Fairness in machine learning has been studied by many researchers. In particular, fairness in recommender systems has been investigated to ensure the recommendations meet certain criteria with respect to certain sensitive features such as race, gender etc. However, often recommender systems are multi-stakeholder environments in which the fairness towards all stakeholders should be taken care of. It is well-known that the recommendation algorithms suffer from popularity bias; few popular items are over-recommended which leads to the majority of other items not getting proportionate attention. This bias has been investigated from the perspective of the users and how it makes the final recommendations skewed towards popular items in general. In this paper, however, we investigate the impact of popularity bias in recommendation algorithms on the provider of the items (i.e. the entities who are behind the recommended items). Using a music dataset for our experiments, we show that, due to some biases in the algorithms, different groups of artists with varying degrees of popularity are systematically and consistently treated differently than others.
In today's world of growing number of songs, the need of finding apposite music content according to a user's interest is crucial. Furthermore, recommendations suitable to one user may be irrelevant to another. In this paper, we propose a recommendation system for users with common-artist music listening patterns. We use "random walk with restart" algorithm to get relevant recommendations and conduct experiments to find the optimal values of multiple parameters.
Algorithms have an increasing influence on the music that we consume and understanding their behavior is fundamental to make sure they give a fair exposure to all artists across different styles. In this on-going work we contribute to this research direction analyzing the impact of collaborative filtering recommendations from the perspective of artist and music style exposure given by the system. We first analyze the distribution of the recommendations considering the exposure of different styles or genres and compare it to the users' listening behavior. This comparison suggests that the syste…
Music recommender systems have become central parts of popular streaming platforms such as Last.fm, Pandora, or Spotify to help users find music that fits their preferences. These systems learn from the past listening events of users to recommend music a user will likely listen to in the future. Here, current algorithms typically employ collaborative filtering (CF) utilizing similarities between users' listening behaviors. Some approaches also combine CF with content features into hybrid recommender systems. While music recommender systems can provide quality recommendations to listeners of ma…
We consider the task of sequencing tracks on music streaming platforms where the goal is to maximise not only user satisfaction, but also artist- and platform-centric objectives, needed to ensure long-term health and sustainability of the platform. Grounding the work across four objectives: Sat, Discovery, Exposure and Boost, we highlight the need and the potential to trade-off performance across these objectives, and propose Mostra, a Set Transformer-based encoder-decoder architecture equipped with submodular multi-objective beam search decoding. The proposed model affords system designers th…
Shared practices to assess the diversity of retrieval system results are still debated in the Information Retrieval community, partly because of the challenges of determining what diversity means in specific scenarios, and of understanding how diversity is perceived by end-users. The field of Music Information Retrieval is not exempt from this issue. Even if fields such as Musicology or Sociology of Music have a long tradition in questioning the representation and the impact of diversity in cultural environments, such knowledge has not been yet embedded into the design and development of music…
Music Recommender Systems (mRS) are designed to give personalised and meaningful recommendations of items (i.e. songs, playlists or artists) to a user base, thereby reflecting and further complementing individual users' specific music preferences. Whilst accuracy metrics have been widely applied to evaluate recommendations in mRS literature, evaluating a user's item utility from other impact-oriented perspectives, including their potential for discrimination, is still a novel evaluation practice in the music domain. In this work, we center our attention on a specific phenomenon for which we wa…
Promoting diversity in the music sector is widely discussed on the media. While the major problem may lie deep in our society, music information retrieval contributes to promoting diversity or may create unequal opportunities for artists. For example, considering the known problem of popularity bias in music recommendation, it is important to investigate whether the short head of popular music artists and the long tail of less popular ones show similar patterns of diversity---in terms of, for example, age, gender, or ethnic origin---or the popularity bias amplifies a positive or negative effec…
In this paper, we explore the task of local music event recommendation. Many local artists tend to be obscure long-tail artists with a small digital footprint. That is, it can be hard to find social tag and artist similarity information for many of the artists who are playing shows in the local music community. To address this problem, we explore using Latent Semantic Analysis (LSA) to embed artists and tags into a latent feature space and examine how well artists with small digital footprints are represented in this space. We find that only a relatively small digital footprint is needed to ef…
High quality user feedback data is essential to training and evaluating a successful music recommendation system, particularly one that has to balance the needs of multiple stakeholders. Most existing music datasets suffer from noisy feedback and self-selection biases inherent in the data collected by music platforms. Using the Piki Music dataset of 500k ratings collected over a two-year time period, we evaluate the performance of classic recommendation algorithms on three important stakeholders: consumers, well-known artists and lesser-known artists. We show that a matrix factorization algori…
Korea Advanced Institute of Science and Technology (KAIST)（韩国科学技术院）；NAVER Corp.（NAVER公司）
Supervised music representation learning has been performed mainly using semantic labels such as music genres. However, annotating music with semantic labels requires time and cost. In this work, we investigate the use of factual metadata such as artist, album, and track information, which are naturally annotated to songs, for supervised music representation learning. The results show that each of the metadata has individual concept characteristics, and using them jointly improves overall performance.
Automatically generating or captioning music playlist titles given a set of tracks is of significant interest in music streaming services as customized playlists are widely used in personalized music recommendation, and well-composed text titles attract users and help their music discovery. We present an encoder-decoder model that generates a playlist title from a sequence of music tracks. While previous work takes track IDs as tokenized input for playlist title generation, we use artist IDs corresponding to the tracks to mitigate the issue from the long-tail distribution of tracks included in…
We address the problem of disambiguating large scale catalogs through the definition of an unknown artist clustering task. We explore the use of metric learning techniques to learn artist embeddings directly from audio, and using a dedicated homonym artists dataset, we compare our method with a recent approach that learn similar embeddings using artist classifiers. While both systems have the ability to disambiguate unknown artists relying exclusively on audio, we show that our system is more suitable in the case when enough audio data is available for each artist in the train dataset. We also…
An increasing amount of digital music is being published daily. Music streaming services often ingest all available music, but this poses a challenge: how to recommend new artists for which prior knowledge is scarce? In this work we aim to address this so-called cold-start problem by combining text and audio information with user feedback data using deep network architectures. Our method is divided into three steps. First, artist embeddings are learned from biographies by combining semantics, text features, and aggregated usage data. Second, track embeddings are learned from the audio signal a…
This paper presents a set of algorithms used for music recommendations and personalization in a general purpose social network www.ok.ru, the second largest social network in the CIS visited by more then 40 millions users per day. In addition to classical recommendation features like "recommend a sequence" and "find similar items" the paper describes novel algorithms for construction of context aware recommendations, personalization of the service, handling of the cold-start problem, and more. All algorithms described in the paper are working on-line and are able to detect and address changes …
Know-Center GmbH（Know-Center有限公司）；Johannes Kepler University Linz（林茨约翰内斯·开普勒大学）；Graz University of Technology（格拉茨技术大学）
Research has shown that recommender systems are typically biased towards popular items, which leads to less popular items being underrepresented in recommendations. The recent work of Abdollahpouri et al. in the context of movie recommendations has shown that this popularity bias leads to unfair treatment of both long-tail items as well as users with little interest in popular items. In this paper, we reproduce the analyses of Abdollahpouri et al. in the context of music recommendation. Specifically, we investigate three user groups from the LastFM music platform that are categorized based on …
Popularity bias is the idea that a recommender system will unduly favor popular artists when recommending artists to users. As such, they may contribute to a winner-take-all marketplace in which a small number of artists receive nearly all of the attention, while similarly meritorious artists are unlikely to be discovered. In this paper, we attempt to measure popularity bias in three state-of-art recommender system models (e.g., SLIM, Multi-VAE, WRMF) and on three commercial music streaming services (Spotify, Amazon Music, YouTube). We find that the most accurate model (SLIM) also has the most…
On an artist's profile page, music streaming services frequently recommend a ranked list of "similar artists" that fans also liked. However, implementing such a feature is challenging for new artists, for which usage data on the service (e.g. streams or likes) is not yet available. In this paper, we model this cold start similar artists ranking problem as a link prediction task in a directed and attributed graph, connecting artists to their top-k most similar neighbors and incorporating side musical information. Then, we leverage a graph autoencoder architecture to learn node embedding represe…
We explore the task of local music recommendation: provide listeners with personalized playlists of relevant tracks by artists who play most of their live events within a small geographic area. Most local artists tend to be obscure, long-tail artists and generally have little or no available user preference data associated with them. This creates a cold-start problem for collaborative filtering-based recommendation algorithms that depend on large amounts of such information to make accurate recommendations. In this paper, we compare the performance of three standard recommender system algorith…
Artist similarity plays an important role in organizing, understanding, and subsequently, facilitating discovery in large collections of music. In this paper, we present a hybrid approach to computing similarity between artists using graph neural networks trained with triplet loss. The novelty of using a graph neural network architecture is to combine the topology of a graph of artist connections with content features to embed artists into a vector space that encodes similarity. To evaluate the proposed method, we compile the new OLGA dataset, which contains artist similarities from AllMusic, …
Music listening in today's digital spaces is highly characterized by the availability of huge music catalogues, accessible by people all over the world. In this scenario, recommender systems are designed to guide listeners in finding tracks and artists that best fit their requests, having therefore the power to influence the diversity of the music they listen to. Albeit several works have proposed new techniques for developing diversity-aware recommendations, little is known about how people perceive diversity while interacting with music recommendations. In this study, we interview several li…
We introduce a novel and interpretable path-based music similarity measure. Our similarity measure assumes that items, such as songs and artists, and information about those items are represented in a knowledge graph. We find paths in the graph between a seed and a target item; we score those paths based on their interestingness; and we aggregate those scores to determine the similarity between the seed and the target. A distinguishing feature of our similarity measure is its interpretability. In particular, we can translate the most interesting paths into natural language, so that the causes …
Popularity-based approaches are widely adopted in music recommendation systems, both in industry and research. However, as the popularity distribution of music items typically is a long-tail distribution, popularity-based approaches to music recommendation fall short in satisfying listeners that have specialized music. The contribution of this article is three-fold. We provide several quantitative measures describing the proximity of a user's music preference to the music mainstream. We define the measures at two levels: relating a listener's music preferences to the global music preferences o…
Music recommendation services collectively spin billions of songs for millions of listeners on a daily basis. Users can typically listen to a variety of songs tailored to their personal tastes and preferences. Music is not the only type of content encountered in these services, however. Advertisements are generally interspersed throughout the music stream to generate revenue for the business. Additional content may include artist messaging, ticketing, sports, news and weather. In this paper, we discuss issues that arise when multiple content providers are stakeholders in the recommendation pro…
Johannes Kepler University Linz（林茨约翰内斯·开普勒大学）；Utrecht University（乌得勒支大学）；Graz University of Technology（格拉茨工业大学）；Know-Center（知识中心）
Music preferences are strongly shaped by the cultural and socio-economic background of the listener, which is reflected, to a considerable extent, in country-specific music listening profiles. Previous work has already identified several country-specific differences in the popularity distribution of music artists listened to. In particular, what constitutes the "music mainstream" strongly varies between countries. To complement and extend these results, the article at hand delivers the following major contributions: First, using state-of-the-art unsupervised learning techniques, we identify an…
Recommending the right content in large scale multimedia streaming services is an important and challenging problem that has received much attention in the past decade. A key ingredient for successful recommendations is an effective similarity metric between two objects, and models that leverage the current context to constrain the recommendations. This work proposes a model for random object generation that introduces two key novel elements: (i) a similarity metric based on the distance between objects in a given object sequence, that is also used to measure similarity between meta-data assoc…
Recommender systems associated with social networks often use social explanations (e.g. "X, Y and 2 friends like this") to support the recommendations. We present a study of the effects of these social explanations in a music recommendation context. We start with an experiment with 237 users, in which we show explanations with varying levels of social information and analyze their effect on users' decisions. We distinguish between two key decisions: the likelihood of checking out the recommended artist, and the actual rating of the artist based on listening to several songs. We find that while…
University of California, San Diego（加州大学圣地亚哥分校）；Columbia University（哥伦比亚大学）
Digital music has become prolific in the web in recent decades. Automated recommendation systems are essential for users to discover music they love and for artists to reach appropriate audience. When manual annotations and user preference data is lacking (e.g. for new artists) these systems must rely on \emph{content based} methods. Besides powerful machine learning tools for classification and retrieval, a key component for successful recommendation is the \emph{audio content representation}. Good representations should capture informative musical patterns in the audio signal of songs. These…
