Positive Sample Propagation along the Audio-Visual Event Line
Hefei University of Technology（合肥工业大学）；Intelligent Interconnected Systems Laboratory of Anhui Province（安徽省智能互联系统实验室）；Australian National University（澳大利亚国立大学）
Jinxing Zhou, Liang Zheng, Yiran Zhong, Shijie Hao, Meng Wang
Visual and audio signals often coexist in natural environments, forming audio-visual events (AVEs). Given a video, we aim to localize video segments containing an AVE and identify its category. In order to learn discriminative features for a classifier, it is pivotal to identify the helpful (or positive) audio-visual segment pairs while filtering out the irrelevant ones, regardless whether they are synchronized or not. To this end, we propose a new positive sample propagation (PSP) module to discover and exploit the closely related audio-visual pairs by evaluating the relationship within every possible pair. It can be done by constructing an all-pair similarity map between each audio and visual segment, and only aggregating the features from the pairs with high similarity scores. To encourage the network to extract high correlated features for positive samples, a new audio-visual pair similarity loss is proposed. We also propose a new weighting branch to better exploit the temporal correlations in weakly supervised setting. We perform extensive experiments on the public AVE dataset and achieve new state-of-the-art accuracy in both fully and weakly supervised settings, thus verifying the effectiveness of our method.
Video summarization attracts attention for efficient video representation, retrieval, and browsing to ease volume and traffic surge problems. Although video summarization mostly uses the visual channel for compaction, the benefits of audio-visual modeling appeared in recent literature. The information coming from the audio channel can be a result of audio-visual correlation in the video content. In this study, we propose a new audio-visual video summarization framework integrating four ways of audio-visual information fusion with GRU-based and attention-based networks. Furthermore, we investig…
Conventional audio-visual models have independent audio and video branches. In this work, we unify the audio and visual branches by designing a Unified Audio-Visual Model (UAVM). The UAVM achieves a new state-of-the-art audio-visual event classification accuracy of 65.8% on VGGSound. More interestingly, we also find a few intriguing properties of UAVM that the modality-independent counterparts do not have.
Southern University of Science and Technology（南方科技大学）；University of Birmingham（伯明翰大学）；The University of Hong Kong（香港大学）；Shandong University（山东大学）；Peng Cheng Laboratory（鹏城实验室）
Existing audio-visual event localization (AVE) handles manually trimmed videos with only a single instance in each of them. However, this setting is unrealistic as natural videos often contain numerous audio-visual events with different categories. To better adapt to real-life applications, in this paper we focus on the task of dense-localizing audio-visual events, which aims to jointly localize and recognize all audio-visual events occurring in an untrimmed video. The problem is challenging as it requires fine-grained audio-visual scene and context understanding. To tackle this problem, we in…
National Taiwan University（台湾大学）；ASUS Intelligent Cloud Services（华硕智能云服务）
Human perceives rich auditory experience with distinct sound heard by ears. Videos recorded with binaural audio particular simulate how human receives ambient sound. However, a large number of videos are with monaural audio only, which would degrade the user experience due to the lack of ambient information. To address this issue, we propose an audio spatialization framework to convert a monaural video into a binaural one exploiting the relationship across audio and visual components. By preserving the left-right consistency in both audio and visual modalities, our learning strategy can be vie…
University of British Columbia（不列颠哥伦比亚大学）；Huawei Technologies Canada Co., Ltd（华为技术加拿大有限公司）；University of Victoria（维多利亚大学）
We propose a new framework for extracting visual information about a scene only using audio signals. Audio-based methods can overcome some of the limitations of vision-based methods i.e., they do not require "line-of-sight", are robust to occlusions and changes in illumination, and can function as a backup in case vision/lidar sensors fail. Therefore, audio-based methods can be useful even for applications in which only visual information is of interest Our framework is based on Manifold Learning and consists of two steps. First, we train a Vector-Quantized Variational Auto-Encoder to learn th…
Tsinghua University（清华大学）；University of Michigan（密歇根大学）；Shanghai Qi Zhi Institute（上海期智研究院）
From the patter of rain to the crunch of snow, the sounds we hear often convey the visual textures that appear within a scene. In this paper, we present a method for learning visual styles from unlabeled audio-visual data. Our model learns to manipulate the texture of a scene to match a sound, a problem we term audio-driven image stylization. Given a dataset of paired audio-visual data, we learn to modify input images such that, after manipulation, they are more likely to co-occur with a given input sound. In quantitative and qualitative evaluations, our sound-based model outperforms label-bas…
Shenzhen International Graduate School, Tsinghua University（清华大学深圳国际研究生院）；Department of Computer Science, The University of Texas at Dallas（德克萨斯大学达拉斯分校计算机科学系）
UC San Diego（加州大学圣地亚哥分校）；Shanghai AI Laboratory（上海人工智能实验室）；The Chinese University of Hong Kong（香港中文大学）；National University of Singapore（新加坡国立大学）；ShanghaiTech University（上海科技大学）；University of Pennsylvania（宾夕法尼亚大学）
Current audio-visual separation methods share a standard architecture design where an audio encoder-decoder network is fused with visual encoding features at the encoder bottleneck. This design confounds the learning of multi-modal feature encoding with robust sound decoding for audio separation. To generalize to a new instrument: one must finetune the entire visual and audio network for all musical instruments. We re-formulate visual-sound separation task and propose Instrument as Query (iQuery) with a flexible query expansion mechanism. Our approach ensures cross-modal consistency and cross-…
MIT CSAIL（麻省理工学院计算机科学与人工智能实验室）；UT Austin（德克萨斯大学奥斯汀分校）；IBM Research AI（IBM研究院人工智能部门）；MIT-IBM Watson AI Lab（麻省理工学院-IBM沃森人工智能实验室）；Goethe University Frankfurt（法兰克福大学）
Aligned Better, Listen Better for Audio-Visual Large Language Models
School of Artificial Intelligence, University of Chinese Academy of Sciences（中国科学院大学人工智能学院）；MAIS, Institute of Automation, Chinese Academy of Sciences (CASIA)（中国科学院自动化研究所）；Tongyi Lab, Alibaba Group（阿里巴巴集团通义实验室）；Ant Group（蚂蚁集团）；Northeastern University（东北大学）
This paper focuses on designing a noise-robust end-to-end Audio-Visual Speech Recognition (AVSR) system. To this end, we propose Visual Context-driven Audio Feature Enhancement module (V-CAFE) to enhance the input noisy audio speech with a help of audio-visual correspondence. The proposed V-CAFE is designed to capture the transition of lip movements, namely visual context and to generate a noise reduction mask by considering the obtained visual context. Through context-dependent modeling, the ambiguity in viseme-to-phoneme mapping can be refined for mask generation. The noisy representations a…
CCStereo: Audio-Visual Contextual and Contrastive Learning for Binaural Audio Generation
Australian Institute for Machine Learning, University of Adelaide（澳大利亚机器学习研究所，阿德莱德大学）；Sony Group Corporation（索尼集团）；Sony AI, Sony Group Corporation（索尼人工智能，索尼集团）
In this paper, we propose to make a systematic study on machines multisensory perception under attacks. We use the audio-visual event recognition task against multimodal adversarial attacks as a proxy to investigate the robustness of audio-visual learning. We attack audio, visual, and both modalities to explore whether audio-visual integration still strengthens perception and how different fusion mechanisms affect the robustness of audio-visual models. For interpreting the multimodal interactions under attacks, we learn a weakly-supervised sound source visual localization model to localize sou…
Visually-Aware Audio Captioning With Adaptive Audio-Visual Attention
University of Surrey（萨里大学）；ByteDance（字节跳动）；Xi'an Jiaotong-Liverpool University（西交利物浦大学）；Southern University of Science and Technology（南方科技大学）；Izmir Katip Celebi University（伊兹密尔卡蒂普·切莱比大学）
Trinity College Dublin（都柏林圣三一学院）；vivo AI Lab（vivo人工智能实验室）；Hubei University of Chinese Medicine（湖北中医药大学）
Audio-visual speech enhancement system is regarded as one of promising solutions for isolating and enhancing speech of desired speaker. Typical methods focus on predicting clean speech spectrum via a naive convolution neural network based encoder-decoder architecture, and these methods a) are not adequate to use data fully, b) are unable to effectively balance audio-visual features. The proposed model alleviates these drawbacks by a) applying a model that fuses audio and visual features layer by layer in encoding phase, and that feeds fused audio-visual features to each corresponding decoder l…
Hefei University of Technology（合肥工业大学）；SenseTime Research（商汤科技研究院）；The University of Hong Kong（香港大学）；Shanghai Artificial Intelligence Laboratory（上海人工智能实验室）；Australian National University（澳大利亚国立大学）；Beihang University（北京航空航天大学）；NVIDIA（英伟达）
We propose to explore a new problem called audio-visual segmentation (AVS), in which the goal is to output a pixel-level map of the object(s) that produce sound at the time of the image frame. To facilitate this research, we construct the first audio-visual segmentation benchmark (AVSBench), providing pixel-wise annotations for the sounding objects in audible videos. Two settings are studied with this benchmark: 1) semi-supervised audio-visual segmentation with a single sound source and 2) fully-supervised audio-visual segmentation with multiple sound sources. To deal with the AVS problem, we …
Indian Institute of Technology, Bombay（印度理工学院孟买分校）
We focus on the audio-visual video parsing (AVVP) problem that involves detecting audio and visual event labels with temporal boundaries. The task is especially challenging since it is weakly supervised with only event labels available as a bag of labels for each video. An existing state-of-the-art model for AVVP uses a hybrid attention network (HAN) to generate cross-modal features for both audio and visual modalities, and an attentive pooling module that aggregates predicted audio and visual segment-level event probabilities to yield video-level event probabilities. We provide a detailed ana…
Audio-visual representation learning is an important task from the perspective of designing machines with the ability to understand complex events. To this end, we propose a novel multimodal framework that instantiates multiple instance learning. We show that the learnt representations are useful for classifying events and localizing their characteristic audio-visual elements. The system is trained using only video-level event labels without any timing information. An important feature of our method is its capacity to learn from unsynchronized audio-visual events. We achieve state-of-the-art r…
University of Illinois at Urbana-Champaign（伊利诺伊大学厄巴纳-香槟分校）；Google Research（谷歌研究院）
Recent progress in deep learning has enabled many advances in sound separation and visual scene understanding. However, extracting sound sources which are apparent in natural videos remains an open problem. In this work, we present AudioScope, a novel audio-visual sound separation framework that can be trained without supervision to isolate on-screen sound sources from real in-the-wild videos. Prior audio-visual separation work assumed artificial limitations on the domain of sound classes (e.g., to speech or music), constrained the number of sources, and required strong sound separation or vis…
University of Illinois at Urbana-Champaign（伊利诺伊大学厄巴纳-香槟分校）
Audio-visual target speech extraction, which aims to extract a certain speaker's speech from the noisy mixture by looking at lip movements, has made significant progress combining time-domain speech separation models and visual feature extractors (CNN). One problem of fusing audio and video information is that they have different time resolutions. Most current research upsamples the visual features along the time dimension so that audio and video features are able to align in time. However, we believe that lip movement should mostly contain long-term, or phone-level information. Based on this …
Previous works on scene classification are mainly based on audio or visual signals, while humans perceive the environmental scenes through multiple senses. Recent studies on audio-visual scene classification separately fine-tune the largescale audio and image pre-trained models on the target dataset, then either fuse the intermediate representations of the audio model and the visual model, or fuse the coarse-grained decision of both models at the clip level. Such methods ignore the detailed audio events and visual objects in audio-visual scenes (AVS), while humans often identify different scen…
Institute of Automation, Chinese Academy of Sciences（中国科学院自动化研究所）；University of Chinese Academy of Sciences（中国科学院大学）
Speech separation aims to separate individual voice from an audio mixture of multiple simultaneous talkers. Although audio-only approaches achieve satisfactory performance, they build on a strategy to handle the predefined conditions, limiting their application in the complex auditory scene. Towards the cocktail party problem, we propose a novel audio-visual speech separation model. In our model, we use the face detector to detect the number of speakers in the scene and use visual information to avoid the permutation problem. To improve our model's generalization ability to unknown speakers, w…
University of Oxford（牛津大学）；VGG（视觉几何组）；Department of Engineering Science, University of Oxford（牛津大学工程科学系）
Our goal is to collect a large-scale audio-visual dataset with low label noise from videos in the wild using computer vision techniques. The resulting dataset can be used for training and evaluating audio recognition models. We make three contributions. First, we propose a scalable pipeline based on computer vision techniques to create an audio dataset from open-source media. Our pipeline involves obtaining videos from YouTube; using image classification algorithms to localize audio-visual correspondence; and filtering out ambient noise using audio verification. Second, we use this pipeline to…
Cross-modal audio-visual perception has been a long-lasting topic in psychology and neurology, and various studies have discovered strong correlations in human perception of auditory and visual stimuli. Despite works in computational multimodal modeling, the problem of cross-modal audio-visual generation has not been systematically studied in the literature. In this paper, we make the first attempt to solve this cross-modal generation problem leveraging the power of deep generative adversarial training. Specifically, we use conditional generative adversarial networks to achieve cross-modal aud…
The thud of a bouncing ball, the onset of speech as lips open -- when visual and audio events occur together, it suggests that there might be a common, underlying event that produced both signals. In this paper, we argue that the visual and audio components of a video signal should be modeled jointly using a fused multisensory representation. We propose to learn such a representation in a self-supervised way, by training a neural network to predict whether video frames and audio are temporally aligned. We use this learned representation for three applications: (a) sound source localization, i.…
Dynamic Derivation and Elimination: Audio Visual Segmentation with Enhanced Audio Semantics
The University of Queensland（昆士兰大学）；NetEase Fuxi AI Lab（网易伏羲人工智能实验室）；Matrix Verse AI；CSIRO Data61（联邦科学与工业研究组织数据61部）；Macau University of Science and Technology（澳门科技大学）
Istituto Italiano di Tecnologia（意大利理工学院）；Università degli Studi di Genova（热那亚大学）；Università di Verona（维罗纳大学）；Huawei Technologies Ltd.（华为技术有限公司）
In this paper, we investigate how to learn rich and robust feature representations for audio classification from visual data and acoustic images, a novel audio data modality. Former models learn audio representations from raw signals or spectral data acquired by a single microphone, with remarkable results in classification and retrieval. However, such representations are not so robust towards variable environmental sound conditions. We tackle this drawback by exploiting a new multimodal labeled action recognition dataset acquired by a hybrid audio-visual sensor that provides RGB video, raw au…
University of Electronic Science and Technology of China（电子科技大学）
With the development of deep learning and artificial intelligence, audio synthesis has a pivotal role in the area of machine learning and shows strong applicability in the industry. Meanwhile, significant efforts have been dedicated by researchers to handle multimodal tasks at present such as audio-visual multimodal processing. In this paper, we conduct a survey on audio synthesis and audio-visual multimodal processing, which helps understand current research and future trends. This review focuses on text to speech(TTS), music generation and some tasks that combine visual and acoustic informat…
Learning from audio-visual data offers many possibilities to express correspondence between the audio and visual content, similar to the human perception that relates aural and visual information. In this work, we present a method for self-supervised representation learning based on audio-visual spatial alignment (AVSA), a more sophisticated alignment task than the audio-visual correspondence (AVC). In addition to the correspondence, AVSA also learns from the spatial location of acoustic and visual content. Based on 360$^\text{o}$ video and Ambisonics audio, we propose selection of visual obje…
Audio-visual information fusion enables a performance improvement in speech recognition performed in complex acoustic scenarios, e.g., noisy environments. It is required to explore an effective audio-visual fusion strategy for audiovisual alignment and modality reliability. Different from the previous end-to-end approaches where the audio-visual fusion is performed after encoding each modality, in this paper we propose to integrate an attentive fusion block into the encoding process. It is shown that the proposed audio-visual fusion method in the encoder module can enrich audio-visual represen…
