The key to video inpainting is to use correlation information from as many reference frames as possible. Existing flow-based propagation methods split the video synthesis process into multiple steps: flow completion -> pixel propagation -> synthesis. However, there is a significant drawback that the errors in each step continue to accumulate and amplify in the next step. To this end, we propose an Error Compensation Framework for Flow-guided Video Inpainting (ECFVI), which takes advantage of the flow-based method and offsets its weaknesses. We address the weakness with the newly designed flow completion module and the error compensation network that exploits the error guidance map. Our approach greatly improves the temporal consistency and the visual quality of the completed videos. Experimental results show the superior performance of our proposed method with the speed up of x6, compared to the state-of-the-art methods. In addition, we present a new benchmark dataset for evaluation by supplementing the weaknesses of existing test datasets.
Image inpainting is a technique of completing missing pixels such as occluded region restoration, distracting objects removal, and facial completion. Among these inpainting tasks, facial completion algorithm performs face inpainting according to the user direction. Existing approaches require delicate and well controlled input by the user, thus it is difficult for an average user to provide the guidance sufficiently accurate for the algorithm to generate desired results. To overcome this limitation, we propose an alternative user-guided inpainting architecture that manipulates facial attribute…
University of Pennsylvania(宾夕法尼亚大学);Adobe Research(Adobe研究院)
Recently, deep models have established SOTA performance for low-resolution image inpainting, but they lack fidelity at resolutions associated with modern cameras such as 4K or more, and for large holes. We contribute an inpainting benchmark dataset of photos at 4K and above representative of modern sensors. We demonstrate a novel framework that combines deep learning and traditional methods. We use an existing deep inpainting model LaMa to fill the hole plausibly, establish three guide images consisting of structure, segmentation, depth, and apply a multiply-guided PatchMatch to produce eight …
University of Texas at Austin(得克萨斯大学奥斯汀分校);Adobe Research(Adobe研究院)
Deep generative models have shown success in automatically synthesizing missing image regions using surrounding context. However, users cannot directly decide what content to synthesize with such approaches. We propose an end-to-end network for image inpainting that uses a different image to guide the synthesis of new content to fill the hole. A key challenge addressed by our approach is synthesizing new content in regions where the guidance image and the context of the original image are inconsistent. We conduct four studies that demonstrate our results yield more realistic image inpainting r…
Most existing image inpainting algorithms are based on a single view, struggling with large holes or the holes containing complicated scenes. Some reference-guided algorithms fill the hole by referring to another viewpoint image and use 2D image alignment. Due to the camera imaging process, simple 2D transformation is difficult to achieve a satisfactory result. In this paper, we propose 3DFill, a simple and efficient method for reference-guided image inpainting. Given a target image with arbitrary hole regions and a reference image from another viewpoint, the 3DFill first aligns the two images…
Wuhan University(武汉大学);Nanyang Technological University(南洋理工大学);National Institute of Informatics(国立信息学研究所)
Existing learning-based image inpainting methods are still in challenge when facing complex semantic environments and diverse hole patterns. The prior information learned from the large scale training data is still insufficient for these situations. Reference images captured covering the same scenes share similar texture and structure priors with the corrupted images, which offers new prospects for the image inpainting tasks. Inspired by this, we first build a benchmark dataset containing 10K pairs of input and reference images for reference-guided inpainting. Then we adopt an encoder-decoder …
The Chinese University of Hong Kong(香港中文大学);Nanyang Technological University(南洋理工大学)
Video inpainting, which aims at filling in missing regions of a video, remains challenging due to the difficulty of preserving the precise spatial and temporal coherence of video contents. In this work we propose a novel flow-guided video inpainting approach. Rather than filling in the RGB pixels of each frame directly, we consider video inpainting as a pixel propagation problem. We first synthesize a spatially and temporally coherent optical flow field across video frames using a newly designed Deep Flow Completion network. Then the synthesized flow field is used to guide the propagation of p…
We present an end-to-end deep learning framework for indoor panoramic image inpainting. Although previous inpainting methods have shown impressive performance on natural perspective images, most fail to handle panoramic images, particularly indoor scenes, which usually contain complex structure and texture content. To achieve better inpainting quality, we propose to exploit both the global and local context of indoor panorama during the inpainting process. Specifically, we take the low-level layout edges estimated from the input panorama as a prior to guide the inpainting model for recovering …
Isfahan University of Technology(伊斯法罕理工大学);McMaster University(麦克马斯特大学)
Image inpainting is an effective method to enhance distorted digital images. Different inpainting methods use the information of neighboring pixels to predict the value of missing pixels. Recently deep neural networks have been used to learn structural and semantic details of images for inpainting purposes. In this paper, we propose a network for image inpainting. This network, similar to U-Net, extracts various features from images, leading to better results. We improved the final results by replacing the damaged pixels with the recovered pixels of the output images. Our experimental results …
Faculty of Computing, Harbin Institute of Technology(哈尔滨工业大学计算机学院);Microsoft Research Asia(微软亚洲研究院);Microsoft(微软)
Language guided image inpainting aims to fill in the defective regions of an image under the guidance of text while keeping non-defective regions unchanged. However, the encoding process of existing models suffers from either receptive spreading of defective regions or information loss of non-defective regions, giving rise to visually unappealing inpainting results. To address the above issues, this paper proposes NÜWA-LIP by incorporating defect-free VQGAN (DF-VQGAN) with multi-perspective sequence to sequence (MP-S2S). In particular, DF-VQGAN introduces relative estimation to control recepti…
Fudan University(复旦大学);China University of Petroleum(中国石油大学)
Face inpainting aims at plausibly predicting missing pixels of face images within a corrupted region. Most existing methods rely on generative models learning a face image distribution from a big dataset, which produces uncontrollable results, especially with large-scale missing regions. To introduce strong control for face inpainting, we propose a novel reference-guided face inpainting method that fills the large-scale missing region with identity and texture control guided by a reference face image. However, generating high-quality results under imposing two control signals is challenging. T…
Manchester Metropolitan University(曼彻斯特城市大学);Image Metrics Ltd(Image Metrics 公司)
Facial image inpainting, with high-fidelity preservation for image realism, is a very challenging task. This is due to the subtle texture in key facial features (component) that are not easily transferable. Many image inpainting techniques have been proposed with outstanding capabilities and high quantitative performances recorded. However, with facial inpainting, the features are more conspicuous and the visual quality of the blended inpainted regions are more important qualitatively. Based on these facts, we design a foreground-guided facial inpainting framework that can extract and generate…
CoCoCo: Improving Text-Guided Video Inpainting for Better Consistency, Controllability and Compatibility
The Chinese University of Hong Kong(香港中文大学);International Digital Economy Academy (IDEA)(国际数字经济学院);The University of Hong Kong(香港大学);Tsinghua University(清华大学)
Optical flow, which captures motion information across frames, is exploited in recent video inpainting methods through propagating pixels along its trajectories. However, the hand-crafted flow-based processes in these methods are applied separately to form the whole inpainting pipeline. Thus, these methods are less efficient and rely heavily on the intermediate results from earlier stages. In this paper, we propose an End-to-End framework for Flow-Guided Video Inpainting (E$^2$FGVI) through elaborately designed three trainable modules, namely, flow completion, feature propagation, and content …
Previous works on image inpainting mainly focus on inpainting background or partially missing objects, while the problem of inpainting an entire missing object remains unexplored. This work studies a new image inpainting task, i.e. shape-guided object inpainting. Given an incomplete input image, the goal is to fill in the hole by generating an object based on the context and implicit guidance given by the hole shape. Since previous methods for image inpainting are mainly designed for background inpainting, they are not suitable for this task. Therefore, we propose a new data preparation method…
Blind face inpainting refers to the task of reconstructing visual contents without explicitly indicating the corrupted regions in a face image. Inherently, this task faces two challenges: (1) how to detect various mask patterns of different shapes and contents; (2) how to restore visually plausible and pleasing contents in the masked regions. In this paper, we propose a novel two-stage blind face inpainting method named Frequency-guided Transformer and Top-Down Refinement Network (FT-TDR) to tackle these challenges. Specifically, we first use a transformer-based network to detect the corrupted…
Samsung AI Center(三星人工智能中心);Skolkovo Institute of Science and Technology (Skoltech)(斯科尔科沃科学技术学院(Skoltech))
We present a new deep learning approach to pose-guided resynthesis of human photographs. At the heart of the new approach is the estimation of the complete body surface texture based on a single photograph. Since the input photograph always observes only a part of the surface, we suggest a new inpainting method that completes the texture of the human body. Rather than working directly with colors of texture elements, the inpainting network estimates an appropriate source location in the input image for each element of the body surface. This correspondence field between the input image and the …
Recovering badly damaged face images is a useful yet challenging task, especially in extreme cases where the masked or damaged region is very large. One of the major challenges is the ability of the system to generalize on faces outside the training dataset. We propose to tackle this extreme inpainting task with a conditional Generative Adversarial Network (GAN) that utilizes structural information, such as edges, as a prior condition. Edge information can be obtained from the partially masked image and a structurally similar image or a hand drawing. In our proposed conditional GAN, we pass th…
Line Drawing Guided Progressive Inpainting of Mural Damage
United International College of Beijing Normal University - HongKong Baptist University(北京师范大学-香港浸会大学联合国际学院);Wuhan University(武汉大学);Cleveland State University(克利夫兰州立大学);Institute of Automation, Chinese Academy of Sciences(中国科学院自动化研究所)
We consider the problem of filling in missing spatio-temporal regions of a video. We provide a novel flow-based solution by introducing a generative model of images in relation to the scene (without missing regions) and mappings from the scene to images. We use the model to jointly infer the scene template, a 2D representation of the scene, and the mappings. This ensures consistency of the frame-to-frame flows generated to the underlying scene, reducing geometric distortions in flow based inpainting. The template is mapped to the missing regions in the video by a new L2-L1 interpolation scheme…
Harbin Institute of Technology(哈尔滨工业大学);Peng Cheng Lab(鹏城实验室);DAMO Academy at Alibaba Group(阿里巴巴达摩院)
For image inpainting, the convolutional neural networks (CNN) in previous methods often adopt standard convolutional operator, which treats valid pixels and holes indistinguishably. As a result, they are limited in handling irregular holes and tend to produce color-discrepant and blurry inpainting result. Partial convolution (PConv) copes with this issue by conducting masked convolution and feature re-normalization conditioned only on valid pixels, but the mask-updating is handcrafted and independent with image structural information. In this paper, we present an edge-guided learnable bidirect…
Manipulating images of complex scenes to reconstruct, insert and/or remove specific object instances is a challenging task. Complex scenes contain multiple semantics and objects, which are frequently cluttered or ambiguous, thus hampering the performance of inpainting models. Conventional techniques often rely on structural information such as object contours in multi-stage approaches that generate unreliable results and boundaries. In this work, we propose a novel deep learning model to alter a complex urban scene by removing a user-specified portion of the image and coherently inserting a ne…
Carnegie Mellon University(卡内基梅隆大学);Adobe Research(奥多比研究院);Mohamed bin Zayed University of Artificial Intelligence(穆罕默德·本·扎耶德人工智能大学)
Generic image inpainting aims to complete a corrupted image by borrowing surrounding information, which barely generates novel content. By contrast, multi-modal inpainting provides more flexible and useful controls on the inpainted content, \eg, a text prompt can be used to describe an object with richer attributes, and a mask can be used to constrain the shape of the inpainted object rather than being only considered as a missing area. We propose a new diffusion-based model named SmartBrush for completing a missing region with an object using both text and shape-guidance. While previous work …
Dalian University of Technology(大连理工大学);Adobe Research(Adobe研究院)
Existing image inpainting methods often produce artifacts when dealing with large holes in real applications. To address this challenge, we propose an iterative inpainting method with a feedback mechanism. Specifically, we introduce a deep generative model which not only outputs an inpainting result but also a corresponding confidence map. Using this map as feedback, it progressively fills the hole by trusting only high-confidence pixels inside the hole at each iteration and focuses on the remaining pixels in the next iteration. As it reuses partial predictions from the previous iterations as …
University of Science and Technology of China(中国科学技术大学);Microsoft Research Asia(微软亚洲研究院)
We propose a flow-guided transformer, which innovatively leverage the motion discrepancy exposed by optical flows to instruct the attention retrieval in transformer for high fidelity video inpainting. More specially, we design a novel flow completion network to complete the corrupted flows by exploiting the relevant flow features in a local temporal window. With the completed flows, we propagate the content across video frames, and adopt the flow-guided transformer to synthesize the rest corrupted regions. We decouple transformers along temporal and spatial dimension, so that we can easily int…
Image inpainting is the task of plausibly restoring missing pixels within a hole region that is to be removed from a target image. Most existing technologies exploit patch similarities within the image, or leverage large-scale training data to fill the hole using learned semantic and texture information. However, due to the ill-posed nature of the inpainting task, such methods struggle to complete larger holes containing complicated scenes. In this paper, we propose TransFill, a multi-homography transformed fusion method to fill the hole by referring to another source image that shares scene c…
Harbin Institute of Technology, Shenzhen(哈尔滨工业大学(深圳));Peng Cheng Laboratory(鹏城实验室)
Image inpainting task requires filling the corrupted image with contents coherent with the context. This research field has achieved promising progress by using neural image inpainting methods. Nevertheless, there is still a critical challenge in guessing the missed content with only the context pixels. The goal of this paper is to fill the semantic information in corrupted images according to the provided descriptive text. Unique from existing text-guided image generation works, the inpainting models are required to compare the semantic content of the given text and the remaining part of the …
National Institute of Informatics(国立信息学研究所);Wuhan University(武汉大学);National Tsing Hua University(国立清华大学)
Existing inpainting methods have achieved promising performance in recovering defected images of specific scenes. However, filling holes involving multiple semantic categories remains challenging due to the obscure semantic boundaries and the mixture of different semantic textures. In this paper, we introduce coherence priors between the semantics and textures which make it possible to concentrate on completing separate textures in a semantic-wise manner. Specifically, we adopt a multi-scale joint optimization framework to first model the coherence priors and then accordingly interleavingly op…
Indian Institute of Technology Kharagpur(印度理工学院卡拉格普尔分校)
Contemporary benchmark methods for image inpainting are based on deep generative models and specifically leverage adversarial loss for yielding realistic reconstructions. However, these models cannot be directly applied on image/video sequences because of an intrinsic drawback- the reconstructions might be independently realistic, but, when visualized as a sequence, often lacks fidelity to the original uncorrupted sequence. The fundamental reason is that these methods try to find the best matching latent space representation near to natural image manifold without any explicit distance based lo…
SAGI: Semantically Aligned and Uncertainty Guided AI Image Inpainting
Department of Electrical and Computer Engineering, Aristotle University of Thessaloniki(阿尔伯塔大学电气与计算机工程系);Information Technologies Institute, CERTH(信息科技研究所)
Tianjin University(天津大学);Wuhan University(武汉大学);Tencent AI Lab(腾讯人工智能实验室);Stony Brook University(石溪大学)
It is challenging to inpaint face images in the wild, due to the large variation of appearance, such as different poses, expressions and occlusions. A good inpainting algorithm should guarantee the realism of output, including the topological structure among eyes, nose and mouth, as well as the attribute consistency on pose, gender, ethnicity, expression, etc. This paper studies an effective deep learning based strategy to deal with these issues, which comprises of a facial landmark predicting subnet and an image inpainting subnet. Concretely, given partial observation, the landmark predictor …
Department of Applied Mathematics and Theoretical Physics, University of Cambridge(剑桥大学应用数学与理论物理系);Gener8 Media corp(Gener8 Media 公司)
The conversion of traditional film into stereo 3D has become an important problem in the past decade. One of the main bottlenecks is a disocclusion step, which in commercial 3D conversion is usually done by teams of artists armed with a toolbox of inpainting algorithms. A current difficulty in this is that most available algorithms are either too slow for interactive use, or provide no intuitive means for users to tweak the output. In this paper we present a new fast inpainting algorithm based on transporting along automatically detected splines, which the user may edit. Our algorithm is imple…