In the previous articles of this series, we have discussed the development of musical scales particularly that of the heptatonic scale which forms the basis of Western classical music today. In this last article, we take a look at the basic structure of scales used in Indian classical music and how different `raga's are generated through the simple process of scale shifting.
Raga is a central musical concept in South Asia, especially India, and we investigate connections between Western classical music and Melakarta raga that is a raga in Karnatak (south Indian) classical music, through musical icosahedron. In our previous study, we introduced some kinds of musical icosahedra connecting various musical concepts in Western music: chromatic/whole tone musical icosahedra, Pythagorean/whole tone musical icosahedra, and exceptional musical icosahedra. In this paper, first, we introduce kinds of musical icosahedra that connect the above musical icosahedra through two ki…
We propose a new way of analyzing musical pieces by using the exceptional musical icosahedra where all the major/minor triads are represented by golden triangles or golden gnomons. First, we introduce a concept of the golden neighborhood that characterizes golden triangles/gnomons that neighbor a given golden triangle or gnomon. Then, we investigate a relation between the exceptional musical icosahedra and the neo-Riemannian theory, and find that the golden neighborhoods and the icosahedron symmetry relate any major/minor triad with any major/minor triad. Second, we show how the exceptional mu…
Music information retrieval is currently an active research area that addresses the extraction of musically important information from audio signals, and the applications of such information. The extracted information can be used for search and retrieval of music in recommendation systems, or to aid musicological studies or even in music learning. Sophisticated signal processing techniques are applied to convert low-level acoustic signal properties to musical attributes which are further embedded in a rule-based or statistical classification framework to link with high-level descriptions such …
In the Pacific Coast of Colombia there is a type of marimba called marimba de chonta, which provides the melodic and harmonic contour for traditional music with characteristic chants and dances. The tunings of this marimba are based on the voice of female singers and allows musical practices, as a transposition that preserves relative distances between bars. Here we show that traditional tunings are consistent with isotonic scales, and that they have changed in the last three decades due to the influence of Western music. Specifically, low octaves have changed into just octaves. Additionally, …
Institute of Computational Perception, Johannes Kepler University Linz(约翰内斯·开普勒林茨大学计算感知研究所)
This demo paper introduces partitura, a Python package for handling symbolic musical information. The principal aim of this package is to handle richly structured musical information as conveyed by modern staff music notation. It provides a much wider range of possibilities to deal with music than the more reductive (but very common) piano roll-oriented approach inspired by the MIDI standard. The package is an open source project and is available on GitHub.
Modelling human perception of musical similarity is critical for the evaluation of generative music systems, musicological research, and many Music Information Retrieval tasks. Although human similarity judgments are the gold standard, computational analysis is often preferable, since results are often easier to reproduce, and computational methods are much more scalable. Moreover, computation based approaches can be calculated quickly and on demand, which is a prerequisite for use with an online system. We propose StyleRank, a method to measure the similarity between a MIDI file and an arbitr…
Adopting a performer-centric perspective, we frequently encounter two statements: "music flows", and "music is life-like". This dissertation builds on top of the two statements above, resulting in an exploration of the role of temporal asymmetry in music (generalizing "music flows") and its relation to the idea of organicism (generalizing "music is life-like"). We focus on two aspects of temporal asymmetry. The first aspect concerns the vastly different epistemic mechanisms with which we obtain knowledge of the past and the future. A particular musical consequence follows: recurrence. The epis…
Research Center for IT Innovation, Academia Sinica(中央研究院资讯科技创新研究中心);KKBOX Inc.(KKBOX公司)
Music creation involves not only composing the different parts (e.g., melody, chords) of a musical work but also arranging/selecting the instruments to play the different parts. While the former has received increasing attention, the latter has not been much investigated. This paper presents, to the best of our knowledge, the first deep learning models for rearranging music of arbitrary genres. Specifically, we build encoders and decoders that take a piece of polyphonic musical audio as input and predict as output its musical score. We investigate disentanglement techniques such as adversarial…
Music Technology Group, Universitat Pompeu Fabra(庞培法布拉大学音乐技术组);Joint Research Centre, European Commission(欧盟委员会联合研究中心)
Loops, seamlessly repeatable musical segments, are a cornerstone of modern music production. Contemporary artists often mix and match various sampled or pre-recorded loops based on musical criteria such as rhythm, harmony and timbral texture to create compositions. Taking such criteria into account, we present LoopNet, a feed-forward generative model for creating loops conditioned on intuitive parameters. We leverage Music Information Retrieval (MIR) models as well as a large collection of public loop samples in our study and use the Wave-U-Net architecture to map control parameters to audio. …
This technical report gives a detailed, formal description of the features introduced in the paper: Adrien Ycart, Lele Liu, Emmanouil Benetos and Marcus T. Pearce. "Investigating the Perceptual Validity of Evaluation Metrics for Automatic Piano Music Transcription", Transactions of the International Society for Music Information Retrieval (TISMIR), Accepted, 2020.
In this paper we describe our efforts towards the development of live performance computer-based musical instrumentation. Our design criteria include initial ease of use coupled with a long term potential for virtuosity, minimal and low variance latency, and clear and simple strategies for programming the relationship between gesture and musical result. We present custom controllers and unique adaptations of standard gestural interfaces, a programmable connectivity processor, a communications protocol called Open Sound Control (OSC), and a variety of metaphors for musical control. We further d…
The conception and design of new musical interfaces is a multidisciplinary area that tightly relates technology and artistic creation. In this paper, the author first exposes some of the questions he has posed himself during more than a decade experience as a performer, composer, interface and software designer, and educator. Finally, he illustrates these topics with some examples of his work.
IRIT(图卢兹计算机科学研究所);Université de Toulouse(图卢兹大学);CNRS(法国国家科学研究中心)
State-of-the-art music recommendation systems are based on collaborative filtering, which predicts a user's interest from his listening habits and similarities with other users' profiles. These approaches are agnostic to the song content, and therefore face the cold-start problem: they cannot recommend novel songs without listening history. To tackle this issue, content-aware recommendation incorporates information about the songs that can be used for recommending new items. Most methods falling in this category exploit either user-annotated tags, acoustic features or deeply-learned features. …
In the task of generating music, the art factor plays a big role and is a great challenge for AI. Previous work involving adversarial training to produce new music pieces and modeling the compatibility of variety in music (beats, tempo, musical stems) demonstrated great examples of learning this task. Though this was limited to generating mashups or learning features from tempo and key distributions to produce similar patterns. Compound Word Transformer was able to represent music generation task as a sequence generation challenge involving musical events defined by compound words. These music…
This paper focuses on the modeling of musical melodies as networks. Notes of a melody can be treated as nodes of a network. Connections are created whenever notes are played in sequence. We analyze some main tracks coming from different music genres, with melodies played using different musical instruments. We find out that the considered networks are, in general, scale free networks and exhibit the small world property. We measure the main metrics and assess whether these networks can be considered as formed by sub-communities. Outcomes confirm that peculiar features of the tracks can be extr…
In this paper, we explore the tokenized representation of musical scores using the Transformer model to automatically generate musical scores. Thus far, sequence models have yielded fruitful results with note-level (MIDI-equivalent) symbolic representations of music. Although the note-level representations can comprise sufficient information to reproduce music aurally, they cannot contain adequate information to represent music visually in terms of notation. Musical scores contain various musical symbols (e.g., clef, key signature, and notes) and attributes (e.g., stem direction, beam, and tie…
Universidade Tecnológica Federal do Paraná (UTFPR)(巴拉那联邦理工大学)
Musical genre's classification has been a relevant research topic. The association between music and genres is fundamental for the media industry, which manages musical recommendation systems, and for music streaming services, which may appear classified by genres. In this context, this work presents a feature extraction method for the automatic classification of musical genres, based on complex networks and their topological measurements. The proposed method initially converts the musics into sequences of musical notes and then maps the sequences as complex networks. Topological measurements …
Microsoft Research Asia(微软亚洲研究院);Nanjing University(南京大学);Microsoft Azure Speech(微软Azure语音部门)
Human usually composes music by organizing elements according to the musical form to express music ideas. However, for neural network-based music generation, it is difficult to do so due to the lack of labelled data on musical form. In this paper, we develop MeloForm, a system that generates melody with musical form using expert systems and neural networks. Specifically, 1) we design an expert system to generate a melody by developing musical elements from motifs to phrases then to sections with repetitions and variations according to pre-given musical form; 2) considering the generated melody…
Dalhousie University(达尔豪斯大学);Vector Institute(向量研究所);IICSI;Memorial University of Newfoundland(纽芬兰纪念大学)
In this paper, we propose a new compositional tool that will generate a musical outline of speech recorded/provided by the user for use as a musical building block in their compositions. The tool allows any user to use their own speech to generate musical material, while still being able to hear the direct connection between their recorded speech and the resulting music. The tool is built on our proposed pipeline. This pipeline begins with speech-based signal processing, after which some simple musical heuristics are applied, and finally these pre-processed signals are passed through Transform…
Universidade Federal de Pernambuco(伯南布哥联邦大学);SENAI-FIEPE
In this paper, we present an ongoing research project related to popularizing the mindset of building new digital musical instruments. We developed a physical kit and software intended to provide beginner users with the first grasp on the development process of a digital musical instrument. We expect that, by using the kit and the software, the users could experiment in a short period the various steps in developing a DMI such as physical structure, electronics, programming, mapping, and sound design. Our approach to popularizing the DMI development process is twofold: reducing the cognitive l…
Università degli Studi di Padova(帕多瓦大学);Vrije Universiteit Brussel(布鲁塞尔自由大学);Queen Mary University of London(伦敦玛丽女王大学)
Computational models of music, while providing good descriptions of melodic development, still cannot fully grasp the general structure comprised of repetitions, transpositions, and reuse of melodic material. We present a corpus of strongly structured baroque allemandes, and describe a top-down approach to abstract the shared structure of their musical content using tree representations produced from pairwise differences between the Schenkerian-inspired analyses of each piece, thereby providing a rich hierarchical description of the corpus.
PES University(PES大学);Northwestern University SPS(西北大学SPS);Great Learning
The impact of Music on the mood or emotion of the listener is a well-researched area in human psychology and behavioral science. In Indian classical music, ragas are the melodic structure that defines the various styles and forms of the music. Each raga has been found to evoke a specific emotion in the listener. With the advent of advanced capabilities of audio signal processing and the application of machine learning, the demand for intelligent music classifiers and recommenders has received increased attention, especially in the 'Music as a service' cloud applications. This paper explores a …
The behavior of users of music streaming services is investigated from the point of view of the temporal dimension of individual songs; specifically, the main object of the analysis is the point in time within a song at which users stop listening and start streaming another song ("skip"). The main contribution of this study is the ascertainment of a correlation between the distribution in time of skipping events and the musical structure of songs. It is also shown that such distribution is not only specific to the individual songs, but also independent of the cohort of users and, under station…
LIP6, Université Pierre et Marie Curie(皮埃尔和玛丽·居里大学 LIP6 实验室);Sony CSL, Paris(索尼计算机科学实验室(巴黎));École Polytechnique, Palaiseau, France(巴黎综合理工学院);Sony CSL, Tokyo(索尼计算机科学实验室(东京))
Distances on symbolic musical sequences are needed for a variety of applications, from music retrieval to automatic music generation. These musical sequences belong to a given corpus (or style) and it is obvious that a good distance on musical sequences should take this information into account; being able to define a distance ex nihilo which could be applicable to all music styles seems implausible. A distance could also be invariant under some transformations, such as transpositions, so that it can be used as a distance between musical motives rather than musical sequences. However, to our k…
Nanjing University(南京大学);The University of Hong Kong(香港大学)
Automatic musical accompaniment is where a human musician is accompanied by a computer musician. The computer musician is able to produce musical accompaniment that relates musically to the human performance. The accompaniment should follow the performance using observations of the notes they are playing. This paper describes a complete and detailed construction of a score following and accompanying system using Hidden Markov Models (HMMs). It details how to train a score HMM, how to deal with polyphonic input, how this HMM work when following score, how to build up a musical accompanist. It p…
Georgia Institute of Technology(佐治亚理工学院);Sony CSL(索尼计算机科学实验室)
Music Inpainting is the task of filling in missing or lost information in a piece of music. We investigate this task from an interactive music creation perspective. To this end, a novel deep learning-based approach for musical score inpainting is proposed. The designed model takes both past and future musical context into account and is capable of suggesting ways to connect them in a musically meaningful manner. To achieve this, we leverage the representational power of the latent space of a Variational Auto-Encoder and train a Recurrent Neural Network which learns to traverse this latent spac…
As digital music production has become mainstream, the selection of appropriate virtual instruments plays a crucial role in determining the quality of music. To search the musical instrument samples or virtual instruments that make one's desired sound, music producers use their ears to listen and compare each instrument sample in their collection, which is time-consuming and inefficient. In this paper, we call this task as Musical Instrument Retrieval and propose a method for retrieving desired musical instruments using reference music mixture as a query. The proposed model consists of the Sin…
Edwin Schlossberg Incorporated(埃德温·施洛斯伯格公司);EAR Studio(EAR工作室);Eloise W. Martin Center (ECHO)(埃洛伊丝·W·马丁中心(ECHO));Interval Research Corporation(英特尔研究公司)
This paper describes a series of projects that explore the possibilities of musical expression through the combination of pre-composed, interlocking, modular components. In particular, this paper presents a modular soundtrack recently composed by the author for "Currents of Creativity," a permanent interactive video wall installation at the Pope John Paul II Cultural Center which is slated to open Easter 2001 in Washington, DC.
The University of Texas at Austin(德克萨斯大学奥斯汀分校);SparkCognition Research(SparkCognition研究院)
Computers have been used to analyze and create music since they were first introduced in the 1950s and 1960s. Beginning in the late 1990s, the rise of the Internet and large scale platforms for music recommendation and retrieval have made music an increasingly prevalent domain of machine learning and artificial intelligence research. While still nascent, several different approaches have been employed to tackle what may broadly be referred to as "musical intelligence." This article provides a definition of musical intelligence, introduces a taxonomy of its constituent components, and surveys t…
RoboJam is a machine-learning system for generating music that assists users of a touchscreen music app by performing responses to their short improvisations. This system uses a recurrent artificial neural network to generate sequences of touchscreen interactions and absolute timings, rather than high-level musical notes. To accomplish this, RoboJam's network uses a mixture density layer to predict appropriate touch interaction locations in space and time. In this paper, we describe the design and implementation of RoboJam's network and how it has been integrated into a touchscreen music app. …
Music is an expressive form of communication often used to convey emotion in scenarios where "words are not enough". Part of this information lies in the musical composition where well-defined language exists. However, a significant amount of information is added during a performance as the musician interprets the composition. The performer injects expressiveness into the written score through variations of different musical properties such as dynamics and tempo. In this paper, we describe a model that can learn to perform sheet music. Our research concludes that the generated performances are…
In this article we explore how the different semantics of spectrograms' time and frequency axes can be exploited for musical tempo and key estimation using Convolutional Neural Networks (CNN). By addressing both tasks with the same network architectures ranging from shallow, domain-specific approaches to deep variants with directional filters, we show that axis-aligned architectures perform similarly well as common VGG-style networks developed for computer vision, while being less vulnerable to confounding factors and requiring fewer model parameters.
To stretch a music piece to a given length is a common demand in people's daily lives, e.g., in audio-video synchronization and animation production. However, it is not always guaranteed that the stretched music piece is acceptable for general audience since music stretching suffers from people's perceptual artefacts. Over-stretching a music piece will make it uncomfortable for human psychoacoustic hearing. The research on music stretching resistance attempts to estimate the maximum stretchability of music pieces to further avoid over-stretch. It has been observed that musical genres can signi…
ATR Intelligent Robotics & Communication Labs(ATR智能机器人与通信实验室)
The central role of the face in social interaction and non-verbal communication suggests we explore facial action as a means of musical expression. This paper presents the design, implementation, and preliminary studies of a novel system utilizing face detection and optic flow algorithms to associate facial movements with sound synthesis in a topographically specific fashion. We report on our experience with various gesture-to-sound mappings and applications, and describe our preliminary experiments at musical performance using the system.
Musical pieces can be modeled as complex networks. This fosters innovative ways to categorize music, paving the way towards novel applications in multimedia domains, such as music didactics, multimedia entertainment and digital music generation. Clustering these networks through their main metrics allows grouping similar musical tracks. To show the viability of the approach, we provide results on a dataset of guitar solos.
National Institute of Informatics(国立信息学研究所);SOKENDAI(综合研究大学院大学)
This work present a music dataset named MusicTM-Dataset, which is utilized in improving the representation learning ability of different types of cross-modal retrieval (CMR). Little large music dataset including three modalities is available for learning representations for CMR. To collect a music dataset, we expand the original musical notation to synthesize audio and generated sheet-music image, and build musical notation based sheet-music image, audio clip and syllable-denotation text as fine-grained alignment, such that the MusicTM-Dataset can be exploited to receive shared representation …
Graduate School of Informatics, Kyoto University(京都大学信息学研究生院);The Hakubi Center for Advanced Research, Kyoto University(京都大学白眉高级研究中心);AIP Center for Advanced Intelligence Project, RIKEN(理化学研究所高级智能项目AIP中心)
Most work on musical score models (a.k.a. musical language models) for music transcription has focused on describing the local sequential dependence of notes in musical scores and failed to capture their global repetitive structure, which can be a useful guide for transcribing music. Focusing on rhythm, we formulate several classes of Bayesian Markov models of musical scores that describe repetitions indirectly using the sparse transition probabilities of notes or note patterns. This enables us to construct piece-specific models for unseen scores with an unfixed repetitive structure and to der…
Analyzing Musical Characteristics of National Anthems in Relation to Global Indices
BRAC University(BRAC大学);Nitte Meenakshi IT(尼特·米纳克希信息技术学院);Hamad Bin Khalifa University(哈马德·本·哈利法大学);Green University of Bangladesh(孟加拉国绿色大学);BUBT(孟加拉国工程与技术大学)
We have built a music similarity search engine that lets video producers search by listenable music excerpts, as a complement to traditional full-text search. Our system suggests similar sounding track segments in a large music catalog by training a self-supervised convolutional neural network with triplet loss terms and musical transformations. Semi-structured user interviews demonstrate that we can successfully impress professional video producers with the quality of the search experience, and perceived similarities to query tracks averaged 7.8/10 in user testing. We believe this search tool…