AI 中文总结
本研究对使用Processing、openFrameworks等艺术家主导开源库的161万余个代码仓库开展大规模实证研究，结合定量与定性方法揭示创意编码实践的全球分布及应用场景，为相关领域研究奠定基础。
AI 中文摘要
由艺术家主导的开源库，如Processing或openFrameworks，对那些将代码作为创作媒介的艺术家和设计师产生了重大影响。在本研究中，我们对使用这些库的公开代码仓库开展了首次大规模实证研究，研究对象是从Software Heritage档案库中收集的1613571个代码仓库。我们结合定量与定性方法，从代码托管方式、地理分布、基于代码的创意作品特征以及这些作品的用途等方面，调查了相关实践和创作者的多样性。主要发现包括：生成式艺术和创意编码在全球范围内存在，且这些实践被应用于教育领域和创意产业中。我们用来自全球各地的仓库和贡献者档案的具体示例来说明这些发现，范围从大学课程到当代艺术。这些结果为研究代码与创意实践的教育者、研究人员和艺术家奠定了基础，以促进我们数字世界构建的持续多样性。
英文摘要
Artist-led open-source libraries such as Processing or openFrameworks have had a major impact on artists and designers who use code as a creative medium. In this work, we conduct the first large-scale empirical study of public code repositories that use these libraries. Our study dives into 1,613,571 code repositories collected from the Software Heritage archive. Combining quantitative and qualitative methods, we investigate the diversity of practices and practitioners in terms of code hosting, geographical distribution, characteristics of code-based creative works and the purposes of these works. Key findings include evidence of the worldwide presence of generative art and creative coding, as well as the adoption of these practices in both education and across creative industries. We illustrate these findings with concrete examples of repositories and contributor profiles around the globe, spanning the spectrum from university curricula to contemporary art. These results lay the groundwork for educators, researchers, and artists who investigate code and creative practices to foster sustained diversity in the construction of our digital world.
