The existing auto-encoder based face pose editing methods primarily focus on modeling the identity preserving ability during pose synthesis, but are less able to preserve the image style properly, which refers to the color, brightness, saturation, etc. In this paper, we take advantage of the well-known frontal/profile optical illusion and present a novel two-stage approach to solve the aforementioned dilemma, where the task of face pose manipulation is cast into face inpainting. By selectively sampling pixels from the input face and slightly adjust their relative locations with the proposed ``Pixel Attention Sampling" module, the face editing result faithfully keeps the identity information as well as the image style unchanged. By leveraging high-dimensional embedding at the inpainting stage, finer details are generated. Further, with the 3D facial landmarks as guidance, our method is able to manipulate face pose in three degrees of freedom, i.e., yaw, pitch, and roll, resulting in more flexible face pose editing than merely controlling the yaw angle as usually achieved by the current state-of-the-art. Both the qualitative and quantitative evaluations validate the superiority of the proposed approach.
We present a novel image inversion framework and a training pipeline to achieve high-fidelity image inversion with high-quality attribute editing. Inverting real images into StyleGAN's latent space is an extensively studied problem, yet the trade-off between the image reconstruction fidelity and image editing quality remains an open challenge. The low-rate latent spaces are limited in their expressiveness power for high-fidelity reconstruction. On the other hand, high-rate latent spaces result in degradation in editing quality. In this work, to achieve high-fidelity inversion, we learn residua…
Although significant progress has been made in synthesizing high-quality and visually realistic face images by unconditional Generative Adversarial Networks (GANs), there still lacks of control over the generation process in order to achieve semantic face editing. In addition, it remains very challenging to maintain other face information untouched while editing the target attributes. In this paper, we propose a novel learning framework, called GuidedStyle, to achieve semantic face editing on StyleGAN by guiding the image generation process with a knowledge network. Furthermore, we allow an at…
China Academy of Space Technology（中国空间技术研究院）；Kuaishou Technology（快手科技）；Stony Brook University（石溪大学）
Despite recent advances in semantic manipulation using StyleGAN, semantic editing of real faces remains challenging. The gap between the $W$ space and the $W$+ space demands an undesirable trade-off between reconstruction quality and editing quality. To solve this problem, we propose to expand the latent space by replacing fully-connected layers in the StyleGAN's mapping network with attention-based transformers. This simple and effective technique integrates the aforementioned two spaces and transforms them into one new latent space called $W$++. Our modified StyleGAN maintains the state-of-t…
The high-quality images yielded by generative adversarial networks (GANs) have motivated investigations into their application for image editing. However, GANs are often limited in the control they provide for performing specific edits. One of the principal challenges is the entangled latent space of GANs, which is not directly suitable for performing independent and detailed edits. Recent editing methods allow for either controlled style edits or controlled semantic edits. In addition, methods that use semantic masks to edit images have difficulty preserving the identity and are unable to per…
University of Chinese Academy of Sciences（中国科学院大学）；Center for Research on Intelligent Perception and Computing, NLPR, CASIA（中国科学院自动化研究所模式识别国家重点实验室智能感知与计算研究中心）
GAN inversion has been exploited in many face manipulation tasks, but 2D GANs often fail to generate multi-view 3D consistent images. The encoders designed for 2D GANs are not able to provide sufficient 3D information for the inversion and editing. Therefore, 3D-aware GAN inversion is proposed to increase the 3D editing capability of GANs. However, the 3D-aware GAN inversion remains under-explored. To tackle this problem, we propose a 3D-aware (3Da) encoder for GAN inversion and face editing based on the powerful StyleNeRF model. Our proposed 3Da encoder combines a parametric 3D face model wit…
Recently, a surge of face editing techniques have been proposed to employ the pretrained StyleGAN for semantic manipulation. To successfully edit a real image, one must first convert the input image into StyleGAN's latent variables. However, it is still challenging to find latent variables, which have the capacity for preserving the appearance of the input subject (e.g., identity, lighting, hairstyles) as well as enabling meaningful manipulations. In this paper, we present a method to expand the latent space of StyleGAN with additional content features to break down the trade-off between low-d…
Fudan University（复旦大学）；China University of Petroleum（中国石油大学）
Semantic image editing utilizes local semantic label maps to generate the desired content in the edited region. A recent work borrows SPADE block to achieve semantic image editing. However, it cannot produce pleasing results due to style discrepancy between the edited region and surrounding pixels. We attribute this to the fact that SPADE only uses an image-independent local semantic layout but ignores the image-specific styles included in the known pixels. To address this issue, we propose a style-preserved modulation (SPM) comprising two modulations processes: The first modulation incorporat…
Hebrew University of Jerusalem（耶路撒冷希伯来大学）；Adobe Research（Adobe研究院）；Tel-Aviv University（特拉维夫大学）
StyleGAN is arguably one of the most intriguing and well-studied generative models, demonstrating impressive performance in image generation, inversion, and manipulation. In this work, we explore the recent StyleGAN3 architecture, compare it to its predecessor, and investigate its unique advantages, as well as drawbacks. In particular, we demonstrate that while StyleGAN3 can be trained on unaligned data, one can still use aligned data for training, without hindering the ability to generate unaligned imagery. Next, our analysis of the disentanglement of the different latent spaces of StyleGAN3 …
Semantic face editing of real world facial images is an important application of generative models. Recently, multiple works have explored possible techniques to generate such modifications using the latent structure of pre-trained GAN models. However, such approaches often require training an encoder network and that is typically a time-consuming and resource intensive process. A possible alternative to such a GAN-based architecture can be styleALAE, a latent-space based autoencoder that can generate photo-realistic images of high quality. Unfortunately, the reconstructed image in styleALAE d…
Clova AI Research, NAVER Corp.（NAVER公司Clova AI研究院）；Upstage AI Research, Upstage（Upstage公司Upstage AI研究院）
Scene text editing (STE), which converts a text in a scene image into the desired text while preserving an original style, is a challenging task due to a complex intervention between text and style. In this paper, we propose a novel STE model, referred to as RewriteNet, that decomposes text images into content and style features and re-writes a text in the original image. Specifically, RewriteNet implicitly distinguishes the content from the style by introducing scene text recognition. Additionally, independent of the exact supervisions with synthetic examples, we propose a self-supervised tra…
Indian Institute of Technology Madras（印度理工学院马德拉斯分校）
The success of Deep Generative Models at high-resolution image generation has led to their extensive utilization for style editing of real images. Most existing methods work on the principle of inverting real images onto their latent space, followed by determining controllable directions. Both inversion of real images and determination of controllable latent directions are computationally expensive operations. Moreover, the determination of controllable latent directions requires additional human supervision. This work aims to explore the efficacy of mask-guided feature modulation in the laten…
The semantic controllability of StyleGAN is enhanced by unremitting research. Although the existing weak supervision methods work well in manipulating the style codes along one attribute, the accuracy of manipulating multiple attributes is neglected. Multi-attribute representations are prone to entanglement in the StyleGAN latent space, while sequential editing leads to error accumulation. To address these limitations, we design a Dynamic Style Manipulation Network (DyStyle) whose structure and parameters vary by input samples, to perform nonlinear and adaptive manipulation of latent codes for…
Garment representation, editing and animation are challenging topics in the area of computer vision and graphics. It remains difficult for existing garment representations to achieve smooth and plausible transitions between different shapes and topologies. In this work, we introduce, DeepCloth, a unified framework for garment representation, reconstruction, animation and editing. Our unified framework contains 3 components: First, we represent the garment geometry with a "topology-aware UV-position map", which allows for the unified description of various garments with different shapes and top…
LatRef-Diff: Latent and Reference-Guided Diffusion for Facial Attribute Editing and Style Manipulation
GuangDong Province Key Lab of Information Security Technology and School of Computer Science and Engineering（广东信息安全技术重点实验室和计算机科学与工程学院）；School of Cyber Science and Technology, Shenzhen Campus（深圳校区网络科学与技术学院）；Guangdong Laboratory of Machine Perception and Intelligent Computing, Faculty of Engineering（广东机器感知与智能计算实验室，工程学院）
We propose an automatic approach that extracts editing styles in a source video and applies the edits to matched footage for video creation. Our Computer Vision based techniques considers framing, content type, playback speed, and lighting of each input video segment. By applying a combination of these features, we demonstrate an effective method that automatically transfers the visual and temporal styles from professionally edited videos to unseen raw footage. We evaluated our approach with real-world videos that contained a total of 3872 video shots of a variety of editing styles, including …
Recent studies have shown that StyleGANs provide promising prior models for downstream tasks on image synthesis and editing. However, since the latent codes of StyleGANs are designed to control global styles, it is hard to achieve a fine-grained control over synthesized images. We present SemanticStyleGAN, where a generator is trained to model local semantic parts separately and synthesizes images in a compositional way. The structure and texture of different local parts are controlled by corresponding latent codes. Experimental results demonstrate that our model provides a strong disentanglem…
Beijing University of Posts and Telecommunications（北京邮电大学）；Kuaishou Technology（快手科技）
Text-driven image manipulation is developed since the vision-language model (CLIP) has been proposed. Previous work has adopted CLIP to design a text-image consistency-based objective to address this issue. However, these methods require either test-time optimization or image feature cluster analysis for single-mode manipulation direction. In this paper, we manage to achieve inference-time optimization-free diverse manipulation direction mining by bridging CLIP and StyleGAN through Latent Alignment (CSLA). More specifically, our efforts consist of three parts: 1) a data-free training strategy …
Shanghai Key Laboratory of Multidimensional Information Processing（上海多维度信息处理重点实验室）；Huazhong University of Science and Technology（华中科技大学）
Existing GAN inversion methods fail to provide latent codes for reliable reconstruction and flexible editing simultaneously. This paper presents a transformer-based image inversion and editing model for pretrained StyleGAN which is not only with less distortions, but also of high quality and flexibility for editing. The proposed model employs a CNN encoder to provide multi-scale image features as keys and values. Meanwhile it regards the style code to be determined for different layers of the generator as queries. It first initializes query tokens as learnable parameters and maps them into W+ …
TextCtrl: Diffusion-based Scene Text Editing with Prior Guidance Control
Institute of Information Engineering, Chinese Academy of Sciences（中国科学院信息工程研究所）；School of Cyber Security, University of Chinese Academy of Sciences（中国科学院大学网络空间安全学院）；College of Computer Science, Nankai University（南开大学计算机学院）
I2E: From Image Pixels to Actionable Interactive Environments for Text-Guided Image Editing
Huazhong University of Science and Technology（华中科技大学）；Kuaishou Technology（快手科技）；Central China Normal University（华中师范大学）；Tsinghua University（清华大学）；Shanghai AI Laboratory（上海人工智能实验室）
Pengcheng Laboratory（鹏城实验室）；Shenzhen University（深圳大学）；University of Nottingham（诺丁汉大学）
Facial attributes in StyleGAN generated images are entangled in the latent space which makes it very difficult to independently control a specific attribute without affecting the others. Supervised attribute editing requires annotated training data which is difficult to obtain and limits the editable attributes to those with labels. Therefore, unsupervised attribute editing in an disentangled latent space is key to performing neat and versatile semantic face editing. In this paper, we present a new technique termed Structure-Texture Independent Architecture with Weight Decomposition and Orthog…
Recently, there has been a surge of diverse methods for performing image editing by employing pre-trained unconditional generators. Applying these methods on real images, however, remains a challenge, as it necessarily requires the inversion of the images into their latent space. To successfully invert a real image, one needs to find a latent code that reconstructs the input image accurately, and more importantly, allows for its meaningful manipulation. In this paper, we carefully study the latent space of StyleGAN, the state-of-the-art unconditional generator. We identify and analyze the exis…
Adaptive and flexible image editing is a desirable function of modern generative models. In this work, we present a generative model with auto-encoder architecture for per-region style manipulation. We apply a code consistency loss to enforce an explicit disentanglement between content and style latent representations, making the content and style of generated samples consistent with their corresponding content and style references. The model is also constrained by a content alignment loss to ensure the foreground editing will not interfere background contents. As a result, given interested re…
PhotoDoodle: Learning Artistic Image Editing from Few-Shot Pairwise Data
National University of Singapore（新加坡国立大学）；Shanghai Jiao Tong University（上海交通大学）；Beijing University of Posts and Telecommunications（北京邮电大学）；Tiamat（提亚马特）
Robust Text-driven Image Editing Method that Adaptively Explores Directions in Latent Spaces of StyleGAN and CLIP
Police Info-communications Research Center, National Police Academy（警察大学校警察信息通信研究中心）；NTT Human Informatics Laboratories, NTT Corporation（日本电报电话公司NTT人类信息学实验室）
Indian Institute of Science（印度科学学院）；Samsung Research India（三星印度研究院）
Unconstrained Image generation with high realism is now possible using recent Generative Adversarial Networks (GANs). However, it is quite challenging to generate images with a given set of attributes. Recent methods use style-based GAN models to perform image editing by leveraging the semantic hierarchy present in the layers of the generator. We present Few-shot Latent-based Attribute Manipulation and Editing (FLAME), a simple yet effective framework to perform highly controlled image editing by latent space manipulation. Specifically, we estimate linear directions in the latent space (of a p…
Harbin Institute of Technology, Shenzhen（哈尔滨工业大学（深圳））；Peng Cheng Laboratory（鹏城实验室）；Tencent（腾讯）；Department of Computer Vision Technology, Baidu Inc.（百度公司计算机视觉技术部门）
In this paper, we use a tensor model based on the Higher-Order Singular Value Decomposition (HOSVD) to discover semantic directions in Generative Adversarial Networks. This is achieved by first embedding a structured facial expression database into the latent space using the e4e encoder. Specifically, we discover directions in latent space corresponding to the six prototypical emotions: anger, disgust, fear, happiness, sadness, and surprise, as well as a direction for yaw rotation. These latent space directions are employed to change the expression or yaw rotation of real face images. We compa…
The inversion of real images into StyleGAN's latent space is a well-studied problem. Nevertheless, applying existing approaches to real-world scenarios remains an open challenge, due to an inherent trade-off between reconstruction and editability: latent space regions which can accurately represent real images typically suffer from degraded semantic control. Recent work proposes to mitigate this trade-off by fine-tuning the generator to add the target image to well-behaved, editable regions of the latent space. While promising, this fine-tuning scheme is impractical for prevalent use as it req…
Hong Kong University of Science and Technology（香港科技大学）；Fudan University（复旦大学）
GAN inversion and editing via StyleGAN maps an input image into the embedding spaces ($\mathcal{W}$, $\mathcal{W^+}$, and $\mathcal{F}$) to simultaneously maintain image fidelity and meaningful manipulation. From latent space $\mathcal{W}$ to extended latent space $\mathcal{W^+}$ to feature space $\mathcal{F}$ in StyleGAN, the editability of GAN inversion decreases while its reconstruction quality increases. Recent GAN inversion methods typically explore $\mathcal{W^+}$ and $\mathcal{F}$ rather than $\mathcal{W}$ to improve reconstruction fidelity while maintaining editability. As $\mathcal{W^…
Person image synthesis, e.g., pose transfer, is a challenging problem due to large variation and occlusion. Existing methods have difficulties predicting reasonable invisible regions and fail to decouple the shape and style of clothing, which limits their applications on person image editing. In this paper, we propose PISE, a novel two-stage generative model for Person Image Synthesis and Editing, which is able to generate realistic person images with desired poses, textures, or semantic layouts. For human pose transfer, we first synthesize a human parsing map aligned with the target pose to r…
