This paper presents a new learning strategy for the Sound Event Detection (SED) system to tackle the issues of i) knowledge migration from a pre-trained model to a new target model and ii) learning new sound events without forgetting the previously learned ones without re-training from scratch. In order to migrate the previously learned knowledge from the source model to the target one, a neural adapter is employed on the top of the source model. The source model and the target model are merged via this neural adapter layer. The neural adapter layer facilitates the target model to learn new sound events with minimal training data and maintaining the performance of the previously learned sound events similar to the source model. Our extensive analysis on the DCASE16 and US-SED dataset reveals the effectiveness of the proposed method in transferring knowledge between source and target models without introducing any performance degradation on the previously learned sound events while obtaining a competitive detection performance on the newly learned sound events.
Analytic Class Incremental Learning for Sound Source Localization with Privacy Protection
University of Science and Technology Beijing（北京科技大学）；National University of Singapore（新加坡国立大学）；Technical University of Munich（慕尼黑工业大学）；South China University of Technology（华南理工大学）
AFT: An Exemplar-Free Class Incremental Learning Method for Environmental Sound Classification
South China University of Technology, China（南方科技大学）；The Chinese University of Hong Kong, Shenzhen, China（香港中文大学（深圳））；The University of Melbourne, Australia（墨尔本大学）
The impact of non-target events in synthetic soundscapes for sound event detection
Université de Lorraine（洛林大学）；CNRS（法国国家科学研究中心）；Inria（法国国家信息与自动化研究所）；Loria（洛林计算机科学实验室）；Department of Information Engineering, Universita Politecnica delle Marche（马尔凯理工大学信息工程系）
Institute of Computing Technology, Chinese Academy of Sciences（中国科学院计算技术研究所）；University of Chinese Academy of Sciences（中国科学院大学）；Toshiba China R&D Center（东芝中国研发中心）
Sound event detection (SED) has gained increasing attention with its wide application in surveillance, video indexing, etc. Existing models in SED mainly generate frame-level prediction, converting it into a sequence multi-label classification problem. A critical issue with the frame-based model is that it pursues the best frame-level prediction rather than the best event-level prediction. Besides, it needs post-processing and cannot be trained in an end-to-end way. This paper firstly presents the one-dimensional Detection Transformer (1D-DETR), inspired by Detection Transformer for image obje…
We present a new framework SoundDet, which is an end-to-end trainable and light-weight framework, for polyphonic moving sound event detection and localization. Prior methods typically approach this problem by preprocessing raw waveform into time-frequency representations, which is more amenable to process with well-established image processing pipelines. Prior methods also detect in segment-wise manner, leading to incomplete and partial detections. SoundDet takes a novel approach and directly consumes the raw, multichannel waveform and treats the spatio-temporal sound event as a complete "soun…
Harbin Institute of Technology（哈尔滨工业大学）；Harbin Normal University（哈尔滨师范大学）
In this paper, we propose a new strategy for acoustic scene classification (ASC) , namely recognizing acoustic scenes through identifying distinct sound events. This differs from existing strategies, which focus on characterizing global acoustical distributions of audio or the temporal evolution of short-term audio features, without analysis down to the level of sound events. To identify distinct sound events for each scene, we formulate ASC in a multi-instance learning (MIL) framework, where each audio recording is mapped into a bag-of-instances representation. Here, instances can be seen as …
Access to large corpora with strongly labelled sound events is expensive and difficult in engineering applications. Much research turns to address the problem of how to detect both the types and the timestamps of sound events with weak labels that only specify the types. This task can be treated as a multiple instance learning (MIL) problem, and the key to it is the design of a pooling function. In this paper, we propose an adaptive power pooling function which can automatically adapt to various sound sources. On two public datasets, the proposed power pooling function outperforms the state-of…
Audio event detection is a widely studied audio processing task, with applications ranging from self-driving cars to healthcare. In-the-wild datasets such as Audioset have propelled research in this field. However, many efforts typically involve manual annotation and verification, which is expensive to perform at scale. Movies depict various real-life and fictional scenarios which makes them a rich resource for mining a wide-range of audio events. In this work, we present a dataset of audio events called Subtitle-Aligned Movie Sounds (SAM-S). We use publicly-available closed-caption transcript…
Ritsumeikan University（立命馆大学）；NTT Media Intelligence Laboratories（NTT媒体智能实验室）
Sound event detection (SED) and acoustic scene classification (ASC) are major tasks in environmental sound analysis. Considering that sound events and scenes are closely related to each other, some works have addressed joint analyses of sound events and acoustic scenes based on multitask learning (MTL), in which the knowledge of sound events and scenes can help in estimating them mutually. The conventional MTL-based methods utilize one-hot scene labels to train the relationship between sound events and scenes; thus, the conventional methods cannot model the extent to which sound events and sce…
Queen Mary University of London（伦敦玛丽女王大学）；Technical University Munich（慕尼黑工业大学）；The Alan Turing Institute（艾伦·图灵研究所）
Acoustic Scene Classification (ASC) and Sound Event Detection (SED) are two separate tasks in the field of computational sound scene analysis. In this work, we present a new dataset with both sound scene and sound event labels and use this to demonstrate a novel method for jointly classifying sound scenes and recognizing sound events. We show that by taking a joint approach, learning is more efficient and whilst improvements are still needed for sound event detection, SED results are robust in a dataset where the sample distribution is skewed towards sound scenes.
Spatial Scaper: A Library to Simulate and Augment Soundscapes for Sound Event Localization and Detection in Realistic Rooms
Music and Audio Research Laboratory, New York University（纽约大学音乐与音频研究实验室）；Viterbi School of Engineering, University of Southern California（南加州大学维特比工程学院）
The weakly supervised sound event detection problem is the task of predicting the presence of sound events and their corresponding starting and ending points in a weakly labeled dataset. A weak dataset associates each training sample (a short recording) to one or more present sources. Networks that solely rely on convolutional and recurrent layers cannot directly relate multiple frames in a recording. Motivated by attention and graph neural networks, we introduce the concept of an affinity mixup to incorporate time-level similarities and make a connection between frames. This regularization te…
Ritsumeikan University（立命馆大学）；The University of Kitakyushu（北九州市立大学）
The types of sound events that occur in a situation are limited, and some sound events are likely to co-occur; for instance, ``dishes'' and ``glass jingling.'' In this paper, we propose a technique of sound event detection utilizing graph Laplacian regularization taking the sound event co-occurrence into account. In the proposed method, sound event occurrences are represented as a graph whose nodes indicate the frequency of event occurrence and whose edges indicate the co-occurrence of sound events. This graph representation is then utilized for sound event modeling, which is optimized under a…
We propose a benchmark of state-of-the-art sound event detection systems (SED). We designed synthetic evaluation sets to focus on specific sound event detection challenges. We analyze the performance of the submissions to DCASE 2021 task 4 depending on time related modifications (time position of an event and length of clips) and we study the impact of non-target sound events and reverberation. We show that the localization in time of sound events is still a problem for SED systems. We also show that reverberation and non-target sound events are severely degrading the performance of the SED sy…
Analytic Incremental Learning For Sound Source Localization With Imbalance Rectification
University of Science and Technology Beijing（北京科技大学）；The Chinese University of Hong Kong（香港中文大学）；Tongyi Speech Lab（通义语音实验室）；Alibaba（阿里巴巴）；Eigenspace GmbH
In many methods of sound event detection (SED), a segmented time frame is regarded as one data sample to model training. The durations of sound events greatly depend on the sound event class, e.g., the sound event "fan" has a long duration, whereas the sound event "mouse clicking" is instantaneous. Thus, the difference in the duration between sound event classes results in a serious data imbalance in SED. Moreover, most sound events tend to occur occasionally; therefore, there are many more inactive time frames of sound events than active frames. This also causes a severe data imbalance betwee…
Most of the existing isolated sound event datasets comprise a small number of sound event classes, usually 10 to 15, restricted to a small domain, such as domestic and urban sound events. In this work, we introduce GISE-51, a dataset spanning 51 isolated sound events belonging to a broad domain of event types. We also release GISE-51-Mixtures, a dataset of 5-second soundscapes with hard-labelled event boundaries synthesized from GISE-51 isolated sound events. We conduct baseline sound event recognition (SER) experiments on the GISE-51-Mixtures dataset, benchmarking prominent convolutional neur…
Polyphonic Sound Event Detection (SED) in real-world recordings is a challenging task because of the dynamic polyphony level, intensity, and duration of sound events. Current polyphonic SED systems fail to model the temporal structure of sound events explicitly and instead attempt to look at which sound events are present at each audio frame. Consequently, the event-wise detection performance is much lower than the segment-wise detection performance. In this work, we propose a joint model approach to improve the temporal localization of sound events using a multi-task learning setup. The first…
Many methods of sound event detection (SED) based on machine learning regard a segmented time frame as one data sample to model training. However, the sound durations of sound events vary greatly depending on the sound event class, e.g., the sound event ``fan'' has a long time duration, while the sound event ``mouse clicking'' is instantaneous. The difference in the time duration between sound event classes thus causes a serious data imbalance problem in SED. In this paper, we propose a method for SED using a duration robust loss function, which can focus model training on sound events of shor…
University of Texas at Dallas（德克萨斯大学达拉斯分校）；NEC Laboratories America（NEC美国实验室）
Sound Event Early Detection (SEED) is an essential task in recognizing the acoustic environments and soundscapes. However, most of the existing methods focus on the offline sound event detection, which suffers from the over-confidence issue of early-stage event detection and usually yield unreliable results. To solve the problem, we propose a novel Polyphonic Evidential Neural Network (PENet) to model the evidential uncertainty of the class probability with Beta distribution. Specifically, we use a Beta distribution to model the distribution of class probabilities, and the evidential uncertain…
Computational auditory scene analysis is gaining interest in the last years. Trailing behind the more mature field of speech recognition, it is particularly general sound event detection that is attracting increasing attention. Crucial for training and testing reasonable models is having available enough suitable data -- until recently, general sound event databases were hardly found. We release and present a database with 714 wav files containing isolated high quality sound events of 14 different types, plus 303 `general' wav files of anything else but these 14 types. All sound events are str…
This paper introduces a novel dataset for polyphonic sound event detection in urban sound monitoring use-cases. Based on isolated sounds taken from the FSD50k dataset, 20,000 polyphonic soundscapes are synthesized with sounds being randomly positioned in the stereo panorama using different loudness levels. The paper gives a detailed discussion of possible application scenarios, explains the dataset generation process in detail, and discusses current limitations of the proposed USM-SED dataset.
Sound event detection and sound event localization requires different features from audio input signals. While sound event detection mainly relies on time-frequency patterns to distinguish different event classes, sound event localization uses magnitude or phase differences between microphones to estimate source directions. Therefore, we propose a two-step system to do sound event localization and detection. In the first step, we detect the sound events and estimate the directions-of-arrival separately. In the second step, we combine the results of the event detector and direction-of-arrival e…
Learning from data in the quaternion domain enables us to exploit internal dependencies of 4D signals and treating them as a single entity. One of the models that perfectly suits with quaternion-valued data processing is represented by 3D acoustic signals in their spherical harmonics decomposition. In this paper, we address the problem of localizing and detecting sound events in the spatial sound field by using quaternion-valued data processing. In particular, we consider the spherical harmonic components of the signals captured by a first-order ambisonic microphone and process them by using a…
A sound event detection (SED) method typically takes as an input a sequence of audio frames and predicts the activities of sound events in each frame. In real-life recordings, the sound events exhibit some temporal structure: for instance, a "car horn" will likely be followed by a "car passing by". While this temporal structure is widely exploited in sequence prediction tasks (e.g., in machine translation), where language models (LM) are exploited, it is not satisfactorily modeled in SED. In this work we propose a method which allows a recurrent neural network (RNN) to learn an LM for the SED …
Existing weakly supervised sound event detection (WSSED) work has not explored both types of co-occurrences simultaneously, i.e., some sound events often co-occur, and their occurrences are usually accompanied by specific background sounds, so they would be inevitably entangled, causing misclassification and biased localization results with only clip-level supervision. To tackle this issue, we first establish a structural causal model (SCM) to reveal that the context is the main cause of co-occurrence confounders that mislead the model to learn spurious correlations between frames and clip-lev…
Tampere University of Technology（坦佩雷理工大学）；Aalto University（阿尔托大学）
In this paper, we propose a stacked convolutional and recurrent neural network (CRNN) with a 3D convolutional neural network (CNN) in the first layer for the multichannel sound event detection (SED) task. The 3D CNN enables the network to simultaneously learn the inter- and intra-channel features from the input multichannel audio. In order to evaluate the proposed method, multichannel audio datasets with different number of overlapping sound sources are synthesized. Each of this dataset has a four-channel first-order Ambisonic, binaural, and single-channel versions, on which the performance of…
French National Research Agency（法国国家研究署）；Inria（法国国家信息与自动化研究所）；CNRS（法国国家科学研究中心）；RENATER（法国国家电信通信网络）
Performing sound event detection on real-world recordings often implies dealing with overlapping target sound events and non-target sounds, also referred to as interference or noise. Until now these problems were mainly tackled at the classifier level. We propose to use sound separation as a pre-processing for sound event detection. In this paper we start from a sound separation model trained on the Free Universal Sound Separation dataset and the DCASE 2020 task 4 sound event detection baseline. We explore different methods to combine separated sound sources and the original mixture within the…
Acoustic scene classification (ASC) and sound event detection (SED) are fundamental tasks in environmental sound analysis, and many methods based on deep learning have been proposed. Considering that information on acoustic scenes and sound events helps SED and ASC mutually, some researchers have proposed a joint analysis of acoustic scenes and sound events by multitask learning (MTL). However, conventional works have not investigated in detail how acoustic scenes and sound events mutually benefit SED and ASC. We, therefore, investigate the impact of information on acoustic scenes and sound ev…
Considering that acoustic scenes and sound events are closely related to each other, in some previous papers, a joint analysis of acoustic scenes and sound events utilizing multitask learning (MTL)-based neural networks was proposed. In conventional methods, a strongly supervised scheme is applied to sound event detection in MTL models, which requires strong labels of sound events in model training; however, annotating strong event labels is quite time-consuming. In this paper, we thus propose a method for the joint analysis of acoustic scenes and sound events based on the MTL framework with w…
1 Integrated Graduate School of Medicine, Engineering；Agricultural Sciences, University of Yamanashi, Japan
This paper describes that semi-supervised learning called peer collaborative learning (PCL) can be applied to the polyphonic sound event detection (PSED) task, which is one of the tasks in the Detection and Classification of Acoustic Scenes and Events (DCASE) challenge. Many deep learning models have been studied to find out what kind of sound events occur where and for how long in a given audio clip. The characteristic of PCL used in this paper is the combination of ensemble-based knowledge distillation into sub-networks and student-teacher model-based knowledge distillation, which can train …
National Taiwan University（台湾大学）；Academia Sinica（中央研究院）
In this paper, we introduce a novel attentional similarity module for the problem of few-shot sound recognition. Given a few examples of an unseen sound event, a classifier must be quickly adapted to recognize the new sound event without much fine-tuning. The proposed attentional similarity module can be plugged into any metric-based learning method for few-shot learning, allowing the resulting model to especially match related short sound events. Extensive experiments on two datasets shows that the proposed module consistently improves the performance of five different metric-based learning m…
We propose a new task for sound event detection (SED): sound event triage (SET). The goal of SET is to detect an arbitrary number of high-priority event classes while allowing misdetections of low-priority event classes where the priority is given for each event class. In conventional methods of SED for targeting a specific sound event class, it is only possible to give priority to a single event class. Moreover, the level of priority is not adjustable, i.e, the conventional methods can use only types of target event class such as one-hot vector, as inputs. To flexibly control much information…
Audio Analytic - AA Labs（音频分析公司AA实验室）；Universite de Lorraine（洛林大学）；CNRS（法国国家科学研究中心）；Inria（法国国家信息与自动化研究所）；Loria（洛里亚实验室）
The ranking of sound event detection (SED) systems may be biased by assumptions inherent to evaluation criteria and to the choice of an operating point. This paper compares conventional event-based and segment-based criteria against the Polyphonic Sound Detection Score (PSDS)'s intersection-based criterion, over a selection of systems from DCASE 2020 Challenge Task 4. It shows that, by relying on collars , the conventional event-based criterion introduces different strictness levels depending on the length of the sound events, and that the segment-based criterion may lack precision and be appl…
Sound event detection (SED) and acoustic scene classification (ASC) are important research topics in environmental sound analysis. Many research groups have addressed SED and ASC using neural-network-based methods, such as the convolutional neural network (CNN), recurrent neural network (RNN), and convolutional recurrent neural network (CRNN). The conventional methods address SED and ASC separately even though sound events and acoustic scenes are closely related to each other. For example, in the acoustic scene "office," the sound events "mouse clicking" and "keyboard typing" are likely to occ…
Polyphonic sound event localization and detection is not only detecting what sound events are happening but localizing corresponding sound sources. This series of tasks was first introduced in DCASE 2019 Task 3. In 2020, the sound event localization and detection task introduces additional challenges in moving sound sources and overlapping-event cases, which include two events of the same type with two different direction-of-arrival (DoA) angles. In this paper, a novel event-independent network for polyphonic sound event localization and detection is proposed. Unlike the two-stage method we pr…
This paper presents the sound event localization and detection (SELD) task setup for the DCASE 2019 challenge. The goal of the SELD task is to detect the temporal activities of a known set of sound event classes, and further localize them in space when active. As part of the challenge, a synthesized dataset with each sound event associated with a spatial coordinate represented using azimuth and elevation angles is provided. These sound events are spatialized using real-life impulse responses collected at multiple spatial coordinates in five different rooms with varying dimensions and material …
In this paper, we propose the use of spatial and harmonic features in combination with long short term memory (LSTM) recurrent neural network (RNN) for automatic sound event detection (SED) task. Real life sound recordings typically have many overlapping sound events, making it hard to recognize with just mono channel audio. Human listeners have been successfully recognizing the mixture of overlapping sound events using pitch cues and exploiting the stereo (multichannel) audio signal available at their ears to spatially localize these events. Traditionally SED systems have only been using mono…
University of Chinese Academy of Sciences（中国科学院大学）；Xi'an Jiaotong Liverpool University（西交利物浦大学）；ByteDance（字节跳动）；University of Surrey（萨里大学）
Sound event localization and detection (SELD) is a joint task of sound event detection and direction-of-arrival estimation. In DCASE 2022 Task 3, types of data transform from computationally generated spatial recordings to recordings of real-sound scenes. Our system submitted to the DCASE 2022 Task 3 is based on our previous proposed Event-Independent Network V2 (EINV2) with a novel data augmentation method. Our method employs EINV2 with a track-wise output format, permutation-invariant training, and a soft parameter-sharing strategy, to detect different sound events of the same class but in d…
This report presents the dataset and the evaluation setup of the Sound Event Localization & Detection (SELD) task for the DCASE 2020 Challenge. The SELD task refers to the problem of trying to simultaneously classify a known set of sound event classes, detect their temporal activations, and estimate their spatial directions or locations while they are active. To train and test SELD systems, datasets of diverse sound events occurring under realistic acoustic conditions are needed. Compared to the previous challenge, a significantly more complex dataset was created for DCASE 2020. The two key di…
Ritsumeikan University（立命馆大学）；Doshisha University（同志社大学）；The University of Tokyo（东京大学）；Kansai University（关西大学）
In this paper, we propose a framework for environmental sound synthesis from onomatopoeic words. As one way of expressing an environmental sound, we can use an onomatopoeic word, which is a character sequence for phonetically imitating a sound. An onomatopoeic word is effective for describing diverse sound features. Therefore, using onomatopoeic words for environmental sound synthesis will enable us to generate diverse environmental sounds. To generate diverse sounds, we propose a method based on a sequence-to-sequence framework for synthesizing environmental sounds from onomatopoeic words. We…
Sound event detection (SED) is an interesting but challenging task due to the scarcity of data and diverse sound events in real life. This paper presents a multi-grained based attention network (MGA-Net) for semi-supervised sound event detection. To obtain the feature representations related to sound events, a residual hybrid convolution (RH-Conv) block is designed to boost the vanilla convolution's ability to extract the time-frequency features. Moreover, a multi-grained attention (MGA) module is designed to learn temporal resolution features from coarse-level to fine-level. With the MGA modu…
Sound event detection (SED) aims to detect when and recognize what sound events happen in an audio clip. Many supervised SED algorithms rely on strongly labelled data which contains the onset and offset annotations of sound events. However, many audio tagging datasets are weakly labelled, that is, only the presence of the sound events is known, without knowing their onset and offset annotations. In this paper, we propose a time-frequency (T-F) segmentation framework trained on weakly labelled data to tackle the sound event detection and separation problem. In training, a segmentation mapping i…
This technical report proposes an audio captioning system for DCASE 2021 Task 6 audio captioning challenge. Our proposed model is based on an encoder-decoder architecture with bi-directional Gated Recurrent Units (BiGRU) using pretrained audio features and sound event detection. A pretrained neural network (PANN) is used to extract audio features and Word2Vec is selected with the aim of extracting word embeddings from the audio captions. To create semantically meaningful captions, we extract sound events from the audio clips and feed the encoder-decoder architecture with sound events in additi…
Qualcomm AI Research（高通人工智能研究院）；Qualcomm Technologies, Inc.（高通技术公司）
This paper considers a semi-supervised learning framework for weakly labeled polyphonic sound event detection problems for the DCASE 2019 challenge's task4 by combining both the tri-training and adversarial learning. The goal of the task4 is to detect onsets and offsets of multiple sound events in a single audio clip. The entire dataset consists of the synthetic data with a strong label (sound event labels with boundaries) and real data with weakly labeled (sound event labels) and unlabeled dataset. Given this dataset, we apply the tri-training where two different classifiers are used to obtai…
In this paper, we compare the performance of using binaural audio features in place of single-channel features for sound event detection. Three different binaural features are studied and evaluated on the publicly available TUT Sound Events 2017 dataset of length 70 minutes. Sound event detection is performed separately with single-channel and binaural features using stacked convolutional and recurrent neural network and the evaluation is reported using standard metrics of error rate and F-score. The studied binaural features are seen to consistently perform equal to or better than the single-…
Sound event detection (SED) and Acoustic scene classification (ASC) are two widely researched audio tasks that constitute an important part of research on acoustic scene analysis. Considering shared information between sound events and acoustic scenes, performing both tasks jointly is a natural part of a complex machine listening system. In this paper, we investigate the usefulness of several spatial audio features in training a joint deep neural network (DNN) model performing SED and ASC. Experiments are performed for two different datasets containing binaural recordings and synchronous sound…
Our systems submitted to the DCASE2020 task~3: Sound Event Localization and Detection (SELD) are described in this report. We consider two systems: a single-stage system that solve sound event localization~(SEL) and sound event detection~(SED) simultaneously, and a two-stage system that first handles the SED and SEL tasks individually and later combines those results. As the single-stage system, we propose a unified training framework that uses an activity-coupled Cartesian DOA vector~(ACCDOA) representation as a single target for both the SED and SEL tasks. To efficiently estimate sound event…
This paper proposes an active learning system for sound event detection (SED). It aims at maximizing the accuracy of a learned SED model with limited annotation effort. The proposed system analyzes an initially unlabeled audio dataset, from which it selects sound segments for manual annotation. The candidate segments are generated based on a proposed change point detection approach, and the selection is based on the principle of mismatch-first farthest-traversal. During the training of SED models, recordings are used as training inputs, preserving the long-term context for annotated segments. …
Sound events often occur in unstructured environments where they exhibit wide variations in their frequency content and temporal structure. Convolutional neural networks (CNN) are able to extract higher level features that are invariant to local spectral and temporal variations. Recurrent neural networks (RNNs) are powerful in learning the longer term temporal context in the audio signals. CNNs and RNNs as classifiers have recently shown improved performances over established methods in various sound recognition tasks. We combine these two approaches in a Convolutional Recurrent Neural Network…
