知觉色彩空间中的分形维数--以杰克逊·波洛克艺术为例的比较研究
Fractal Dimensions in Perceptual Color Space: A Comparison Study Using Jackson Pollock's Art
摘要：
在各种杰克逊波洛克绘画的颜色特定的油漆图案的分形维数计算使用的过滤过程模型感知响应的颜色差异（$\Lab$颜色空间）。$\Lab$空间过滤方法优于传统RGB空间的优点在于，前者是感知均匀（度量）空间，导致“感知不同”颜色的更一致的定义。确定RGB滤波方法低估了较浅颜色的图案的感知分形维数，但不是较深的图案，如果相同的选择标准被应用于每个。研究结果的影响，费希纳的“审美中间原则”和伯林的工作感知的复杂性进行了讨论。
英文摘要：
The fractal dimensions of color-specific paint patterns in various Jackson Pollock paintings are calculated using a filtering process which models perceptual response to color differences ($\Lab$ color space). The advantage of the $\Lab$ space filtering method over traditional RGB spaces is that the former is a perceptually-uniform (metric) space, leading to a more consistent definition of ``perceptually different'' colors. It is determined that the RGB filtering method underestimates the perceived fractal dimension of lighter colored patterns but not of darker ones, if the same selection criteria is applied to each. Implications of the findings to Fechner's 'Principle of the Aesthetic Middle' and Berlyne's work on perception of complexity are discussed.
机构、总结、中文摘要均由AI分析而来，可能存在错误，请以论文正文为准。
