加拉瓦与古尼塔：扩展现实壁画用于体验菲律宾艺术
Galaw at Gunita: Extended Reality Murals for Experiencing Filipino Art
AI总结：
SoulWall通过扩展现实技术实现互动壁画，使观众能沉浸式体验菲律宾艺术，同时保持原作的完整性。
摘要：
数字和互动空间正变得越来越普遍，作为文化参与的平台，提供新的方式使艺术更易于接触、吸引人和包容。在菲律宾背景下，视觉艺术深深植根于前殖民、殖民和后殖民历史中，因此需要探索数字系统如何在不取代或损害传统和实物艺术品的情况下支持艺术欣赏。与其将数字体验视为替代品，我们主张创造互动的数字双胞胎，使观众能够探索、触摸和与艺术品互动，同时保持原作的完整性。在本文中，我们介绍了SoulWall，一个扩展现实（XR）互动壁画系统，旨在通过具身交互增强菲律宾艺术品。SoulWall使观众能够以更大规模体验绘画和动画，支持探索性和娱乐性的互动，同时尊重艺术家的意图。我们描述了该系统的設計和实现，包括其壁画布局、交互技术以及交互日志基础设施。我们报告了以用户体验为中心的用户研究结果，辅以交互日志和空间参与模式的分析。我们的结果突显了XR壁画作为文化计算 artifacts 用于艺术欣赏以及在互动公共和展览空间中展示菲律宾艺术家的潜力。
英文摘要：
Digital and interactive spaces are becoming increasingly prevalent as platforms for cultural engagement, offering new ways to make art more accessible, engaging, and inclusive. In the Philippine context, where visual art is deeply rooted in precolonial, colonial, and postcolonial histories, there is a growing need to explore how digital systems can support art appreciation without replacing or compromising traditional and physical artworks. Rather than treating digital experiences as substitutes, we argue for the value of creating interactive digital twins that allow audiences to explore, touch, and engage with artworks while preserving the integrity of the originals. In this paper, we present SoulWall, an extended reality (XR) interactive mural system designed to augment Filipino artworks through embodied interaction. SoulWall enables viewers to experience paintings and animations at scale, supporting exploratory and playful engagement while respecting artist intent. We describe the design and implementation of the system, including its mural layout, interaction techniques, and interaction logging infrastructure. We report findings from a user study focused on user experience complemented by analyses of interaction logs and spatial engagement patterns. Our results highlight the potential of XR murals as a cultural computing artifact for art appreciation and for showcasing Filipino artists in interactive public and exhibition spaces.
机构、总结、中文摘要均由AI分析而来，可能存在错误，请以论文正文为准。
