Sound event localization and detection (SELD) is a joint task of sound event detection and direction-of-arrival estimation. In DCASE 2022 Task 3, types of data transform from computationally generated spatial recordings to recordings of real-sound scenes. Our system submitted to the DCASE 2022 Task 3 is based on our previous proposed Event-Independent Network V2 (EINV2) with a novel data augmentation method. Our method employs EINV2 with a track-wise output format, permutation-invariant training, and a soft parameter-sharing strategy, to detect different sound events of the same class but in different locations. The Conformer structure is used for extending EINV2 to learn local and global features. A data augmentation method, which contains several data augmentation chains composed of stochastic combinations of several different data augmentation operations, is utilized to generalize the model. To mitigate the lack of real-scene recordings in the development dataset and the presence of sound events being unbalanced, we exploit FSD50K, AudioSet, and TAU Spatial Room Impulse Response Database (TAU-SRIR DB) to generate simulated datasets for training. We present results on the validation set of Sony-TAu Realistic Spatial Soundscapes 2022 (STARSS22) in detail. Experimental results indicate that the ability to generalize to different environments and unbalanced performance among different classes are two main challenges. We evaluate our proposed method in Task 3 of the DCASE 2022 challenge and obtain the second rank in the teams ranking. Source code is released.
College of Engineering, Trivandrum（特里凡得琅工程学院）；Govt. Engineering College, Barton Hill, Thiruvananthapuram（巴顿山政府工程学院）
The research in Environmental Sound Classification (ESC) has been progressively growing with the emergence of deep learning algorithms. However, data scarcity poses a major hurdle for any huge advance in this domain. Data augmentation offers an excellent solution to this problem. While Generative Adversarial Networks (GANs) have been successful in generating synthetic speech and sounds of musical instruments, they have hardly been applied to the generation of environmental sounds. This paper presents EnvGAN, the first ever application of GANs for the adversarial generation of environmental sou…
Ritsumeikan University（立命馆大学）；NTT Media Intelligence Laboratories（NTT媒体智能实验室）
Sound event detection (SED) and acoustic scene classification (ASC) are major tasks in environmental sound analysis. Considering that sound events and scenes are closely related to each other, some works have addressed joint analyses of sound events and acoustic scenes based on multitask learning (MTL), in which the knowledge of sound events and scenes can help in estimating them mutually. The conventional MTL-based methods utilize one-hot scene labels to train the relationship between sound events and scenes; thus, the conventional methods cannot model the extent to which sound events and sce…
Queen Mary University of London（伦敦玛丽女王大学）；Technical University Munich（慕尼黑工业大学）；The Alan Turing Institute（艾伦·图灵研究所）
Acoustic Scene Classification (ASC) and Sound Event Detection (SED) are two separate tasks in the field of computational sound scene analysis. In this work, we present a new dataset with both sound scene and sound event labels and use this to demonstrate a novel method for jointly classifying sound scenes and recognizing sound events. We show that by taking a joint approach, learning is more efficient and whilst improvements are still needed for sound event detection, SED results are robust in a dataset where the sample distribution is skewed towards sound scenes.
Westlake University（西湖大学）；Westlake Institute for Advanced Study（西湖高等研究院）
Sound event detection is a core module for acoustic environmental analysis. Semi-supervised learning technique allows to largely scale up the dataset without increasing the annotation budget, and recently attracts lots of research attention. In this work, we study on two advanced semi-supervised learning techniques for sound event detection. Data augmentation is important for the success of recent deep learning systems. This work studies the audio-signal random augmentation method, which provides an augmentation strategy that can handle a large number of different audio transformations. In add…
Acoustic scene classification (ASC) and sound event detection (SED) are fundamental tasks in environmental sound analysis, and many methods based on deep learning have been proposed. Considering that information on acoustic scenes and sound events helps SED and ASC mutually, some researchers have proposed a joint analysis of acoustic scenes and sound events by multitask learning (MTL). However, conventional works have not investigated in detail how acoustic scenes and sound events mutually benefit SED and ASC. We, therefore, investigate the impact of information on acoustic scenes and sound ev…
Queen Mary University of London（伦敦玛丽女王大学）；The Alan Turing Institute（艾伦·图灵研究所）
Sound scene geotagging is a new topic of research which has evolved from acoustic scene classification. It is motivated by the idea of audio surveillance. Not content with only describing a scene in a recording, a machine which can locate where the recording was captured would be of use to many. In this paper we explore a series of common audio data augmentation methods to evaluate which best improves the accuracy of audio geotagging classifiers. Our work improves on the state-of-the-art city geotagging method by 23% in terms of classification accuracy.
Considering that acoustic scenes and sound events are closely related to each other, in some previous papers, a joint analysis of acoustic scenes and sound events utilizing multitask learning (MTL)-based neural networks was proposed. In conventional methods, a strongly supervised scheme is applied to sound event detection in MTL models, which requires strong labels of sound events in model training; however, annotating strong event labels is quite time-consuming. In this paper, we thus propose a method for the joint analysis of acoustic scenes and sound events based on the MTL framework with w…
Sound event detection (SED) and acoustic scene classification (ASC) are important research topics in environmental sound analysis. Many research groups have addressed SED and ASC using neural-network-based methods, such as the convolutional neural network (CNN), recurrent neural network (RNN), and convolutional recurrent neural network (CRNN). The conventional methods address SED and ASC separately even though sound events and acoustic scenes are closely related to each other. For example, in the acoustic scene "office," the sound events "mouse clicking" and "keyboard typing" are likely to occ…
University of Science and Technology of China（中国科学技术大学）；iFlytek（科大讯飞）；Georgia Institute of Technology（佐治亚理工学院）
In this paper, we propose a novel four-stage data augmentation approach to ResNet-Conformer based acoustic modeling for sound event localization and detection (SELD). First, we explore two spatial augmentation techniques, namely audio channel swapping (ACS) and multi-channel simulation (MCS), to deal with data sparsity in SELD. ACS and MDS focus on augmenting the limited training data with expanding direction of arrival (DOA) representations such that the acoustic models trained with the augmented data are robust to localization variations of acoustic sources. Next, time-domain mixing (TDM) an…
Acoustic scene classification (ASC) and sound event detection (SED) are major topics in environmental sound analysis. Considering that acoustic scenes and sound events are closely related to each other, the joint analysis of acoustic scenes and sound events using multitask learning (MTL)-based neural networks was proposed in some previous works. Conventional methods train MTL-based models using a linear combination of ASC and SED loss functions with constant weights. However, the performance of conventional MTL-based methods depends strongly on the weights of the ASC and SED losses, and it is …
The majority of sound scene analysis work focuses on one of two clearly defined tasks: acoustic scene classification or sound event detection. Whilst this separation of tasks is useful for problem definition, they inherently ignore some subtleties of the real-world, in particular how humans vary in how they describe a scene. Some will describe the weather and features within it, others will use a holistic descriptor like `park', and others still will use unique identifiers such as cities or names. In this paper, we undertake the task of automatic city classification to ask whether we can recog…
We present a new extensible and divisible taxonomy for open set sound scene analysis. This new model allows complex scene analysis with tangible descriptors and perception labels. Its novel structure is a cluster graph such that each cluster (or subset) can stand alone for targeted analyses such as office sound event detection, whilst maintaining integrity over the whole graph (superset) of labels. The key design benefit is its extensibility as new labels are needed during new data capture. Furthermore, datasets which use the same taxonomy are easily augmented, saving future data collection ef…
Peking University（北京大学）；Peng Cheng Laboratory（鹏城实验室）；University of Surrey（萨里大学）
In this paper, we present SpecAugment++, a novel data augmentation method for deep neural networks based acoustic scene classification (ASC). Different from other popular data augmentation methods such as SpecAugment and mixup that only work on the input space, SpecAugment++ is applied to both the input space and the hidden space of the deep neural networks to enhance the input and the intermediate feature representations. For an intermediate hidden state, the augmentation techniques consist of masking blocks of frequency channels and masking blocks of time frames, which improve generalization…
Austrian Institute of Technology（奥地利技术研究所）；University of Technology, Austria（奥地利技术大学）；Da Nang University（岘港大学）；University of Technology of Compiègne（贡比涅技术大学）
In this paper, we present a comprehensive analysis of Acoustic Scene Classification (ASC), the task of identifying the scene of an audio recording from its acoustic signature. In particular, we firstly propose an inception-based and low footprint ASC model, referred to as the ASC baseline. The proposed ASC baseline is then compared with benchmark and high-complexity network architectures of MobileNetV1, MobileNetV2, VGG16, VGG19, ResNet50V2, ResNet152V2, DenseNet121, DenseNet201, and Xception. Next, we improve the ASC baseline by proposing a novel deep neural network architecture which leverag…
Technische Universität Berlin（柏林工业大学）；Ruhr-Universität Bochum（波鸿鲁尔大学）
Identification and localization of sounds are both integral parts of computational auditory scene analysis. Although each can be solved separately, the goal of forming coherent auditory objects and achieving a comprehensive spatial scene understanding suggests pursuing a joint solution of the two problems. This work presents an approach that robustly binds localization with the detection of sound events in a binaural robotic system. Both tasks are joined through the use of spatial stream segregation which produces probabilistic time-frequency masks for individual sources attributable to separa…
Source separation is the task to separate an audio recording into individual sound sources. Source separation is fundamental for computational auditory scene analysis. Previous work on source separation has focused on separating particular sound classes such as speech and music. Many of previous work require mixture and clean source pairs for training. In this work, we propose a source separation framework trained with weakly labelled data. Weakly labelled data only contains the tags of an audio clip, without the occurrence time of sound events. We first train a sound event detection system wi…
Harbin Institute of Technology（哈尔滨工业大学）；Harbin Normal University（哈尔滨师范大学）
In this paper, we propose a new strategy for acoustic scene classification (ASC) , namely recognizing acoustic scenes through identifying distinct sound events. This differs from existing strategies, which focus on characterizing global acoustical distributions of audio or the temporal evolution of short-term audio features, without analysis down to the level of sound events. To identify distinct sound events for each scene, we formulate ASC in a multi-instance learning (MIL) framework, where each audio recording is mapped into a bag-of-instances representation. Here, instances can be seen as …
Institute of Acoustics, Chinese Academy of Sciences（中国科学院声学研究所）；University of Chinese Academy of Sciences（中国科学院大学）
In acoustic scene classification (ASC), acoustic features play a crucial role in the extraction of scene information, which can be stored over different time scales. Moreover, the limited size of the dataset may lead to a biased model with a poor performance for records from unseen cities and confusing scene classes. In order to overcome this, we propose a long-term wavelet feature that requires a lower storage capacity and can be classified faster and more accurately compared with classic Mel filter bank coefficients (FBank). This feature can be extracted with predefined wavelet scales simila…
Institute of Acoustics, CAS（中国科学院声学研究所）；University of Chinese Academy of Sciences（中国科学院大学）；Xinjiang Technical Institute of Physics and Chemistry, CAS（中国科学院新疆理化技术研究所）
This technical report describes the IOA team's submission for TASK1A of DCASE2019 challenge. Our acoustic scene classification (ASC) system adopts a data augmentation scheme employing generative adversary networks. Two major classifiers, 1D deep convolutional neural network integrated with scalogram features and 2D fully convolutional neural network integrated with Mel filter bank features, are deployed in the scheme. Other approaches, such as adversary city adaptation, temporal module based on discrete cosine transform and hybrid architectures, have been developed for further fusion. The resu…
Our systems submitted to the DCASE2020 task~3: Sound Event Localization and Detection (SELD) are described in this report. We consider two systems: a single-stage system that solve sound event localization~(SEL) and sound event detection~(SED) simultaneously, and a two-stage system that first handles the SED and SEL tasks individually and later combines those results. As the single-stage system, we propose a unified training framework that uses an activity-coupled Cartesian DOA vector~(ACCDOA) representation as a single target for both the SED and SEL tasks. To efficiently estimate sound event…
Sound event detection (SED) and Acoustic scene classification (ASC) are two widely researched audio tasks that constitute an important part of research on acoustic scene analysis. Considering shared information between sound events and acoustic scenes, performing both tasks jointly is a natural part of a complex machine listening system. In this paper, we investigate the usefulness of several spatial audio features in training a joint deep neural network (DNN) model performing SED and ASC. Experiments are performed for two different datasets containing binaural recordings and synchronous sound…
The ability of deep convolutional neural networks (CNN) to learn discriminative spectro-temporal patterns makes them well suited to environmental sound classification. However, the relative scarcity of labeled data has impeded the exploitation of this family of high-capacity models. This study has two primary contributions: first, we propose a deep convolutional neural network architecture for environmental sound classification. Second, we propose the use of audio data augmentation for overcoming the problem of data scarcity and explore the influence of different augmentations on the performan…
One hour before sunrise, one can experience the dawn chorus where birds from different species sing together. In this scenario, high levels of polyphony, as in the number of overlapping sound sources, are prone to happen resulting in a complex acoustic outcome. Sound Event Detection (SED) tasks analyze acoustic scenarios in order to identify the occurring events and their respective temporal information. However, highly dense scenarios can be hard to process and have not been studied in depth. Here we show, using a Convolutional Recurrent Neural Network (CRNN), how birdsong polyphonic scenario…
Some studies have revealed that contexts of scenes (e.g., "home," "office," and "cooking") are advantageous for sound event detection (SED). Mobile devices and sensing technologies give useful information on scenes for SED without the use of acoustic signals. However, conventional methods can employ pre-defined contexts in inference stages but not undefined contexts. This is because one-hot representations of pre-defined scenes are exploited as prior contexts for such conventional methods. To alleviate this problem, we propose scene-informed SED where pre-defined scene-agnostic contexts are av…
Carnegie Mellon University（卡内基梅隆大学）；Microsoft（微软）；Mohammed bin Zayed University of AI（穆罕默德·本·扎耶德人工智能大学）
Machine Listening, as usually formalized, attempts to perform a task that is, from our perspective, fundamentally human-performable, and performed by humans. Current automated models of Machine Listening vary from purely data-driven approaches to approaches imitating human systems. In recent years, the most promising approaches have been hybrid in that they have used data-driven approaches informed by models of the perceptual, cognitive, and semantic processes of the human system. Not only does the guidance provided by models of human perception and domain knowledge enable better, and more gen…
Sounds recorded with smartphones or IoT devices often have partially unreliable observations caused by clipping, wind noise, and completely missing parts due to microphone failure and packet loss in data transmission over the network. In this paper, we investigate the impact of the partially missing channels on the performance of acoustic scene classification using multichannel audio recordings, especially for a distributed microphone array. Missing observations cause not only losses of time-frequency and spatial information on sound sources but also a mismatch between a trained model and eval…
Acoustic scene classification (ASC) aims to identify the type of scene (environment) in which a given audio signal is recorded. The log-mel feature and convolutional neural network (CNN) have recently become the most popular time-frequency (TF) feature representation and classifier in ASC. An audio signal recorded in a scene may include various sounds overlapping in time and frequency. The previous study suggests that separately considering the long-duration sounds and short-duration sounds in CNN may improve ASC accuracy. This study addresses the problem of the generalization ability of acous…
Korea Advanced Institute of Science and Technology（韩国科学技术院）
The performances of Sound Event Detection (SED) systems are greatly limited by the difficulty in generating large strongly labeled dataset. In this work, we used two main approaches to overcome the lack of strongly labeled data. First, we applied heavy data augmentation on input features. Data augmentation methods used include not only conventional methods used in speech/audio domains but also our proposed method named FilterAugment. Second, we propose two methods to utilize weak predictions to enhance weakly supervised SED performance. As a result, we obtained the best PSDS1 of 0.4336 and bes…
In this paper we present our work on Task 1 Acoustic Scene Classi- fication and Task 3 Sound Event Detection in Real Life Recordings. Among our experiments we have low-level and high-level features, classifier optimization and other heuristics specific to each task. Our performance for both tasks improved the baseline from DCASE: for Task 1 we achieved an overall accuracy of 78.9% compared to the baseline of 72.6% and for Task 3 we achieved a Segment-Based Error Rate of 0.76 compared to the baseline of 0.91.
Ho Chi Minh City University of Technology（胡志明市理工大学）；University of Nottingham（诺丁汉大学）；University of Kent（肯特大学）
In this paper, we present a deep learning framework applied for Acoustic Scene Classification (ASC), the task of classifying scene contexts from environmental input sounds. An ASC system generally comprises of two main steps, referred to as front-end feature extraction and back-end classification. In the first step, an extractor is used to extract low-level features from raw audio signals. Next, the discriminative features extracted are fed into and classified by a classifier, reporting accuracy results. Aim to develop a robust framework applied for ASC, we address exited issues of both the fr…
Acoustic Scene Classification (ASC) is a challenging task, as a single scene may involve multiple events that contain complex sound patterns. For example, a cooking scene may contain several sound sources including silverware clinking, chopping, frying, etc. What complicates ASC more is that classes of different activities could have overlapping sounds patterns (e.g. both cooking and dishwashing could have silverware clinking sound). In this paper, we propose a multi-head attention network to model the complex temporal input structures for ASC. The proposed network takes the audio's time-frequ…
Acoustic scene classification is the task of identifying the scene from which the audio signal is recorded. Convolutional neural network (CNN) models are widely adopted with proven successes in acoustic scene classification. However, there is little insight on how an audio scene is perceived in CNN, as what have been demonstrated in image recognition research. In the present study, the Class Activation Mapping (CAM) is utilized to analyze how the log-magnitude Mel-scale filter-bank (log-Mel) features of different acoustic scenes are learned in a CNN classifier. It is noted that distinct high-e…
Environmental Sound Classification (ESC) is a challenging field of research in non-speech audio processing. Most of current research in ESC focuses on designing deep models with special architectures tailored for specific audio datasets, which usually cannot exploit the intrinsic patterns in the data. However recent studies have surprisingly shown that transfer learning from models trained on ImageNet is a very effective technique in ESC. Herein, we propose SoundCLR, a supervised contrastive learning method for effective environment sound classification with state-of-the-art performance, which…
Queen Mary University of London（伦敦玛丽女王大学）；University of Luebeck（吕贝克大学）
This thesis focuses on dealing with the task of acoustic scene classification (ASC), and then applied the techniques developed for ASC to a real-life application of detecting respiratory disease. To deal with ASC challenges, this thesis addresses three main factors that directly affect the performance of an ASC system. Firstly, this thesis explores input features by making use of multiple spectrograms (log-mel, Gamma, and CQT) for low-level feature extraction to tackle the issue of insufficiently discriminative or descriptive input features. Next, a novel Encoder network architecture is introd…
Seoul National University（首尔大学）；Advanced Institutes of Convergence Technology（先进融合技术研究院）
In recent years, neural network approaches have shown superior performance to conventional hand-made features in numerous application areas. In particular, convolutional neural networks (ConvNets) exploit spatially local correlations across input data to improve the performance of audio processing tasks, such as speech recognition, musical chord recognition, and onset detection. Here we apply ConvNet to acoustic scene classification, and show that the error rate can be further decreased by using delta features in the frequency domain. We propose a multiple-width frequency-delta (MWFD) data aug…
In this work we propose approaches to effectively transfer knowledge from weakly labeled web audio data. We first describe a convolutional neural network (CNN) based framework for sound event detection and classification using weakly labeled audio data. Our model trains efficiently from audios of variable lengths; hence, it is well suited for transfer learning. We then propose methods to learn representations using this model which can be effectively used for solving the target task. We study both transductive and inductive transfer learning tasks, showing the effectiveness of our methods for …
Harbin Institute of Technology（哈尔滨工业大学）；Harbin Normal University（哈尔滨师范大学）
One of the biggest challenges of acoustic scene classification (ASC) is to find proper features to better represent and characterize environmental sounds. Environmental sounds generally involve more sound sources while exhibiting less structure in temporal spectral representations. However, the background of an acoustic scene exhibits temporal homogeneity in acoustic properties, suggesting it could be characterized by distribution statistics rather than temporal details. In this work, we investigated using auditory summary statistics as the feature for ASC tasks. The inspiration comes from a r…
A mixed sample data augmentation strategy is proposed to enhance the performance of models on audio scene classification, sound event classification, and speech enhancement tasks. While there have been several augmentation methods shown to be effective in improving image classification performance, their efficacy toward time-frequency domain features of audio is not assured. We propose a novel audio data augmentation approach named "Specmix" specifically designed for dealing with time-frequency domain features. The augmentation method consists of mixing two different data samples by applying t…
Sound Source Localization for Spatial Mapping of Surgical Actions in Dynamic Scenes
ROCS（罗克辛研究所）；Balgrist University Hospital（巴尔格里斯大学医院）；University of Zurich（苏黎世大学）；Dept. of Orthopedics（骨科部门）；Computer Vision and Geometry Group（计算机视觉与几何组）；ETH Zurich（苏黎世联邦理工学院）
POSTECH（浦项科技大学）；KAIST（韩国科学技术院）；University of Michigan（密歇根大学）；Yonsei University（延世大学）
How does audio describe the world around us? In this paper, we propose a method for generating an image of a scene from sound. Our method addresses the challenges of dealing with the large gaps that often exist between sight and sound. We design a model that works by scheduling the learning procedure of each model component to associate audio-visual modalities despite their information gaps. The key idea is to enrich the audio features with visual information by learning to align audio to visual latent space. We translate the input audio to visual features, then use a pre-trained generator to …
In this paper, we propose a framework for environmental sound classification in a low-data context (less than 100 labeled examples per class). We show that using pre-trained image classification models along with the usage of data augmentation techniques results in higher performance over alternative approaches. We applied this system to the task of Urban Sound Tagging, part of the DCASE 2019. The objective was to label different sources of noise from raw audio data. A modified form of MobileNetV2, a convolutional neural network (CNN) model was trained to classify both coarse and fine tags joi…
In conventional sound event detection (SED) models, two types of events, namely, those that are present and those that do not occur in an acoustic scene, are regarded as the same type of events. The conventional SED methods cannot effectively exploit the difference between the two types of events. All time frames of sound events that do not occur in an acoustic scene are easily regarded as inactive in the scene, that is, the events are easy-to-train. The time frames of the events that are present in a scene must be classified as active in addition to inactive in the acoustic scene, that is, th…
Spatial Scaper: A Library to Simulate and Augment Soundscapes for Sound Event Localization and Detection in Realistic Rooms
Music and Audio Research Laboratory, New York University（纽约大学音乐与音频研究实验室）；Viterbi School of Engineering, University of Southern California（南加州大学维特比工程学院）
Georgia Institute of Technology（佐治亚理工学院）；Tencent Corporation（腾讯公司）；University of Science and Technology of China（中国科学技术大学）；University of Enna Kore（恩纳科雷大学）
In this technical report, we present a joint effort of four groups, namely GT, USTC, Tencent, and UKE, to tackle Task 1 - Acoustic Scene Classification (ASC) in the DCASE 2020 Challenge. Task 1 comprises two different sub-tasks: (i) Task 1a focuses on ASC of audio signals recorded with multiple (real and simulated) devices into ten different fine-grained classes, and (ii) Task 1b concerns with classification of data into three higher-level classes using low-complexity solutions. For Task 1a, we propose a novel two-stage ASC system leveraging upon ad-hoc score combination of two convolutional n…
Towards Event-Robust Acoustic Scene Classification
Xi'an Jiaotong-Liverpool University（西安交通大学利物浦大学）；Zhongdian Zhiheng Information Technology Service Co., Ltd（中电智恒信息技术服务有限公司）；China Telecom Jiangsu Branch（中国电信江苏分公司）；Nanjing University of Posts and Telecommunications（南京邮电大学）
The Sørensen--Dice Coefficient has recently seen rising popularity as a loss function (also known as Dice loss) due to its robustness in tasks where the number of negative samples significantly exceeds that of positive samples, such as semantic segmentation, natural language processing, and sound event detection. Conventional training of polyphonic sound event detection systems with binary cross-entropy loss often results in suboptimal detection performance as the training is often overwhelmed by updates from negative samples. In this paper, we investigated the effect of the Dice loss, intra- …
