Whenever we speak, our voice is accompanied by facial movements and expressions. Several recent works have shown the synthesis of highly photo-realistic videos of talking faces, but they either require a source video to drive the target face or only generate videos with a fixed head pose. This lack of facial movement is because most of these works focus on the lip movement in sync with the audio while assuming the remaining facial keypoints' fixed nature. To address this, a unique audio-keypoint dataset of over 150,000 videos at 224p and 25fps is introduced that relates the facial keypoint movement for the given audio. This dataset is then further used to train the model, Audio2Keypoint, a novel approach for synthesizing facial keypoint movement to go with the audio. Given a single image of the target person and an audio sequence (in any language), Audio2Keypoint generates a plausible keypoint movement sequence in sync with the input audio, conditioned on the input image to preserve the target person's facial characteristics. To the best of our knowledge, this is the first work that proposes an audio-keypoint dataset and learns a model to output the plausible keypoint sequence to go with audio of any arbitrary length. Audio2Keypoint generalizes across unseen people with a different facial structure allowing us to generate the sequence with the voice from any source or even synthetic voices. Instead of learning a direct mapping from audio to video domain, this work aims to learn the audio-keypoint mapping that allows for in-plane and out-of-plane head rotations, while preserving the person's identity using a Pose Invariant (PIV) Encoder.
University of California, Davis（加利福尼亚大学戴维斯分校）；Zhejiang University（浙江大学）
We present a method for localizing facial keypoints on animals by transferring knowledge gained from human faces. Instead of directly finetuning a network trained to detect keypoints on human faces to animal faces (which is sub-optimal since human and animal faces can look quite different), we propose to first adapt the animal images to the pre-trained human detection network by correcting for the differences in animal and human face shape. We first find the nearest human neighbors for each animal image using an unsupervised shape matching method. We use these matches to train a thin plate spl…
University of Cambridge（剑桥大学）；Indian Institute of Science（印度科学理工学院）
Disguised face identification (DFI) is an extremely challenging problem due to the numerous variations that can be introduced using different disguises. This paper introduces a deep learning framework to first detect 14 facial key-points which are then utilized to perform disguised face identification. Since the training of deep learning architectures relies on large annotated datasets, two annotated facial key-points datasets are introduced. The effectiveness of the facial keypoint detection framework is presented for each keypoint. The superiority of the key-point detection framework is also…
Graph-Based Recognition of Simulated Train-Driver States From Facial and Upper-Body Keypoints
Istituto Italiano di Tecnologia（意大利技术研究院）；Imperial College London（帝国理工学院）；Italian National Institute for Insurance against Accidents at Work (INAIL)（意大利国家工伤事故保险研究所（INAIL））
FMReward: Aligning and Evaluating Audio-Driven 3D Facial Animation with Human Preferences
Institute of Image Communication and Network Engineering, Shanghai Jiao Tong University（上海交通大学图像通信与网络工程研究所）；USC-SJTU Institute of Cultural and Creative Industry, Shanghai Jiao Tong University（上海交通大学 USC-文化创意产业学院）；Institut Universitaire de France (IUF)（法国大学研究院）；University of Nantes（南特大学）
Human head pose estimation is an essential problem in facial analysis in recent years that has a lot of computer vision applications such as gaze estimation, virtual reality, and driver assistance. Because of the importance of the head pose estimation problem, it is necessary to design a compact model to resolve this task in order to reduce the computational cost when deploying on facial analysis-based applications such as large camera surveillance systems, AI cameras while maintaining accuracy. In this work, we propose a lightweight model that effectively addresses the head pose estimation pr…
UC Berkeley（加州大学伯克利分校）；Seoul National University（首尔国立大学）；Pinscreen
We present a framework for modeling interactional communication in dyadic conversations: given multimodal inputs of a speaker, we autoregressively output multiple possibilities of corresponding listener motion. We combine the motion and speech audio of the speaker using a motion-audio cross attention transformer. Furthermore, we enable non-deterministic prediction by learning a discrete latent representation of realistic listener motion with a novel motion-encoding VQ-VAE. Our method organically captures the multimodal and non-deterministic nature of nonverbal dyadic interactions. Moreover, it…
REACT2023: the first Multi-modal Multiple Appropriate Facial Reaction Generation Challenge
University of Leicester（莱斯特大学）；University of Cambridge（剑桥大学）；Shenzhen University（深圳大学）；Universitat de Barcelona（巴塞罗那大学）；Computer Vision Center（计算机视觉中心）；University of Nottingham（诺丁汉大学）；University of Augsburg（奥格斯堡大学）；Université Grenoble Alpes（格勒诺布尔阿尔卑斯大学）
Powder AI Research（Powder AI 研究院）；Université Paris-Est, LISSI, UPEC（巴黎东大学 LISSI 实验室 / 巴黎东克雷泰伊大学）
Emotional expressions are the behaviors that communicate our emotional state or attitude to others. They are expressed through verbal and non-verbal communication. Complex human behavior can be understood by studying physical features from multiple modalities; mainly facial, vocal and physical gestures. Recently, spontaneous multi-modal emotion recognition has been extensively studied for human behavior analysis. In this paper, we propose a new deep learning-based approach for audio-visual emotion recognition. Our approach leverages recent advances in deep learning like knowledge distillation …
FX Palo Alto Laboratory（FX帕洛阿尔托实验室）；KK Women’s and Children’s Hospital（KK妇女儿童医院）；Duke-NUS Medical School（杜克-新加坡国立大学医学院）
Managing post-surgical pain is critical for successful surgical outcomes. One of the challenges of pain management is accurately assessing the pain level of patients. Self-reported numeric pain ratings are limited because they are subjective, can be affected by mood, and can influence the patient's perception of pain when making comparisons. In this paper, we introduce an approach that analyzes 2D and 3D facial keypoints of post-surgical patients to estimate their pain intensity level. Our approach leverages the previously unexplored capabilities of a smartphone to capture a dense 3D represent…
Unsupervised learning of Data-driven Facial Expression Coding System (DFECS) using keypoint tracking
Indian Institute of Technology Delhi（印度理工学院德里分校）；Amar Nath and Shashi Khosla School of Information Technology, Indian Institute of Technology Delhi（印度理工学院德里分校阿马尔·纳特和夏希·霍斯拉信息技术学院）；National Resource Centre for Value Education in Engineering, Indian Institute of Technology Delhi（印度理工学院德里分校工程价值教育国家资源中心）
Beijing University of Posts and Telecommunications（北京邮电大学）；DeepScience Tech Ltd.（深度科学科技有限公司）
Audio driven talking head synthesis is a challenging task that attracts increasing attention in recent years. Although existing methods based on 2D landmarks or 3D face models can synthesize accurate lip synchronization and rhythmic head pose for arbitrary identity, they still have limitations, such as the cut feeling in the mouth mapping and the lack of skin highlights. The morphed region is blurry compared to the surrounding face. A Keypoint Based Enhancement (KPBE) method is proposed for audio driven free view talking head synthesis to improve the naturalness of the generated video. Firstly…
Centre for Visual Information Technology, KCIS, IIIT Hyderabad（国际信息技术研究所（海得拉巴）KCIS 视觉信息技术中心）
Monocular head pose estimation requires learning a model that computes the intrinsic Euler angles for pose (yaw, pitch, roll) from an input image of human face. Annotating ground truth head pose angles for images in the wild is difficult and requires ad-hoc fitting procedures (which provides only coarse and approximate annotations). This highlights the need for approaches which can train on data captured in controlled environment and generalize on the images in the wild (with varying appearance and illumination of the face). Most present day deep learning approaches which learn a regression fu…
Unlock Pose Diversity: Accurate and Efficient Implicit Keypoint-based Spatiotemporal Diffusion for Audio-driven Talking Portrait
University of Liverpool（利物浦大学）；Ant Group（蚂蚁集团）；Xi’an Jiaotong-Liverpool University（西交利物浦大学）；Duke Kunshan University（昆山杜克大学）；Ricoh Software Research Center（理光软件研究中心）
The task of talking head generation is to synthesize a lip synchronized talking head video by inputting an arbitrary face image and audio clips. Most existing methods ignore the local driving information of the mouth muscles. In this paper, we propose a novel recurrent generative network that uses both audio and speech-related facial action units (AUs) as the driving information. AU information related to the mouth can guide the movement of the mouth more accurately. Since speech is highly correlated with speech-related AUs, we propose an Audio-to-AU module in our system to predict the speech-…
Tsinghua University（清华大学）；National Engineering Laboratory for Neuromodulation（神经调控国家工程实验室）
Data sharing for medical research has been difficult as open-sourcing clinical data may violate patient privacy. Traditional methods for face de-identification wipe out facial information entirely, making it impossible to analyze facial behavior. Recent advancements on whole-body keypoints detection also rely on facial input to estimate body keypoints. Both facial and body keypoints are critical in some medical diagnoses, and keypoints invariability after de-identification is of great importance. Here, we propose a solution using deepfake technology, the face swapping technique. While this swa…
StreamingTalker: Audio-driven 3D Facial Animation with Autoregressive Diffusion Model
State Key Laboratory of CAD&CG, Zhejiang University（浙江大学计算机辅助设计与图形学国家重点实验室）；Ant Group（蚂蚁集团）；College of Computer Science, Zhejiang University（浙江大学计算机学院）
This paper presents a generative adversarial learning-based human upper body video synthesis approach to generate an upper body video of target person that is consistent with the body motion, face expression, and pose of the person in source video. We use upper body keypoints, facial action units and poses as intermediate representations between source video and target video. Instead of directly transferring the source video to the target video, we firstly map the source person's facial action units and poses into the target person's facial landmarks, then combine the normalized upper body key…
Nanchang Hangkong University（南昌航空大学）；Dalian University of Technology（大连理工大学）；Cardiff University（卡迪夫大学）
Most of the existing audio-driven 3D facial animation methods suffered from the lack of detailed facial expression and head pose, resulting in unsatisfactory experience of human-robot interaction. In this paper, a novel pose-controllable 3D facial animation synthesis method is proposed by utilizing hierarchical audio-vertex attention. To synthesize real and detailed expression, a hierarchical decomposition strategy is proposed to encode the audio signal into both a global latent feature and a local vertex-wise control feature. Then the local and global audio features combined with vertex spati…
Extensive efforts have been devoted to recognizing facial action units (AUs). However, it is still challenging to recognize AUs from spontaneous facial displays especially when they are accompanied with speech. Different from all prior work that utilized visual observations for facial AU recognition, this paper presents a novel approach that recognizes speech-related AUs exclusively from audio signals based on the fact that facial activities are highly correlated with voice during speech. Specifically, dynamic and physiological relationships between AUs and phonemes are modeled through a conti…
Facial expression recognition is an essential task for various applications, including emotion detection, mental health analysis, and human-machine interactions. In this paper, we propose a multi-modal facial expression recognition method that exploits audio information along with facial images to provide a crucial clue to differentiate some ambiguous facial expressions. Specifically, we introduce a Modal Fusion Module (MFM) to fuse audio-visual information, where image and audio features are extracted from Swin Transformer. Additionally, we tackle the imbalance problem in the dataset by emplo…
Carnegie Mellon University（卡内基梅隆大学）；Mila-University of Montreal（蒙特利尔大学米拉研究院）；Polytechnique Montreal（蒙特利尔综合理工大学）；Element AI（元素人工智能公司）
We present an unsupervised approach for learning to estimate three dimensional (3D) facial structure from a single image while also predicting 3D viewpoint transformations that match a desired pose and facial geometry. We achieve this by inferring the depth of facial keypoints of an input image in an unsupervised manner, without using any form of ground-truth depth information. We show how it is possible to use these depths as intermediate computations within a new backpropable loss to predict the parameters of a 3D affine transformation matrix that maps inferred 3D keypoints of an input face …
Currently in the domain of facial analysis single task approaches for face detection and landmark localization dominate. In this paper we draw attention to multi-task models solving both tasks simultaneously. We present a highly accurate model for face and landmark detection. The method, called MaskFace, extends previous face detection approaches by adding a keypoint prediction head. The new keypoint head adopts ideas of Mask R-CNN by extracting facial features with a RoIAlign layer. The keypoint head adds small computational overhead in the case of few faces in the image while improving the a…
The task of recognizing human facial expressions plays a vital role in various human-related systems, including health care and medical fields. With the recent success of deep learning and the accessibility of a large amount of annotated data, facial expression recognition research has been mature enough to be utilized in real-world scenarios with audio-visual datasets. In this paper, we introduce Swin transformer-based facial expression approach for an in-the-wild audio-visual dataset of the Aff-Wild2 Expression dataset. Specifically, we employ a three-stream network (i.e., Visual stream, Tem…
Enhancing Speech-Driven 3D Facial Animation with Audio-Visual Guidance from Lip Reading Expert
Grad. School of Artificial Intelligence（人工智能研究生院）；POSTECH（浦项科技大学）；ENSC, Bordeaux INP, France（法国波尔多国立高等工程学院）；KRAFTON, Korea（韩国KRAFTON公司）；Inst. for Convergence Research and Education in Advanced Technology, Yonsei University, Korea（延世大学先进技术融合研究与教育学院）
The University of Hong Kong（香港大学）；The Hong Kong University of Science and Technology（香港科技大学）；Adobe Research（Adobe研究院）；Texas A&M University（德克萨斯A&M大学）
Speech-driven 3D facial animation with accurate lip synchronization has been widely studied. However, synthesizing realistic motions for the entire face during speech has rarely been explored. In this work, we present a joint audio-text model to capture the contextual information for expressive speech-driven 3D facial animation. The existing datasets are collected to cover as many different phonemes as possible instead of sentences, thus limiting the capability of the audio-based model to learn more diverse contexts. To address this, we propose to leverage the contextual text embeddings extrac…
Speech-driven facial video generation has been a complex problem due to its multi-modal aspects namely audio and video domain. The audio comprises lots of underlying features such as expression, pitch, loudness, prosody(speaking style) and facial video has lots of variability in terms of head movement, eye blinks, lip synchronization and movements of various facial action units along with temporal smoothness. Synthesizing highly expressive facial videos from the audio input and static image is still a challenging task for generative adversarial networks. In this paper, we propose a multi-modal…
Technical University of Munich（慕尼黑工业大学）；Max Planck Institute for Informatics（马克斯·普朗克信息学研究所）；Saarland Informatics Campus（萨尔兰信息学园区）
We present Neural Voice Puppetry, a novel approach for audio-driven facial video synthesis. Given an audio sequence of a source person or digital assistant, we generate a photo-realistic output video of a target person that is in sync with the audio of the source input. This audio-driven facial reenactment is driven by a deep neural network that employs a latent 3D face model space. Through the underlying 3D representation, the model inherently learns temporal stability while we leverage neural rendering to generate photo-realistic output frames. Our approach generalizes across different peopl…
FauForensics: Boosting Audio-Visual Deepfake Detection with Facial Action Units
School of Computer Science, Nanjing University of Posts and Telecommunications（南京邮电大学计算机科学学院）；School of Data Science, The Chinese University of Hong Kong, Shenzhen（香港中文大学（深圳）数据科学学院）；The Hong Kong University of Science and Technology (Guangzhou)（香港科学与技术大学（广州））
Sharif University of Technology（谢里夫理工大学）；imec（imec研究所）；Ghent University（根特大学）
We present a novel approach to generating photo-realistic images of a face with accurate lip sync, given an audio input. By using a recurrent neural network, we achieved mouth landmarks based on audio features. We exploited the power of conditional generative adversarial networks to produce highly-realistic face conditioned on a set of landmarks. These two networks together are capable of producing a sequence of natural faces in sync with an input audio track.
