We introduce the Free Universal Sound Separation (FUSS) dataset, a new corpus for experiments in separating mixtures of an unknown number of sounds from an open domain of sound types. The dataset consists of 23 hours of single-source audio data drawn from 357 classes, which are used to create mixtures of one to four sources. To simulate reverberation, an acoustic room simulator is used to generate impulse responses of box shaped rooms with frequency-dependent reflective walls. Additional open-source data augmentation tools are also provided to produce new mixtures with different combinations of sources and room simulations. Finally, we introduce an open-source baseline separation model, based on an improved time-domain convolutional network (TDCN++), that can separate a variable number of sources in a mixture. This model achieves 9.8 dB of scale-invariant signal-to-noise ratio improvement (SI-SNRi) on mixtures with two to four sources, while reconstructing single-source inputs with 35.5 dB absolute SI-SNR. We hope this dataset will lower the barrier to new research and allow for fast iteration and application of novel techniques from other machine learning domains to the sound separation challenge.
The cocktail party problem aims at isolating any source of interest within a complex acoustic scene, and has long inspired audio source separation research. Recent efforts have mainly focused on separating speech from noise, speech from speech, musical instruments from each other, or sound events from each other. However, separating an audio mixture (e.g., movie soundtrack) into the three broad categories of speech, music, and sound effects (understood to include ambient noise and natural sound events) has been left largely unexplored, despite a wide range of potential applications. This paper…
Sony Group Corporation（索尼集团公司）；University of California San Diego（加州大学圣地亚哥分校）
Recent years have seen progress beyond domain-specific sound separation for speech or music towards universal sound separation for arbitrary sounds. Prior work on universal sound separation has investigated separating a target sound out of an audio mixture given a text query. Such text-queried sound separation systems provide a natural and scalable interface for specifying arbitrary target sounds. However, supervised text-queried sound separation systems require costly labeled audio-text pairs for training. Moreover, the audio provided in existing datasets is often recorded in a controlled env…
University of Illinois, Urbana-Champaign（伊利诺伊大学厄巴纳-香槟分校）；Mitsubishi Electric Research Labs（三菱电机研究实验室）
There exists an unequivocal distinction between the sound produced by a static source and that produced by a moving one, especially when the source moves towards or away from the microphone. In this paper, we propose to use this connection between audio and visual dynamics for solving two challenging tasks simultaneously, namely: (i) separating audio sources from a mixture using visual cues, and (ii) predicting the 3D visual motion of a sounding source using its separated audio. Towards this end, we present Audio Separator and Motion Predictor (ASMP) -- a deep learning framework that leverages…
Dolby Laboratories（杜比实验室）；Sapienza University of Rome（罗马第一大学）
Universal sound separation consists of separating mixes with arbitrary sounds of different types, and permutation invariant training (PIT) is used to train source agnostic models that do so. In this work, we complement PIT with adversarial losses but find it challenging with the standard formulation used in speech source separation. We overcome this challenge with a novel I-replacement context-based adversarial loss, and by training with multiple discriminators. Our experiments show that by simply improving the loss (keeping the same model and dataset) we obtain a non-negligible improvement of…
A Semantically Consistent Dataset for Data-Efficient Query-Based Universal Sound Separation
Department of Computer Science and Technology, Institute for AI, BNRist, Tsinghua University, Beijing, China（计算机科学与技术系，人工智能研究所，BNRist，清华大学，北京，中国）；Shanda AI Research Tokyo（莎莎人工智能研究东京）；IDG/McGovern Institute for Brain Research, Tsinghua University, Beijing, China（IDG/麦戈文脑研究 institute，清华大学，北京，中国）；Johns Hopkins University（约翰霍普金斯大学）；Chinese Institute for Brain Research (CIBR), Beijing, China（中国脑研究 institute（CIBR），北京，中国）
Leveraging Sound Source Trajectories for Universal Sound Separation
National Key Laboratory of General Artificial Intelligence, School of Intelligence Science and Technology, Peking University（国家级通用人工智能重点实验室，智能科学与技术学院，北京大学）
We propose a benchmark of state-of-the-art sound event detection systems (SED). We designed synthetic evaluation sets to focus on specific sound event detection challenges. We analyze the performance of the submissions to DCASE 2021 task 4 depending on time related modifications (time position of an event and length of clips) and we study the impact of non-target sound events and reverberation. We show that the localization in time of sound events is still a problem for SED systems. We also show that reverberation and non-target sound events are severely degrading the performance of the SED sy…
We propose the novel task of distance-based sound separation, where sounds are separated based only on their distance from a single microphone. In the context of assisted listening devices, proximity provides a simple criterion for sound selection in noisy environments that would allow the user to focus on sounds relevant to a local conversation. We demonstrate the feasibility of this approach by training a neural network to separate near sounds from far sounds in single channel synthetic reverberant mixtures, relative to a threshold distance defining the boundary between near and far. With a …
French National Research Agency（法国国家研究署）；Inria（法国国家信息与自动化研究所）；CNRS（法国国家科学研究中心）；RENATER（法国国家电信通信网络）
Performing sound event detection on real-world recordings often implies dealing with overlapping target sound events and non-target sounds, also referred to as interference or noise. Until now these problems were mainly tackled at the classifier level. We propose to use sound separation as a pre-processing for sound event detection. In this paper we start from a sound separation model trained on the Free Universal Sound Separation dataset and the DCASE 2020 task 4 sound event detection baseline. We explore different methods to combine separated sound sources and the original mixture within the…
Supervised neural network training has led to significant progress on single-channel sound separation. This approach relies on ground truth isolated sources, which precludes scaling to widely available mixture data and limits progress on open-domain tasks. The recent mixture invariant training (MixIT) method enables training on in-the-wild data; however, it suffers from two outstanding problems. First, it produces models which tend to over-separate, producing more output sources than are present in the input. Second, the exponential computational complexity of the MixIT loss limits the number …
We propose a method of separating a desired sound source from a single-channel mixture, based on either a textual description or a short audio sample of the target source. This is achieved by combining two distinct models. The first model, SoundWords, is trained to jointly embed both an audio clip and its textual description to the same embedding in a shared representation. The second model, SoundFilter, takes a mixed source audio clip as an input and separates it based on a conditioning vector from the shared text-audio representation defined by SoundWords, making the model agnostic to the co…
New York University（纽约大学）；New Jersey Institute of Technology（新泽西理工学院）；Northwestern University（西北大学）
While the estimation of what sound sources are, when they occur, and from where they originate has been well-studied, the estimation of how loud these sound sources are has been often overlooked. Current solutions to this task, which we refer to as source-specific sound level estimation (SSSLE), suffer from challenges due to the impracticality of acquiring realistic data and a lack of robustness to realistic recording conditions. Recently proposed weakly supervised source separation offer a means of leveraging clip-level source annotations to train source separation models, which we augment wi…
Indiana University（印第安纳大学）；Mitsubishi Electric Research Laboratories（三菱电机研究实验室）；Microsoft Corporation（微软公司）；Carnegie Mellon University（卡内基梅隆大学）
Emulating the human ability to solve the cocktail party problem, i.e., focus on a source of interest in a complex acoustic scene, is a long standing goal of audio source separation research. Much of this research investigates separating speech from noise, speech from speech, musical instruments from each other, or sound events from each other. In this paper, we focus on the cocktail fork problem, which takes a three-pronged approach to source separation by separating an audio mixture such as a movie soundtrack or podcast into the three broad categories of speech, music, and sound effects (SFX …
Institute of Computing Technology, Chinese Academy of Sciences（中国科学院计算技术研究所）；University of Chinese Academy of Sciences（中国科学院大学）
In this paper, we describe in detail our systems for DCASE 2020 Task 4. The systems are based on the 1st-place system of DCASE 2019 Task 4, which adopts weakly-supervised framework with an attention-based embedding-level pooling module and a semi-supervised learning approach named guided learning. This year, we incorporate multi-branch learning (MBL) into the original system to further improve its performance. MBL uses different branches with different pooling strategies (including instance-level and embedding-level strategies) and different pooling modules (including attention pooling, global…
Background sound is an informative form of art that is helpful in providing a more immersive experience in real-application voice conversion (VC) scenarios. However, prior research about VC, mainly focusing on clean voices, pay rare attention to VC with background sound. The critical problem for preserving background sound in VC is inevitable speech distortion by the neural separation model and the cascade mismatch between the source separation model and the VC model. In this paper, we propose an end-to-end framework via multi-task learning which sequentially cascades a source separation (SS) …
The objective of this paper is to perform visual sound separation: i) we study visual sound separation on spectrograms of different temporal resolutions; ii) we propose a new light yet efficient three-stream framework V-SlowFast that operates on Visual frame, Slow spectrogram, and Fast spectrogram. The Slow spectrogram captures the coarse temporal resolution while the Fast spectrogram contains the fine-grained temporal resolution; iii) we introduce two contrastive objectives to encourage the network to learn discriminative visual features for separating sounds; iv) we propose an audio-visual g…
University of Rochester（罗切斯特大学）；Beijing Key Laboratory of Big Data Management and Analysis Methods（北京大数据管理与分析方法重点实验室）
There are rich synchronized audio and visual events in our daily life. Inside the events, audio scenes are associated with the corresponding visual objects; meanwhile, sounding objects can indicate and help to separate their individual sounds in the audio track. Based on this observation, in this paper, we propose a cyclic co-learning (CCoL) paradigm that can jointly learn sounding object visual grounding and audio-visual sound separation in a unified framework. Concretely, we can leverage grounded object-sound relations to improve the results of sound separation. Meanwhile, benefiting from di…
University of Illinois at Urbana-Champaign（伊利诺伊大学厄巴纳-香槟分校）；Google Research（谷歌研究院）
Recent progress in deep learning has enabled many advances in sound separation and visual scene understanding. However, extracting sound sources which are apparent in natural videos remains an open problem. In this work, we present AudioScope, a novel audio-visual sound separation framework that can be trained without supervision to isolate on-screen sound sources from real in-the-wild videos. Prior audio-visual separation work assumed artificial limitations on the domain of sound classes (e.g., to speech or music), constrained the number of sources, and required strong sound separation or vis…
Representational learning for an anomalous sound detection system with source separation model
School of Electronic and Electrical Engineering, Kyungpook National University（庆北国立大学电子与电气工程学院）；School of Electronics Engineering, Kyungpook National University（庆北国立大学电子工程学院）
In recent years, many deep learning techniques for single-channel sound source separation have been proposed using recurrent, convolutional and transformer networks. When multiple microphones are available, spatial diversity between speakers and background noise in addition to spectro-temporal diversity can be exploited by using multi-channel filters for sound source separation. Aiming at end-to-end multi-channel source separation, in this paper we propose a transformer-recurrent-U network (TRUNet), which directly estimates multi-channel filters from multi-channel input spectra. TRUNet consist…
Google Research（谷歌研究院）；University of Illinois Urbana-Champaign（伊利诺伊大学厄巴纳-香槟分校）
We introduce AudioScopeV2, a state-of-the-art universal audio-visual on-screen sound separation system which is capable of learning to separate sounds and associate them with on-screen objects by looking at in-the-wild videos. We identify several limitations of previous work on audio-visual on-screen sound separation, including the coarse resolution of spatio-temporal attention, poor convergence of the audio separation model, limited variety in training and evaluation data, and failure to account for the trade off between preservation of on-screen sounds and suppression of off-screen sounds. W…
MaD TwinNet: Masker-Denoiser Architecture with Twin Networks for Monaural Sound Source Separation
Tampere University of Technology（坦佩雷理工大学）；Fraunhofer IDMT – Technical University of Ilmenau（弗劳恩霍夫数字媒体技术研究所-伊尔梅瑙工业大学）；MILA, Université de Montréal（蒙特利尔大学米拉研究所）
University of British Columbia（不列颠哥伦比亚大学）；Vector Institute for AI（Vector人工智能研究所）
Learning how to localize and separate individual object sounds in the audio channel of the video is a difficult task. Current state-of-the-art methods predict audio masks from artificially mixed spectrograms, known as Mix-and-Separate framework. We propose an audio-visual co-segmentation, where the network learns both what individual objects look and sound like, from videos labeled with only object labels. Unlike other recent visually-guided audio source separation frameworks, our architecture can be learned in an end-to-end manner and requires no additional supervision or bounding box proposa…
Université de Lorraine（洛林大学）；CNRS（法国国家科学研究中心）；Inria（法国国家信息与自动化研究所）；LITIS EA 4108（信息处理与系统实验室）；Université & INSA Rouen Normandie（鲁昂-诺曼底大学与国立应用科学学院）
Ambient sound scenes typically comprise multiple short events occurring on top of a somewhat stationary background. We consider the task of separating these events from the background, which we call foreground-background ambient sound scene separation. We propose a deep learning-based separation framework with a suitable feature normaliza-tion scheme and an optional auxiliary network capturing the background statistics, and we investigate its ability to handle the great variety of sound classes encountered in ambient sound scenes, which have often not been seen in training. To do so, we create…
