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arXiv 2310.03480eess.AScs.LGeess.SP
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ICASSP SP Cadenza挑战赛:面向助听器的音乐分离/重混

The ICASSP SP Cadenza Challenge: Music Demixing/Remixing for Hearing Aids

University of Salford(萨尔福德大学);University of Nottingham(诺丁汉大学);University of Leeds(利兹大学);University of Sheffield(谢菲尔德大学)
Gerardo Roa Dabike, Michael A. Akeroyd, Scott Bannister, Jon Barker, Trevor J. Cox, Bruno Fazenda, Jennifer Firth, Simone Graetzer, Alinka Greasley, Rebecca R. … 展开作者

Gerardo Roa Dabike, Michael A. Akeroyd, Scott Bannister, Jon Barker, Trevor J. Cox, Bruno Fazenda, Jennifer Firth, Simone Graetzer, Alinka Greasley, Rebecca R. Vos, William M. Whitmer

AI总结:

本研究介绍2024年ICASSP SP Cadenza助听器音乐分离/重混挑战赛的设计与结果,该赛要求分解并重混音乐,17个参赛系统中9个超基线,最优方案为模型集成。

摘要:

本文报告了2024年ICASSP SP Cadenza挑战赛——面向助听器的音乐分离/重混的赛题设计与结果。Cadenza项目致力于提升听损人群的音乐音频质量。本次挑战赛的场景为通过助听器聆听扬声器播放的立体声音乐,任务是:将流行/摇滚音乐分解为人声、鼓、贝斯及其他(VDBO);按指定增益重新平衡不同音轨,再重混为立体声,同时也接受端到端方案。共有11支队伍提交了17个系统。因果系统的表现弱于非因果方法,有9个系统优于基线系统。常见方法是对预训练分离模型进行微调,表现最佳的方案采用了模型集成。

英文摘要:

This paper reports on the design and results of the 2024 ICASSP SP Cadenza Challenge: Music Demixing/Remixing for Hearing Aids. The Cadenza project is working to enhance the audio quality of music for those with a hearing loss. The scenario for the challenge was listening to stereo reproduction over loudspeakers via hearing aids. The task was to: decompose pop/rock music into vocal, drums, bass and other (VDBO); rebalance the different tracks with specified gains and then remixing back to stereo. End-to-end approaches were also accepted. 17 systems were submitted by 11 teams. Causal systems performed poorer than non-causal approaches. 9 systems beat the baseline. A common approach was to fine-tuning pretrained demixing models. The best approach used an ensemble of models.

机构、总结、中文摘要均由AI分析而来,可能存在错误,请以论文正文为准。

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