The original MV2H metric was designed to evaluate systems which transcribe from an input audio (or MIDI) piece to a complete musical score. However, it requires both the transcribed score and the ground truth score to be time-aligned with the input. Some recent work has begun to transcribe directly from an audio signal into a musical score, skipping the alignment step. This paper introduces an automatic alignment method based on dynamic time warp which allows for MV2H to be used to evaluate such non-aligned transcriptions. This has the additional benefit of allowing non-aligned musical scores---which are significantly more widely available than aligned ones---to be used as ground truth. The code for the improved MV2H, which now also includes a MusicXML parser, and allows for key and time signature changes, is available at www.github.com/apmcleod/MV2H.
This technical report gives a detailed, formal description of the features introduced in the paper: Adrien Ycart, Lele Liu, Emmanouil Benetos and Marcus T. Pearce. "Investigating the Perceptual Validity of Evaluation Metrics for Automatic Piano Music Transcription", Transactions of the International Society for Music Information Retrieval (TISMIR), Accepted, 2020.
We present an automatic piano transcription system that converts polyphonic audio recordings into musical scores. This has been a long-standing problem of music information processing, and recent studies have made remarkable progress in the two main component techniques: multipitch detection and rhythm quantization. Given this situation, we study a method integrating deep-neural-network-based multipitch detection and statistical-model-based rhythm quantization. In the first part, we conducted systematic evaluations and found that while the present method achieved high transcription accuracies …
Graduate School of Informatics, Kyoto University（京都大学信息学研究生院）；The Hakubi Center for Advanced Research, Kyoto University（京都大学白眉高级研究中心）；AIP Center for Advanced Intelligence Project, RIKEN（理化学研究所高级智能项目AIP中心）
Most work on musical score models (a.k.a. musical language models) for music transcription has focused on describing the local sequential dependence of notes in musical scores and failed to capture their global repetitive structure, which can be a useful guide for transcribing music. Focusing on rhythm, we formulate several classes of Bayesian Markov models of musical scores that describe repetitions indirectly using the sparse transition probabilities of notes or note patterns. This enables us to construct piece-specific models for unseen scores with an unfixed repetitive structure and to der…
Most music source separation systems require large collections of isolated sources for training, which can be difficult to obtain. In this work, we use musical scores, which are comparatively easy to obtain, as a weak label for training a source separation system. In contrast with previous score-informed separation approaches, our system does not require isolated sources, and score is used only as a training target, not required for inference. Our model consists of a separator that outputs a time-frequency mask for each instrument, and a transcriptor that acts as a critic, providing both tempo…
We present a single deep learning architecture that can both separate an audio recording of a musical mixture into constituent single-instrument recordings and transcribe these instruments into a human-readable format at the same time, learning a shared musical representation for both tasks. This novel architecture, which we call Cerberus, builds on the Chimera network for source separation by adding a third "head" for transcription. By training each head with different losses, we are able to jointly learn how to separate and transcribe up to 5 instruments in our experiments with a single netw…
Multi-instrument Automatic Music Transcription (AMT), or the decoding of a musical recording into semantic musical content, is one of the holy grails of Music Information Retrieval. Current AMT approaches are restricted to piano and (some) guitar recordings, due to difficult data collection. In order to overcome data collection barriers, previous AMT approaches attempt to employ musical scores in the form of a digitized version of the same song or piece. The scores are typically aligned using audio features and strenuous human intervention to generate training labels. We introduce NoteEM, a me…
This paper describes a neural drum transcription method that detects from music signals the onset times of drums at the $\textit{tatum}$ level, where tatum times are assumed to be estimated in advance. In conventional studies on drum transcription, deep neural networks (DNNs) have often been used to take a music spectrogram as input and estimate the onset times of drums at the $\textit{frame}$ level. The major problem with such frame-to-frame DNNs, however, is that the estimated onset times do not often conform with the typical tatum-level patterns appearing in symbolic drum scores because the…
Ss Cyril and Methodius University in Skopje（斯科普里圣西里尔与美多德大学）；Faculty of Electrical Engineering and Information Technologies（电气工程与信息技术学院）
Music transcription is the process of transcribing music audio into music notation. It is a field in which the machines still cannot beat human performance. The main motivation for automatic music transcription is to make it possible for anyone playing a musical instrument, to be able to generate the music notes for a piece of music quickly and accurately. It does not matter if the person is a beginner and simply struggles to find the music score by searching, or an expert who heard a live jazz improvisation and would like to reproduce it without losing time doing manual transcription. We prop…
Automatic Music Transcription, which consists in transforming an audio recording of a musical performance into symbolic format, remains a difficult Music Information Retrieval task. In this work, which focuses on piano transcription, we propose a semi-supervised approach using low-rank matrix factorization techniques, in particular Convolutive Nonnegative Matrix Factorization. In the semi-supervised setting, only a single recording of each individual notes is required. We show on the MAPS dataset that the proposed semi-supervised CNMF method performs better than state-of-the-art low-rank facto…
We advance the state of the art in polyphonic piano music transcription by using a deep convolutional and recurrent neural network which is trained to jointly predict onsets and frames. Our model predicts pitch onset events and then uses those predictions to condition framewise pitch predictions. During inference, we restrict the predictions from the framewise detector by not allowing a new note to start unless the onset detector also agrees that an onset for that pitch is present in the frame. We focus on improving onsets and offsets together instead of either in isolation as we believe this …
Graduate School of Informatics, Kyoto University（京都大学信息学研究科）
This paper describes an automatic drum transcription (ADT) method that directly estimates a tatum-level drum score from a music signal, in contrast to most conventional ADT methods that estimate the frame-level onset probabilities of drums. To estimate a tatum-level score, we propose a deep transcription model that consists of a frame-level encoder for extracting the latent features from a music signal and a tatum-level decoder for estimating a drum score from the latent features pooled at the tatum level. To capture the global repetitive structure of drum scores, which is difficult to learn w…
In this paper, we introduce a simple method that can separate arbitrary musical instruments from an audio mixture. Given an unaligned MIDI transcription for a target instrument from an input mixture, we synthesize new mixtures from the midi transcription that sound similar to the mixture to be separated. This lets us create a labeled training set to train a network on the specific bespoke task. When this model applied to the original mixture, we demonstrate that this method can: 1) successfully separate out the desired instrument with access to only unaligned MIDI, 2) separate arbitrary instru…
End-to-End Real-World Polyphonic Piano Audio-to-Score Transcription with Hierarchical Decoding
Integrative Sciences and Engineering Programme, NUS Graduate School（新加坡国立大学研究生院整合科学与工程项目）；School of Computing, National University of Singapore（新加坡国立大学计算机学院）
Institute of High Performance Computing (IHPC), Agency for Science, Technology and Research (A*STAR)（科学、技术与研究署（A*STAR）高性能计算研究所（IHPC））；Singapore University of Technology and Design（新加坡科技设计大学）
Most of the current supervised automatic music transcription (AMT) models lack the ability to generalize. This means that they have trouble transcribing real-world music recordings from diverse musical genres that are not presented in the labelled training data. In this paper, we propose a semi-supervised framework, ReconVAT, which solves this issue by leveraging the huge amount of available unlabelled music recordings. The proposed ReconVAT uses reconstruction loss and virtual adversarial training. When combined with existing U-net models for AMT, ReconVAT achieves competitive results on comm…
Rethinking how to model polyphonic transcription formally, we frame it as a reinforcement learning task. Such a task formulation encompasses the notion of a musical agent and an environment containing an instrument as well as the sound source to be transcribed. Within this conceptual framework, the transcription process can be described as the agent interacting with the instrument in the environment, and obtaining reward by playing along with what it hears. Choosing from a discrete set of actions - the notes to play on its instrument - the amount of reward the agent experiences depends on whic…
Audio-to-score alignment (A2SA) is a multimodal task consisting in the alignment of audio signals to music scores. Recent literature confirms the benefits of Automatic Music Transcription (AMT) for A2SA at the frame-level. In this work, we aim to elaborate on the exploitation of AMT Deep Learning (DL) models for achieving alignment at the note-level. We propose a method which benefits from HMM-based score-to-score alignment and AMT, showing a remarkable advancement beyond the state-of-the-art. We design a systematic procedure to take advantage of large datasets which do not offer an aligned sc…
University of California, Berkeley（加州大学伯克利分校）；Google AI（谷歌人工智能）
We explore models for translating abstract musical ideas (scores, rhythms) into expressive performances using Seq2Seq and recurrent Variational Information Bottleneck (VIB) models. Though Seq2Seq models usually require painstakingly aligned corpora, we show that it is possible to adapt an approach from the Generative Adversarial Network (GAN) literature (e.g. Pix2Pix (Isola et al., 2017) and Vid2Vid (Wang et al. 2018a)) to sequences, creating large volumes of paired data by performing simple transformations and training generative models to plausibly invert these transformations. Music, and dr…
Center for Music Technology, Georgia Institute of Technology（佐治亚理工学院音乐技术中心）
The assessment of music performances in most cases takes into account the underlying musical score being performed. While there have been several automatic approaches for objective music performance assessment (MPA) based on extracted features from both the performance audio and the score, deep neural network-based methods incorporating score information into MPA models have not yet been investigated. In this paper, we introduce three different models capable of score-informed performance assessment. These are (i) a convolutional neural network that utilizes a simple time-series input comprisi…
Audio representation learning based on deep neural networks (DNNs) emerged as an alternative approach to hand-crafted features. For achieving high performance, DNNs often need a large amount of annotated data which can be difficult and costly to obtain. In this paper, we propose a method for learning audio representations, aligning the learned latent representations of audio and associated tags. Aligning is done by maximizing the agreement of the latent representations of audio and tags, using a contrastive loss. The result is an audio embedding model which reflects acoustic and semantic chara…
NLPR, Institute of Automation, Chinese Academy of Sciences（中国科学院自动化研究所自然语言处理实验室）；School of Artificial Intelligence, University of Chinese Academy of Sciences（中国科学院大学人工智能学院）；CAS Center for Excellence in Brain Science and Intelligence Technology（中国科学院脑科学与智能技术卓越创新中心）
End-to-end singing voice synthesis (SVS) is attractive due to the avoidance of pre-aligned data. However, the auto learned alignment of singing voice with lyrics is difficult to match the duration information in musical score, which will lead to the model instability or even failure to synthesize voice. To learn accurate alignment information automatically, this paper proposes an end-to-end SVS framework, named Singing-Tacotron. The main difference between the proposed framework and Tacotron is that the speech can be controlled significantly by the musical score's duration information. Firstly…
