Image compositing is a task of combining regions from different images to compose a new image. A common use case is background replacement of portrait images. To obtain high quality composites, professionals typically manually perform multiple editing steps such as segmentation, matting and foreground color decontamination, which is very time consuming even with sophisticated photo editing tools. In this paper, we propose a new method which can automatically generate high-quality image compositing without any user input. Our method can be trained end-to-end to optimize exploitation of contextual and color information of both foreground and background images, where the compositing quality is considered in the optimization. Specifically, inspired by Laplacian pyramid blending, a dense-connected multi-stream fusion network is proposed to effectively fuse the information from the foreground and background images at different scales. In addition, we introduce a self-taught strategy to progressively train from easy to complex cases to mitigate the lack of training data. Experiments show that the proposed method can automatically generate high-quality composites and outperforms existing methods both qualitatively and quantitatively.
Image compositing is a key step in film making and image editing that aims to segment a foreground object and combine it with a new background. Automatic image compositing can be done easily in a studio using chroma-keying when the background is pure blue or green. However, image compositing in natural scenes with complex backgrounds remains a tedious task, requiring experienced artists to hand-segment. In order to achieve automatic compositing in natural scenes, we propose a fully automated method that integrates instance segmentation and image matting processes to generate high-quality seman…
In image editing, the most common task is pasting objects from one image to the other and then eventually adjusting the manifestation of the foreground object with the background object. This task is called image compositing. But image compositing is a challenging problem that requires professional editing skills and a considerable amount of time. Not only these professionals are expensive to hire, but the tools (like Adobe Photoshop) used for doing such tasks are also expensive to purchase making the overall task of image compositing difficult for people without this skillset. In this work, w…
University of Central Florida（中佛罗里达大学）；Adobe Research（奥多比研究院）
Compositing-aware object search aims to find the most compatible objects for compositing given a background image and a query bounding box. Previous works focus on learning compatibility between the foreground object and background, but fail to learn other important factors from large-scale data, i.e. geometry and lighting. To move a step further, this paper proposes GALA (Geometry-and-Lighting-Aware), a generic foreground object search method with discriminative modeling on geometry and lighting compatibility for open-world image compositing. Remarkably, it achieves state-of-the-art results o…
Camera motion introduces spatially varying blur due to the depth changes in the 3D world. This work investigates scene configurations where such blur is produced under parallax camera motion. We present a simple, yet accurate, Image Compositing Blur (ICB) model for depth-dependent spatially varying blur. The (forward) model produces realistic motion blur from a single image, depth map, and camera trajectory. Furthermore, we utilize the ICB model, combined with a coordinate-based MLP, to learn a sharp neural representation from the blurred input. Experimental results are reported for synthetic …
Object compositing based on 2D images is a challenging problem since it typically involves multiple processing stages such as color harmonization, geometry correction and shadow generation to generate realistic results. Furthermore, annotating training data pairs for compositing requires substantial manual effort from professionals, and is hardly scalable. Thus, with the recent advances in generative models, in this work, we propose a self-supervised framework for object compositing by leveraging the power of conditional diffusion models. Our framework can hollistically address the object comp…
Institute of Mathematics of the Romanian Academy（罗马尼亚科学院数学研究所）；Lund University（隆德大学）
Generating good quality and geometrically plausible synthetic images of humans with the ability to control appearance, pose and shape parameters, has become increasingly important for a variety of tasks ranging from photo editing, fashion virtual try-on, to special effects and image compression. In this paper, we propose HUSC, a HUman Synthesis and Scene Compositing framework for the realistic synthesis of humans with different appearance, in novel poses and scenes. Central to our formulation is 3d reasoning for both people and scenes, in order to produce realistic collages, by correctly model…
MV-CoLight: Efficient Object Compositing with Consistent Lighting and Shadow Generation
Shanghai Jiao Tong University（上海交通大学）；Shanghai Artificial Intelligence Laboratory（上海人工智能实验室）；Nanjing University（南京大学）；The Chinese University of Hong Kong（香港中文大学）；University of Science and Technology of China（中国科学技术大学）；The University of Hong Kong（香港大学）
In natural image matting, the goal is to estimate the opacity of the foreground object in the image. This opacity controls the way the foreground and background is blended in transparent regions. In recent years, advances in deep learning have led to many natural image matting algorithms that have achieved outstanding performance in a fully automatic manner. However, most of these algorithms only predict the alpha matte from the image, which is not sufficient to create high-quality compositions. Further, it is not possible to manually interact with these algorithms in any way except by directl…
Lighting effects such as shadows or reflections are key in making synthetic images realistic and visually appealing. To generate such effects, traditional computer graphics uses a physically-based renderer along with 3D geometry. To compensate for the lack of geometry in 2D Image compositing, recent deep learning-based approaches introduced a pixel height representation to generate soft shadows and reflections. However, the lack of geometry limits the quality of the generated soft shadows and constrain reflections to pure specular ones. We introduce PixHt-Lab, a system leveraging an explicit m…
BIFRÖST: 3D-Aware Image compositing with Language Instructions
The Chinese University of Hong Kong（香港中文大学）；The Hong Kong University of Science and Technology (Guangzhou)（香港科技大学（广州））；Fudan University（复旦大学）；University of Electronic Science and Technology of China（电子科技大学）
Producing manual, pixel-accurate, image segmentation labels is tedious and time-consuming. This is often a rate-limiting factor when large amounts of labeled images are required, such as for training deep convolutional networks for instrument-background segmentation in surgical scenes. No large datasets comparable to industry standards in the computer vision community are available for this task. To circumvent this problem, we propose to automate the creation of a realistic training dataset by exploiting techniques stemming from special effects and harnessing them to target training performanc…
We introduce an interactive Soft Shadow Network (SSN) to generates controllable soft shadows for image compositing. SSN takes a 2D object mask as input and thus is agnostic to image types such as painting and vector art. An environment light map is used to control the shadow's characteristics, such as angle and softness. SSN employs an Ambient Occlusion Prediction module to predict an intermediate ambient occlusion map, which can be further refined by the user to provides geometric cues to modulate the shadow generation. To train our model, we design an efficient pipeline to produce diverse so…
We address the problem of finding realistic geometric corrections to a foreground object such that it appears natural when composited into a background image. To achieve this, we propose a novel Generative Adversarial Network (GAN) architecture that utilizes Spatial Transformer Networks (STNs) as the generator, which we call Spatial Transformer GANs (ST-GANs). ST-GANs seek image realism by operating in the geometric warp parameter space. In particular, we exploit an iterative STN warping scheme and propose a sequential training strategy that achieves better results compared to naive training o…
University College London（伦敦大学学院）；Adobe Research（奥多比研究院）
Patterns, which are collections of elements arranged in regular or near-regular arrangements, are an important graphic art form and widely used due to their elegant simplicity and aesthetic appeal. When a pattern is encoded as a flat image without the underlying structure, manually editing the pattern is tedious and challenging as one has to both preserve the individual element shapes and their original relative arrangements. State-of-the-art deep learning frameworks that operate at the pixel level are unsuitable for manipulating such patterns. Specifically, these methods can easily disturb th…
Seamlessly blending features from multiple images is extremely challenging because of complex relationships in lighting, geometry, and partial occlusion which cause coupling between different parts of the image. Even though recent work on GANs enables synthesis of realistic hair or faces, it remains difficult to combine them into a single, coherent, and plausible image rather than a disjointed set of image patches. We present a novel solution to image blending, particularly for the problem of hairstyle transfer, based on GAN-inversion. We propose a novel latent space for image blending which i…
Image compositing is a method used to generate realistic yet fake imagery by inserting contents from one image to another. Previous work in compositing has focused on improving appearance compatibility of a user selected foreground segment and a background image (i.e. color and illumination consistency). In this work, we instead develop a fully automated compositing model that additionally learns to select and transform compatible foreground segments from a large collection given only an input image background. To simplify the task, we restrict our problem by focusing on human instance composi…
Go-with-the-Track: Video Compositing and Motion Control with Point Tracking
Netflix USA（Netflix美国）；Eyeline Labs USA（Eyeline Labs美国）；University of Oxford（牛津大学）；Eyeline Labs Los Angeles USA（Eyeline Labs洛杉矶美国）；University of California, Los Angeles（加州大学洛杉矶分校）；Stony Brook University USA（石溪大学美国）；Columbia University USA（哥伦比亚大学美国）；Eyeline Labs United Kingdom（Eyeline Labs英国）；Netflix Los Angeles USA（Netflix洛杉矶美国）
There is considerable evidence that deep neural networks are vulnerable to adversarial perturbations applied directly to their digital inputs. However, it remains an open question whether this translates to vulnerabilities in real systems. For example, an attack on self-driving cars would in practice entail modifying the driving environment, which then impacts the video inputs to the car's controller, thereby indirectly leading to incorrect driving decisions. Such attacks require accounting for system dynamics and tracking viewpoint changes. We propose a scalable approach for finding adversari…
We present a method to estimate lighting from a single image of an indoor scene. Previous work has used an environment map representation that does not account for the localized nature of indoor lighting. Instead, we represent lighting as a set of discrete 3D lights with geometric and photometric parameters. We train a deep neural network to regress these parameters from a single image, on a dataset of environment maps annotated with depth. We propose a differentiable layer to convert these parameters to an environment map to compute our loss; this bypasses the challenge of establishing corres…
University of California, Merced（加州大学默塞德分校）；Adobe Research（Adobe研究院）
Compositing is one of the most common operations in photo editing. To generate realistic composites, the appearances of foreground and background need to be adjusted to make them compatible. Previous approaches to harmonize composites have focused on learning statistical relationships between hand-crafted appearance features of the foreground and background, which is unreliable especially when the contents in the two layers are vastly different. In this work, we propose an end-to-end deep convolutional neural network for image harmonization, which can capture both the context and semantic info…
Univ. Grenoble Alpes（格勒诺布尔阿尔卑斯大学）；Inria（法国国家信息与自动化研究所）；CNRS（法国国家科学研究中心）；Grenoble INP（格勒诺布尔理工学院）；LJK（让·昆兹曼实验室）；Hengyang Normal University（衡阳师范学院）；Queen Mary University of London（伦敦玛丽女王大学）；University of Edinburgh（爱丁堡大学）
Deep convolutional neural networks have recently proven extremely effective for difficult face recognition problems in uncontrolled settings. To train such networks, very large training sets are needed with millions of labeled images. For some applications, such as near-infrared (NIR) face recognition, such large training datasets are not publicly available and difficult to collect. In this work, we propose a method to generate very large training datasets of synthetic images by compositing real face images in a given dataset. We show that this method enables to learn models from as few as 10,…
Image compositing is one of the most fundamental steps in creative workflows. It involves taking objects/parts of several images to create a new image, called a composite. Currently, this process is done manually by creating accurate masks of objects to be inserted and carefully blending them with the target scene or images, usually with the help of tools such as Photoshop or GIMP. While there have been several works on automatic selection of objects for creating masks, the problem of object placement within an image with the correct position, scale, and harmony remains a difficult problem wit…
Most current single image camera calibration methods rely on specific image features or user input, and cannot be applied to natural images captured in uncontrolled settings. We propose directly inferring camera calibration parameters from a single image using a deep convolutional neural network. This network is trained using automatically generated samples from a large-scale panorama dataset, and considerably outperforms other methods, including recent deep learning-based approaches, in terms of standard L2 error. However, we argue that in many cases it is more important to consider how human…
In this paper we present a compositing image synthesis method that generates RGB canvases with well aligned segmentation maps and sparse depth maps, coupled with an in-painting network that transforms the RGB canvases into high quality RGB images and the sparse depth maps into pixel-wise dense depth maps. We benchmark our method in terms of structural alignment and image quality, showing an increase in mIoU over SOTA by 3.7 percentage points and a highly competitive FID. Furthermore, we analyse the quality of the generated data as training data for semantic segmentation and depth completion, a…
The University of Texas at Austin（德克萨斯大学奥斯汀分校）；Adobe Inc.（Adobe公司）
Image harmonization aims to improve the quality of image compositing by matching the "appearance" (\eg, color tone, brightness and contrast) between foreground and background images. However, collecting large-scale annotated datasets for this task requires complex professional retouching. Instead, we propose a novel Self-Supervised Harmonization framework (SSH) that can be trained using just "free" natural images without being edited. We reformulate the image harmonization problem from a representation fusion perspective, which separately processes the foreground and background examples, to ad…
École des Ponts ParisTech（巴黎路桥学院）；Adobe Research（奥多比研究院）；UC Berkeley（加州大学伯克利分校）
This paper presents an end-to-end convolutional neural network (CNN) for 2D-3D exemplar detection. We demonstrate that the ability to adapt the features of natural images to better align with those of CAD rendered views is critical to the success of our technique. We show that the adaptation can be learned by compositing rendered views of textured object models on natural images. Our approach can be naturally incorporated into a CNN detection pipeline and extends the accuracy and speed benefits from recent advances in deep learning to 2D-3D exemplar detection. We applied our method to two task…
Weizmann Institute of Science（魏茨曼科学研究所）；Google Research（谷歌研究院）
We present a novel GAN-based model that utilizes the space of deep features learned by a pre-trained classification model. Inspired by classical image pyramid representations, we construct our model as a Semantic Generation Pyramid -- a hierarchical framework which leverages the continuum of semantic information encapsulated in such deep features; this ranges from low level information contained in fine features to high level, semantic information contained in deeper features. More specifically, given a set of features extracted from a reference image, our model generates diverse image samples…
Nanyang Technological University（南洋理工大学）；University of California San Diego（加利福尼亚大学圣迭戈分校）
Existing color sampling based alpha matting methods use the compositing equation to estimate alpha at a pixel from pairs of foreground (F) and background (B) samples. The quality of the matte depends on the selected (F,B) pairs. In this paper, the matting problem is reinterpreted as a sparse coding of pixel features, wherein the sum of the codes gives the estimate of the alpha matte from a set of unpaired F and B samples. A non-parametric probabilistic segmentation provides a certainty measure on the pixel belonging to foreground or background, based on which a dictionary is formed for use in …
Applications of digital agricultural services often require either farmers or their advisers to provide digital records of their field boundaries. Automatic extraction of field boundaries from satellite imagery would reduce the reliance on manual input of these records which is time consuming and error-prone, and would underpin the provision of remote products and services. The lack of current field boundary data sets seems to indicate low uptake of existing methods,presumably because of expensive image preprocessing requirements and local, often arbitrary, tuning. In this paper, we address th…
Information Technologies Institute (ITI), Centre for Research and Technology Hellas (CERTH)（希腊研究与技术中心信息技术研究所）；Universidad Politécnica de Madrid (UPM)（马德里理工大学）
Estimating a scene's lighting is a very important task when compositing synthetic content within real environments, with applications in mixed reality and post-production. In this work we present a data-driven model that estimates an HDR lighting environment map from a single LDR monocular spherical panorama. In addition to being a challenging and ill-posed problem, the lighting estimation task also suffers from a lack of facile illumination ground truth data, a fact that hinders the applicability of data-driven methods. We approach this problem differently, exploiting the availability of surf…
Memory Efficient Matting with Adaptive Token Routing
Institute of Information Science, Beijing Jiaotong University（北京交通大学信息科学研究所）；Visual Intelligence + X International Joint Laboratory of the Ministry of Education（教育部视觉智能+X国际联合实验室）；Pengcheng Laboratory（鹏城实验室）；MT Lab, Meitu Inc.（美图公司MT实验室）
Unsupervised localization and segmentation are long-standing computer vision challenges that involve decomposing an image into semantically-meaningful segments without any labeled data. These tasks are particularly interesting in an unsupervised setting due to the difficulty and cost of obtaining dense image annotations, but existing unsupervised approaches struggle with complex scenes containing multiple objects. Differently from existing methods, which are purely based on deep learning, we take inspiration from traditional spectral segmentation methods by reframing image decomposition as a g…
