发表机构
CENIA & Dept. of Computer Science Universidad de Chile; TU Wien; Dept. of Computer Science Universidad de Chile（智利大学计算机科学与CENIA; 维也纳工业大学; 智利大学计算机科学系）
机构由 AI 辅助整理，请以论文原文为准。AI 中文总结
本文介绍圣地亚哥的A.T.力场，将《新世纪福音战士》诊断界面转化为基于E2SFCA方法的城市可达性可视化，并探讨了转化中出现的色彩、动态和成本等张力。
AI 中文摘要
科幻界面常因其外观而被复制，而其诊断逻辑很少围绕真实数据重建。在此，我们描述了圣地亚哥的A.T.力场，这是一个基于《新世纪福音战士》第13集中诊断界面构建的城市可达性交互式可视化。我们分五个阶段转化了该界面：现象、场域、进程、界面和响应。一个微观的使徒变成了一个关系型城市问题，一个虚构的扫描网格变成了用E2SFCA方法计算的可达性场域。虚构显示的每个元素都与模型的某个量相关联。当我们使虚构语言可操作时，出现了三种张力：该类型饱和的调色板与色觉缺陷之间的张力，该类型的动态与减少运动偏好之间的张力，以及动画的每帧成本。虚构指挥中心的紧迫性有其自身的代价，因为紧急美学可能将城市人口视为威胁。这三种张力就是转化的代价，也是此类尝试中可转移的经验。
英文摘要
Science-fiction interfaces are often reproduced for their appearance, and their diagnostic logic is rarely rebuilt around real data. Here we describe Santiago's A.T. Field, an interactive visualization of urban accessibility built from a diagnostic interface in Episode 13 of Neon Genesis Evangelion. We translated that interface in five stages: phenomenon, field, progression, interface, and response. A microscopic Angel became a relational urban problem, and a fictional scanning lattice became an accessibility field computed with the E2SFCA method. Every element of the fictional display is tied to a quantity of the model. Three tensions appeared when we made the fictional language operational: the saturated palette of the genre against color-vision deficiency, the motion of the genre against the reduced-motion preference, and the per-frame cost of the animation. The urgency of the fictional command center has its own cost, because emergency aesthetics can cast urban populations as threats. These three tensions are what the translation cost, and they are what transfers to other attempts of this kind.
Comments3 pages, 2 figures; accepted in SciFi-Vis 2026 (IEEE VIS workshop)
