人、机器与杰作：人工智能时代的艺术所有权
Man, Machine, and Masterpiece: Artistic Ownership in the AI Era
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中文总结 AI 辅助
探讨人工智能时代艺术所有权问题，设计ArtSplit原型量化人机贡献，引发艺术家对所有权归属的反应，指出量化与艺术家对创作的理解不符，挑战将其转化为技术问题的冲动。
中文摘要 AI 辅助
人工智能驱动的系统融入创意工作引发了艺术家和法律界关于所有权概念的争论。当人类和人工智能的贡献相互交织时，对于如何定义和归属所有权仍几乎没有共识。为引发对这些矛盾的批判性思考，我们设计了ArtSplit原型，它能明确量化创意工作不同阶段的人类和人工智能贡献。该原型旨在引出艺术家对在创意工作流程中通过可衡量行动归属所有权这一想法的反应。我们认为量化与艺术家对创作意图和能动性的理解不一致，衡量所有权的努力可能会淡化艺术家理解和实践创意工作的长期假设。这种批评挑战了将一种历史和社会背景下的关系转化为技术问题的冲动。
英文摘要
The integration of AI-driven systems in creative work has sparked debates among artists and legal communities about notions of ownership. Yet there remains little consensus on how ownership should be defined and attributed when human and AI contributions are intertwined. To provoke critical reflection on these tensions, we designed ArtSplit, a provotype that explicitly quantifies human and AI contributions across different stages of creative work. Rather than aiming to resolve ownership, the provotype was used to elicit artists' responses to the idea of attributing ownership through measurable actions in the creative workflow. We argue that quantification fails to align with artists' understandings of creative intent and agency, and that efforts to measure ownership risk diluting long-standing assumptions through which artists understand and practice creative work. This critique challenges the impulse to transform a historically and socially situated relation into a technical problem.
发表机构
- University of Siegen（锡根大学）
机构由 AI 辅助整理，请以论文原文为准。
