创造性制作中的体感激活与注意状态
Somatosensory Activation and Attentional States in Creative Making
- University for the Creative Arts（创意艺术大学）
机构由 AI 辅助整理，请以论文原文为准。
AI总结：
本文提出一种融合舞蹈人类学、感官民族志和设计的混合方法，利用具身方法记录创造性制作，并探讨可穿戴技术激活体感系统以增强感官意识，促进反思与元认知驱动的创造性决策。
AI中文摘要：
捕捉创造性过程的方法伴随着在制作行为中关于记忆回忆、表达和交流的紧张关系，以及如何记录这些考虑因素。本文具有双重目的：首先，提供一个混合方法论的示例，该方法论借鉴自舞蹈人类学、感官民族志和设计，应用具身方法作为记录创造性制作的替代方案。具体而言，这包括研究者作为参与者、田野笔记的整理、具身知识/动作回忆、符号形式以及参与者访谈。这些是舞蹈人类学中的现有方法；然而，将它们与探索性原型制作和研讨会方法结合使用，将这项工作扩展为跨学科实践。其次，本文讨论了通过可穿戴技术激活体感系统，以及促进从业者感官意识的增强，从而使其随后能够专注于与反思和元认知相关的创造性决策。
英文摘要：
The methods for capturing the creative process come with associated tensions around memory recall, articulation, and communication during the act of making, as well as how to record these considerations. This paper has a twofold purpose: first, to offer an example of a mixed methodology, drawn from dance anthropology, sensory ethnography, and design, that applies embodied methods as an alternative for documenting creative making. Specifically, this incorporates the researcher-as-participant and the collation of fieldnotes, embodied knowledge/movement recall, with notation forms, and participant interviews. These are existing methods in dance anthropology; however, using them alongside exploratory prototyping and workshop approaches broadened this work into transdisciplinary practice. Second, it discusses the activation of somatosensory systems through wearable technology and the facilitation of heightened sensory awareness for the practitioner, leading to a subsequent ability to focus on creative decisions linked to reflection and metacognition.
