穿越声景起舞：设计一种基于声音的低成本设备，用于感知与解读动作及舞蹈
Dancing Through Soundscapes: Designing a Low-Cost, Sound-Based Device for Sensing and Interpreting Movement and Dance
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中文总结 AI 辅助
本研究设计了一种低成本基于声音的设备，将动作产生的声音转化为生成式声景，通过工作坊观察探索了参与者运用重复、静止等方式与声景互动的模式，为技术介导的舞蹈动作实践提供了新工具。
中文摘要 AI 辅助
当我们在空间中移动时，往往会依赖视觉之外的多种感官来感知环境并在其中行动：我们能“感知”他人的存在；构建内部表征与模型并调用它们来导航环境。我们也会留下痕迹与印象，被他人捕捉到。这些痕迹包括回声、热量、家具或脚印等物体的位移、他人脸部附近的空气流动、香水等气味，还有我们移动和呼吸时产生的即时声音。动作是一种时空活动，舞蹈作为一种动作实践形式，需要协调自身与他人、空间及潜在乐谱的关系。排练舞蹈时，舞者不仅常通过视觉，更常通过感受、想象或记忆，依据经验与共同练习来感知他人的位置。那么，我们该如何探索技术介导的动作与舞蹈？为何要探索它？如何以有意义且愉悦的方式支持时空实践？本研究聚焦于声音痕迹，提出并阐释一种基于声音的人工制品的设计，该人工制品将动作产生的声音转化为分层、可探索的生成式声景。本研究贡献了一种以音频优先方法探索动作类活动的新型人工制品，重点关注空间表演体验。本文还反思了工作坊与公开分享活动的观察结果，包括参与者如何运用重复、静止、环境声音及呼应式互动来理解声景并进行即兴创作。
英文摘要
When we move through space, we often rely on multiple senses beyond vision to perceive and act in that environment: we ``feel'' the presence of others; we build internal representations and models and recall them to navigate the environment. We also leave traces and impressions that others pick up on. The traces include echoes, heat, the displacement of objects such as furniture or footprints, air movement close to the face of another, smells such as perfume, but also the immediate sounds we make when we move and breathe. Movement is a spatial and temporal activity, and dance as a form of movement practice requires coordination of oneself in relation to others, the space and a potential score. When rehearsing dance, dancers have to relate to others often not just by looking but more often by feeling and imagining or remembering where others are based on experience and shared practice. So how can we approach technology-mediated movement and dance? Why should we explore it? How can we support spatial and temporal practice meaningfully and joyfully? In this work, we focus on sound traces; we present the design and rationale for a sound-based artefact that translates movement-based sound into layered, explorable, generative soundscapes. The work contributes a novel artefact for exploring movement-based activities with a audio-first approach, with a focus on the spatial performative experience. The paper further reflects on observations from workshops and public sharings, including how participants used repetition, stillness, environmental sound, and call-and-response to understand and improvise with the soundscape.
发表机构
- University of Gothenburg（哥德堡大学）
- Seam CoLab Ltd.（Seam CoLab有限公司）
- BathSPA University（巴斯温泉大学）
机构由 AI 辅助整理，请以论文原文为准。
