发表机构
Instituto de Astrofísica de Andalucía (IAA), CSIC（安达卢西亚天体物理研究所（IAA），西班牙高等科学研究理事会）
机构由 AI 辅助整理，请以论文原文为准。AI 中文总结
本文针对声音化的概念模糊性，提出结合布埃诺认识论与西蒙东个体化哲学的跨范畴哲学框架，厘清其技术身份、与音乐的关系，为相关研究者和实践者提供领域整合的哲学支撑。
AI 中文摘要
声音化（Sonification）应用于科学、艺术与设计领域，但其概念身份仍模糊不清：它是音乐、科学方法还是混合实践？本文提出一种哲学框架，将声音化视为连贯的跨范畴实践。借鉴古斯塔沃·布埃诺的唯物主义认识论，我们通过系统的数据-声音关系确定其技术身份的核心；结合吉尔伯特·西蒙东的个体化哲学，我们从概念上说明声音化如何在不同语境中调整却保留其操作结构。通过区分技术身份与实用用途，该框架厘清了声音化、音乐与美学的关系，为研究者和实践者提供了哲学框架，以应对该领域的多样性，同时保持其认知与操作完整性。
英文摘要
Sonification operates across scientific, artistic, and design contexts, yet its identity remains conceptually ambiguous: is it music, a scientific method, or a hybrid practice? This paper presents a philosophical framework that treats sonification as a coherent, transcategorical practice. Drawing on Gustavo Bueno's materialist gnoseology, we identify its operative core through systematic data-to-sound relationships that define its technical identity. Complementing this with Gilbert Simondon's philosophy of individuation, we show conceptually how sonification adapts across contexts while preserving its operative structure. By distinguishing between technical identity and pragmatic use, this framework clarifies the relationship between sonification, music, and aesthetics, providing researchers and practitioners with a philosophical framework to navigate the field's diversity while maintaining its epistemic and operational integrity.
Comments9 pages; full paper accepted for publication at the Proceedings of the 31st International Conference on Auditory Display (ICAD 2026), 28-31 July 2026, distributed hubs (Bielefeld, Barcelona, Troy/NY)
