arXivDaily arXiv每日学术速递 周一至周五更新
arXiv周末暂无论文更新,休息一下吧,周末愉快~~
arXiv 2609.20509cs.CVcs.DL

银器中金匠印记的自动化检索

Automated Goldsmith's Mark Retrieval in Silverware

Atmik Tiwari, Vincent Christlein, Mark Fichtner, Freya Gohlke, Birgit Schübel, Theresa Witting, Heike Zech, Mathias Zinnen

首次发表
浏览论文内容

中文总结 AI 辅助

针对银器金匠印记检索依赖人工且繁琐的问题,提出结合印记定位与度量学习微调的AI检索流程,其中DINOv2 ViT-S/14配置最优,mAP达62.63%,并公开数据集与代码。

中文摘要 AI 辅助

对于艺术史学家而言,金匠印记在文物的鉴定和断代中起着关键作用。在实践中,专家必须将查询印记与数百个有记录的示例进行手动比对,这一过程既繁琐又高度依赖专业知识。为解决这一问题,我们提出了一种AI辅助检索流程,该流程结合了印记定位与度量学习微调,并采用了三种骨干架构:ImageNet预训练的ResNet-50、有监督的ViT-S/16以及自监督的DINOv2 ViT-S/14。我们对裁剪策略进行了系统性评估,测量了无裁剪、手动真值裁剪和基于学习的检测裁剪的影响,并评估了它们与每种骨干架构的交互作用。我们最强的配置,即采用手动裁剪和度量学习微调的DINOv2 ViT-S/14,实现了62.63%的mAP和73.74%的Top-1准确率。实验表明,自监督预训练和印记定位是两个影响最大的因素,而学习裁剪在推理时无需真值标注即可恢复手动裁剪的大部分增益。为了促进数字人文学科中的可复现性和采用,我们发布了手动标注的数据集和代码库,并通过公共网络界面部署了该系统。

英文摘要

For art historians, goldsmith marks play a critical role in the identification and dating of artifacts. In practice, experts must manually compare a query mark against hundreds of documented examples, a process that is both tedious and highly dependent on specialist knowledge. To address this, we present an AI-assisted retrieval pipeline that combines mark localization with metric-learning fine-tuning across three backbone architectures: an ImageNet-pretrained ResNet-50, a supervised ViT-S/16, and a self-supervised DINOv2 ViT-S/14. We conduct a systematic evaluation of cropping strategies, where we measure the impact of no cropping, manual ground-truth cropping, and learned detection-based cropping, and assess their interaction with each backbone. Our strongest configuration, DINOv2 ViT-S/14 with manual crop and metric-learning fine-tuning, achieves an mAP of 62.63% and a Top-1 accuracy of 73.74%. Our experiments show that self-supervised pretraining and mark localization are the two most impactful factors, with learned cropping recovering the majority of the gain from manual cropping without requiring ground-truth annotations at inference time. To enable reproducibility and adoption in the digital humanities, we release our manually annotated dataset and codebase, and deploy the system via a public web interface.

发表机构

  • Pattern Recognition Lab, FAU Erlangen-Nürnberg(埃尔朗根-纽伦堡大学模式识别实验室)
  • Germanisches Nationalmuseum Nürnberg(纽伦堡日耳曼国家博物馆)

机构由 AI 辅助整理,请以论文原文为准。

补充信息

↑