The Law of Common Fate from Gestalt psychology states that visual objects moving with the same velocity along parallel trajectories will be perceived by a human observer as grouped. However, the concept of common fate is much broader than mere velocity; in this paper we explore how common fate results from coordinated changes in luminance and size. We present results from a crowdsourced graphical perception study where we asked workers to make perceptual judgments on a series of trials involving four graphical objects under the influence of conflicting static and dynamic visual factors (position, size and luminance) used in conjunction. Our results yield the following rankings for visual grouping: motion > (dynamic luminance, size, luminance); dynamic size > (dynamic luminance, position); and dynamic luminance > size. We also conducted a follow-up experiment to evaluate the three dynamic visual factors in a more ecologically valid setting, using both a Gapminder-like animated scatterplot and a thematic map of election data. The results indicate that in practice the relative grouping strengths of these factors may depend on various parameters including the visualization characteristics and the underlying data. We discuss design implications for animated transitions in data visualization.
Animated visualization is becoming increasingly popular as a compelling way to illustrate changes in time series data. However, maintaining the viewer's focus throughout the entire animation is difficult because of its time-consuming nature. Viewers are likely to become bored and distracted during the ever-changing animated visualization. Informed by the role of foreshadowing that builds the expectation in film and literature, we introduce visual foreshadowing to improve the engagement of animated visualizations. In specific, we propose designs of visual foreshadowing that engage the audience …
We present Animated Vega-Lite, a set of extensions to Vega-Lite that model animated visualizations as time-varying data queries. In contrast to alternate approaches for specifying animated visualizations, which prize a highly expressive design space, Animated Vega-Lite prioritizes unifying animation with the language's existing abstractions for static and interactive visualizations to enable authors to smoothly move between or combine these modalities. Thus, to compose animation with static visualizations, we represent time as an encoding channel. Time encodings map a data field to animation k…
Interactive visual applications create animations that encode changes in the data. For example, cross-filtering dynamically updates linked visualizations based on the user's continuous brushing actions. The animated effects resulting from these interactions depends both on how interaction (e.g., brushing speed) controls properties of the animation such as frame rate, as well as how the data that is being explored dictates the data encoded in the animation. Past work has found that frame rate matters to general perception, however a critical question is which of these animation and data propert…
We compare the efficacy of animated and small multiples variants of scatterplots on mobile phones for comparing trends in multivariate datasets. Visualization is increasingly prevalent in mobile applications and mobile-first websites, yet there is little prior visualization research dedicated to small displays. In this paper, we build upon previous experimental research carried out on larger displays that assessed animated and non-animated variants of scatterplots. Incorporating similar experimental stimuli and tasks, we conducted an experiment where 96 crowdworker participants performed nine …
Animated transitions help viewers follow changes between related visualizations. Specifying effective animations demands significant effort: authors must select the elements and properties to animate, provide transition parameters, and coordinate the timing of stages. To facilitate this process, we present Gemini, a declarative grammar and recommendation system for animated transitions between single-view statistical graphics. Gemini specifications define transition "steps" in terms of high-level visual components (marks, axes, legends) and composition rules to synchronize and concatenate step…
We propose "aquanims" as new design metaphors for animated transitions that preserve displayed areas during the transformation. Animated transitions are used to facilitate understanding of graphical transformations between different visualizations. Area is key information to preserve during filtering or ordering transitions of area-based charts like bar charts, histograms, treemaps, or mosaic plots. As liquids are incompressible fluids, we use a hydraulic metaphor to convey the sense of area preservation during animated transitions: in aquanims, graphical objects can change shape, position, co…
In the context of a classroom lesson, concepts must be visualized and organized in many ways depending on the needs of the teacher and students. Traditional presentation media such as the blackboard or electronic whiteboard allow for static hand-drawn images, and slideshow software may be used to generate linear sequences of text and pre-animated images. However, none of these media support the creation of dynamic visualizations that can be manipulated, combined, or re-animated in real-time, and so demonstrating new concepts or adapting to changes in the requirements of a presentation is a cha…
Animated and interactive data visualizations dynamically change the data rendered in a visualization (e.g., bar chart). As the data changes, the y-axis may need to be rescaled as the domain of the data changes. Each axis rescaling potentially improves the readability of the current chart, but may also disorient the user. In contrast to static visualizations, where there is considerable literature to help choose the appropriate y-axis scale, there is a lack of guidance about how and when rescaling should be used in dynamic visualizations. Existing visualization systems and libraries adapt a fix…
Animated transitions help viewers understand changes between related visualizations. To clearly present the underlying relations between statistical charts, animation authors need to have a high level of expertise and a considerable amount of time to describe the relations with reasonable animation stages. We present AniVis, an automated approach for generating animated transitions to demonstrate the changes between two statistical charts. AniVis models each statistical chart into a tree-based structure. Given an input chart pair, the differences of data and visual properties of the chart pair…
While many dashboards for visualizing COVID-19 data exist, most separate geospatial and temporal data into discrete visualizations or tables. Further, the common use of choropleth maps or space-filling map overlays supports only a single geospatial variable at once, making it difficult to compare the temporal and geospatial trends of multiple, potentially interacting variables, such as active cases, deaths, and vaccinations. We present CoronaViz, a COVID-19 visualization system that conveys multilayer, spatiotemporal data in a single, interactive display. CoronaViz encodes variables with conce…
