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arXiv 2412.04441cs.CV

学习艺术签名:对称性发现与风格迁移

Learning Artistic Signatures: Symmetry Discovery and Style Transfer

The Kemnpner Institute for the Study of Natural and Artificial Intelligence at Harvard University(哈佛大学肯普纳自然与人工智能研究所)

Emma Finn, T. Anderson Keller, Emmanouil Theodosis, Demba E. Ba

AI总结:

本文将艺术风格定义为支配局部纹理排列的全局对称性,通过学习绘画数据集中的对称性并结合 Lie 生成元与纹理度量,提升艺术家风格相似性建模及可解释风格迁移能力。

摘要:

尽管关于风格迁移的文献已有近十年历史,但艺术风格仍没有一个无可争议的定义。最先进的模型产生了令人印象深刻的结果,却难以解释,因为在缺乏连贯风格定义的情况下,风格迁移问题本质上是不适定的。早期工作将风格迁移表述为优化问题,但只把风格视为纹理的一种度量。这导致早期模型的输出出现伪影,即来自风格图像的内容特征有时会渗入输出图像。相反,近期基于扩散模型的工作提供了有说服力的实证结果,却几乎没有理论基础。为解决这些问题,我们提出了一种关于艺术风格的替代性定义。我们建议,应将风格看作一组决定局部纹理排列方式的全局对称性。我们通过学习一个大型绘画数据集中的对称性,并证明这些对称性能够预测每幅绘画所属的艺术运动,从实证上验证了这一观点。最后,我们表明,通过同时考虑局部和全局特征,并结合使用 Lie 生成元与传统纹理度量,我们能够比单独使用任一特征集更好地定量捕捉艺术家之间的风格相似性。该方法不仅与艺术史学家的共识高度一致,还为区分细微的风格差异提供了稳健框架,从而使风格迁移具备更强的可解释性和更扎实的理论基础。

英文摘要:

Despite nearly a decade of literature on style transfer, there is no undisputed definition of artistic style. State-of-the-art models produce impressive results but are difficult to interpret since, without a coherent definition of style, the problem of style transfer is inherently ill-posed. Early work framed style-transfer as an optimization problem but treated style as a measure only of texture. This led to artifacts in the outputs of early models where content features from the style image sometimes bled into the output image. Conversely, more recent work with diffusion models offers compelling empirical results but provides little theoretical grounding. To address these issues, we propose an alternative definition of artistic style. We suggest that style should be thought of as a set of global symmetries that dictate the arrangement of local textures. We validate this perspective empirically by learning the symmetries of a large dataset of paintings and showing that symmetries are predictive of the artistic movement to which each painting belongs. Finally, we show that by considering both local and global features, using both Lie generators and traditional measures of texture, we can quantitatively capture the stylistic similarity between artists better than with either set of features alone. This approach not only aligns well with art historians' consensus but also offers a robust framework for distinguishing nuanced stylistic differences, allowing for a more interpretable, theoretically grounded approach to style transfer.

机构、总结、中文摘要均由AI分析而来,可能存在错误,请以论文正文为准。

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