Scene, as the crucial unit of storytelling in movies, contains complex activities of actors and their interactions in a physical environment. Identifying the composition of scenes serves as a critical step towards semantic understanding of movies. This is very challenging -- compared to the videos studied in conventional vision problems, e.g. action recognition, as scenes in movies usually contain much richer temporal structures and more complex semantic information. Towards this goal, we scale up the scene segmentation task by building a large-scale video dataset MovieScenes, which contains 21K annotated scene segments from 150 movies. We further propose a local-to-global scene segmentation framework, which integrates multi-modal information across three levels, i.e. clip, segment, and movie. This framework is able to distill complex semantics from hierarchical temporal structures over a long movie, providing top-down guidance for scene segmentation. Our experiments show that the proposed network is able to segment a movie into scenes with high accuracy, consistently outperforming previous methods. We also found that pretraining on our MovieScenes can bring significant improvements to the existing approaches.
Is it possible to guess human action from dialogue alone? In this work we investigate the link between spoken words and actions in movies. We note that movie screenplays describe actions, as well as contain the speech of characters and hence can be used to learn this correlation with no additional supervision. We train a BERT-based Speech2Action classifier on over a thousand movie screenplays, to predict action labels from transcribed speech segments. We then apply this model to the speech segments of a large unlabelled movie corpus (188M speech segments from 288K movies). Using the prediction…
To understand movies, humans constantly reason over the dialogues and actions shown in specific scenes and relate them to the overall storyline already seen. Inspired by this behaviour, we design ROLL, a model for knowledge-based video story question answering that leverages three crucial aspects of movie understanding: dialog comprehension, scene reasoning, and storyline recalling. In ROLL, each of these tasks is in charge of extracting rich and diverse information by 1) processing scene dialogues, 2) generating unsupervised video scene descriptions, and 3) obtaining external knowledge in a w…
Graduate School of Informatics, METU（中东技术大学信息学研究生院）
Rating a video based on its content is an important step for classifying video age categories. Movie content rating and TV show rating are the two most common rating systems established by professional committees. However, manually reviewing and evaluating scene/film content by a committee is a tedious work and it becomes increasingly difficult with the ever-growing amount of online video content. As such, a desirable solution is to use computer vision based video content analysis techniques to automate the evaluation process. In this paper, related works are summarized for action recognition,…
The abundance and ease of utilizing sound, along with the fact that auditory clues reveal a plethora of information about what happens in a scene, make the audio-visual space an intuitive choice for representation learning. In this paper, we explore the efficacy of audio-visual self-supervised learning from uncurated long-form content i.e movies. Studying its differences with conventional short-form content, we identify a non-i.i.d distribution of data, driven by the nature of movies. Specifically, we find long-form content to naturally contain a diverse set of semantic concepts (semantic dive…
University of Southern California（南加州大学）；Google（谷歌）
Longform media such as movies have complex narrative structures, with events spanning a rich variety of ambient visual scenes. Domain specific challenges associated with visual scenes in movies include transitions, person coverage, and a wide array of real-life and fictional scenarios. Existing visual scene datasets in movies have limited taxonomies and don't consider the visual scene transition within movie clips. In this work, we address the problem of visual scene recognition in movies by first automatically curating a new and extensive movie-centric taxonomy of 179 scene labels derived fro…
A recent paper by Gatys et al. describes a method for rendering an image in the style of another image. First, they use convolutional neural network features to build a statistical model for the style of an image. Then they create a new image with the content of one image but the style statistics of another image. Here, we extend this method to render a movie in a given artistic style. The naive solution that independently renders each frame produces poor results because the features of the style move substantially from one frame to the next. The other naive method that initializes the optimiz…
Understanding scenes in movies is crucial for a variety of applications such as video moderation, search, and recommendation. However, labeling individual scenes is a time-consuming process. In contrast, movie level metadata (e.g., genre, synopsis, etc.) regularly gets produced as part of the film production process, and is therefore significantly more commonly available. In this work, we propose a novel contrastive learning approach that uses movie metadata to learn a general-purpose scene representation. Specifically, we use movie metadata to define a measure of movie similarity, and use it …
MovieChat+: Question-aware Sparse Memory for Long Video Question Answering
Zhejiang University-University of Illinois at Urbana-Champaign Institute（浙江大学-伊利诺伊大学厄巴纳-香槟分校学院）；Zhejiang University（浙江大学）；the University of Washington（华盛顿大学）；Hong Kong University of Science and Technology (GuangZhou)（香港科技大学（广州））；College of Computer Science and Technology, Zhejiang University（浙江大学计算机科学与技术学院）
Weakly Supervised Cross-Modal Learning for 4D Radar Scene Flow Estimation
Zhejiang University, Hangzhou, Zhejiang, China（浙江大学）；Zhejiang Provincial Key Laboratory of Multi-Modal Communication Networks and Intelligent Information Processing（浙江省多模态通信网络与智能信息处理重点实验室）；Singapore University of Technology and Design（新加坡科技设计大学）
Film media is a rich form of artistic expression. Unlike photography, and short videos, movies contain a storyline that is deliberately complex and intricate in order to engage its audience. In this paper we present a large scale study comparing the effectiveness of visual, audio, text, and metadata-based features for predicting high-level information about movies such as their genre or estimated budget. We demonstrate the usefulness of content-based methods in this domain in contrast to human-based and metadata-based predictions in the era of deep learning. Additionally, we provide a comprehe…
Our objective in this work is long range understanding of the narrative structure of movies. Instead of considering the entire movie, we propose to learn from the `key scenes' of the movie, providing a condensed look at the full storyline. To this end, we make the following three contributions: (i) We create the Condensed Movies Dataset (CMD) consisting of the key scenes from over 3K movies: each key scene is accompanied by a high level semantic description of the scene, character face-tracks, and metadata about the movie. The dataset is scalable, obtained automatically from YouTube, and is fr…
We summarize full-length movies by creating shorter videos containing their most informative scenes. We explore the hypothesis that a summary can be created by assembling scenes which are turning points (TPs), i.e., key events in a movie that describe its storyline. We propose a model that identifies TP scenes by building a sparse movie graph that represents relations between scenes and is constructed using multimodal information. According to human judges, the summaries created by our approach are more informative and complete, and receive higher ratings, than the outputs of sequence-based mo…
Institute for Infocomm Research, A*STAR（A*STAR资讯通信研究院）；School of Computer Science and Engineering, Nanyang Technological University（南洋理工大学计算机科学与工程学院）
Answering questions according to multi-modal context is a challenging problem as it requires a deep integration of different data sources. Existing approaches only employ partial interactions among data sources in one attention hop. In this paper, we present the Holistic Multi-modal Memory Network (HMMN) framework which fully considers the interactions between different input sources (multi-modal context, question) in each hop. In addition, it takes answer choices into consideration during the context retrieval stage. Therefore, the proposed framework effectively integrates multi-modal context…
Movie highlights stand out of the screenplay for efficient browsing and play a crucial role on social media platforms. Based on existing efforts, this work has two observations: (1) For different annotators, labeling highlight has uncertainty, which leads to inaccurate and time-consuming annotations. (2) Besides previous supervised or unsupervised settings, some existing video corpora can be useful, e.g., trailers, but they are often noisy and incomplete to cover the full highlights. In this work, we study a more practical and promising setting, i.e., reformulating highlight detection as "lear…
We describe the implementation of and early results from a system that automatically composes picture-synched musical soundtracks for videos and movies. We use the phrase "picture-synched" to mean that the structure of the automatically composed music is determined by visual events in the input movie, i.e. the final music is synchronised to visual events and features such as cut transitions or within-shot key-frame events. Our system combines automated video analysis and computer-generated music-composition techniques to create unique soundtracks in response to the video input, and can be thou…
Scenes play a crucial role in breaking the storyline of movies and TV episodes into semantically cohesive parts. However, given their complex temporal structure, finding scene boundaries can be a challenging task requiring large amounts of labeled training data. To address this challenge, we present a self-supervised shot contrastive learning approach (ShotCoL) to learn a shot representation that maximizes the similarity between nearby shots compared to randomly selected shots. We show how to apply our learned shot representation for the task of scene boundary detection to offer state-of-the-a…
Movie genre classification is an active research area in machine learning. However, due to the limited labels available, there can be large semantic variations between movies within a single genre definition. We expand these 'coarse' genre labels by identifying 'fine-grained' semantic information within the multi-modal content of movies. By leveraging pre-trained 'expert' networks, we learn the influence of different combinations of modes for multi-label genre classification. Using a contrastive loss, we continue to fine-tune this 'coarse' genre classification network to identify high-level in…
University of Toronto（多伦多大学）；Vector Institute（向量研究所）；Montreal Institute for Learning Algorithms（蒙特利尔学习算法研究所）
There is growing interest in artificial intelligence to build socially intelligent robots. This requires machines to have the ability to "read" people's emotions, motivations, and other factors that affect behavior. Towards this goal, we introduce a novel dataset called MovieGraphs which provides detailed, graph-based annotations of social situations depicted in movie clips. Each graph consists of several types of nodes, to capture who is present in the clip, their emotional and physical attributes, their relationships (i.e., parent/child), and the interactions between them. Most interactions …
King Abdullah University of Science and Technology（阿卜杜拉国王科技大学）；Adobe Research（Adobe研究院）；Meta Reality Labs（Meta现实实验室）
Understanding movies and their structural patterns is a crucial task in decoding the craft of video editing. While previous works have developed tools for general analysis, such as detecting characters or recognizing cinematography properties at the shot level, less effort has been devoted to understanding the most basic video edit, the Cut. This paper introduces the Cut type recognition task, which requires modeling multi-modal information. To ignite research in this new task, we construct a large-scale dataset called MovieCuts, which contains 173,967 video clips labeled with ten cut types de…
CUHK-SenseTime Joint Lab, The Chinese University of Hong Kong（香港中文大学-商汤科技联合实验室）
Recent years have seen remarkable advances in visual understanding. However, how to understand a story-based long video with artistic styles, e.g. movie, remains challenging. In this paper, we introduce MovieNet -- a holistic dataset for movie understanding. MovieNet contains 1,100 movies with a large amount of multi-modal data, e.g. trailers, photos, plot descriptions, etc. Besides, different aspects of manual annotations are provided in MovieNet, including 1.1M characters with bounding boxes and identities, 42K scene boundaries, 2.5K aligned description sentences, 65K tags of place and actio…
Washington University（华盛顿大学）；Tsinghua University（清华大学）
This paper proposes an algorithm that turns a regular video capturing urban scenes into a high-quality endless animation, known as a Cinemagraph. The creation of a Cinemagraph usually requires a static camera in a carefully configured scene. The task becomes challenging for a regular video with a moving camera and objects. Our approach first warps an input video into the viewpoint of a reference camera. Based on the warped video, we propose effective temporal analysis algorithms to detect regions with static geometry and dynamic appearance, where geometric modeling is reliable and visually att…
Relation-Aware Distribution Representation Network for Person Clustering with Multiple Modalities
SenseTime Research（商汤科技研究院）；The University of Sydney（悉尼大学）；University of Cologne（科隆大学）；EWI gGmbH（EWI有限责任公司）；Shanghai AI Laboratory（上海人工智能实验室）；Qing Yuan Research Institute of Shanghai Jiao Tong University（上海交通大学清源研究院）
We present Affect2MM, a learning method for time-series emotion prediction for multimedia content. Our goal is to automatically capture the varying emotions depicted by characters in real-life human-centric situations and behaviors. We use the ideas from emotion causation theories to computationally model and determine the emotional state evoked in clips of movies. Affect2MM explicitly models the temporal causality using attention-based methods and Granger causality. We use a variety of components like facial features of actors involved, scene understanding, visual aesthetics, action/situation…
University of Southern California（南加州大学）；Google Inc.（谷歌公司）
An objective understanding of media depictions, such as inclusive portrayals of how much someone is heard and seen on screen such as in film and television, requires the machines to discern automatically who, when, how, and where someone is talking, and not. Speaker activity can be automatically discerned from the rich multimodal information present in the media content. This is however a challenging problem due to the vast variety and contextual variability in the media content, and the lack of labeled data. In this work, we present a cross-modal neural network for learning visual representat…
Detecting scene types in a movie can be very useful for application such as video editing, ratings assignment, and personalization. We propose a system for detecting kissing scenes in a movie. This system consists of two components. The first component is a binary classifier that predicts a binary label (i.e. kissing or not) given a features exctracted from both the still frames and audio waves of a one-second segment. The second component aggregates the binary labels for contiguous non-overlapping segments into a set of kissing scenes. We experimented with a variety of 2D and 3D convolutional…
Massachusetts Institute of Technology（麻省理工学院）；University of Toronto（多伦多大学）；University of Maryland Baltimore County（马里兰大学巴尔的摩分校）
People can recognize scenes across many different modalities beyond natural images. In this paper, we investigate how to learn cross-modal scene representations that transfer across modalities. To study this problem, we introduce a new cross-modal scene dataset. While convolutional neural networks can categorize scenes well, they also learn an intermediate representation not aligned across modalities, which is undesirable for cross-modal transfer applications. We present methods to regularize cross-modal convolutional neural networks so that they have a shared representation that is agnostic o…
3DMIT: 3D Multi-modal Instruction Tuning for Scene Understanding
Beijing University of Posts and Telecommunications（北京邮电大学）；Beijing Digital Native Digital City Research Center（北京数字原生数字城市研究中心）；Peking University（北京大学）；Beihang University（北京航空航天大学）；Beijing University of Science and Technology（北京科技大学）
Visual question answering by using information from multiple modalities has attracted more and more attention in recent years. However, it is a very challenging task, as the visual content and natural language have quite different statistical properties. In this work, we present a method called Adversarial Multimodal Network (AMN) to better understand video stories for question answering. In AMN, as inspired by generative adversarial networks, we propose to learn multimodal feature representations by finding a more coherent subspace for video clips and the corresponding texts (e.g., subtitles …
Computer Vision Center, Universitat Autónoma de Barcelona（巴塞罗那自治大学计算机视觉中心）；NAVER LABS Europe（NAVER LABS 欧洲）
Recent models for cross-modal retrieval have benefited from an increasingly rich understanding of visual scenes, afforded by scene graphs and object interactions to mention a few. This has resulted in an improved matching between the visual representation of an image and the textual representation of its caption. Yet, current visual representations overlook a key aspect: the text appearing in images, which may contain crucial information for retrieval. In this paper, we first propose a new dataset that allows exploration of cross-modal retrieval where images contain scene-text instances. Then,…
Visual appearance is considered to be the most important cue to understand images for cross-modal retrieval, while sometimes the scene text appearing in images can provide valuable information to understand the visual semantics. Most of existing cross-modal retrieval approaches ignore the usage of scene text information and directly adding this information may lead to performance degradation in scene text free scenarios. To address this issue, we propose a full transformer architecture to unify these cross-modal retrieval scenarios in a single $\textbf{Vi}$sion and $\textbf{S}$cene $\textbf{T}…
PAI-Actor: Cinematic Multi-Character Replacement in Dynamic Scenes
Utopai Studios（Utopai工作室）；University of California, Irvine（加州大学尔湾分校）；Nanyang Technological University（南洋理工大学）；Show Lab, National University of Singapore（新加坡国立大学Show Lab）；National University of Singapore（新加坡国立大学）
University of Toronto（多伦多大学）；MIT CSAIL（麻省理工学院计算机科学与人工智能实验室）；University of Maryland - Baltimore County（马里兰大学巴尔的摩县分校）
People can recognize scenes across many different modalities beyond natural images. In this paper, we investigate how to learn cross-modal scene representations that transfer across modalities. To study this problem, we introduce a new cross-modal scene dataset. While convolutional neural networks can categorize cross-modal scenes well, they also learn an intermediate representation not aligned across modalities, which is undesirable for cross-modal transfer applications. We present methods to regularize cross-modal convolutional neural networks so that they have a shared representation that i…
University of Chinese Academy of Sciences（中国科学院大学）
Image-text retrieval of natural scenes has been a popular research topic. Since image and text are heterogeneous cross-modal data, one of the key challenges is how to learn comprehensive yet unified representations to express the multi-modal data. A natural scene image mainly involves two kinds of visual concepts, objects and their relationships, which are equally essential to image-text retrieval. Therefore, a good representation should account for both of them. In the light of recent success of scene graph in many CV and NLP tasks for describing complex natural scenes, we propose to represen…
Thapar Institute of Engineering and Technology（塔帕尔工程技术学院）
This paper represents a cost-effective scene perception system aimed towards visually impaired individual. We use an odroid system integrated with an USB camera and USB laser that can be attached on the chest. The system classifies the detected objects along with its distance from the user and provides a voice output. Experimental results provided in this paper use outdoor traffic scenes. The object detection and classification framework exploits a multi-modal fusion based faster RCNN using motion, sharpening and blurring filters for efficient feature representation.
