In this paper, we present an efficient neural network for end-to-end general purpose audio source separation. Specifically, the backbone structure of this convolutional network is the SUccessive DOwnsampling and Resampling of Multi-Resolution Features (SuDoRMRF) as well as their aggregation which is performed through simple one-dimensional convolutions. In this way, we are able to obtain high quality audio source separation with limited number of floating point operations, memory requirements, number of parameters and latency. Our experiments on both speech and environmental sound separation datasets show that SuDoRMRF performs comparably and even surpasses various state-of-the-art approaches with significantly higher computational resource requirements.
Deep learning techniques for separating audio into different sound sources face several challenges. Standard architectures require training separate models for different types of audio sources. Although some universal separators employ a single model to target multiple sources, they have difficulty generalizing to unseen sources. In this paper, we propose a three-component pipeline to train a universal audio source separator from a large, but weakly-labeled dataset: AudioSet. First, we propose a transformer-based sound event detection system for processing weakly-labeled training data. Second,…
Source separation (SS) aims to separate individual sources from an audio recording. Sound event detection (SED) aims to detect sound events from an audio recording. We propose a joint separation-classification (JSC) model trained only on weakly labelled audio data, that is, only the tags of an audio recording are known but the time of the events are unknown. First, we propose a separation mapping from the time-frequency (T-F) representation of an audio to the T-F segmentation masks of the audio events. Second, a classification mapping is built from each T-F segmentation mask to the presence pr…
Source separation is the task to separate an audio recording into individual sound sources. Source separation is fundamental for computational auditory scene analysis. Previous work on source separation has focused on separating particular sound classes such as speech and music. Many of previous work require mixture and clean source pairs for training. In this work, we propose a source separation framework trained with weakly labelled data. Weakly labelled data only contains the tags of an audio clip, without the occurrence time of sound events. We first train a sound event detection system wi…
Exploring Text-Queried Sound Event Detection with Audio Source Separation
School of Marine Science and Technology, Northwestern Polytechnical University（西北工业大学海洋科学与技术学院）；Alibaba Group（阿里巴巴集团）；Fortemedia Singapore（Fortemedia新加坡公司）
本文提出 TQ-SED 框架，通过预训练改进的 AudioSep-DP 语言查询音频源分离模型分离重叠事件，再由多分支检测目标声音，显著提升 SED 性能。
University of Illinois at Urbana-Champaign（伊利诺伊大学厄巴纳-香槟分校）；Adobe Research（Adobe研究公司）
Recent progress in audio source separation lead by deep learning has enabled many neural network models to provide robust solutions to this fundamental estimation problem. In this study, we provide a family of efficient neural network architectures for general purpose audio source separation while focusing on multiple computational aspects that hinder the application of neural networks in real-world scenarios. The backbone structure of this convolutional network is the SUccessive DOwnsampling and Resampling of Multi-Resolution Features (SuDoRM-RF) as well as their aggregation which is performe…
Audio source separation is the process of separating a mixture (e.g. a pop band recording) into isolated sounds from individual sources (e.g. just the lead vocals). Deep learning models are the state-of-the-art in source separation, given that the mixture to be separated is similar to the mixtures the deep model was trained on. This requires the end user to know enough about each model's training to select the correct model for a given audio mixture. In this work, we automate selection of the appropriate model for an audio mixture. We present a confidence measure that does not require ground t…
The University of Tokyo（东京大学）；Waseda University（早稻田大学）；NTT Corporation（日本电信电话株式会社）
Audio source separation is often used as preprocessing of various applications, and one of its ultimate goals is to construct a single versatile model capable of dealing with the varieties of audio signals. Since sampling frequency, one of the audio signal varieties, is usually application specific, the preceding audio source separation model should be able to deal with audio signals of all sampling frequencies specified in the target applications. However, conventional models based on deep neural networks (DNNs) are trained only at the sampling frequency specified by the training data, and th…
Carnegie Mellon University（卡内基梅隆大学）；Singapore University of Technology and Design（新加坡科技设计大学）
Monoaural audio source separation is a challenging research area in machine learning. In this area, a mixture containing multiple audio sources is given, and a model is expected to disentangle the mixture into isolated atomic sources. In this paper, we first introduce a challenging new dataset for monoaural source separation called WildMix. WildMix is designed with the goal of extending the boundaries of source separation beyond what previous datasets in this area would allow. It contains diverse in-the-wild recordings from 25 different sound classes, combined with each other using arbitrary c…
Queen Mary University of London（伦敦玛丽女王大学）；The University of Sheffield（谢菲尔德大学）
Gaussian process (GP) audio source separation is a time-domain approach that circumvents the inherent phase approximation issue of spectrogram based methods. Furthermore, through its kernel, GPs elegantly incorporate prior knowledge about the sources into the separation model. Despite these compelling advantages, the computational complexity of GP inference scales cubically with the number of audio samples. As a result, source separation GP models have been restricted to the analysis of short audio frames. We introduce an efficient application of GPs to time-domain audio source separation, wit…
NTT Media Intelligence Laboratories, NTT Corporation（NTT（日本电报电话公司）媒体情报研究所）
We present an audio-visual speech separation learning method that considers the correspondence between the separated signals and the visual signals to reflect the speech characteristics during training. Audio-visual speech separation is a technique to estimate the individual speech signals from a mixture using the visual signals of the speakers. Conventional studies on audio-visual speech separation mainly train the separation model on the audio-only loss, which reflects the distance between the source signals and the separated signals. However, conventional losses do not reflect the character…
Sony Corporation（索尼公司）；University of Tsukuba（筑波大学）
Despite the excellent performance of neural-network-based audio source separation methods and their wide range of applications, their robustness against intentional attacks has been largely neglected. In this work, we reformulate various adversarial attack methods for the audio source separation problem and intensively investigate them under different attack conditions and target models. We further propose a simple yet effective regularization method to obtain imperceptible adversarial noise while maximizing the impact on separation quality with low computational complexity. Experimental resul…
University of Rochester（罗切斯特大学）；ByteDance Inc.（字节跳动公司）
Separating a song into vocal and accompaniment components is an active research topic, and recent years witnessed an increased performance from supervised training using deep learning techniques. We propose to apply the visual information corresponding to the singers' vocal activities to further improve the quality of the separated vocal signals. The video frontend model takes the input of mouth movement and fuses it into the feature embeddings of an audio-based separation framework. To facilitate the network to learn audiovisual correlation of singing activities, we add extra vocal signals ir…
University of Rochester（罗切斯特大学）；Adobe Research（奥多比研究院）
Deep convolutional neural networks are known to specialize in distilling compact and robust prior from a large amount of data. We are interested in applying deep networks in the absence of training dataset. In this paper, we introduce deep audio prior (DAP) which leverages the structure of a network and the temporal information in a single audio file. Specifically, we demonstrate that a randomly-initialized neural network can be used with carefully designed audio prior to tackle challenging audio problems such as universal blind source separation, interactive audio editing, audio texture synth…
Amsterdam Machine Learning Lab（阿姆斯特丹机器学习实验室）；University of Amsterdam（阿姆斯特丹大学）
Recent advancements in deep generative modeling make it possible to learn prior distributions from complex data that subsequently can be used for Bayesian inference. However, we find that distributions learned by deep generative models for audio signals do not exhibit the right properties that are necessary for tasks like audio source separation using a probabilistic approach. We observe that the learned prior distributions are either discriminative and extremely peaked or smooth and non-discriminative. We quantify this behavior for two types of deep generative models on two audio datasets.
The task of isolating a target singing voice in music videos has useful applications. In this work, we explore the single-channel singing voice separation problem from a multimodal perspective, by jointly learning from audio and visual modalities. To do so, we present Acappella, a dataset spanning around 46 hours of a cappella solo singing videos sourced from YouTube. We also propose an audio-visual convolutional network based on graphs which achieves state-of-the-art singing voice separation results on our dataset and compare it against its audio-only counterpart, U-Net, and a state-of-the-ar…
This paper presents an audio-visual approach for voice separation which produces state-of-the-art results at a low latency in two scenarios: speech and singing voice. The model is based on a two-stage network. Motion cues are obtained with a lightweight graph convolutional network that processes face landmarks. Then, both audio and motion features are fed to an audio-visual transformer which produces a fairly good estimation of the isolated target source. In a second stage, the predominant voice is enhanced with an audio-only network. We present different ablation studies and comparison to sta…
Centre for Vision, Speech and Signal Processing, University of Surrey（萨里大学视觉、语音与信号处理中心）；audEERING GmbH（audEERING有限公司）
Current performance evaluation for audio source separation depends on comparing the processed or separated signals with reference signals. Therefore, common performance evaluation toolkits are not applicable to real-world situations where the ground truth audio is unavailable. In this paper, we propose a performance evaluation technique that does not require reference signals in order to assess separation quality. The proposed technique uses a deep neural network (DNN) to map the processed audio into its quality score. Our experiment results show that the DNN is capable of predicting the sourc…
Audio-visual multi-modal modeling has been demonstrated to be effective in many speech related tasks, such as speech recognition and speech enhancement. This paper introduces a new time-domain audio-visual architecture for target speaker extraction from monaural mixtures. The architecture generalizes the previous TasNet (time-domain speech separation network) to enable multi-modal learning and at meanwhile it extends the classical audio-visual speech separation from frequency-domain to time-domain. The main components of proposed architecture include an audio encoder, a video encoder that extr…
We showcase an unsupervised method that repurposes deep models trained for music generation and music tagging for audio source separation, without any retraining. An audio generation model is conditioned on an input mixture, producing a latent encoding of the audio used to generate audio. This generated audio is fed to a pretrained music tagger that creates source labels. The cross-entropy loss between the tag distribution for the generated audio and a predefined distribution for an isolated source is used to guide gradient ascent in the (unchanging) latent space of the generative model. This …
Multi-modal based speech separation has exhibited a specific advantage on isolating the target character in multi-talker noisy environments. Unfortunately, most of current separation strategies prefer a straightforward fusion based on feature learning of each single modality, which is far from sufficient consideration of inter-relationships between modalites. Inspired by learning joint feature representations from audio and visual streams with attention mechanism, in this study, a novel cross-modal fusion strategy is proposed to benefit the whole framework with semantic correlations between di…
Text-Queried Audio Source Separation via Hierarchical Modeling
University of Science and Technology of China（中国科学技术大学）；School of Information and Communication Engineering, Communication University of China（中国通信大学信息与通信工程学院）；Microsoft Research Asia（微软亚洲研究院）
UT Austin（德克萨斯大学奥斯汀分校）；Facebook AI Research（脸书人工智能研究院）
We explore active audio-visual separation for dynamic sound sources, where an embodied agent moves intelligently in a 3D environment to continuously isolate the time-varying audio stream being emitted by an object of interest. The agent hears a mixed stream of multiple audio sources (e.g., multiple people conversing and a band playing music at a noisy party). Given a limited time budget, it needs to extract the target sound accurately at every step using egocentric audio-visual observations. We propose a reinforcement learning agent equipped with a novel transformer memory that learns motion p…
Kuai Shou Technology Co.（快手科技有限公司）；Harbin Institute of Technology（哈尔滨工业大学）
The audio source separation tasks, such as speech enhancement, speech separation, and music source separation, have achieved impressive performance in recent studies. The powerful modeling capabilities of deep neural networks give us hope for more challenging tasks. This paper launches a new multi-task audio source separation (MTASS) challenge to separate the speech, music, and noise signals from the monaural mixture. First, we introduce the details of this task and generate a dataset of mixtures containing speech, music, and background noises. Then, we propose an MTASS model in the complex do…
University of Illinois, Urbana-Champaign（伊利诺伊大学厄巴纳-香槟分校）；Mitsubishi Electric Research Labs（三菱电机研究实验室）
There exists an unequivocal distinction between the sound produced by a static source and that produced by a moving one, especially when the source moves towards or away from the microphone. In this paper, we propose to use this connection between audio and visual dynamics for solving two challenging tasks simultaneously, namely: (i) separating audio sources from a mixture using visual cues, and (ii) predicting the 3D visual motion of a sounding source using its separated audio. Towards this end, we present Audio Separator and Motion Predictor (ASMP) -- a deep learning framework that leverages…
Separating an audio scene such as a cocktail party into constituent, meaningful components is a core task in computer audition. Deep networks are the state-of-the-art approach. They are trained on synthetic mixtures of audio made from isolated sound source recordings so that ground truth for the separation is known. However, the vast majority of available audio is not isolated. The brain uses primitive cues that are independent of the characteristics of any particular sound source to perform an initial segmentation of the audio scene. We present a method for bootstrapping a deep model for musi…
University of Illinois at Urbana-Champaign（伊利诺伊大学厄巴纳-香槟分校）；Mitsubishi Electric Research Laboratories（三菱电机研究实验室）
State-of-the-art approaches for visually-guided audio source separation typically assume sources that have characteristic sounds, such as musical instruments. These approaches often ignore the visual context of these sound sources or avoid modeling object interactions that may be useful to better characterize the sources, especially when the same object class may produce varied sounds from distinct interactions. To address this challenging problem, we propose Audio Visual Scene Graph Segmenter (AVSGS), a novel deep learning model that embeds the visual structure of the scene as a graph and seg…
IRIT（IRIT研究所）；Université de Toulouse（图卢兹大学）；CNRS（法国国家科学研究中心）；ISAE-SUPAERO（法国高等航空航天学院）
Time-frequency audio source separation is usually achieved by estimating the short-time Fourier transform (STFT) magnitude of each source, and then applying a phase recovery algorithm to retrieve time-domain signals. In particular, the multiple input spectrogram inversion (MISI) algorithm has shown good performance in several recent works. This algorithm minimizes a quadratic reconstruction error between magnitude spectrograms. However, this loss does not properly account for some perceptual properties of audio, and alternative discrepancy measures such as beta-divergences have been preferred …
Institute of Computational Perception, Johannes Kepler University（约翰内斯·开普勒大学计算感知研究所）；Interactive Audio Lab, Northwestern University（西北大学交互音频实验室）；LIT Artificial Intelligence Lab, Johannes Kepler University（约翰内斯·开普勒大学LIT人工智能实验室）
Deep neural networks (DNNs) are successfully applied in a wide variety of music information retrieval (MIR) tasks but their predictions are usually not interpretable. We propose audioLIME, a method based on Local Interpretable Model-agnostic Explanations (LIME) extended by a musical definition of locality. The perturbations used in LIME are created by switching on/off components extracted by source separation which makes our explanations listenable. We validate audioLIME on two different music tagging systems and show that it produces sensible explanations in situations where a competing metho…
The University of Texas at Austin（德克萨斯大学奥斯汀分校）；Facebook AI Research（Facebook AI研究院）
We introduce the active audio-visual source separation problem, where an agent must move intelligently in order to better isolate the sounds coming from an object of interest in its environment. The agent hears multiple audio sources simultaneously (e.g., a person speaking down the hall in a noisy household) and it must use its eyes and ears to automatically separate out the sounds originating from a target object within a limited time budget. Towards this goal, we introduce a reinforcement learning approach that trains movement policies controlling the agent's camera and microphone placement …
Google Research（谷歌研究院）；University of Illinois Urbana-Champaign（伊利诺伊大学厄巴纳-香槟分校）
We introduce AudioScopeV2, a state-of-the-art universal audio-visual on-screen sound separation system which is capable of learning to separate sounds and associate them with on-screen objects by looking at in-the-wild videos. We identify several limitations of previous work on audio-visual on-screen sound separation, including the coarse resolution of spatio-temporal attention, poor convergence of the audio separation model, limited variety in training and evaluation data, and failure to account for the trade off between preservation of on-screen sounds and suppression of off-screen sounds. W…
Stereophonic audio is an indispensable ingredient to enhance human auditory experience. Recent research has explored the usage of visual information as guidance to generate binaural or ambisonic audio from mono ones with stereo supervision. However, this fully supervised paradigm suffers from an inherent drawback: the recording of stereophonic audio usually requires delicate devices that are expensive for wide accessibility. To overcome this challenge, we propose to leverage the vastly available mono data to facilitate the generation of stereophonic audio. Our key observation is that the task …
University of Illinois at Urbana-Champaign（伊利诺伊大学厄巴纳-香槟分校）；Google Research（谷歌研究院）
Recent progress in deep learning has enabled many advances in sound separation and visual scene understanding. However, extracting sound sources which are apparent in natural videos remains an open problem. In this work, we present AudioScope, a novel audio-visual sound separation framework that can be trained without supervision to isolate on-screen sound sources from real in-the-wild videos. Prior audio-visual separation work assumed artificial limitations on the domain of sound classes (e.g., to speech or music), constrained the number of sources, and required strong sound separation or vis…
Shenzhen International Graduate School, Tsinghua University（清华大学深圳国际研究生院）；Department of Computer Science, The University of Texas at Dallas（德克萨斯大学达拉斯分校计算机科学系）
Inria（法国国家信息与自动化研究所）；CNRS（法国国家科学研究中心）；RENATER（法国国家电信研究网络）；University de Lorraine（洛林大学）
This paper describes Asteroid, the PyTorch-based audio source separation toolkit for researchers. Inspired by the most successful neural source separation systems, it provides all neural building blocks required to build such a system. To improve reproducibility, Kaldi-style recipes on common audio source separation datasets are also provided. This paper describes the software architecture of Asteroid and its most important features. By showing experimental results obtained with Asteroid's recipes, we show that our implementations are at least on par with most results reported in reference pap…
UC San Diego（加州大学圣地亚哥分校）；Shanghai AI Laboratory（上海人工智能实验室）；The Chinese University of Hong Kong（香港中文大学）；National University of Singapore（新加坡国立大学）；ShanghaiTech University（上海科技大学）；University of Pennsylvania（宾夕法尼亚大学）
Current audio-visual separation methods share a standard architecture design where an audio encoder-decoder network is fused with visual encoding features at the encoder bottleneck. This design confounds the learning of multi-modal feature encoding with robust sound decoding for audio separation. To generalize to a new instrument: one must finetune the entire visual and audio network for all musical instruments. We re-formulate visual-sound separation task and propose Instrument as Query (iQuery) with a flexible query expansion mechanism. Our approach ensures cross-modal consistency and cross-…
Music source separation (MSS) is the task of separating a music piece into individual sources, such as vocals and accompaniment. Recently, neural network based methods have been applied to address the MSS problem, and can be categorized into spectrogram and time-domain based methods. However, there is a lack of research of using complementary information of spectrogram and time-domain inputs for MSS. In this article, we propose a CatNet framework that concatenates a UNet separation branch using spectrogram as input and a WavUNet separation branch using time-domain waveform as input for MSS. We…
In this paper, we are interested in audio-visual speech separation given a single-channel audio recording as well as visual information (lips movements) associated with each speaker. We propose an unsupervised technique based on audio-visual generative modeling of clean speech. More specifically, during training, a latent variable generative model is learned from clean speech spectrograms using a variational auto-encoder (VAE). To better utilize the visual information, the posteriors of the latent variables are inferred from mixed speech (instead of clean speech) as well as the visual data. Th…
NTT Communication Science Laboratories, NTT Corporation（NTT公司NTT通信科学实验室）；Paderborn University（帕德博恩大学）
The rising interest in single-channel multi-speaker speech separation sparked development of End-to-End (E2E) approaches to multi-speaker speech recognition. However, up until now, state-of-the-art neural network-based time domain source separation has not yet been combined with E2E speech recognition. We here demonstrate how to combine a separation module based on a Convolutional Time domain Audio Separation Network (Conv-TasNet) with an E2E speech recognizer and how to train such a model jointly by distributing it over multiple GPUs or by approximating truncated back-propagation for the conv…
IBM Research – China（IBM中国研究院）；Shanghai Jiao Tong University（上海交通大学）
Separating audio mixtures into individual instrument tracks has been a long standing challenging task. We introduce a novel weakly supervised audio source separation approach based on deep adversarial learning. Specifically, our loss function adopts the Wasserstein distance which directly measures the distribution distance between the separated sources and the real sources for each individual source. Moreover, a global regularization term is added to fulfill the spectrum energy preservation property regardless separation. Unlike state-of-the-art weakly supervised models which often involve del…
Department of Electrical Engineering, National Taiwan University（国立台湾大学电机工程学系）；Graduate Institute of Communication Engineering, National Taiwan University（国立台湾大学通讯工程学研究所）
Several results in the computer vision literature have shown the potential of randomly weighted neural networks. While they perform fairly well as feature extractors for discriminative tasks, a positive correlation exists between their performance and their fully trained counterparts. According to these discoveries, we pose two questions: what is the value of randomly weighted networks in difficult generative audio tasks such as audio source separation and does such positive correlation still exist when it comes to large random networks and their trained counterparts? In this paper, we demonst…
