迈向基于位置感知的混合现实艺术展览：一种基于同步定位与地图构建的用于空间连贯性和展览体验的部署流程
Toward Site-Aware MR Art Exhibitions: A SLAM-Based Deployment Pipeline for Spatial Coherence and Exhibition Experience
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中文总结 AI 辅助
本文针对现有MR展览系统在大规模实际实施方面指导有限的问题，提出基于SLAM技术的实用部署流程，先试点比较方法，再开发并评估流程，发现空间对齐对多方面有影响，为MR艺术展览部署提供实证参考。
中文摘要 AI 辅助
混合现实（MR）在展览环境中越来越多地用于将数字艺术品与物理环境联系起来。然而，现有的MR展览系统往往局限于原型或特定案例的部署，为大规模实际实施提供的指导有限。为解决这一差距，本文提出了一个用于设计和部署大规模MR艺术展览的实用流程，将空间对齐不仅视为一种技术机制，还视为一种体验设计决策。我们首先在MR展览环境中进行了一项试点研究，比较基于标记和基于同步定位与地图构建（SLAM）的对齐方法。基于结果，我们开发了一个用于MR展览的基于SLAM的流程，将技术部署与展览策划相结合。然后，我们通过系统开销测量和用户体验反馈对该流程进行了评估。结果表明，空间对齐不仅影响技术稳定性，还影响整体展览连贯性、参观者的连续感和沉浸感以及艺术品解读。这些发现为未来大规模MR艺术展览部署提供了基于实证的参考。
英文摘要
Mixed Reality (MR) is increasingly being used in exhibition settings to bring digital artworks into relation with the physical environment. However, existing MR exhibition systems are often confined to prototypes or case-specific deployments, offering limited guidance for large-scale practical implementation. To address this gap, this paper presents a practical pipeline for designing and deploying large-scale MR art exhibitions, treating spatial alignment not only as a technical mechanism but also as an experiential design decision. We first conducted a pilot study comparing marker-based and Simultaneous Localization and Mapping (SLAM)-based alignment methods in an MR exhibition setting. Based on the results, we developed a SLAM-based pipeline for MR exhibitions that integrates technical deployment with exhibition curation. We then evaluated the pipeline through both system overhead measures and users' experiential feedback. The results show that spatial alignment influences not only technical stability, but also overall exhibition coherence, visitors' sense of continuity and immersion, and artwork interpretation. These findings provide an empirically grounded reference for future large-scale MR art exhibition deployment.
