你在跟我说话吗？：电影剧本中性别化的说话者-听话者模式的网络分析
You Talkin to Me?: A Network Analysis of Gendered Speaker-Addressee Patterns in Film Screenplays
- Stanford University（斯坦福大学）
- University of Southern California（南加利福尼亚大学）
机构由 AI 辅助整理，请以论文原文为准。
AI总结：
研究电影剧本中说话者与听话者关系的性别结构，通过对4600个对话事件人工标注数据集进行网络分析等，发现男性角色主导，跨性别对话有特点，指出性别偏见通过对话结构起作用，非仅说话时间等因素。
AI中文摘要：
**目的**：本文研究电影对话中说话者与听话者关系的性别结构，不仅关注谁在说话，还关注与谁交谈以及对话动态如何跨越性别界限展开。**方法**：使用来自38部电影剧本的4600个有指导的对话事件的人工标注数据集，我们在三项研究中应用网络分析、卡方检验、配对统计比较和参与度转移分析。**主要发现**：男性角色在整个语料库中作为说话者和听话者都占主导地位，即使在女性较多的场景中也是如此；跨性别对话平均方向对称，但在电影层面聚集；同性别的轮流发言分散了对话注意力，而跨性别轮流发言产生了更紧密的二元互动。**结论**：电影对话中的性别偏见通过对话本身的结构起作用，通过排除在互动之外以及作为听话者的结构定位，而不仅仅是通过说话时间或对话内的方向不平衡。
英文摘要：
Objective: This paper investigates the gendered structure of speaker addressee relationships in film dialogue, asking not merely who speaks, but who is spoken to and how conversational dynamics unfold across gender lines. Methods: Using a manually annotated dataset of 4,600 directed dialogue events from 38 film screenplays, we apply network analysis, chi squared tests, paired statistical comparisons, and participation shift analysis across three studies. Key Findings: Male characters dominate as both speakers and addressees corpus wide, even in scenes with more women; cross gender dialogue is directionally symmetric on average but clustered at the film level; and same gender turns diffuse conversational attention while cross gender turns produce tighter dyadic reciprocation. Conclusion: Gender bias in film dialogue operates through the architecture of conversation itself, through exclusion from interaction and structural positioning as addressees, rather than through speaking time or within conversation directional imbalance alone.
