流行文化中的增强现实愿景：当世界成为屏幕时的权力与（不可）读身份
Visions of augmented reality in popular culture: Power and (un)readable identities when the world becomes a screen
AI总结：
本文从女性主义理论视角分析科幻流行文化中的增强现实愿景，揭示其如何通过可理解性网格编码性别化与种族化身份、建构权力关系并脚本化社会互动。
摘要：
增强现实是一种将数字对象叠加并与普通视觉表面相结合的技术，正处于快速发展之中，长期以来一直是数字未来愿景的一部分。在本文中，我考察了凝视与权力如何被编码进三种流行文化中的增强现实愿景。通过女性主义理论中关于操演性与可理解性、可见性与种族、性别化凝视以及算法规范性的视角，分析科幻作品中对增强现实的表现，本文提供了对增强现实作为一种视觉技术的批判性理解，以及它可能如何改变或强化既有的规范与权力关系。在这些屏幕不再有任何边界的未来中，合作的身体与不情愿的身体都被铭刻上性别化和种族化的数字标记。通过女性主义理论解读增强现实愿景，我认为增强现实技术进入由人、话语和技术构成的 assemblage（聚合体），其中没有任何行动者必然拥有全局视野。在这些聚合体中，增强现实承担起操演性和承载规范的角色，通过形成一个可理解性网格来编码身份、建构等级关系并脚本化社会互动。
英文摘要：
Augmented reality, where digital objects are overlaid and combined with the ordinary visual surface, is a technology under rapid development, which has long been a part of visions of the digital future. In this article, I examine how gaze and power are coded into three pop-cultural visions of augmented reality. By analyzing representations of augmented reality in science fiction through the lens of feminist theory on performativity and intelligibility, visibility and race, gendered gaze, and algorithmic normativity, this paper provides a critical understanding of augmented reality as a visual technology, and how it might change or reinforce possible norms and power relations. In these futures where the screen no longer has any boundaries, both cooperative and reluctant bodies are inscribed with gendered and racialized digital markers. Reading visions of augmented reality through feminist theory, I argue that augmented reality technologies enter into assemblages of people, discourses, and technologies, where none of the actors necessarily has an overview. In these assemblages, augmented reality takes on a performative and norm-bearing role, by forming a grid of intelligibility that codifies identities, structures hierarchical relationships, and scripts social interactions.
机构、总结、中文摘要均由AI分析而来，可能存在错误，请以论文正文为准。
