发表机构
University of the Arts London（伦敦艺术大学）
机构由 AI 辅助整理，请以论文原文为准。AI 中文总结
该研究通过将男同性恋情色内容输入AI视频转视频流水线的装置作品，揭示AI视频模型作为“世界模拟器”的局限性，挑战其宣称并质疑模拟的价值。
AI 中文摘要
AI视频模型越来越多地被作为“世界模拟器”营销，暗示其具备模拟无限现实的能力。尽管有此类宣称，这些模型却系统性地排除了具身人类体验的重要方面，尤其是性。《世界模拟器》是一件视频装置作品，探索这些普世宣称与模型固有盲区之间的诗意张力。为实现这一点，该作品将露骨的男同性恋情色内容输入AI视频转视频流水线。由于缺乏识别这些图像的训练数据，该系统会生成超现实的替代内容，将亲密行为转化为厨房电器、奇特建筑和抽象肉体的平庸场景。通过可视化合成知识的局限性，该作品挑战了“世界模拟器”标签的傲慢，质问一个主要在经过大量过滤的大型视频数据集上训练的系统，如何能在声称模拟世界的同时，在结构上对身体视而不见。除了这一批判，我们还质疑模拟本身的价值，询问何种感官表现形式可能提供更广阔、更能肯定生命的可能性。
英文摘要
Increasingly, AI video models are marketed as "world simulators," suggesting their ability to model infinite realities. Despite such claims, these models systematically exclude significant aspects of embodied human experience, particularly sexuality. World Simulator is a video installation exploring the poetic friction between these universal claims and the models' inherent blindness. To do so, the work feeds explicit gay erotica into an AI video-to-video pipeline. Lacking the training data to recognize these images, the system hallucinates surreal alternatives, transforming intimate acts into banal scenes of kitchen appliances, strange architectures, and abstract flesh. By visualizing the limits of synthetic knowledge, the work challenges the hubris of the "world simulator" label, asking how a system, trained primarily on large filtered video datasets, can claim to simulate the world while remaining structurally blind to the body. Beyond this critique, we question the value of simulation itself, asking what forms of sensual representation might offer more expansive, life-affirming possibilities.
CommentsAccepted to Creativity and Cognition (C&C '26), July 13-16, 2026, London, United Kingdom. 5 pages, 5 figures
