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arXiv 2008.05959cs.CYcs.AIcs.HCcs.LG

Creativity in the era of artificial intelligence

IRCAM - CNRS UMR 9912 STMS, Sorbonne Universite(法国音乐和声学研究中心 - 法国国家科学研究中心UMR 9912 STMS,索邦大学)

Philippe Esling, Ninon Devis

英文摘要:

Creativity is a deeply debated topic, as this concept is arguably quintessential to our humanity. Across different epochs, it has been infused with an extensive variety of meanings relevant to that era. Along these, the evolution of technology have provided a plurality of novel tools for creative purposes. Recently, the advent of Artificial Intelligence (AI), through deep learning approaches, have seen proficient successes across various applications. The use of such technologies for creativity appear in a natural continuity to the artistic trend of this century. However, the aura of a technological artefact labeled as intelligent has unleashed passionate and somewhat unhinged debates on its implication for creative endeavors. In this paper, we aim to provide a new perspective on the question of creativity at the era of AI, by blurring the frontier between social and computational sciences. To do so, we rely on reflections from social science studies of creativity to view how current AI would be considered through this lens. As creativity is a highly context-prone concept, we underline the limits and deficiencies of current AI, requiring to move towards artificial creativity. We argue that the objective of trying to purely mimic human creative traits towards a self-contained ex-nihilo generative machine would be highly counterproductive, putting us at risk of not harnessing the almost unlimited possibilities offered by the sheer computational power of artificial agents.

机构、总结、中文摘要均由AI分析而来,可能存在错误,请以论文正文为准。

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