Recent advances suggest the advantage of multi-modal training in comparison with single-modal methods. In contrast to this view, in our work we find that similar gain can be obtained from training with different formats of a single modality. In particular, we investigate the use of the contrastive learning framework to learn audio representations by maximizing the agreement between the raw audio and its spectral representation. We find a significant gain using this multi-format strategy against the single-format counterparts. Moreover, on the downstream AudioSet and ESC-50 classification task, our audio-only approach achieves new state-of-the-art results with a mean average precision of 0.376 and an accuracy of 90.5%, respectively.
Improving generalization is a major challenge in audio classification due to labeled data scarcity. Self-supervised learning (SSL) methods tackle this by leveraging unlabeled data to learn useful features for downstream classification tasks. In this work, we propose an augmented contrastive SSL framework to learn invariant representations from unlabeled data. Our method applies various perturbations to the unlabeled input data and utilizes contrastive learning to learn representations robust to such perturbations. Experimental results on the Audioset and DESED datasets show that our framework …
We introduce COLA, a self-supervised pre-training approach for learning a general-purpose representation of audio. Our approach is based on contrastive learning: it learns a representation which assigns high similarity to audio segments extracted from the same recording while assigning lower similarity to segments from different recordings. We build on top of recent advances in contrastive learning for computer vision and reinforcement learning to design a lightweight, easy-to-implement self-supervised model of audio. We pre-train embeddings on the large-scale Audioset database and transfer th…
In this paper, we present a framework for contrastive learning for audio representations, in a self supervised frame work without access to any ground truth labels. The core idea in self supervised contrastive learning is to map an audio signal and its various augmented versions (representative of salient aspects of audio like pitch, timbre etc.) to a space where they are close together, and are separated from other different signals. In addition we also explore generative models based on state of the art transformer based architectures for learning latent spaces for audio signals, without acc…
The rise of video-sharing platforms has attracted more and more people to shoot videos and upload them to the Internet. These videos mostly contain a carefully-edited background audio track, where serious speech change, pitch shifting and various types of audio effects may involve, and existing audio identification systems may fail to recognize the audio. To solve this problem, in this paper, we introduce the idea of contrastive learning to the task of audio fingerprinting (AFP). Contrastive learning is an unsupervised approach to learn representations that can effectively group similar sample…
Seoul National University（首尔国立大学）；SK Telecom（SK电讯）
Most of existing audio fingerprinting systems have limitations to be used for high-specific audio retrieval at scale. In this work, we generate a low-dimensional representation from a short unit segment of audio, and couple this fingerprint with a fast maximum inner-product search. To this end, we present a contrastive learning framework that derives from the segment-level search objective. Each update in training uses a batch consisting of a set of pseudo labels, randomly selected original samples, and their augmented replicas. These replicas can simulate the degrading effects on original aud…
Many speech processing methods based on deep learning require an automatic and differentiable audio metric for the loss function. The DPAM approach of Manocha et al. learns a full-reference metric trained directly on human judgments, and thus correlates well with human perception. However, it requires a large number of human annotations and does not generalize well outside the range of perturbations on which it was trained. This paper introduces CDPAM, a metric that builds on and advances DPAM. The primary improvement is to combine contrastive learning and multi-dimensional representations to …
School of Computing and Information Systems, The University of Melbourne, Australia（墨尔本大学计算机与信息系统学院）；Baskin School of Engineering, University of California, Santa Cruz, USA（加州大学圣克鲁兹分校工程学院）；Institute of Trustworthy Embodied AI, Fudan University, China（复旦大学可信具身人工智能研究所）
University of Cambridge（剑桥大学）；Jomo Kenyatta University of Agriculture and Technology（乔莫·肯雅塔农业技术大学）
Machine hearing of the environmental sound is one of the important issues in the audio recognition domain. It gives the machine the ability to discriminate between the different input sounds that guides its decision making. In this work we exploit the self-supervised contrastive technique and a shallow 1D CNN to extract the distinctive audio features (audio representations) without using any explicit annotations.We generate representations of a given audio using both its raw audio waveform and spectrogram and evaluate if the proposed learner is agnostic to the type of audio input. We further u…
Patch-Mix Contrastive Learning with Audio Spectrogram Transformer on Respiratory Sound Classification
KAIST AI（韩国科学技术院人工智能学院）；Department of AI, Kyungpook National University（庆北国立大学人工智能系）；SmartSound（SmartSound公司）；Dongguk University（东国大学）；MODULABS（MODULABS机构）
More than half of the 7,000 languages in the world are in imminent danger of going extinct. Traditional methods of documenting language proceed by collecting audio data followed by manual annotation by trained linguists at different levels of granularity. This time consuming and painstaking process could benefit from machine learning. Many endangered languages do not have any orthographic form but usually have speakers that are bi-lingual and trained in a high resource language. It is relatively easy to obtain textual translations corresponding to speech. In this work, we provide a multimodal …
Contrastive learning has been shown to produce generalizable representations of audio and visual data by maximizing the lower bound on the mutual information (MI) between different views of an instance. However, obtaining a tight lower bound requires a sample size exponential in MI and thus a large set of negative samples. We can incorporate more samples by building a large queue-based dictionary, but there are theoretical limits to performance improvements even with a large number of negative samples. We hypothesize that \textit{random negative sampling} leads to a highly redundant dictionary…
University of Tübingen（蒂宾根大学）；MPI for Informatics（马克斯·普朗克信息学研究所）；Tencent PCG（腾讯平台与内容事业群）；MPI for Intelligent Systems（马克斯·普朗克智能系统研究所）
Having access to multi-modal cues (e.g. vision and audio) empowers some cognitive tasks to be done faster compared to learning from a single modality. In this work, we propose to transfer knowledge across heterogeneous modalities, even though these data modalities may not be semantically correlated. Rather than directly aligning the representations of different modalities, we compose audio, image, and video representations across modalities to uncover richer multi-modal knowledge. Our main idea is to learn a compositional embedding that closes the cross-modal semantic gap and captures the task…
Contrastive learning enables learning useful audio and speech representations without ground-truth labels by maximizing the similarity between latent representations of similar signal segments. In this framework various data augmentation techniques are usually exploited to help enforce desired invariances within the learned representations, improving performance on various audio tasks thanks to more robust embeddings. Now, selecting the most relevant augmentations has proven crucial for better downstream performances. Thus, this work introduces a conditional independance-based method which all…
This paper investigates negative sampling for contrastive learning in the context of audio-text retrieval. The strategy for negative sampling refers to selecting negatives (either audio clips or textual descriptions) from a pool of candidates for a positive audio-text pair. We explore sampling strategies via model-estimated within-modality and cross-modality relevance scores for audio and text samples. With a constant training setting on the retrieval system from [1], we study eight sampling strategies, including hard and semi-hard negative sampling. Experimental results show that retrieval pe…
Queen Mary University of London（伦敦玛丽女王大学）；Universal Music Group（环球音乐集团）
As one of the most intuitive interfaces known to humans, natural language has the potential to mediate many tasks that involve human-computer interaction, especially in application-focused fields like Music Information Retrieval. In this work, we explore cross-modal learning in an attempt to bridge audio and language in the music domain. To this end, we propose MusCALL, a framework for Music Contrastive Audio-Language Learning. Our approach consists of a dual-encoder architecture that learns the alignment between pairs of music audio and descriptive sentences, producing multimodal embeddings t…
Automated Audio captioning (AAC) is a cross-modal task that generates natural language to describe the content of input audio. Most prior works usually extract single-modality acoustic features and are therefore sub-optimal for the cross-modal decoding task. In this work, we propose a novel AAC system called CLIP-AAC to learn interactive cross-modality representation with both acoustic and textual information. Specifically, the proposed CLIP-AAC introduces an audio-head and a text-head in the pre-trained encoder to extract audio-text information. Furthermore, we also apply contrastive learning…
Deriving multimodal representations of audio and lexical inputs is a central problem in Natural Language Understanding (NLU). In this paper, we present Contrastive Aligned Audio-Language Multirate and Multimodal Representations (CALM), an approach for learning multimodal representations using contrastive and multirate information inherent in audio and lexical inputs. The proposed model aligns acoustic and lexical information in the input embedding space of a pretrained language-only contextual embedding model. By aligning audio representations to pretrained language representations and utilizi…
CCStereo: Audio-Visual Contextual and Contrastive Learning for Binaural Audio Generation
Australian Institute for Machine Learning, University of Adelaide（澳大利亚机器学习研究所，阿德莱德大学）；Sony Group Corporation（索尼集团）；Sony AI, Sony Group Corporation（索尼人工智能，索尼集团）
Seoul National University（首尔大学）；Artificial Intelligence Institute, Seoul National University（首尔大学人工智能研究院）
In this study, we proposed a novel semi-supervised training method that uses unlabeled data with a class distribution that is completely different from the target data or data without a target label. To this end, we introduce a contrastive regularization that is designed to be target task-oriented and trained simultaneously. In addition, we propose an audio mixing based simple augmentation strategy that performed in batch samples. Experimental results validate that the proposed method successfully contributed to the performance improvement, and particularly showed that it has advantages in sta…
In Self-Supervised Learning (SSL), various pretext tasks are designed for learning feature representations through contrastive loss. However, previous studies have shown that this loss is less tolerant to semantically similar samples due to the inherent defect of instance discrimination objectives, which may harm the quality of learned feature embeddings used in downstream tasks. To improve the discriminative ability of feature embeddings in SSL, we propose a new loss function called Angular Contrastive Loss (ACL), a linear combination of angular margin and contrastive loss. ACL improves contr…
Sony Computer Science Laboratory（索尼计算机科学实验室）；LTCI, Télécom Paris, Institut Polytechnique de Paris（LTCI，巴黎电信学院，巴黎综合理工学院）
Influenced by the field of Computer Vision, Generative Adversarial Networks (GANs) are often adopted for the audio domain using fixed-size two-dimensional spectrogram representations as the "image data". However, in the (musical) audio domain, it is often desired to generate output of variable duration. This paper presents VQCPC-GAN, an adversarial framework for synthesizing variable-length audio by exploiting Vector-Quantized Contrastive Predictive Coding (VQCPC). A sequence of VQCPC tokens extracted from real audio data serves as conditional input to a GAN architecture, providing step-wise t…
Nankai University（南开大学）；TMCC, College of Computer Science（TMCC计算机学院）；Hithink RoyalFlush AI Research Institute（Hithink RoyalFlush人工智能研究院）；University of Exeter（埃克塞特大学）
Multiple modalities for certain information provide a variety of perspectives on that information, which can improve the understanding of the information. Thus, it may be crucial to generate data of different modality from the existing data to enhance the understanding. In this paper, we investigate the cross-modal audio-to-image generation problem and propose Cross-Modal Contrastive Representation Learning (CMCRL) to extract useful features from audios and use it in the generation phase. Experimental results show that CMCRL enhances quality of images generated than previous research.
A Reference-free Metric for Language-Queried Audio Source Separation using Contrastive Language-Audio Pretraining
Harbin Engineering University（哈尔滨工程大学）；University of Technology Sydney（悉尼科技大学）；University of Surrey（萨里大学）；Harbin Institute of Technology（哈尔滨工业大学）；University of Sheffield（谢菲尔德大学）
