore an alternative approach: projecting the MIDI data into pixel space and performing alignment in the image domain. Our method converts the MIDI data into a crude representation of the score that only contains rectangular floating notehead blobs, a process we call bootleg score synthesis. Furthermore, we project sheet music images into the same bootleg space by applying a deep watershed notehead detector and filling in the bounding boxes around each detected notehead. Finally, we align the bootleg representations using a simple variant of dynamic time warping. On a dataset of 68 real scanned piano scores from IMSLP and corresponding MIDI performances, our method achieves a 97.3% accuracy at an error tolerance of one second, outperforming several baseline systems that employ optical music recognition.
MIDI-LLaMA: An Instruction-Following Multimodal LLM for Symbolic Music Understanding
SensiLab, Monash University, Australia（Monash大学）；University of Sussex, Brighton, United Kingdom（Sussex大学）；School of Computing and Information Systems, The University of Melbourne, Australia（墨尔本大学计算机与信息系统学院）
University of Science and Technology of China（中国科学技术大学）
Most existing neural network models for music generation explore how to generate music bars, then directly splice the music bars into a song. However, these methods do not explore the relationship between the bars, and the connected song as a whole has no musical form structure and sense of musical direction. To address this issue, we propose a Multi-model Multi-task Hierarchical Conditional VAE-GAN (Variational Autoencoder-Generative adversarial networks) networks, named MIDI-Sandwich, which combines musical knowledge, such as musical form, tonic, and melodic motion. The MIDI-Sandwich has two…
This article investigates a cross-modal retrieval problem in which a user would like to retrieve a passage of music from a MIDI file by taking a cell phone picture of several lines of sheet music. This problem is challenging for two reasons: it has a significant runtime constraint since it is a user-facing application, and there is very little relevant training data containing cell phone images of sheet music. To solve this problem, we introduce a novel feature representation called a bootleg score which encodes the position of noteheads relative to staff lines in sheet music. The MIDI represe…
University of Sussex（萨塞克斯大学）；Singapore University of Technology and Design（新加坡科技设计大学）
We present a Python library, called Midi Miner, that can calculate tonal tension and classify different tracks. MIDI (Music Instrument Digital Interface) is a hardware and software standard for communicating musical events between digital music devices. It is often used for tasks such as music representation, communication between devices, and even music generation [5]. Tension is an essential element of the music listening experience, which can come from a number of musical features including timbre, loudness and harmony [3]. Midi Miner provides a Python implementation for the tonal tension m…
We introduce MIDI-VAE, a neural network model based on Variational Autoencoders that is capable of handling polyphonic music with multiple instrument tracks, as well as modeling the dynamics of music by incorporating note durations and velocities. We show that MIDI-VAE can perform style transfer on symbolic music by automatically changing pitches, dynamics and instruments of a music piece from, e.g., a Classical to a Jazz style. We evaluate the efficacy of the style transfer by training separate style validation classifiers. Our model can also interpolate between short pieces of music, produce…
Symbolic music datasets are important for music information retrieval and musical analysis. However, there is a lack of large-scale symbolic datasets for classical piano music. In this article, we create a GiantMIDI-Piano (GP) dataset containing 38,700,838 transcribed notes and 10,855 unique solo piano works composed by 2,786 composers. We extract the names of music works and the names of composers from the International Music Score Library Project (IMSLP). We search and download their corresponding audio recordings from the internet. We further create a curated subset containing 7,236 works c…
This paper investigates a cross-modal retrieval problem in which a user would like to retrieve a passage of music from a MIDI file by taking a cell phone picture of a physical page of sheet music. While audio-sheet music retrieval has been explored by a number of works, this scenario is novel in that the query is a cell phone picture rather than a digital scan. To solve this problem, we introduce a mid-level feature representation called a bootleg score which explicitly encodes the rules of Western musical notation. We convert both the MIDI and the sheet music into bootleg scores using determi…
Automatic Chord Estimation (ACE) is a fundamental task in Music Information Retrieval (MIR) and has applications in both music performance and MIR research. The task consists of segmenting a music recording or score and assigning a chord label to each segment. Although it has been a task in the annual benchmarking evaluation MIREX for over 10 years, ACE is not yet a solved problem, since performance has stagnated and modern systems have started to tune themselves to subjective training data. We propose DECIBEL, a new ACE system that exploits widely available MIDI and tab representations to imp…
Multi-view MidiVAE: Fusing Track- and Bar-view Representations for Long Multi-track Symbolic Music Generation
Tsinghua University（清华大学）；Huawei Technologies Co., Ltd.（华为技术有限公司）；Skywork AI PTE. LTD.（昆仑万维人工智能（Skywork AI））；The Chinese University of Hong Kong（香港中文大学）
MIT-IBM Watson AI Lab（麻省理工学院-IBM沃森人工智能实验室）；Massachusetts Institute of Technology（麻省理工学院）
In this paper, we introduce Foley Music, a system that can synthesize plausible music for a silent video clip about people playing musical instruments. We first identify two key intermediate representations for a successful video to music generator: body keypoints from videos and MIDI events from audio recordings. We then formulate music generation from videos as a motion-to-MIDI translation problem. We present a Graph$-$Transformer framework that can accurately predict MIDI event sequences in accordance with the body movements. The MIDI event can then be converted to realistic music using an …
University of Science and Technology of China（中国科学技术大学）
Currently, almost all the multi-track music generation models use the Convolutional Neural Network (CNN) to build the generative model, while the Recurrent Neural Network (RNN) based models can not be applied in this task. In view of the above problem, this paper proposes a RNN-based Hierarchical Multi-modal Fusion Generation Variational Autoencoder (VAE) network, MIDI-Sandwich2, for multi-track symbolic music generation. Inspired by VQ-VAE2, MIDI-Sandwich2 expands the dimension of the original hierarchical model by using multiple independent Binary Variational Autoencoder (BVAE) models withou…
Research Center for IT innovation, Academia Sinica（中央研究院信息技术创新研究中心）
Most existing neural network models for music generation use recurrent neural networks. However, the recent WaveNet model proposed by DeepMind shows that convolutional neural networks (CNNs) can also generate realistic musical waveforms in the audio domain. Following this light, we investigate using CNNs for generating melody (a series of MIDI notes) one bar after another in the symbolic domain. In addition to the generator, we use a discriminator to learn the distributions of melodies, making it a generative adversarial network (GAN). Moreover, we propose a novel conditional mechanism to expl…
EPFL（洛桑联邦理工学院）；University of Edinburgh（爱丁堡大学）；Kyoto University（京都大学）
In this paper, we introduce the MIDI Degradation Toolkit (MDTK), containing functions which take as input a musical excerpt (a set of notes with pitch, onset time, and duration), and return a "degraded" version of that excerpt with some error (or errors) introduced. Using the toolkit, we create the Altered and Corrupted MIDI Excerpts dataset version 1.0 (ACME v1.0), and propose four tasks of increasing difficulty to detect, classify, locate, and correct the degradations. We hypothesize that models trained for these tasks can be useful in (for example) improving automatic music transcription pe…
Modelling human perception of musical similarity is critical for the evaluation of generative music systems, musicological research, and many Music Information Retrieval tasks. Although human similarity judgments are the gold standard, computational analysis is often preferable, since results are often easier to reproduce, and computational methods are much more scalable. Moreover, computation based approaches can be calculated quickly and on demand, which is a prerequisite for use with an online system. We propose StyleRank, a method to measure the similarity between a MIDI file and an arbitr…
While deep generative models have empowered music generation, it remains a challenging and under-explored problem to edit an existing musical piece at fine granularity. In this paper, we propose SDMuse, a unified Stochastic Differential Music editing and generation framework, which can not only compose a whole musical piece from scratch, but also modify existing musical pieces in many ways, such as combination, continuation, inpainting, and style transferring. The proposed SDMuse follows a two-stage pipeline to achieve music generation and editing on top of a hybrid representation including pi…
Despite recent achievements of deep learning automatic music generation algorithms, few approaches have been proposed to evaluate whether a single-track music excerpt is composed by automatons or Homo sapiens. To tackle this problem, we apply a masked language model based on ALBERT for composers classification. The aim is to obtain a model that can suggest the probability a MIDI clip might be composed condition on the auto-generation hypothesis, and which is trained with only AI-composed single-track MIDI. In this paper, the amount of parameters is reduced, two methods on data augmentation are…
M6(GPT)3: Generating Multitrack Modifiable Multi-Minute MIDI Music from Text using Genetic algorithms, Probabilistic methods and GPT Models in any Progression and Time Signature
Institute of Computer Science（计算机科学研究院）；Warsaw University of Technology（华沙技术大学）；Department of Robotics and Decision Systems（机器人与决策系统系）；Gdansk University of Technology（格但斯克技术大学）
A MIDI based approach for music recognition is proposed and implemented in this paper. Our Clarinet music retrieval system is designed to search piano MIDI files with high recall and speed. We design a novel melody extraction algorithm that improves recall results by more than 10%. We also implement 3 algorithms for retrieval-two self designed (RSA Note and RSA Time), and a modified version of the Mongeau Sankoff Algorithm. Algorithms to achieve tempo and scale invariance are also discussed in this paper. The paper also contains detailed experimentation and benchmarks with four different metri…
Partitura is a lightweight Python package for handling symbolic musical information. It provides easy access to features commonly used in music information retrieval tasks, like note arrays (lists of timed pitched events) and 2D piano roll matrices, as well as other score elements such as time and key signatures, performance directives, and repeat structures. Partitura can load musical scores (in MEI, MusicXML, Kern, and MIDI formats), MIDI performances, and score-to-performance alignments. The package includes some tools for music analysis, such as automatic pitch spelling, key signature iden…
Microsoft Development Co., Ltd.（微软开发有限公司）；University of Science and Technology of China（中国科学技术大学）；Communication University of China（中国传媒大学）
Current state-of-the-art AI based classical music creation algorithms such as Music Transformer are trained by employing single sequence of notes with time-shifts. The major drawback of absolute time interval expression is the difficulty of similarity computing of notes that share the same note value yet different tempos, in one or among MIDI files. In addition, the usage of single sequence restricts the model to separately and effectively learn music information such as harmony and rhythm. In this paper, we propose a framework with two novel methods to respectively track these two shortages, …
In this article, we present musicaiz, an object-oriented library for analyzing, generating and evaluating symbolic music. The submodules of the package allow the user to create symbolic music data from scratch, build algorithms to analyze symbolic music, encode MIDI data as tokens to train deep learning sequence models, modify existing music data and evaluate music generation systems. The evaluation submodule builds on previous work to objectively measure music generation systems and to be able to reproduce the results of music generation models. The library is publicly available online. We en…
This study focuses on the perception of music performances when contextual factors, such as room acoustics and instrument, change. We propose to distinguish the concept of "performance" from the one of "interpretation", which expresses the "artistic intention". Towards assessing this distinction, we carried out an experimental evaluation where 91 subjects were invited to listen to various audio recordings created by resynthesizing MIDI data obtained through Automatic Music Transcription (AMT) systems and a sensorized acoustic piano. During the resynthesis, we simulated different contexts and a…
Tel-Aviv University（特拉维夫大学）；Facebook AI Research（Facebook人工智能研究院）
We present a method for the generation of Midi files of piano music. The method models the right and left hands using two networks, where the left hand is conditioned on the right hand. This way, the melody is generated before the harmony. The Midi is represented in a way that is invariant to the musical scale, and the melody is represented, for the purpose of conditioning the harmony, by the content of each bar, viewed as a chord. Finally, notes are added randomly, based on this chord representation, in order to enrich the generated audio. Our experiments show a significant improvement over t…
The use of deep learning to solve problems in literary arts has been a recent trend that has gained a lot of attention and automated generation of music has been an active area. This project deals with the generation of music using raw audio files in the frequency domain relying on various LSTM architectures. Fully connected and convolutional layers are used along with LSTM's to capture rich features in the frequency domain and increase the quality of music generated. The work is focused on unconstrained music generation and uses no information about musical structure(notes or chords) to aid l…
Towards An Integrated Approach for Expressive Piano Performance Synthesis from Music Scores
Queen Mary University of London（伦敦玛丽女王大学）；National Institute of Informatics（情报学研究所）；NICT（日本信息通信研究机构）；UKRI Centre for Doctoral Training in Artificial Intelligence and Music（英国研究理事会人工智能与音乐博士培训中心）；China Scholarship Council（中国留学基金委）
